Hello, my pets. I'm Kat, a 24 year old bisexual woman with a theater degree and a dead-end job. I'm currently editing the second draft to my novel, obsessing over my two favorite Brits (Charlie Cox and Hayley Atwell), and blogging random nonsense. Have fun, dearies.
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Greetings, Exalted One. Allow me to introduce myself. I am Luke Skywalker, Jedi Knight and friend to Captain Solo.
I know that you are powerful, mighty Jabba, and that your anger with Solo must be equally powerful. I seek an audience with Your Greatness to bargain for Solo’s life.
With your wisdom, I’m sure that we can work out an arrangement which will be mutually beneficial and enable us to avoid any unpleasant confrontation.
As a token of my goodwill, I present to you a gift: these two droids. Both are hardworking and will serve you well.
1. At some point a composer thought to himself, “You know what would be cool? A musical about cats where all the characters are cats.”
2. The composer likely shared his idea with friends, family members, and colleagues. At least a few people in his life said, “A musical about cats where all the characters are cats? That sounds like a good idea for a musical.” These loved ones apparently harbored no ill will or malice toward the composer, and their support was genuine and not part of any elaborate plan to humiliate or ruin him.
3. Around this time, the title “Cats” was conceived to really play off of the overwhelmingly cat-centric content of the musical.
4. A first draft was written. This draft included moments where cats sing, dance, and tell stories, setting up a conceptual framework wherein the cats are magic and vying for a spot in cat heaven.
5. A second draft was written in which the composer, who was actually already kind of successful, read over his musical about cats called Cats where all the characters are cats and attempted to identify weaknesses and correct them. In spite of this, the second draft of Cats was still a musical about cats.
6. The song “Memory,” the grand dramatic climax of Cats, was completed. The final crescendo of the song, and thus the emotional apex of the musical about cats, featured a cat belting the lyric, “Touch me!” The composer played this song for his father, who continued to love and respect his son and did not say anything to the tune of, “This is ridiculous and you are wasting your life.”
7. The musical about Cats was pitched to a producer who did not immediately kick the composer out of his office. In fact, the producer agreed that the musical about Cats was a good idea for a musical and was willing to put up a great deal of money, like fucking $5,000,000, to produce the musical for a public audience. That $5,000,000 is not a metaphorical $5,000,000 exaggerated for emphasis, but the literal amount of money spent to produce Cats, a musical about cats where all the characters are cats.
8. Auditions were held. People of sound mind and solid judgement willingly chose to participate in these auditions. It is conceivable that a very talented young actress on the cusp of a promising career was rejected by the producers for not sounding enough like a cat.
9. A choreographer, makeup artist, costume designer, and set designer were all hired, knowingly attaching their names to the project. None demanded to work under a pseudonym, none were being blackmailed, and none were working on the musical in order to pay back a blood debt.
10. During rehearsals, the director likely angrily shouted, “No, damn it! More like a cat!”
11. Cats, the musical about cats where all the characters are singing and dancing cats, opened to the public. It was neither financially nor critically a complete and massive failure. Without having to be motivated by morbid curiosity, actual human beings paid money to see Cats, and theater critics, with no trace of sarcasm or irony, declared Cats a hit, encouraging even more mentally stable adults to pay their hard-earned cash to see other mentally stable adults dress up like cats and dance around for two hours.
12. Not satisfied with simply existing, Cats won the Tony Award for best musical in 1983, permanently recording in time a moment where three other musical productions were told, “I’m sorry, but there is a musical with singing and dancing cats that is better than your musical.”
13. Cats has since been translated into over 20 languages, meaning this isn’t just one of those white people things. Some productions have grossed over $155 million dollars, up $155 million dollars from what rational thought would lead one to guess it would gross. Cats went on to run longer than any other Broadway musical in history. No, seriously. I shit you not, it continues to be a beloved musical today.
When she was 16, Rana Abdelhamid of Queens, New York, was attacked by a man on the street — he was trying to remove her hijab. If her attacker was trying to suppress her religious freedom, it’s certainly backfired.
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Look at your wrist, see the blueish veins? The blood flowing through them contains hemoglobin, a protein that has four iron atoms incorporated into its structure. Iron is only naturally produced in one place, it can only be forged in the core of dying stars.
Every time you look at your veins, remember that you are built from, and kept alive by, pieces of stardust.
“A woman’s heart is a deep ocean of secrets. But now you know there was a man named Jack Dawson and that he saved me… in every way that a person can be saved. I don’t even have a picture of him. He exists now… only in my memory.”
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There was literally an article in this Sunday’s New York Post dragging Aaron Burr for saddling NYC with a grid system instead of wide Parisian boulevards. The first line was “We’ll never have Paris here in New York. But we could have … if not for Aaron Burr.” Marvelous. Hamilton’s ghost is weeping tears of joy.
This is the best addition to this post in 10,000+ notes and I would like to personally thank you for sharing this crucially important historical development
200+ years later and Burr still can’t catch a break from Alexander Hamilton’s legacy
“From a deconstructionist stand point, I have to disagree with a large portion of the customers that I, a humble barista tend to each day. The assertion that certain coffee drinks are more suitable for one gender or another is folly. For as we know: 1. gender is a social construct, & 2. coffee of any type is simply hot water strained through roasted beans, & has no greater affect on either culturally assigned sex.”
“What ho, kind friend! Is it not unfortunate that I cannot simply reply to this post, & most reblog it? What a farce, this blue website! Ah, but I digress: what if perhaps your customers were not asserting not the suitability of the drink for a given gender, but rather indicating some matter of status? Perhaps the coffee is possessing of a high rank in society. This is of course my purely grammatical viewpoint on the subject.”
“Oh, damnation! This does in fact seem much more likely than my own ludicrous assumptions, & I was no doubt in the presence of roasted bean royalty! Some emissary from foreign soil! Curses! What a country bumpkin I’ve made myself out to be!!”
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