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TAGS OF (POTENTIAL) INTEREST
- lovely gifts from lovely people: a collection of fanart/gifs/etc. for my fics from very sweet and talented and wonderful individuals đ
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- ask games: contains reblogs of question promptlists and also answers to previous prompts; I clearly LOVE to babble so feel free to send in questions at any time even if I haven't reblogged an ask meme recently!
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Aww thanks for asking! Not this year unfortunately-- I am already behind on my fills from last year so it didn't seem appropriate to sign up again haha. But I do hope we get some Starker representation in the offers!
let's convince ourselves that this is okay. let's rely on technicalities to exonerate ourselves. let's avoid looking what we're doing in the eye. let's live under its shadow, both aware of what this is but unwilling to say it out loud, since that will shatter the careful illusion we've built
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a lot of men that people online are obsessed with calling daddy are one 'good boy' away from shattering their knees on the ground forgetting their names and panting like dogs. it has to be said.
i love fic authors who are gooners with such closely held artistic sensibilities that it nearly eclipses the goon. we shall goon, but first we shall follow 70k minimum of a meticulously-plotted and spectacularly-executed character arc replete with several devastating psychological portraits and some trenchant political commentary on what it means to be a human in this world.
i feel like something that's missing from some people's understanding of kink fiction and fantasy is, like... in fiction and fantasy, everything is in-scene.
when real people do kink in real life, you gotta do all that good out-of-scene stuff like discuss boundaries, set limits and expectations, check in with each other, do aftercare, et cetera et cetera et cetera... but in fiction, everything can be in-scene!
the people in that fanfic don't exist any more than, like, the make-believe sexy football star and make-believe sexy cheerleader in a couple's roleplay exist. that couple doesn't need to get into character and then pretend to be a sexy football star having an important consent conversation with a sexy cheerleader, because that's a conversation that's already happened out-of-scene and out-of-character. (i mean, if you're into in-character negotiations, chase your bliss.) when they're in that scene, they can just pretend to be a sexy football star having sex with a sexy cheerleader. that's okay.
so like. when fiction does kink in a way that would be unsafe or harmful irl... just keep in mind that you're not watching actual people neglecting check-ins or ignoring their set contract or genuinely harming each other. you're watching a scene without the behind-the-scenes bits, and that's okay.
this has gotten a couple replies along the lines of "yeah, you can just assume the characters worked all the important consent stuff out when you weren't looking!" which is true in some cases, but not the point i was trying to make, so please bear with me while i try to rephrase myself.
when i say in fiction, everything is in-scene, i mean that the fiction IS the scene.
if someone went up to their partner and said "hey, wouldn't it be sexy if we pretended you were manipulating and controlling me in an unethical way for sex reasons?", and then they talked through all the good and necessary consent and risk-awareness things, and then they played that scene out - that's a made-up scenario where pretend bad things happen, but no real-world people come to real-world harm, right?
now, if someone writes a story where one character manipulates and controls another in an unethical way for sex reasons... that, too, is a made-up scenario where pretend bad things happen, but no real-world people come to real-world harm.
kink fiction doesn't have to be about characters consciously and conscientiously Doing Kink. kink fiction can be stories where the kinky things people fantasize about or roleplay (but wouldn't want to happen in real life) do happen in the universe of that story. because the story is a scene.
Finally getting around to sharing this-- art commissioned from my very talented sibling @burntpastel as part of a cover for my bad-guys-made-them-do-it longfic you're not yet done!
(My campaign to get them into Starker wages on. đ¤)
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Peter Parker/Tony Stark | 3.5k+ | Resurrected!Tony AU | Post-Spider-Man: No Way Home
Tags: Hellfire Club, a wee bit of sex work shaming, Peter's well into his 20s, technically Pre-Relationship but the Intent is Clear. Written for @ficwip5k 2025!
Peter doesnât have the spoons to deal with Tony Stark walking up to his blackjack table.
