Voice Training Through Singing:
This oneâs for the girls
All right, so you want to sound like the girl you are, right? Well, you already do, seeing as your voice sounds like you, and youâre a girl, but most people donât understand that. I never could find a single, comprehensive guide for vocal feminization that included a step-by-step process (though I never paid for any of those programs either, so they may be there) but I did find some that gave me important information on certain sections and stumbled through the rest myself.
By âstumbled throughâ I mean that I tried to do everything at once instead of one step at a time, and took a lot longer than I should have to see any results. I also nearly caused serious damage to my voice a few times, at one point losing it entirely for a day. As Iâve thought about the different aspects of what Iâve done though, I was able to easily separate them into steps that build on each other instead of throwing everything into a blender and hoping that what comes out is what you want.
I wonât be adding any before/after clips to this, for privacy reasons as well as lack of a decent sound setup at the moment, but I have been correctly gendered every time I am on the phone or going through a drive-through for the past few months, and Iâve been doing this for about a year. Most of the things I do heavily involve matching the voice of various singers, which I can do easily thanks to nearly a decade of music training. If you have trouble with this, I would recommend using headphones to start with; they make it much easier to tell if you are at least harmonizing well. Eventually your ear will probably get better and you can pay more attention to your voice instead of the singerâs, at which point you can quit using the headphones if you want.
You might also end up getting really good at matching voices, and thatâs not even the coolest part. Do you like singing right now, and have some male artists you like to sing along with? You wonât lose that with this! All it will do will make your range increase, and eventually raise your ânormalâ voice in that range. Hereâs a good example of the sort of thing weâre going for (I canât hit the highest notes yet, but I can hit most!)
 Step 0. Self-care â Donât overdo it!
Before we get started, itâs important to note that going too high before youâre ready (or warmed up), or doing too much too fast can really hurt your voice. Iâm trying to get into a more responsible schedule for the last bits of mine, but I tend to do most of my training in the car, which means I end up with days at a time of not doing anything beyond using my feminine speaking voice, followed by 2-3 hours in a single day of nonstop training. Needless to say, that tends to push my voice a bit harder than I like if Iâm not careful.
Most people already know what it feels like when you start to lose your voice, and definitely pay attention to those symptoms, but a new one that I noticed after starting this training caught me off guard. Often the first warning sign that Iâm pushing too hard is that I start coughing and feeling like Iâve got something stuck in my throat. Nothingâs actually there, but that doesnât change the fact that the coughing happens. Just be aware of your body, and try to stop if you notice signs of strain. After all, any voice is better than none!
If you do end up pushing things a bit, hot drinks like tea or coffee can do wonders to relax everything again. My personal treatment is freshly brewed black tea with about 2 tablespoons of honey in it. It wonât make everything magically better so you can go right back to it, but it will make it so you have a voice the next day.
Another trick to help with a strained voice, though it may bother you, is to talk as low as you can. Not deep (you donât need to try singing bass opera parts!), but low and smooth (like youâre pretending to be a guy trying to seduce someone quietly). Do that for a few minutes and it should loosen everything up again, at least enough to get back a normal speaking pitch.
 Step 1. Basic Anatomy â Your Apple is your friend
Normally this section would be a boring, basic section with odd pictures that have long names of things we donât care about. As youâve probably guessed, I donât care for that approach much, and Iâm also very impatient. So, hereâs a quick rundown of what you need to know, and at the end youâll be able to see just a bit of progress too!
Now I know most of us donât like our Adamâs apples (me too!), but the technical name for what it covers is the larynx, so Iâm going to call it that instead. You can feel where it is, right? Touch it, then swallow. Feel how it moved? Now try doing that without swallowing. Chances are that you canât right now, but thatâs okay! Swallow again, but this time hold your larynx at the highest point, where it feels like it pulls back slightly, then let go when you need to breathe.
Doing that exercise a few times a day will get you to the point that you can move your larynx up at will, which will help out with resonance and tone later on. You may even notice a difference if you try talking with your larynx up instead of relaxed, though itâll probably be a bit difficult at first. This part took me about two weeks to get right, but since I havenât met anyone whoâs tried the same thing I donât know if thatâs fast or slow. If you want to, feel free to send me some feedback on how long it took you (On any of the sections, for that matter)!
