My hand rested on the hilt of my rapier, I stand there for a minute over the body, and just glance left and right to see if anyone is paying close attention to this corner...
almost home

if i look back, i am lost

shark vs the universe
KIROKAZE
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

occasionally subtle
Monterey Bay Aquarium

@theartofmadeline

Kaledo Art

Andulka
Jules of Nature

Product Placement
trying on a metaphor

#extradirty
Cosimo Galluzzi

seen from United States
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seen from United States

seen from Netherlands
seen from Saudi Arabia
seen from United States

seen from United States
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seen from United States
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seen from Australia
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seen from Germany
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@vaxleth
My hand rested on the hilt of my rapier, I stand there for a minute over the body, and just glance left and right to see if anyone is paying close attention to this corner...

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Critical Role Campaign 4 + Text posts || I love these freaks I can't wait for more
Q&A from the CR Panel at RCCC23
Critter: We know Jester & Imogen have seen the bug, but has Vex seen the bug?
Laura (as Vex): …one time, I saw a bug climbing up-
Liam (as Vax): Ugh go to sleep
Vex: brother it was carrying something 5x it’s size!
Matt (as Trinket): HNNGGGGGGG
The Explorer's Guide to Wildemount specify that the events of the campaign diverge from the book's temporal setting "at" episode 50. Episode 50 also happens to be the one that featured Wizards of the Coast employee Chris Perkins as Spurt, in which the 11-day-old kobold appeared and was promptly killed by getting smashed by a giant's hammer. Due to the wording of the guide, it is unclear whether or not episode 50 is canon to the guide, resulting in a superposition of the fate of the dauntless kobold, or what I like to call "Schroedinger's Spurt",
[ID: A digital illustration of Laudna from Critical Role. She is standing wearing her purple dress and black corset with flower embroidery. She's holding the straps to her backpack, which is Pâté's wooden house. She looks back at Pâté, who is poking his head out of the house. End description.]
Pâté's backpack house my beloved <3

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“i’m afraid i’m a bad person—imogen—“
“—you’re not a bad person”
i kiss her again
In the confusion, and the aftermath You are my signal fire
ok. shitty imodna aesthetic be upon ye
"can i kiss you? i can't tell if it's alright or not anymore."
BAFTA Award winner Laura Bailey loves a dramatic, perfectly-timed gay pause

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"together either way"
I had tried to draw Yios once and gave up because I was super confused, but the nice thing about being *asked* to draw it meant I got to ask a billion questions and actually understand what was going on!
I hope this helps as I know a lot of us were excited and confused trying to visualize Yios <3
Vaxleth redraw from a piece I did a few years ago
Campaign 1 Episode 87: Onward to Vesrah
the reason critical role is so good is because every campaign features at least one cast member creating a character that they intend to be doomed by the narrative and matt and the rest of the cast going don’t be an idiot, Our Love Will Undoom Them. like in the explanation of percy’s final playlist, taliesin wrote, “Cheers to a happy ending for a character intended by his creator to be karmically irredeemable. May we all be so fortunate.” and just, Yeah.

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dunabis 🤝 applebee's solstice
Endless Bells Hells