I know we joke about it all the time but hotel room walls are...GENUINELY very thin. The bit in the HR novel where Shane and Ilya fuck in the shower so that the water drowns out the sounds actually rang as extremely accurate to me. Like, the lack of boundaries that must exist not just for the Centaurs but for ANYBODY who spends a significant amount of time sharing hotel room walls with their teammates is just unbelievable.
Like, on any given roadie the people sharing walls with the Hollanovs can expect to overhear:
- One side of phone calls between Shane and his mother where every third word is FUCK and Shane's voice gets higher the more he works himself up about whatever league drama is pissing him off that week
- Ilya yelling in Russian (Non sex reasons) (He and Svetlana are talking about Matheson in Colorado. Again.)
- Ilya gets hay fever real bad in Seattle and spends an entire night sneezing at EAR SPLITTING volume, each sneeze followed by a, "AHH!" from Shane as he is startled awake. Again.
- The Christmas wish lists of every Pike child and how they're going to be divvy'd up for the year. This conversation takes place in September.
- "I'm telling you, the penalty kill could be a work of fucking art if Haas--oh fuck, right there, don't stop--"
- As stated before, an objectively obnoxious amount of showering is happening. At one point LaPointe turns to Bood and says something to the effect of, "Crazy that Hollander takes TWO showers after every game, I guess he really is superstitious," and Bood just. Chooses not to engage.
- A thunderous and almighty BANG. This is the sound of Ilya's suitcase hitting the floor after it inevitably slides off the bed.
- "Shaaaaane, look at the livestream from the dog hotel--look at how cute! She is so sleepy, she's holding her banana like a baaaaby--"
- Vin Diesel's voice, unimaginably loud, at one AM
- Russian Yelling (Non sex reasons) (Sasha did something stupid)
- "Unh unh unh UNH UNH UNH--" (Squeak. Squeak.)
- Celtics game. Twenty minutes beforehand: "Fuck, Shane, how do I get ESPN on the stupid--Roku stick thing--"
- "Okay, look, your dad played the word veer--is not real word, right? Like, deer with a V? It's real? Shane, we can't let your dad win--no, it's not cheating, he gets Yuna's help--"
- Stuff about Rose Landry's upcoming film that they should probably all sign NDAs for even thinking about.
- Russian Yelling (Sex reasons. Probably. It sounds...ardent.)
- One time, for an entire night, silence. The day immediately preceeding this night and the morning immediately after are best left unspoken about.
- The sound of Shane's fuckass electric toothbrush for WAY too long. Seriously man it cannot be healthy to brush your teeth for that lo--oh. Got it. Okay. Where are my earbuds.
- "I mean, it's not like I'm sixteen anymore, right? It's just that sometimes I think she looks at me and sees a fucking kid still, and I get it, I get it--and fuck, babe, I know it's not fair to feel this way, she's the only mom I'll ever have, and you don't even--ugh--"
- "I'm so terribly sorry the hotel misplaced your bags, Mister Rozanov. If there's any way that we can...make it up to you..." [Giggle. Kissing sound. Kissing sound. Moan.]
- Banging on the wall and, "KEEP IT DOWN, ROOK," the one. Singular. Time. That Holmberg manages to pull on their West Coast roadie. Which may or may not be the beginning of his villain origin story.
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shane riding it crazy style in a backwards baseball hat is like level up of white crew socks as lingerie. i think it would give ilya a nosebleed
no bc shane bouncing and moaning on it in just the white crew socks and backwards baseball hat and maybe his smartwatch notifying him he's hit his cardio goal for the day would give me a nosebleed too
okay I can’t keep it in anymore. Shane may be autistic, but he simply Would Not have a problem with things being too bright or loud. This boy plays HOCKEY, he is a SENSORY SEEKER, there is NO SUCH THING AS TOO BRIGHT AND LOUD. In my HEART OF HEARTS I know that this man used to stand in the middle of arcades as a child and soak in all of the different sounds and lights and flashy bits and finally feel like he’s getting enough sensation to settle into his own skin. He sleeps under 2 weighted blankets and preferably also another giant 250lb hockey player. He’s not having a problem with too much noise and stimulation. He plays recorded crowd noises from other sports games to focus on stuff. He’s fine sitting in wet clothes for an hour if that’s how long it takes to finish sexting before he gets changed. He’s a SENSORY SEEKER. LET HIM SEEK.
