Two Hearts in Counsel

My nephew is very allergic to eggs, peanuts, tree nuts, and sesame. Last year my sister discovered all hot dogs and hamburger buns now contain sesame. Not "may contain", but listed in the ingredients. This year basically every brand of sliced bread also now contains sesame, making it very difficult to find bread items he can eat.

They're just adding it to their products, so they can just list it as an ingredient and not bother with worrying about cross contamination. And they aren't even bothering with telling anyone. Capitalism is going to kill us all.

"Which brings us back to Kellogg’s. Back in 2016, the company found a way around the added burden and expense of complying with the FSMA: they simply began adding trace amounts of peanut flour to their cracker products. Doing so allowed them to list peanuts as an ingredient of the product, freeing them from having to prevent cross-contact.

genuinely feels like this sums up so many online interactions

me: yeah i know, they’re all primary colors, it’s perfect

When you go for an MLS (Master’s of Library Science, which is a thing, and which is usually required for “professional-level” library work [which is also a weird and contentious concept that I won’t go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is “about"—a concept we tongue-in-cheek call “aboutness"—and how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in it’s own section or mix it in with all of the other fiction, so on and so on.

OP is organizing books by how they would look for them. OP’s partner is thinking in terms of aboutness. This is a system that works for OP because it’s their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.

In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesn’t work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesn’t know what the book looks like or is expecting a different cover, they’re lost. That’s why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what it’s "about”, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.

Basically, OP’s system works for their own personal library, because it’s best suited to how the primary user—OP themselves—looks for books. OP’s librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.

Yes, I was tearing through books constantly, and talking to this teacher at least weekly. Because even though I always loved reading as a kid, literature was always a very weak subject for me in terms of a teaching-to-standardized-test school setting (I just do awful on "what color were the curtains" type multiple choice questions. Those details don't stick in my memory THEY JUST DON'T). But that didn't matter for this class. I could just read my way out of any bad test score. I have always had fond memories of how I "fudged" my way through that class and "abused' the extra credit policy.

“When he died the ravens sat in the trees outside for a week, watching. Taking turns. A horde of raccoons tried to break into the house every night, tearing at the siding. Eventually they gave up, but it was unsettling.”

artistsuniversum: “Kathin Marchenko is a textile artist and designer known for her expressive embroidery on delicate tulle fabric.

Using a "painting with thread" technique, she creates portraits, anatomical forms, and ethereal figures that seem to float within wooden hoops, blending craft with fine art.”

Artist: @kathrin_marchenko

What he could not seem to comprehend is that we could not grow our business, at least not without significant time and monetary investment. Cows take two years from pregnancy to the size that you can sell. If we buy adult cows, our margins become razor thin or even negative. Even if we somehow could acquire some cows, our barn and hay fields are already near maximum capacity. Renting another field would be relatively easy, building a bigger barn not so much.

Cows are living animals, they aren't widgets that can be produced infinitely. Besides that, many businesses inherently cannot grow, because if they do they'll become something else. The delicious bakery down the street cannot produce much more than they do, if they began mass marketing and production they'd eventually be selling the equivalent of Twinkies. We grow grass-fed, organic beef, if we expanded how long would that last? Eventually we'd become the very factor farms that we hate. Some things can only ever be made on a small scale and they are usually the best things.

This sort of problem runs deep and i see it fucking everywhere.

was she the first hunter to discover this??

like, sure, past hunters wielding bows might’ve had an infinite quiver of arrows, but I doubt they thought to re-direct the arrows *mid-air* by using the Honmoon as a kind of surface

it’s another credit to what a creative fORCE she is—not only as lyricist—just operating on a different mind level than the other two…

and I hAD to investigate #DoubleJump

from all her fights—including the train sequence—she is shown to be jumping off of various demon heads / other surfaces

there is ONE noticeable moment that can be read either way:

like, yes ok from an animators perspective, the honmoon is lit up to show demons tearing through it, and it IS on the side of a wall she could be making contact with instead.

on the other hand… 4 steps on the side of a vertical WALL?? there’s parkour, and then there’s gravity operating differently for her…

even if you don’t accept that headcannon, theres lots of canon evidence for the honmoon as a potential #DoubleJump surface

Derpy uses the honmoon to walk on air:

They literally floated… *googles namsan tower’s height*… 770+ feet into the air by the end with a fan-supercharged honmoon

I mean, this is actually my theory for how they survived that fall from the plane: honmoon sliiide

in conclusion:

For Mira, it's a weapon. It's a thing to make That Guy Over There Stop Being A Problem. And, as with all weapons, it's a way to extend her reach, make the space between her and her opponent their problem. She uses it strategically and tactically.