But then â Peter hasnât had any spoons since his roommate skipped out with his share of the rent and all their cutlery. Heâs been eating cereal with takeout chopsticks for three weeks. It's fine.
His life is fine.
Or, Peter deals cards. Tony deals with being alive. Both really need a hug.
[fic: kidnapping au (from the post where Peter makes it home)] Peter, is there anything you want to say to your brother, maybe after having some more time to get used to being home?
Sometimes Peter found himself thinking that he did all that work to get home just so he could die in the right universe.
Not that he wanted to die. He didn't, really. And he knew sometimes people wanted to hurt themselves when they'd gone through something like he had, but he didn't want that either.
He didn't really want anything.
When he was still gone, he'd dreamed about coming home. He'd ached for it. He'd thought about hugging his parents. He'd thought about seeing his friendsâ going to the movies, playing video games, putting together Lego sets. He'd even thought about school, the dull but comforting familiarity of that routine, the praise from his teachers and the purpose that came with having something to do and the chatter of hanging out in homeroom and getting to talk to someone, anyone other thanâ
But school wasn't going to happen. Not anytime soon, anyway. Peter kept waiting for his parents to bring it up, but even Howard hadn't mentioned it. They just indulged him, letting him lie around the house all day wrapped in blankets like a baby, sleeping or pretending to watch TV or nodding along while they talked at him, and feelingâ feelingâ
And Peter missed his friends, so much, so much, but every time he thought about actually having Harry or Ned or MJ come overâ after everything, after all that time, when everyone knew what happened to him even if his parents hadn't actually told the press because that's what happened to people who were kidnapped and how was he supposed to just talk about plans for the summer or the cool movies that he'd missed or funny things at school whenâ
He did hug his parents, though. Sometimes, when he could stand to. Sometimes he wanted to cling to his mom like a parasite and never let go, burning like lungs without air to be held by someone that actually loved him, that actually wouldn't hurt him, to have the memory seared into his skin of what family and love and safety actually felt like.
And sometimes it set him on edge even to have someone sit too close to him on the couch, like the next accidental brush against his body might finally be the touch that he could never come back from, and sometimes his feelings flipped back and forth between need and 'nonono' so quickly he was just left sitting with an agonizing, indecipherable ache that he didn't know how to get away from.
So he didn't go to school. He didn't go out to any of his old favorite haunts with his friends. He didn't poke at the projects he'd left half-completed in his corner of the family workshop. He didn't go to his family with all the impassioned speeches he'd imagined in his head about how much he loved and appreciated them or about how they had hurt him or about how they could change things so that all of them could really get along and be happy as a family.
He just let the days pass as mindlessly as he could make them, the unlocked door and his bare wrist a glaring reminder of what he could be doing with his new lease on life if he wasn't too (weakpatheticstupidwrong) to use it.
His mom wanted him to see a psychologist. Howard did too, even, or at least he wasn't against it, whichâ just went to show how fucked up he thought Peter must be, because Peter knew what he thought about men who went to psychologists.
Peter had gone noncommittal in his panic. His old patterns colliding with his new onesâ the desire to be a good son and go with the flow to make his parents proud, the conditioning that if he let his dismay show on his face it would be taken as an excuse to be pet and coddled and fucked until he was too exhausted to be afraid anymoreâ and he hated it, he hated himself, he hated that after everything he was still just going to let things happen to him that he didn't wantâ
And then Tony had piped up with, "C'mon, give the kid a little time before you start adding stuff to his plate."
Maybe he'd seen the suppressed panic in the tension of Peter's shoulders, or maybe he'd just recognized what a waste of time it would be for Peter to try and talk about anything when he couldn't be honest about what happened.
Or maybe he had his own reasons to not want Peter to talk to a therapist, Peter had thought even in the midst of his relief, because he had weird, mean thoughts like that about Tony now.
But either wayâ it was enough. His mom's mouth had gone flat with uncertainty, and Howard had started in on Tony like he always always always did no matter what Tony said, all "Leave the decisions to your mother and I, Anthony," but with Tony bringing it up first it didn't leave Peter to strike out all alone when he said:
"...It might⌠be good to have more time first."
