it never stops being funny that BBC Sherlock blew so much of its astronomical budget on overproduced filmmaking gimmicks and meanwhile Leverage managed to look easily 10x more interesting and dynamic with a budget of $7 and one steadicam operator named Gary
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this is a probably-embarrassingly-banal recurring thought/observation i've had lately, but (artsy commentary below the cut)—
it seems like really great art (in a variety of mediums) only really arises out of a whole ecology supporting that art—e.g.,
-> you don't get great oration the way you did during Frederick Douglass's time because oratory is no longer a “live” art in the way it was back then (audiences prefer other options for entertainment/information; audiences don’t have the patience for that style of delivery, etc);
-> Mozart's genius for improvisation, while impressive, was an outlier on a spectrum of talent that existed back then, and wasn’t categorically different; he was pulling from a massive vocabulary of licks/phrases/etc that he knew by heart because that was How Music Education Worked Back Then—i saw a video recently that talked about that, and which also claimed the mythopoetic status of “singular genius composer” only began to rise and become so socially prominent during the Romantic era specifically because the ecosystem that supported that style of music education (e.g. sacred music and the church and such) was on the wane, which is FASCINATING even if it’s probably more “complicatedly true” rather than “straighforwardly true”;
-> and also, i enjoyed this Kanakia column that argued that the Western (as in "western/cowboy novels") managed to produce some truly great work, but only when that general *ecosystem* reached its apex…
anyway.
most people, i think, don't think of the arts like this? like, i was into composing music when i was a kid, and i remember my parents—who are lovely, just not AT ALL musical—regarded it with a bit of awe. after i worked really hard writing this one song & performed it at a recital, my mom asked me if there would be more if i only “had one song in me.” she wasn’t asking in a negative “you should be doing more” way! but in a wistful-earnest way, like, “wow, it’s so lucky you had even this one song in you; sometimes that’s all there is and we just have to be grateful for it” kind of way. they asked me where my ideas for songs came from. and i, being a kid, was like “uhhh idk they just come to me” and they were awed all over again.
as an adult i know that wasn’t the whole story—the real answer is, well, i had piano lessons, so i already had some idea (both intuitive and formal) of common chord/arpeggio/etc patterns; i played a lot of nobuo uematsu and frédéric chopin so their compositional styles "lived" in me; and so when i started playing with a little melody for fun, i had some “hunches” for where to take it, how to develop it, and “it just came to me” but… only because i had this whole vocabulary that i, being a kid, didn’t even realize was a learned thing; it just felt like part of the air i breathed.
anyway!
i got to thinking about this recently when reading adam kostko's post about the process of learning to how to better listen & look in order to better appreciate art… and he argues that e.g. those with some formal music education may in fact get less out of a music performance because they’re trying to “decode” the piece rather than really listen. which is interesting, and i think has some truth, but i suspect it’s *specifically* that music education today mostly involves learning some theory “in a vacuum” (e.g. “label these chords”-style worksheets) and learning how to precisely replicate prewritten songs, rather than… developing that fluency & that access to the wider ecosystem
uhhh hm do i have a thesis here. i guess (1) it’s weird to me i rarely/never hear defenses of canon articulated in these terms: “this is the working vocabulary of your literary/artistic/musical inheritance (which is well and truly yours by right of being a human being on planet earth), and you need some fluency in it in order to have access to it, and really you need much more fluency than modern primary/secondary education is going to be able to give you on its own, but we should at least give people a fighting chance”, and (2) i used to be pretty anti-rote-memorization but i’m now kinda pro-memorization for like. idk. good poetry. some music. sacred texts. anything that gives you some richer basis of expression to fall back on in a pinch
"going out to get milk" is a common turn of phrase used to describe a man abandoning his family.
the "milkman" is a common figure in stories depicting a woman's infidelity and adulterous affair.
this implies that the ability to provide milk would both decrease the likelihood of a man abandoning his wife and children, as it would eliminate the need for leaving to get milk AND would secure that man's marriage, as his wife would have no need to seek milk from an extraneous source.
therefore, all men should produce milk, through various means such as:
- being a cow
- being an almond
- being a woman
- being a coconut
- being in the omegaverse
- being an oat
(list is exemplary and not finite)
in this essay, i will redefine the nuclear family and explain the seductive and inflammatory nature of the 1993 "Got Milk?" commercials.
ok sorry to double reblog BUT I just looked him up and he does these fantastic videos where he breaks down HOW he actually mimics the other artists’ styles. Like for ed Sheeran, he explains how he brings his voice forward in the mouth, while Adam Levine sings in the back of the mouth, stuff like that. It’s SO COOL, I don’t think I’ve ever seen anyone actually break down how to do this sort of thing, as a skill, instead of just treating it like a neat trick they just happen to be good at.
https://www.tiktok.com/@justinjmooremusic
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What's the deal with dogheaded men? I was reading some early arthurian texts and those guys were always fighting dogheaded men, with absolutely no explanation given. Was it a common mythical monster? Was it a metaphor?
crazy how clint eastwood by gorillaz is like, certainly amongst the top 100 songs of the noughties considering it is, on paper, a song by a fake cartoon band where del tha funkee homosapien raps about how he’s a ghost possessing the band’s fake cartoon drummer over a beat which is literally a yamaha keyboard’s dub preset
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a new reality tv show called So you think you can write Doctor Who
twelve episodes, twelve contestants - a mix of annoying middle aged sci fi authors, fan fic authors and random people off the street
a variety of against the clock writing tasks, big finish scripts, ability to interact with actors without shouting at them and challenges where you have no budget or doctor for an episode
judged by solely by christopher eccleston
this is how you find the new doctor who showrunner
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Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
Timnit Gebru was fired from Google in December 2020 for refusing to retract a research paper, and every single warning that paper made about large language models has now happened at a scale the industry spent 4 years trying to make people forget about.
