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blake kathryn
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roma★
$LAYYYTER
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DEAR READER
we're not kids anymore.

祝日 / Permanent Vacation
Xuebing Du
h

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@tsunderesylveon
In the club
I’ve been looking for this!!!!

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HANK
TURN ON V-SYNC
HAAAANK
rest in fucking pieces, mr. darcy
paintedtapestry THIS SCENE
#imagine being a woman reading this for the first time and throwing her bonnet on#racing as fast as she can down the street to pound on her friend’s door#WHAT PAGE ARE YOU ON DEAR HELEN#NEVERMIND I SHALL SIT WITH YOU UNTIL YOU REACH IT#IT IS MOST DIVERTING (via buckyonthelam)
Well, I didn’t see THAT coming.
Still one of my favorite things on the internet.
get him
SLAAAAAY
I’M HOLLERING!
Don’t do this to him…
please let drake look like a sensitive barista in peace
only when he stop grooming kids.

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gen z: *blurry stock photo of lemons with the caption “lemn”*
Here have this
You ever invite your coworker to watch you give birth just to spite a racist
Okay howmst the fuck has a ship doctor in the far future never handled a birth without the father present? Are sperm donors and gay couples and trans women no longer a thing in the bajillionth century CE?? :/
I while understand the frustration with erasure sometimes it helps to look at things through the cultural context of when something was made. Star Trek the Next Generation was made in 1987, this particular episode I believe aired in 1988 a time when a future where the husband was always present for the birth would have been amazing to many of the people watching the show as men had only been allowed to be present for the birth of their children for 10/15ish years at that point in the US.
Women (and many men) fought for decades with hospitals to even have men allowed in the delivery room during the early stages of labor, which can last for several hours, and hospitals only began to give in to their requests in the 1960s but even then they would be kicked out of the room by hospital staff before the actual birth took place. So many of the couples watching the show would have had to go through labor without having/being allowed to support their spouse regardless of their wishes. Having the child’s father present for the birth only began to happen in the 1970s and 1980s. Which means most people watching this show either went through birth without the support of their spouse, were not allowed to support their spouse during the birth of their child, or their own mother’s went through that during their birth.
A future where the husbands were always present for the birth was still a little crazy to consider in the late 1980s. A good kind of crazy for the people living in that time, it showed a future where the wishes of the couple were finally consistently listened to by medical professionals as a result of the actions of people during their or their parent’s lifetimes. And it does that by also subverting it in allowing Data to step into the role of the father when the father was unknown and/or unwilling/unable to fill that role (I’ll be honest my knowledge of Next Gen is a bit spotty and I have not seen this whole episode, just a piece of it at family Thanksgiving). The woman’s desires as to how she would give birth are listened to and respected, something that still doesn’t happen in many hospitals now and would have been seen as even more revolutionary then. So while it isn’t perfect I think this scene was actually fairly impressive for its time and cultural context and shows a future that many people of that time would have seen as ideal.
I think this kind of contextual understanding and analysis is really important because things that look antiquated now were revolutionary then. I remember reading that the mini skirts in Star Trek TOS were legot just in fashion (about 64’ ish), one of the actresses (the one that played Rand) requested they be in the show and both her and Nichelle Nichols said they didn’t see them as demeaning but liberating in that time and context. Where as NOW it looks like ‘sexy male gaze’ but then it wasn’t.
Miniskirts are comfortable and easy to move in - unlike longer bulkier skirts, which had previously been required for “modesty.” And unlike the approach of “we’ll just put them in pants,” miniskirts made a statement that women crew-members weren’t being treated like men. Miniskirts were a way to say “I can be an attractive woman, wear comfortable clothes, and still look professional and do a serious job.”
The clothing for that message today would be different.
This is also why the bridge crew of TOS may seem “tokenistic” today. When it came out, the Cold War was in full swing and “Soviets” were maligned and hated, Black people could not count on their right to vote being honored, and mixed-race people (like Spock) were called horrible things like “half-breed” and “zebra.” A white man was in charge of the ship, but Gene Roddenberry was fully aware that a chunk of the viewership read him as queer, and did ABSOLUTELY NOTHING TO DISCOURAGE THAT READING, at a time when “homosexual activity” was illegal in the United States!
By today’s standards, “one of everything? How tokenistic.” In 1966? “A Black woman, a Russian, a man from multiple cultures, and a man who loves differently, all top of their fields, all working together and finding common ground to learn, grow, and help where they can? What a wonderful future!”
Also I’m sorry but like. A show also featuring a Japanese man who isn’t a stereotype but part of the crew, having a Scottish character be a part of the central cast (idk if I need to get into why this is important, but considering how England has continuously tried to erase Scottish culture and identity, and the stereotype of Scots as bumbling bumpkins, etc, its kind of nice to see a Scotsman who’s the best of the best at his job).
Moreover, a lot of kids watched this show. MLK himself contacted Nichelle Nichols and asked her to stay on the show when she was considering leaving, because “you don’t have a Black role, you have an equal role,” and there wasnt many Black role models on tv. I can only imagine how Black kids, Asian kids, and mixed race or mixed culture kids felt seeing people like them on tv. Hell, seeing Uhura on screen is what inspired Whoopi Goldberg as a little girl.
Also, yeah, its easy to look back and say ‘damn, fathers weren’t there in the delivery room? What assholes’ but no like they legitimately were not allowed in there.
Tiny correction: while George Takei is Japanese, and while Sulu thus looks like what we in the 20th-21st century consider to be an ethnically Japanese man, Hikaru Sulu was Pan-Asian by design. His last name is not Japanese. And Roddenberry designed him like that intentionally, because while there was a lot of anti-Japanese sentiment in the US at the time (I mean, hell… George Takei himself spent years in Japanese internment camps during WW2), there was also a lot of other anti-Asian sentiments, and Roddenberry intentionally put ALL of it on the character of Sulu.
Like, all the years of anti-Chinese racism in the US? Sulu. Anti-Japanese sentiments left over after WW2? Sulu. Korean War in 1950-52? Sulu. The Vietnam War, with Johnson in 1965 (a year before TOS started airing) choosing to start sending American troops into the conflict? Sulu.
Sulu was Roddenberry’s desperate attempt to show all Asian people as inherently worthy, inherently human, and yeah, he probably put kind of too much on Sulu’s shoulders, but it was the 1960s and Roddenberry fucking cared about representation, so he did what he could.
Just, you know… a little bit more historical Star Trek context
how come cats look outside and start vibrating their little mouths so much and so quick while sounding like they are printing copies from a fax machine. why do birds do that to them.
asdfgdsfadas please op your tags
I almost forgot to mention: this woman came into the penguin enclosure with a KESTREL??? I said “oh my god is that an American Kestrel?” and she said “Yes! She was outside doing raptor education for the kids, but she doesn’t like to get rained on.”
#she was watching the penguins with what I will anthropomorphically project as skepticism
kestrel: i hate rained on!!
human: here is birds in water
kestrel: ......no.....