It is key to my personal #myshane that he does not have an autism diagnosis. As a kid he was maybe brought to a specialist, and they looked at him and diagnosed him with Rambunctious Little Boy, because it was the 90s and he wasn't experiencing any significant delays! He was just throwing himself in puddles constantly, and he never stopped wiggling, and his favorite game was Toddler Rave Chamber, in which he shut himself in the bathroom and flickered the lights off and on for as long as it took for his parents to find and stop him.
Wrapping small child Shane in heavy, sweaty hockey gear was an unexpected lifeline in the ongoing battle he's been waging against his body. Gear is heavy. It pressed him into himself. Any sweaty feeling was a bonus, because wet fabric against skin is A Distinct Feeling and that feeling also helped him get the minimum sensory input needed to function effectively. Underarmor would also be a favorite.
(For context: my brother is an autistic sensory seeker. Aside from the ongoing sensory stuff he has very low support needs at this point in his life. I am pulling from Life Experience living with him, I am not spouting autism stereotypes out my ass)
I don't know if monkey bars were a playground staple for Canadian kids in the 90s, but the proprioceptive input from them is GREAT for baby Shane. He's too socially aware to do any visible repetitive motion stims, but sports and playground equipment that involve flinging himself around in space are the best. If there's a convenient puddle on that playground, you'd better believe be is sticking his feet in it. Wet shoes are heavy and heavy things on his body Feel Nice.
The one other sensory thing that I believe in my heart he is doing (and he is NOT growing out of) is chewing. The hoodie-string-sexting shot is foundational for me. He's bitten through a dozen pens. He's chewing off his fingernails. If he had long enough hair, you'd better believe it would be in his mouth. He's chomping on his mouthguard like it's a chew toy. Somewhere in the depths of his juniors teammate's myspace page is a pic of him straight up biting a beer can in half. It's played off as a joke, but if something looks like a nice texture it WILL go in his mouth. It's a matter of when, not if. He’s a biter because Oral Sensoru Input Very Good, and he will never be stopped.
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she is a princess and you are a dragon. she will be married tonight. do not keep standing outside of her room like that, go inside. go get her. that is what proper dragons do.
not that you have ever been a good or proper dragon. when you hatched out of your egg, your eggtooth was too smooth. the other dragons were rough with you, put little holes in your wings.
you were not bold. you were odd. you liked rippling water and the shine of chitin when bugs scuttle and of course the movement of the stars. those were all acceptable interests albeit maybe not traditional. perhaps you had inherited these through some great-great-uncle or something. certainly a dragon may be wise, or clever, if they are not bold.
yes, you have been a great deal of a puzzle to the other dragons. your body is smaller and rather more soft than it ought to be. so speed should have been yours, perhaps - your mother said it would be like fighting a shadow. if a dragon is not aggressive, it may instead be cruel, sly; a backstab. but alas your scales - so iridescent that they almost shine like the moon at night, a glow from within - you are not a shadow, you are a beacon like the flash of a knight's blade. your father has said at least you would make a fine egglayer, a nice mate to a good male. a dragon like you may still be a good mother perhaps; and that is a fine thing to be; although of course it would have been better if you'd been a trove-hoarder instead.
what a dragon must not be is kind.
you have watched her now for six moons. what a good and proper dragon would do is to go inside and to snatch her. a very proper dragon would have kidnapped her many times over, but you will be the delight of your brood to princess-snatch even at all. when you catch her in your jaws and bring her home, they will love you, then. they don't think you're capable of it, but you are, because you're a proper dragon. you can show them that. if you go in, now, right now.
you are rather too glossy to hide in the shadows, so instead you have learned how to appear flat and round, a puddle of light. (how your siblings would mock you! a dragon should be matte, to blend with the night). you dapple your flank with mud. you perch in odd angles atop of trees, scuttle like the bugs you love - hither, tither, frantic.
what you must not do is fly with your wings full-out. alight, you will be limned by the moon's corona. you will be a beacon. you must remember this when (not if) you snatch her.
