red riding hood divertissement performed by gemma pitchley-gale & tomas mock.
we're not kids anymore.

roma★

wallacepolsom
RMH
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Stranger Things
Peter Solarz
Xuebing Du
"I'm Dorothy Gale from Kansas"

izzy's playlists!
official daine visual archive
noise dept.

Kaledo Art
art blog(derogatory)

@theartofmadeline

JVL
I'd rather be in outer space 🛸
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@general-sleepy
red riding hood divertissement performed by gemma pitchley-gale & tomas mock.

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And the third Eilonwy design!
(I think this one is my favorite). I usually avoid drawing cloak-like garments because they hide so much of the dress design. But in this case because Eilonwy has already had 2 kirtles without the “cloak” we can sneak by with this design. Especially since the “most important” pieces of an Early Medieval Irish (close as we can get remember & culturally they seemed to be on great terms) are the léine and a brat.
The léine is essentially the proper term for the tunic/dress/kirtle/gown when talking about Ancient Ireland, and a brat is a sleeveless, hoodless cloak that is pinned either at the shoulder or at the center of the chest. (People disagree about how “strict” the rules for men-shoulder/women-center so I’ve gone with the pose & what I want. (Real mature I know).
Her hair has a dark purple circlet bc contrast makes me happy & the Llangors textile pattern makes it’s third appearance!
Come visit me over on: Instagram , Patreon
I am the artist!!! Do not repost without permission & credit! Thank you!
who tf left the mst3k nintendo virtual boy paper slicer at goodwill
[ID: An old paper cutter with a Nintendo Virtual Boy sticker and a MST3K theater seats silhouette sticker. END ID]
I’m such a “yay <3” person like unironically a hip hip hooray type of personality
you have to keep blogging. there are lesbians who like your posts
there are lesbians who like my posts
[ID: Gif from Revolutionary Girl Utena. Utena slams her fist into the floor, and slowly pushes herself up from lying down. It focuses on her sweaty face. End ID]