 Step 2. The Voice â Raise the Voice, not the Pitch
Now you can move your larynx up and down. Great! But youâre only halfway through the basics right now. Go ahead and try to keep your larynx up for the rest of the training, but if you canât donât worry; this part can be done without that.
Iâd like to point out here that, while I was trained musically, it was not in singing (I was a tuba player), so some of the terms Iâm using are probably not correct in that sense. Iâm going to use them anyhow though, because it makes sense to me and Iâm pretty stubborn, so just roll with it.
Sing a note in the comfortable part of your range. Doesnât matter how loud, but hold it for a bit. Feel where the vibration is? Iâm going to guess that itâs right around your collarbone, at the base of your neck. Thatâs called âChest Voice,â and itâs almost always a masculine thing. This next part is kinda tricky to explain, so bear with me.
Now try to picture your voice as a light or an orb or something thatâs in that area. It doesnât matter what, so long as you do it. Raise that light/orb/whatever up slowly while you hold the tone. The sound will probably shift up as you do; thatâs fine. The important thing is to note the different feeling of where the vibration is. As it reaches the halfway point in your throat you might feel a sudden change. That change over is what I call the âThroat Voiceâ and is probably where your voice will want to go for a while during training.
Once you get past Throat Voice and visualize the light/orb/whatever entering your mouth youâre officially using âHead Voice,â a.k.a. where most women talk from. Congrats! Now go even higher, till you have to pull your larynx back almost to where it goes when you swallow. You probably sound like a really bad Mickey Mouse or chipmunk now, but thatâs normal. This is the upper range of your voice, what I call the âFalsetto.â Once youâve got the hang of moving between these (and moving your larynx up during them as well) you can move on. I think this part took me about six weeks to really get down.
 Step 3. First Steps â a.k.a. Why I do this in the car
This is where we begin the real training! Quick question: Do you like My Little Pony? If so, that makes this step a lot easier. If not, then youâll have to use âchipmunkâ songs or go look up ânightcoreâ on Youtube and find some songs you like. Actually, Iâd do that last one anyhow, especially if you find some that the originals feature a male singer.
Either way, the point of this step is to find some songs you like that force you to use that âfalsettoâ range you discovered last step. At first you wonât be able to do much in that range that doesnât sound like a squeaky wheel that somehow learned to talk, but as you keep at it youâll start to get a little more flexibility up there. Remember though, youâre not going for a âgoodâ sound right now; youâre trying to match the song as best you can.
There really isnât too much else to this step. You just have to keep at it till you are able to match the songs, or at the very least are able to move around the range without sounding like a Disney character anymore. Â I use songs from MLP and some nightcore songs as well for this, in particular any songs that have multiple singers to maximize the flexibility and control (yup, Iâm still working on this part a bit, but I reached what Iâm saying here in about two months). Once you are happy, onto the next step!
 Step 4. Pitch â Removing the Turtle Shell
You know that part in the original Dragon Ball anime where Master Roshi had Goku doing a bunch of weird tasks while wearing that really heavy turtle shell? Then he got to take it off at the tournament, only to find heâd gotten a ton faster and stronger without noticing it? Yeah, thatâs kinda what the last step was for us, and now itâs time to see the results! Unless youâve been skipping ahead (canât judge here!) this will be the first step where a real, usable feminine voice starts to take shape. Excited yet? I hope so, because this is also the second longest step, and the one with the least guidance.
All you need to do in this step is find songs that arenât in the âfalsettoâ range and learn to match them while using Head Voice. As you start singing, you may notice that you revert to Chest Voice, or that your larynx drops again, or any number of things. One positive thing you should notice, however, is that you are much better at being aware of how your throat and larynx feel as you speak and sing, which translates to being better at imitating a singer. It really comes down to trial and error at this point.
One recommendation I would have is start with Queen songs, then move into your chosen artists. Queenâs songs are pitched perfectly as a jumping off point for raising said pitch, as most are right where the masculine and feminine ranges overlap, without worrying too much about tone or resonance. Those can come a bit later, especially resonance (which gets its own step later). Disney songs are another excellent choice, though you have to be careful at first. The male parts also make for a good vocal warm-up, to help avoid straining anything.