His parents seemed shocked to hear him speak up for reasons that Peter was too exhausted to examine, but his mom finally hesitantly agreed, and Howard followed her lead. They were worried about him, but didn't want to push him either, all of it clear on their faces.
Peter didn't know how Tony felt or what kind of expression he was wearing, because he didn't look.
---
Having Tony around was⌠weird.
Peter knew that what happened wasn't Tony's faultâ
(Would he have taken you if he didn't know about your brother, his mind whispered.)
Peter knew that his brother wasn't the person who had hurt him, but that didn't matter to the stupid prey animal part of his brain that was always on alert forâ hisâ moods.
They wore the same expressions. They had the same laugh. They had the same scowl. Tony's eyes were darker and his skin was smoother and he didn't laugh or smile much at all these days, except for little wincing ones sometimes like someone trying to fake enthusiasm over a bad gift, so it really seemed like that should've been enough differences. But it wasn't, and Peter found himself tracking Tony's position in a room the same way he had back in that tower, listening for footsteps or the distant sharp edge of irritation from another room or the gentle sigh that meant he was about to feel hands on his hips and lips against his neck.
Which was stupid, because Tony was avoiding him, too.
That should've been enough. The way Tony had evenâ thought to ask, "Do you want me to leave?", that should have been enough. He'd heard what Peter had to say and connected the dots about how Peter might feel about it and he'd offered to leave, to let Peter out of his sight, just so Peter could feel more comfortable, andâ it should've been enough.
And if that hadn't done it, the fact that Tony stayed squirreled away in the workshop all day studying multiverse theory should have. Peter hadn't asked him to leave, so he was staying, tucked away where he couldn't make Peter feel scared, researching how to keep him safe from anyone else out there beyond the reaches of their universe.
It should've been enough.
Peter went to see him in the workshop that night. Their parents had already turned in, but Peter knew how late Tony stayed up when he was working on something, and Peter got all of his sleep through napping in the living room these days.
"Hey," he said as he picked his way down the stairs, and Tony looked up sharply, surprise written all over his face.
Peter didn't remember him being so expressive, before. He'd always felt like he was two steps behind, left wondering what Tony actually thought, what he actually wanted, how he actually felt.
"...Hey, kid," Tony said after a beat, with one of those forced, bad gift smiles. Peter didn't blame him. "You're still up?"
Peter shrugged, folding himself into a rolling chair that he pulled back over near the stairs. There was another one at the work bench across from Tony's that he could've pulled up to see what Tony was working on, butâ neither of them wanted that, he figured.
"Thanks for backing me up before," he said, instead of 'the last time I fell asleep in my bed I woke up in that tower.' "With Mom."
Tony echoed his shrug, but his shoulders were tight, and it didn't look as casual as Peter thought it was supposed to.
"Yeah," Tony said, turning his eyes back down to the mess of paper on his bench. "Figured you might⌠need to get your story figured out."
Peter shook his head, winding and unwinding a loose thread from his sweater's sleeve around a finger.
"I'm not going to go."
He would, if their parents forced it. But it felt nice to say something like he had a choice.
Tony looked up, a slight pinch between his eyebrows, and Peter dropped his own gaze to his hands.
"...You could tell the truth," Tony said slowly. "I know you're⌠worried. But there were enough things about your case that didn't make sense⌠We could get them to believe you. Mom and Dad and whatever shrink."
Peter scoffed, frowning as he pulled the loose thread taut around the tip of his finger until it bloomed a deep, angry pink.
"About everything?" he asked. His pulse was fast, which was stupid.
"If you wanted to," Tony said, and speaking of stupidâ
"You don't actually want me to do that," Peter said. His chest was tight. He was being rude. If he didn't calm down, Tony wouldâ
But Tony didn't come over to cuddle him and tell him he was just tired and that he'd feel better in the morning. He just stood there, quiet, until he finally said, "You can say anything you want, Pete."