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Concerned that the prehistoric reptiles’ behavior had gotten out of hand, God, Our Lord And Heavenly Father, told reporters Friday that He was considering moving dinosaurs to a separate part of His Kingdom. “It was fine 200 million years ago when there were only a few of them here and there, but now there are dinosaurs everywhere you look, and they’ve developed a bad habit of grabbing angels by the wings and thrashing them to pieces to feed to their young,” said The Creator of All Things, adding that on most days you could hardly hear the bells of St. Peter over all the roaring and agonized pleas for mercy.
Full Story
[ID: An illustration of people in white robes being chased and attacked by blood-drenched dinosaurs. Tiny raptors bite them while they're chased by a T. rex and velociraptors. In the background, a person is skewered on a triceratops' horns. The golden plain below a cloudless sky is stained with blood. A headline: "God Considering Moving Dinosaurs To Separate Area Of Heaven". END ID]
My Three Favorite Vids by Laura McEwan
I'm doing a series of rec posts of my top favorite fanvids by various Starsky & Hutch vidders.
I'm starting with Laura McEwan's vids because they're some of the first ones that I remember watching in this fandom. As of today she has posted 48 S&H vids. The first one was made in 2007 and the most recent one in 2025.
Still The One There's something incredibly classic about this vid. It would be easy to attribute that classic feeling to the song, but it goes beyond that. The vid takes the song's lyrics about a long-standing relationship and builds something playful and joyful that fits S&H to a T. It feels like both a celebration of the longevity S&H's relationship and the longevity of the S&H fandom.
Something to Talk About The genius of this vid is that it doesn't just include all the eyebrow-raising touches between S&H… it also includes the raised eyebrows. My favorite reaction shot is the bartender from Moonshine, who looks at the camera as if telling the viewer, "get a load of these two!" Flash and freeze frame effects are used to imply that photos are being taken of S&H, which both highlights the way S&H's closeness looks to outsiders and also helps integrate the photos of PMG and DS that are used later in the vid.
Ode to Boy This vid is cool, sexy, and even a little bit creepy. Hutch pines for Starsky--as he often does in fanworks--but in this one the pining is obsessive. Laura McEwan uses cropping to show us both the details of Starsky's body on which Hutch fixates, and Hutch's expressions of longing. The editing feels as breathless as the song, and the result is a very intense vid.
If you want to leave feedback for Laura McEwan, you can do so here: YouTube: https://www.youtube.com/@LauraMcEwan68 AO3: https://archiveofourown.org/users/Laura_McEwan SH Archive: https://video.starskyandhutcharchive.net/author/laura-mcewan/
[ID: Two overlaid photos of a tuxedo cat against a black background. The cat's fur is mussed, it has wild whiskers and eyebrow hairs, and bulging eyes. In one photo the cat is wearing bunny ears. Text: "god is testing me and I have not studied". END ID]
One of the amazing parts of recovering from social anxiety is getting to discover my real personality. Like, it turns out that when I'm not being smothered by all-consuming irrational fear, I'm a naturally cheerful and friendly person. My default expression is a smile, and I think I could fairly be described as bubbly. I like saying hi to strangers, waving to squirrels, and making little explosion noises when I hit a pedestrian crossing button. Talking to cashiers used to be a hellish ordeal or outright impossible. Now, a little chit-chat at the grocery store puts a bounce in my step. This is how I wanted to be, how I should have been if not for my disease holding me down, and I love it so, so much.
my general opinion on what people should be "allowed" to portray and what topics they should be "allowed" to explore in fiction is that you can make whatever art with whatever themes you want but i'm also allowed to think the way you handled it was tasteless and should've been done differently. my negative opinion on your handling of sensitive topics is the price of admission for publicly showcasing your work. this is not a pro-censorship stance because i am not The Government
this is getting really popular so i’d like to add the important caveat that your criticism of a work is no more unassailable than the work itself. just as one is entitled to be critical of something someone else is entitled to disagree with that criticism. i add this because some of you pretend to give a fuck about thoughtful analysis and then when someone points out flaws in your argument you declare that all criticisms are valid. this is untrue. the status of a hater is no more sacred than that of a liker. get off your high horse and engage in the thoughtful discussion you pretend to believe in or perish by my blade

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marcus: do you even have any idea what it takes to pass a fucking bill? henry: no. i never watched schoolhouse rock.
18,348 stitches later...game over!
[Video Description: A timelapse of someone creating a cross stitch of the scene from Saw where Adam and Lawrence hold each other. Below is an image of the final product. End Description]
When the story has a sequence where the characters each get personally tortured with their exact personalized greatest fears and traumas
[ID: People sitting at two tables in a studio react in extreme delight. Some jump up and run around. Two hug and dance in a circle. END ID]
how id survive horror movies:
iron lung: im vaccinated against polio so i dont need one
it: my pronouns are she/they
sinners: im an atheist
the backrooms: my house doesnt have that many rooms
Resident evil: id evict them
Midsommar: im swedish.
Get out: ok i'll leave
x: im still calling it twitter
american psycho: i live in sweden
Skinamarink: I prefer row row row your boat
3-5th May - The curtain rises on a familiar play...
this is from an animatic which you can watch here (spoilers for whole book)

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imo you get the most out of engaging with media when you strike a balance between treating characters as people (reading interiority into their actions, considering the effect of various aspects of their identity, etc etc) and as vehicles for storytelling (what narrative purpose do they serve, how do their actions and personality function to convey the themes of the work, etc etc). because of course characters are literary devices but also there’s a reason we use literary devices written to embody realistic people in order to tell stories
RE-ANIMATOR 1985・dir. Stuart Gordon
[ID: Dan Cain walks past a body on a gurney in a hospital hallway. The smirking security guard with a cigar in his mouth says, "Don't know why they keep locked doors around here. Nobody wants in... and ain't nobody gettin' out." END ID]