____
you found her because of the lake. this lake in particular was your favorite - nestled deep in the woods, between two mountains. it is very quiet; there is nothing to horde there so no other dragon bothers you. a gentle waterfall spills over into a deep cove, and there are many mossy caves you've spent your afternoons napping in. while it is not proper for a dragon to prefer such things, you like to lay in rolling tenure just under the water. you have become excellent at holding your breath, can do it for hours. it is the easiest way to appear as a patch of sunlight.
she was not sunlight. she was the night's joy. the dark press of water. her face at first concealed by many diaphanous layers. her breathing quick and quiet.
she had pulled them back to drink from her water flask. and there she had been: a princess. your first very-real princess. right there, only the reach of a single talon from you. if you had simply lunged then, you would have been able to take her easily, in one single movement.
but you did not take her.
she had startled you a bit; you'd been daydreaming about music, which you'd just discovered, and rather liked. you'd heard it from a little house while you snuck in and stole their sheep.
but you knew the sound of fear, of being followed. you'd been chased too many times, you knew what it looked like. the rapid jolt of fear.
you smelled her then; cinnamon and onyx, and perhaps that was what had blinded you. perhaps your mouth was just watering. whatever the case, you waited until she had fled back into the forest; and then you waited a bit longer. in her wake, a garrison of men, their hands rough.
oh. so they were not knights. they were just men chasing a young woman through the woods. perhaps they did not even know a real princess had been running from them. well, that was a relief. you are not good at fighting with knights, who have swords instead of cudgels. these were just men, so you rose from the water in the quiet way you'd learned from the fish. they did not hear you coming.
and besides. proper dragons do violence so well.
___
once you had smelled her you could find her, although such things have always been easier for you than for the others. you spend a great deal of time studying things - it allows you to analyze them. you have tried to explain to the other dragons that sometimes it is best to slow down, but of course no dragon should be slow.
at first you did not understand the confusion of the people's umwelt. they relied so much on their communication (only words and actions!) and what they could see with their eyes. you and the other dragons did not use these as much; but you liked prying out the little sonic differences between hello that means "i like you" and hello that means "i don't like you."
so it took you a while to learn that you were responsible for what had happened to her. men had gone missing, and even bad men going missing makes a big fuss. (you know that if it had been girls missing, it would be okay. many proper dragons steal girls because it will not bring a knight to their door). for a while she had been trapped on the palace grounds. it was determined that it was no longer safe for her to be just a princess, she must undergo some human transformation and become a wife.
even so. you had gone looking for her (only to study, of course, so you may know how to snatch her best). but that night you saw her descending from the window of a castle, quick and agile, moving like a whisper, clad almost entirely in black. you could see her quite well of course, although you were not seeing her; but instead her heat and her smell and her sound and all the other sensory noise all humans give off.
you followed her, keeping yourself in a cloud so you appeared as if mist. she stole off into the woods. you were interested in that, and watched her scuttle - although of course you could have taken her then, you wanted to study your prey as best as you could. she did not seem to do much in the woods, only run around cry into her little hands.
she appeared to be looking for something. she did not get far that first night; scurried back to her bed. over and over this happened - she would run as far as she could, only to go back again. it seemed rather boring to you, but of course you had been free your whole life.
and then one night - finally, she arrived at the lake. she sank to her knees then, her hands pressing into the water. her head tilted to the sky. her dark hair spilling in a caught breath behind her.
this is how you heard her voice for the first time. when she came again the next night, she did so more quickly, more assured. straight to the lake, as if it had called her.
she had skipped a pebble over the surface of the water. this action was dangerous, because it almost hit the sail of your wing. you had structured yourself very finely to look like a rockslide.
