Bubby and Beevil from New Fun Comics saying "DC Says Never Kill Yourself" for @thrakaboom for @dcforgaza! I WAS SO EXCITED TO DRAW THIS

❣ Chile in a Photography ❣
EXPECTATIONS
NASA
Show & Tell
PUT YOUR BEARD IN MY MOUTH
sheepfilms
trying on a metaphor

Monterey Bay Aquarium

Love Begins

shark vs the universe
cherry valley forever
Not today Justin
🩵 avery cochrane 🩵

roma★


if i look back, i am lost
Aqua Utopia|海の底で記憶を紡ぐ
todays bird

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@thrakaboom
Bubby and Beevil from New Fun Comics saying "DC Says Never Kill Yourself" for @thrakaboom for @dcforgaza! I WAS SO EXCITED TO DRAW THIS

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Dirk and Brek redraw
good heavens would you look at the time
I love this guy
Way Down
Have you read Way Down?
Yes, previously
Yes, now that you've recced it to me
No
Authour: lesbiantogruta
Subfandom: Justice Society of America, Sandman
Media: Comics (specifically Post-Crisis)
Relationships: Gen (Lyta Hall-centric, Minor/Background Ships)
Year: 2023
Rating: Teen
Warnings: Implied/Referenced Death, Minor Unhappy Ending
Summary:
Inspired by The Refrigerator Monologues. This is my own take with the Dead Women of DC. They are the Harpies. The dead girls with tales left to tell. Will you listen?
Submitted by Conner
Submitter's comment:
banging my fists on the table my LYTAAAAAAA. It's a great monolouge and I would love to see it preformed

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tranches is one of my favorite joke edits ive ever made i should post it here it really makes me absolutely lose it
im sending you both on a mission into markovia and i dont expect either of you to return.
Aw aw aw he's so cutes
PSA for anyone who uses ingramspark, or anyone you know who does, you now need to opt out to prevent them from selling your books to AI tech companies to train their AI. 🤦♀️
BRIAN BRADDOCK & BETSY BRADDOCK/CAPTAIN BRITAIN in EXCALIBUR (2019)
Both of Ray's solo books establish that because of his upbringing of isolation in the dark, he was homeschooled and tutored by nuns. He talks about having originally planned to work from home using his apparently self-taught computer programming skills, but nothing about pursuing any further education.
According to writer Christopher Priest in a Usenet discussion, it's not just that Ray was homeschooled but that he has no formal education at all. His tutoring was not accredited. He has no school records. He can't even take the SAT. And he doesn't have a GED (which would give him the equivalent of a high school diploma). Hence the fact that he can't seem to get a job that isn't in fast food for minimum wage.
If The Ray 1994 had not been canceled, future issues would have featured a storyline in which Ray tries to get into college and has to deal with the realization that such education as he had did not set him up for any opportunities in life. He can't get into any college, and he can't get any job that will be adequate to support him (and, presumably, any other family members living with him).
The prestigious, high-paid ($85,000 apparently! which is more like $184,000 these days) job he had with Vandal Savage's company would ordinarily be helpful to his resume, but Ray leaves that job abruptly, on bad terms, and the ruthless and manipulative Savage of course isn't going to give him any kind of reference or acknowledgment that Ray ever worked for him in any significant way.
So what becomes of him from there? Does he start working toward a GED, as the only option available to him if he wants to move forward? Is he hoping for a career in programming as he originally planned, or would he look into other options (in light of how out-of-hand Death Masque, the product of his programming skills, became, he might not want to continue in that field)?
I really wish we had gotten a continued series, because Ray's efforts to navigate the real world after growing up completely separate from and unquipped to deal with it...do strike some chords with this former homeschooler.