"You don't mean that." He never did. He never did, he always said that Peter could say or ask for or do whatever he wanted but it was a lie every single timeâ "You don't want me to go and you don't want me to talk about who took me and you don't want me to talk about us."
Peter couldn't look at his face. He didn't know why he was still afraid that Tony would be angry at him after all this time, because he never was, but he remembered what he looked like every time he ordered Peter out of the room so that he could deal with his men.
"...I want you toâ I want you to feel better, kid," Tony said, and his voice was so strange that Peter couldn't picture what his face looked like.
He looked up, and Tony wasâ
Sad. Hurt. Helpless. It wasn't anything new after all. Usually Tony just sighed and cooed over Peter's bad moods, sympathy and pity but no real heartache, but sometimes he would look like this when Peter cried.
'I hate you,' Peter screamed at him sometimes, and it would make Tony cry too. And he'd say 'I know,' and 'I'm sorry,' andâ
"He told me he loved me," Peter said abruptly, not meaning to, the words just materializing in the air, and Tony flinched like he'd been slapped.
And now that the thought was out there, Peter had to finish it.
 "He told me all the time," he said. "Am I supposed to talk to someone about that? That he was nice about it. He's the one that took me and kept me and, and controlled me and didn't listen to me but he was nice. And he never teased me or bit me or pulled my hair, and he didn't call me names, he never called me a slut or a whore or anything, and he told me he loved me."
Tony lookedâ
Hollowed out. Miserable. Like he could sink through the floor. And Peter realized he was being mean, throwing those things they'd done together in Tony's face like he hadn't liked them at the time, he was beingâ horrible and spiteful for no reason, butâ
"You've never said it to me at all, did you know that?" The thread around Peter's finger snapped as he pulled it too tight, and the choked flush of color in his fingertip seeped away, the skin seeming sickly pale in the new light of comparison. He said, "Not even since I got back. Andâ and not on the phone or on my birthday or after you fucked me, not ever. Am I supposed toâ am I supposed to talk to someone about that?"
It was ridiculous. Ridiculous. Peter shook his head frantically, and he couldn't stop the words from pouring out.
"Like, what does that mean? I wanted that from you so bad and then he's the one who actually said it, and he was aâ a monster, and he said it while heâ" Peter's throat caught on a disgusted scoff instead of the word for what had happened to him, because after all this time he still couldn't bring himself to say it. "So what does that mean? What does that mean? What do I do with that? What's a doctor going to tell me about that?"
Tony was pale and shaking, holding himself up over his work bench. Peter felt vicious and horrible and out-of-control, like he wanted to throw something or scream or cry or make Tony hold him.
"I'm sorry," Tony said, like he always did. "I know, I'm sorry, Pete, I'm so sorry, Iâ"
Peter braced himself for it. 'I love you,' those words that meant everything and nothing and that he didn't know if he'd ever be able hear again without it feeling hollowâ
"I can leave," Tony said. "I can go, I can leave you alone, I shouldn't be here. I just wanted to help. Tell me what you need and I'll do it, I promise, just tell me, kid."
Peter stared.
There was a part of him that wanted to be angry. That Tony still wouldn't say it, even after everything, even after what Peter had just said.
But thenâ he would've been angry the other way, too. That when Tony finally said it, it was only after it had been ruined for him, after Peter had damn-near begged for it.
So if he would be angry either way, maybe it wasn't even actually about the words. Maybe he just wanted to be angry, an excuse to be nasty, and Tony was a convenient outlet. Maybe that's what the other Tony had done to himâ made him into the kind of person that looked for excuses to hurt people.
"I don't want you to leave," he said. It was strange to realize, his anger suddenly distant as his mind found something else to latch onto, and he continued slowly, testing the truth of the words on his tongue. "You're helping. With⌠research, and Mom and him."
Tony's face did something then that Peter couldn't read all the nuances of, shifting with half-formed emotion, but it finally settled on 'helpless' as he said, "You're scared of me."