"three months." her voice was like her: it was deep and smooth and dark, a low violin string. "they want me to marry that bastard in three months."
and then she cried into her hands again, and the sound of it almost broke you.
you followed her maybe more than a proper dragon should, after this. more than just back to the castle and her bed. you hid along her daily walks and watched her in the throne room and saw her out riding horses. she was good with dogs and nice to her people and very much a proper princess, although you had heard it said a proper princess ought not to slip out at night and run around barefoot through the woods.
you discovered she is terrible with directions. you have often had to make a path more clear so she could get home again. she cannot hunt better than an egg; you have had to kill fish and push them subtly up to the shore.
but she appears to love the lake as much as you do. you have seen her read by candlelight (how foolish. the entire woods saw her each time). you have seen her build little paper boats to float along the surface. you have seen her strip her many layers and dive in, have seen her lay with her belly to the sky, floating like she is suspended by the hands of darkness itself.
oh. so she loves the stars, as well, then.
__
you must go in. she will be married tonight. that is a human thing, but you have since learned what it has meant. she will go to somewhere else, and you will not see her again, maybe ever. and then how will you be a proper dragon? go!
you have made yourself in the form of a gargoyle, hiding in the white stone. you can see into her room; and the tapestries that seem unlike her. everything in her room is very bright, which is bad for a proper dragon. there are many knights in the hallways and in their rooms, and their smell is itchy and repugnant to you.
her dress is white, which does not seem like her. you have only seen her wear black. she is sitting at some kind of desk, and she is crying again. she smells of cinnamon still, but moreso of grief. you can feel the heartbreak in her as if it was inside of you.
you cannot watch her cry anymore. you have watched too often without moving. that is shameful.
you nose the door open. you can move quiet, because you are not very big. she is within a cave of you, then a wingtip, and then she is standing up, looking into your eyes.
"it's you." her hand on your jaw is warm. "i thought i was imagining you, you know. i turned around that day. i saw what you did to those men. i have been looking for you since. i told everyone that i had an angel to protect me. they locked me in here anyway."
you are not an angel, you are a dragon. you have to keep your wings locked tight or you would explode the walls of this place. it makes you feel big, suddenly. you are not used to that sensation. you do not like to be locked in a tower. you believe maybe the princess does not like to be locked in a tower either.
you take her in your jaws. she is very small, and does not resist you. although you are not a strong flyer, you must take off in a single push. any other movement would be too slow. you must also hold your breath so you do not smell her, the clove and cinnamon and little bird of hope. your mouth would water and you would drop her.
against the full moon, you do the thing that is impossible. you stretch yourself out all the way, a bold and beaming arrow, and you fly. you can hear them cry about you now, loudly. a banner that would strike pride even into your father: dragon. dragon. dragon.
on the eve of her wedding, you snatch the princess from her tower.
an arrow whisks for you, and then dozens, and then hundreds. you are not afraid of pain. you have learned long ago how to fly with holes in your wings. you hold her very gently still, and you push past the smell of your blood.
in the night you are a star. someone somewhere could look up and see you and make a wish.
there will be another lake, you decide. you can find another lake. somewhere very, very far from here. however long you must fly, however long you must hold your breath: you will take her home, because you are a proper dragon.
___
sometimes they come for her, your treasure. you have built her a little castle here, deep in the forests off the map. and of course for you: a silver round lake like the shift of her iris. you bring her books and she brings you bugs to study. you let her saddle you, and together you ride through the clouds and fog banks. she is a shadow on your back; a warm and velvet thing. she makes you music and lives the way she should; free in the night like a promise.
but they do come. you have stolen a real princess, and they do not want her to be a princess. they want to make her into a brood mother, or into bait, or into prey. they always look into the caves first; into the places proper dragons stay. they are real knights, not just men with sticks. they are loud and their smell still makes you itch.
but she has made you brave now, and cunning. if a dragon is not big, it should be cunning. and since you are a proper dragon, and since your treasure is your most precious thing, you lay in wait.
let them come. you will let the light drip off of you, and then you will pour through them.
afterwards, your princess will tell you a story around the fire. she will patch your wounds as she did that first time. she will sing to you.
and in that moment, neither of you will be a title nor a story. she will just be herself, and you will just be you.