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These are hilarious. The last one especially.
Tag yourself I’m ‘yep she’s dead’
just crying over how romantic Freddie & Jim were nbd
So I read the book, and almost everytime Jim gave/made Freddie a gift, Freddie would always show it off and say “My husband got me those!” or “My husband made that for me!” It’s so sweet, especially for this one part when they first started dating:
yeah?
For context: This guy is a ex cop who is there to expose the fact that police heavily manipulate these statistics to cover up the truth. He aint a bad person who is lying, he is a good person who is pointing out that the police is lying.
When it hits you, that raising a shape-shifting baby of a different species might not be as easy as you thought
vs
When you find out that your new child is the coolest baby you’ve ever held
idk it was funnier in my head

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“Past Tense, Part I” and “Past Tense, Part II” aired on January 2 and January 9, 1995. They’re part of a long line of Star Trek time travel episodes, but only a few of those time travel episodes visit an Earth that is in the characters’ distant past but the audience’s near future. As such, they are among just a handful of Star Trek stories that take place during the part of the Star Trek mythos where humanity had to overcome its differences to get to the utopia awaiting us in the 2300s.
[…]
Since he wrote that episode of Star Trek, “the militarization of police has gotten even more advanced. They have even more weaponry and seemingly more willingness to use it,” Wolfe told me. “As the SWAT team was coming in [to the Sanctuary District during the riots], they were somewhat careful at least. Today, we probably wouldn’t portray that the same way.”
Yet even if “Past Tense” didn’t predict the future with 100 percent accuracy (which, again, shouldn’t have been its goal to begin with), it remains a chilling look at our present by a TV show looking out its own window in the past and seeing the problems we’re still dealing with today. In many cases, those problems have even gotten much, much worse.
“As a writer, all you can do is be a voice in the wilderness, sometimes. You can yell, ‘Fire!’ but you can’t put it out,” Wolfe says. “It’s disappointing that we’re still grappling with this problem. I certainly would have hoped it would be better by now, and people would be like, ‘Ha! Remember that Deep Space Nine episode that said homelessness would still be a problem in the 2020s? They were so gloomy!’ But one of the themes of the show is that paradise doesn’t come for free. Even if it does get handed to you, you have to continually work to protect it and renew it and advance it.” Emily VanDerWerff