Was he? Well, no, obviously he was. It may have just been a stupid animal part of him, conditioned to cringe by the set of those eyes in that face just as surely as a dog flinches at a raised hand, but he was scared. All the time, of everything, but especially Tony.
And yetâ
"But I don't want you to leave," Peter said again. His eyes fell to his lap as he toyed with the thought, frowning. Tony was⌠a buffer between their parents, yes, and the only person who knew what actually happened, but more than thatâ "It⌠feels different, with you here. Like he can't⌠come after me. Even though that's stupid."
"...I thought you said he was dead," Tony said, quiet.
That's not what Peter had said. But there wasn't a point in correcting it, really, when it was probably true. The other Tonyâ the other-other Tony, the one with dark hollow eyes who had sent Peter home after Peter drugged away the traces of Extremis in his systemâ he had made it pretty clear he wouldn't have anything to stick around for, once Peter was gone.
Peter shrugged, drawing his knees up to his chest on the chair.
"I said it was stupid."
Tony didn't say anything for a moment, and his voice was quiet when he said, "It's not stupid."
He cleared his throat then, but his voice still cracked when he said, "Do you⌠You mean it? You feel⌠better, if I'mâŚ"
Peter didn't speak, but he nodded, and he knew that Tony had seen from the sound of his shaky answering sigh.
"Okay," Tony said, finally. "Okay. Then I'll stay."
Peter tucked his head down against his knees. He said, quietly, "Thank you."
And then, "I'm still mad at you."
He didn't know how Tony would take it. He didn't even know what he would say if Tony asked why. He hadn't known he was angry right up until they started talking, and the idea of pulling on that thread was exhausting.
But it felt important to say.
"I know," Tony's response came, finally. "You should be."
It was a little bit satisfying to hear, in a bitter way. In a way that none of his apologies or promises so far had been. Peter still didn't know exactly what he'd been looking for when he decided to find Tony downstairs, but he thought maybe it was something like that.
He uncurled himself and stood up from his chair. He didn't look at Tony's face, because he didn't want to have to think about what kind of expression he was wearing.
"I'm going to bed," Peter said, taking a few steps towards the stairs. And then, because he could, because Tony might listen, he added, "Don't follow me."
Tony made a soft noise that Peter couldn't interpret.
"I won't," he said, when he found his voice.
Peter believed him, more or less. It should have been enough, but he still crawled onto the living room couch instead of into his bed, letting the solid backrest reassure him that no one else could slip in beside him.
Maybe he didn't know what he wanted, but he knew what he didn't want.
Love perpetual motion so much!!! Will we ever get to find out exactly what Tony said to toomes before he died ?
Awww thank you! đđđ As to the question, probably not? I gave the basics in the tags on my ask blog here, but it's not something I think I'd be inspired to write out in scene form. Feel free to go for maximum catharsis in your imagination haha!
it is honestly amazing how much of writing and editing is just. logistics. like... do i use a name here or a pronoun? if i move this dialogue tag to the middle of this line and break it in half, does the end of the line hit harder that way? what if i move the tag to the front? what if i remove it entirely? ...wait, whose point of view am i in; can i reasonably say this character is appalled, or must i say they look or seem or sound appalled? is this a deliberate action or a step-removed one; is her hand closing on his shoulder, or is she closing her hand on his shoulder? environment environment environment, we need to break all this dialogue up with some narration, the scene is coming untethered. what! are! they doing! with! the rest of their bodies that are not hands! fuck fuck fuck FUCK i forgot we covered this two chapters ago and now i either need to cut this whole chunk or find a reason to reprise the conversation from earlier. name or pronoun? name or pronoun? name or pronoun? move this clause around in this sentence? oh i'll add this phrase-- nope, never mind, past!me added the same phrase two lines down. okay, if i add too much environmental narration it's going to take away from this bit, but not enough and it won't feel grounded. what if i move this to its own line? where the FUCK are their hands?
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