I am currently finishing up some training in work, and the topic is on helping international students to avoid culture shock. They have just presented me with this graphic:
They've captioned it with "This is a bit of fun but it highlights the underlying point" but I am now completely stuck on "I'm sure it's my fault" - "It's your fault" - "Why do they think it was their fault?" as an interaction
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The Odyssey but retold as a low-stakes modern adventure of one guy out with his girlfriend leaving the bar with his buddies to do just one (1) simple thing real quick, it'll take like 15 minutes tops, he'll be right back, but then some bullshit happens and the trip keeps getting more complicated as more bullshit keeps happening while he just tries to get back to the bar because he promised his girlfriend that he'd get back and he knows that she's still there because she told him she'd wait there.
And by the time he finally gets back it's almost 3 am and the bar is about to close while she's sitting there stone cold sober, surrounded by 5 drunk guys unsuccessfully trying to convince her to give up on waiting for him and go home with one of them instead. And the guy shows up to proceed to beat the shit out of them before explaining himself to her like hey sorry bullshit kept happening, my phone fell into a storm drain and my wallet got stolen when I was trying to find someone who'd borrow me a phone so I could call and
His girlfriend had been fending off the 5 drunk guys for most of the evening by explaining that even if she was going to ditch her boyfriend, she can't possibly leave without finishing her beer, which she is keeping perpetually full via careful sleight of hand where she's just pouring it back and forth into and out of the pitcher.
However the drunk guys are also drinking, and eventually she can't afford to buy another pitcher for the table so she can't keep up the ever-full beer glass trick. At this point she has to resort to setting up the pool trick shot that she's never seen anyone but her boyfriend pull off, and says she'll leave with whoever manages the shot first.
That buys her another hour or so and then, finally, her boyfriend makes it back. He looks like shit, hair down and just a mess, he's wearing an entirely different jacket that he got from an alley, and barely recognizable—especially to 5 guys who've been drunk for hours now. He lurks for a minute, finds out what's going on, and proceeds to pull off the trick shot first try. Throws the jacket off, fixes his hair with a hair tie his girlfriend lends him, finally looks like himself again, and THEN beats the shit out of them with the pool cue.
This is off topic, but I firmly believe that Wen Qing is, on some level, is as much of a bi disaster as WWX is. I mean for starters, she’s a med student. She may have four different binders for each class she’s taking (color-coded) but that doesn’t mean she’s not five minuets away from a mental breakdown. She’s living in a five-room apartment with her entire extended family (and that engineering student who got kicked out by his family, long story).
Anon, please never think delightful chengqing ethical dilemmas are off topic in my inbox. I do see Wen Qing a someone who is very used to functioning in high stress/low control circumstances, which I think makes her very good at grimly determining what she can do and triaging based on that, but also means she’s used to a black pit of anxiety and doom living within her at all times. “Can I put off telling my BFF I railed his estranged brother until after finals and if so, is it permissible to keep railing him in the interim” is so much more fun than trying to figure out exactly how complicit in your uncle’s megalomania taking over a supervisory office makes you. Jiang Cheng would last like four dates tops before failing to brush past the inevitable small talk about how many siblings you have and then crying on his hookup about how the answer is complicated now but he doesn’t want it to be. Wen Qing is absolutely in charge of the household taxes, and has as an unfortunate consequence of tax season already gotten drunk with Wei Wuxian and revealed that this dude she’s kind of half-seeing was a virgin but it’s chill, he’s very open minded and surprisingly flexible in multiple senses of the world. This is what she gets for saying yes to business majors just because they have nice eyes and long fingers. There’s always something wrong with them.
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Imagine how difficult of an adjustment it will be for Shane and Ilya to not only be on the same team but to never actually share the ice (except on the power play). They're stuck watching their man be far and away the best player out there without the distraction of being mid-play themselves and they've lost their outlet for channelling all of their sexual tension into something reasonably acceptable for audiences. Imagine the fan edits of them just sitting on the bench, chewing on their mouthguard, while shooting obvious fuck-me-eyes at the other. Ilya's urge to check Shane into the boards is unreasonable. As soon as Shane gets on the ice he shoots off like a bat out of hell to burn off his excess energy. They can't even fucking look at each other in the locker room. As soon as they're home Ilya is throwing Shane up against the wall as hard as he would have done if they were both wearing pads. Those first few months they both acquire more bruises off the ice than on it.