As for other artists with women singers that work well for beginners, go for someone with a âhuskyâ voice. My personal starting band (after Queen) was Blackmoreâs Night, and I moved into LeAnn Rimes, Trick Pony, and a few video game songs once I got more advanced (If you are curious, I recently moved into singing a few Jordin Sparks and P!nk songs, as well as only having a little trouble with some of the more famous Disney songs like âPart of Your Worldâ and âA Whole New Worldâ).
One thing to watch out for here, especially as you start moving into higher pitches and approach the alto range, is a tightness or fatigue in your jaw after singing. That comes from using your jaw muscles to force control over a pitch above your current non-falsetto range, and that can actually hold you back considerably.
I looked this up after hitting a plateau for nearly two months and found a singing coach that referred to the fix as âlazy jaw.â Basically you should be able to hold a note while moving your head around (even if it is slowly) or moving your jaw with a hand. Once you work that in your tone will improve as well, so double win!
Once you start to get the raw pitch down youâll probably notice that thereâs still something different between yourself and the singer, which is where the next part comes in. There isnât really a point where you are âdoneâ with this step, but I reached a decent point in around six months with the original songs.
 Step 5. Resonance â Why a Choker Can Actually Help
I donât wear a choker, mainly because I canât find any that are affordable and fit me, but the title does not lie. This step is all about the little shifts in vibration and position of the larynx that I, at least, couldnât feel without something touching it constantly, hence why a choker would help. I just use a free hand and lightly touch just above and below the larynx occasionally.
This part is a little iffy, and Iâm still working on the fine-tuning of my own voice, so the guide might go a different way than your voice wants to. I would strongly recommend recording your voice every now and again during this step, or possibly getting someoneâs advice, especially if you have trouble recognizing perfect harmony while singing (for me thatâs where I canât hear any difference at all between the singer and my voice). I can offer a few pointers though.
First, you should have enough control of your larynx by now to have some sense of how far âforwardâ or âbackâ your voice is as well as the âupâ and âdownâ of Chest/Throat/Head. If you want to sound airy or breathy, then move your voice âforwardâ and âup.â If you want to sound husky of earthy, âBackâ and slightly âdownâ are the directions to go. Donât forget that where your larynx and voice are will affect your pitch a bit, but with practice you can go lower in pitch while still maintaining Head Voice.
Second, try to only vibrate half of your throat. Sounds confusing, I know, but the most feminine voice I can use right now only vibrates below my larynx, not above. I have heard other people discussing the exact opposite, but I do know that masculine voices use both above and below, so as long as half is still I think itâll be fine. Just use your ears (or a friendâs!) to figure out which one works for you, and try not to stress too much about it. I still have issues with this a lot on certain songs and artists, and Iâve been working on this step for 8 months now. Remember, your goal isnât actually to be a perfect singer (at least, not for this guide), itâs to develop a feminine speaking voice.
Third, add some heart! I know it sounds corny and clichĂŠ, but if you can feel the singerâs emotions and add that to your singing it can make a lot of this automatic. Masculine resonance mainly uses volume for emphasis, but feminine resonance tends to use pitch and emotional emphasis instead. There is a big difference, even if it doesnât make sense at first why.
Lastly, if you are still using headphones or earbuds, take advantage of that to really match the singer! If you think you are close, but it sounds really bad and wavy, that actually means youâre really close (within a half-step, to use proper music terminology) so keep moving up and down to get it. Very few things are as satisfying as singing in perfect harmony with a feminine singer for the first time.
 Ending â Youâre Still Here?
As I mentioned in the last step, this is about as far as Iâve gotten in my own training, so I canât share anymore tips. Basically you take all the skills and awareness you got learning to sing (which is its own useful skill, I might add) and apply them to your normal speaking voice as well. In my case the pitch of my voice started raising without me even thinking about it, so I only had to train myself to automatically use the correct resonance and Head Voice before I had a convincing, feminine voice.
The only other thing I have done that is not in the steps above is try to sing parts of the Broadway musical Wicked to improve my volume in my voice, but all that seems to have done so far is shred my voice whenever I try. I canât say I recommend that, and if you follow the steps above instead of trying to do it all at once like I did you may not even need it!
Once again I would like to mention that this guide is based on my own experiments and trial and error, so Your Mileage May Vary is definitely applicable here. Feel free to contact me @twilightdreamersmith on Tumblr if you need something clarified, or if you have any suggestions as to something I missed.
Happy training!
