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so one of the largest open source data communities on the internet, data.world, got bought out by a company called ServiceNow, who has decided to fucking delete all of it by July 11th. they've given users barely any notice, no emails, just a fucking banner at the top and a blog post from June that gives barely a month to download your data before they fucking delete it all.
a bunch of archives of incredibly important government datasets like maternal mortality statistics are about to be deleted forever. in a regime where they're known to fudge numbers, we can't trust a lot of the data coming from them to not be altered. open source backups like those found on data.world are vital to being able to verify that the data coming from our government is still intact and not altered. and they're about to delete all of it.
i don't know if we need to start a petition or what. nobody seems to fucking care. there are millions of users on data.world and yet nobody is raising the alarm bells and it makes me feel like I'm going insane. somebody needs to do something. i don't know what to do. it feels like more and more of this world is being destroyed and dismantled. it's not only US centric data, either! it's all sorts of countries from around the world! and they're about to fucking delete everything.
the only things that won't be deleted are private companies who happen to use the paid version of their platform (which isn't accessible data to the open source community; some people have just been using their service to host their own data on privately)
and the kicker? this announcement was made... via an AI generated blog post. so not even any sort of human touch. just a generic, soulless announcement made by a soulless human about to take a wrecking ball to one of the more important websites that exists on the internet.
an example of some of the things that will be deleted on July 11th:
I haven't, I don't really have a reddit anymore. if somebody else would be willing to do that, that would be great. I'm pretty sure it only lets you post with a certain amount of karma now which is annoying
It looks like this has gotten onto Reddit and people are saving the data - but I can imagine researchers who uploaded assets won’t know this, so hopefully can reach some.
There are over 3500 respectable data repositories on one respectable global registry; to a researcher there’s no point in data existing if not findable; if you’re trying to find a new home for your dataset, start there
I’ve been emailing folks at my university about this today, and no one that I have talked to has been previously aware that this is happening.
Here are some of the scripts I’m using to email University Research Librarians and department chairs/assistant and associate deans who I know oversee faculty who use resources from data.world for their lessons:
Email for a Research Librarian: To find a research librarian try running an internet search like: “[College Name] Library Staff Directory” and see who may be a good fit.
Subject: Data.world public archive private purchase and deletion
Hi [Research Librarian or Data Preservation Specialist],
I recently ran into news that data.world has been purchased by ServiceNow, and that ServiceNow is ending public access to these archives July 11th. This is a very large public data archive that I personally used in my undergraduate work several years ago. I don't know much about digital preservation, or how it works at [College Name], but I thought it might be worthwhile to try reaching out.
I wanted to let someone in Libraries know in case current [College Name] students are using data in this archive for their research and need to be notified to save the data elsewhere, and to see if there is anything that [College Name] can do to help with greater preservation efforts.
The archive can be accessed here for now. A login is required, but it is free to set up.
https://data.world/_all/w/datasets
Here is a screenshot with the announcement of the closure of the site. Site users were not notified that access will be ending and would have to be looking at the page regularly to know that access will be terminated.
Please let anyone know who may need to use the site (or who would be interested in trying to preserve it).
Thanks,
[Your Name]
[Your Job/College Affiliation]
[Your Contact Information]
If you know a current department or school within a college that is using data.world archives, this is a template that I am using to contact department chairs or assistant/associate deans of research within specific schools.
Subject: Loss of public data.world access 7/11/26
Hi [Dr. Last Name]
I recently learned that the public data archive data.world has been purchased by ServiceNow and that they are closing public access 7/11/26. [Sentence about how the data is or was used by the department/school you are contacting].
I wanted to make sure this was on your radar in case any students are doing research with this data and need to act quickly to retrieve the data sources they need for their work, similarly for faculty using this data in their research or teaching.
The archive can be accessed here for now. A login is required, but it is free to set up.
https://data.world/_all/w/datasets
Here is a screenshot with the announcement of the closure of the site. Site users were not notified that access will be ending and would have to be looking at the page regularly to know that access will be terminated.
Please let anyone know who may need to use the site (or who would be interested in trying to preserve it).
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It has come to my attention that some of you have never seen what I firmly believe to be the greatest music video of all time: Bonnie Tyler’s Total Eclipse of the Heart. It is the perfect marriage of a galactically bombastic power ballad and a writhing mass of 1980s video clichés, thrown into the path of a wind machine and blasted down a moodily lit corridor into the realm of legend.
In case you’re wondering what the heck they were thinking of when they made it, I remember Bonnie once explaining on TV that it’s about the dreams of a headmaster’s daughter, hence all the boys in (and out of) uniform. In retrospect, the whole shebang is quite fascinatingly female gaze-y, and I’m pretty sure it was a major formative influence on my pubescent imagination.
And yes, there is also a very amusing literal version, but for my money, the original is definitely the most hilarious…
random hc of the day: qifrey (and olruggio) couldn't mend their clothes well and have been relying on the streamstress in kalhn to fix their worn out clothes until coco taught them how to after she joins the atelier
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actually that’s why they’ve helpfully dropped a big-ass cement block with a bridge surrounding it in the middle of the lake: for the express purpose of doing what OP aspires to do
“In Finnish folklore, the northern lights are created when a mythical fox races across the Arctic tundra, its tail sweeping snow into the sky and setting it ablaze. Those glowing sparks, the story goes, become auroras — a legend reflected in the Finnish word revontulet, which literally translates to ‘fox fires.’”
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call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
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