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I think it's super cool how a cult kidnapped Wally because they thought if they stabbed him then they could access the speedforce inside of him and use it to bring people back to life and then they did stab him and they did access the speedforce inside of him and they did use it to bring people back to life and then it was just never mentioned again.
Like, yeah, cool, okay, Wally holds the secret to eternal life at all times and there's a bunch of ancient cults tryna get ahold of him to access that and he just does nothing with that information.
His reaction was pretty much just "huh that's weird. Anyway-"
tbh I think he and Barry both just. Don’t commit as much thought as they could to the potential of their Speed Force abilities beyond what they can use to hero? Like Eobard dead-ass states that they have (and use, subconsciously or otherwise) the ability to be exactly as old or young as they want to be. Jay does it. Moreover, Jay uses that ability on Joan, too. (I think it’s funny, given this, that Jay chooses to stay at exactly retirement age. Man said ‘I wanna be young enough to enjoy life and old enough that people won’t expect me to hero full time.’)
The Speed Force gives them the ability to affect people’s biological age. They’re not just the key to resurrection, they’re the key to eternal youth and vitality.
I can see why they might not want to exploit that more--I mean, they already have problems with people deciding that a speedster is the best way to power their doomsday devices/time machines/evil mechanical planets. They don’t need one more reason for people to want to come after them. But it’s still something you’d think they’d be more interested in. I kind of chalk it up to Wally and Barry both being EXCESSIVELY busy and having other things on their mind nearly constantly. But still. Sometimes it drives me nuts when these major things that could be really interesting to delve into get dropped and then never spoken about again.
I still think it's funny that Bart went 'wow I hated being 21... I'm going to be 15 again' and then just reverted half a decade and none of them even blinked an eye at that but they still don't seem to understand that they have full control over their ages??? They all just accepted that Bart was a teenager again and didn't question it.
Or the multiple times Wally has straight up just reversed time. And his only reaction is 'i have no fucking clue how I did that' and then he moves on.
They honestly have so much power and that just never really seems to click in their minds. It's never really been outright stated but given everything they've done (sticking people in time loops, general time fuckery, being immune to time changes, freezing people in time, reversing time, jumping through time, effecting aging, ect) they're basically chronokinetics in denial
IMO the speedsters should always be the age they’re most mentally comfortable with--which appears to be the case, most of the time. (mmmost of the time. I think it’s interesting that Ace-as-Burst seems to have aged Barry and Iris and Joan and Jay up, mentally?) I think they refuse to consciously think about the full scope of their powers. There was that one time when Barry asked Wally ‘are we even human’ and Wally laughed it off--because both Barry and Wally are absolutely terrified, imo, on some level to accept that they really aren’t. They’re basically gods in denial. And honestly that’s part of the appeal--the fact that they’re stubbornly human despite having so much power. It’s the same sort of charm as having Superman be this down to earth, very human Midwesterner who happens to have incredible abilities. It just happens that they can’t really look too closely and remain in denial, so they don’t. If that makes sense at all?
FUCKING FINALLY! GOOD GOD, IT TOOK THIS LONG????
What they don't tell you about reading comics with Cable is that you start finding this stuff unironically really cute.
Inglorious X-Force V1 #7
The Clowns Vengeance
"I need you, War Dog. Who else shall I write poems about?"
When I tell you that I had this line locked and loaded for years... BECAUSE I'M CRAZY!!! (gnaws at my enclosure)

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Grant's JSA-era surliness is not totally out of nowhere.
He has a history of getting short-tempered when upset (that's been present since his very first appearance), and lashing out at people (that's how the Atlanta incident happened), and making himself difficult (like during the "training exercise" conflict with the Titans). This wasn't who he was most of the time pre-Infinite Crisis, but it was a side of him that did emerge in times of heightened emotion and high stress.
When he's recruited to the JSA, it's been about a year since he's been through the most stressful experience of his already stressful existence. He's had to go through this seemingly without support, and he's having to live with the effects of this trauma constantly. Something that used to give him purpose in life has been the source of (as he perceives it) ruining his life. Connection with people has helped him a lot in the past, but he doesn't have anyone like that around now and believes himself alienated from humanity because of his face (not true, but he believes it is). He's had a whole year to marinate in all this.
So no wonder he's in a constant state of his stress reaction, trying to protect himself behind a wall of standoffishness, because that earnest kid he used to be got hurt and he doesn't want to live through that again. The old Grant is still in there. His old personality continues to shine through in certain interactions with people he's comfortable with, like Jesse and Tom and Sonia. And as soon as his face is restored, he's suddenly outgoing and upbeat. Of course this soon gets overshadowed by Situational Narcissism due to Gog's influence, and the belligerence returns quickly.
The surliness is a preexisting trait. It's not implausible characterization. It just gets exaggerated and mostly takes over during his JSA era. And I think this would have seemed less jarring if the narrative had shown the progression toward becoming this version of himself. Glimpses of him in the hospital. A montage of the last year's events. The hopeful boy who was trying his best gradually shifting into cynicism. The ingredients are there, but the arc leaves more to be inferred than it actually presents to us.
Duke’s so damn funny I think of this panel so often 😭😭