Her name is Timnit Gebru.
She co-led the Ethical AI team at Google. She co-wrote a paper called "On the Dangers of Stochastic Parrots" with Emily Bender at the University of Washington and two other researchers. The paper was 14 pages long. It was submitted to a top AI ethics conference. And it was the reason Google decided that one of the most senior Black women in AI research could no longer work there.
The story Google told publicly was that she resigned. The story she told, confirmed by 2,695 of her colleagues in an open letter, was that she was fired by email while on vacation because she refused to either retract the paper or remove her name from it.
The paper had not even been published yet.
Here is what she actually wrote, and why every prediction inside it has now come true.
The first warning was about scale itself. Bender and Gebru argued that training ever-larger models on ever-larger scrapes of the internet would produce systems that appeared fluent but had no actual understanding of language. They called these systems stochastic parrots because they would repeat patterns from training data with statistical confidence and zero comprehension. The paper predicted that this apparent intelligence would fool both users and developers into trusting outputs that were structurally incapable of being reliable.
This was 2020. GPT-3 had just come out. The paper predicted the hallucination problem before anyone had a word for it.
The second warning was about bias amplification. The paper documented in detail that internet-scale training data contains systematic overrepresentation of dominant viewpoints and underrepresentation of marginalized ones. The models would not just absorb this bias. They would amplify it, because the optimization process rewards confident outputs, and confidence in language patterns tracks frequency in the training set.
The prediction was that hiring tools built on these models would discriminate against women. That healthcare triage tools would underperform on Black patients. That loan approval systems would entrench inequality while presenting their decisions as neutral algorithmic judgment.
Every one of those things has now been documented in deployment.
Amazon's hiring algorithm penalized resumes that contained the word "women" in any context. Healthcare risk scoring algorithms used by major US hospitals were found to systematically underestimate the medical needs of Black patients. Apple Card's credit algorithm gave wives credit lines 10x lower than their husbands for the same financial profile.
The third warning was about environmental cost. The paper calculated that training a single large language model produced emissions equivalent to the lifetime output of 5 cars. The prediction was that the race to scale would create an environmental footprint that would eventually rival entire industries.
In 2024, Google's emissions were up 48% from 2019, and the company explicitly blamed AI infrastructure. Microsoft's were up 29%, same reason. Both companies have now quietly abandoned the climate commitments they were publicly celebrating the year Gebru was fired.
The fourth warning was about documentation. The paper argued that the training datasets being assembled were too large for anyone to actually audit. Nobody at Google, OpenAI, Meta, or any other lab could tell you with confidence what was in the data their models were trained on. This was not a temporary problem to be solved later. It was a permanent feature of the approach.
In 2023, researchers discovered that the LAION-5B dataset, used to train Stable Diffusion and other major image models, contained thousands of images of child sexual abuse material. The companies that had trained on the dataset had no way of knowing. The paper predicted that category of failure 3 years before it was found.
The fifth warning was the one Google cared about most.
Bender and Gebru argued that the deployment of these systems would centralize linguistic and cultural power in the hands of the small number of companies that could afford to train them. The internet would become a place where the dominant voice was a statistical average of dominant voices, presented as a neutral assistant. Languages underrepresented in the training data would degrade over time as more web content was generated by these systems and fed back into the next training run.
This is now happening in real time. A 2024 study found that 57% of new web content in English is AI-generated or AI-assisted. Researchers studying low-resource languages have documented active degradation in translation quality, because the synthetic content fed back into training is itself worse in those languages.
The paper Google fired her for predicted the model collapse problem before model collapse had a name.
The mechanism behind why this all happened is the part of her work that nobody quotes.
Gebru's argument was not that AI is dangerous in some abstract sci-fi sense. Her argument was that AI is dangerous in a very specific structural sense. The technology was being built by a small group of researchers who shared similar backgrounds, worked at similar companies, and were rewarded for shipping products faster than competitors. The incentive structure made it impossible for safety, ethics, and bias concerns to slow anything down. Anyone inside the system who raised those concerns was either ignored, sidelined, or removed.
She was making that argument from inside Google.
Then Google proved her right by removing her.
The team Google had built to make sure their AI was safe was dismantled in 90 days because they did the job they had been hired to do. Margaret Mitchell, the other co-lead of the Ethical AI team, was fired two months after Gebru for searching through her own emails for evidence of how Gebru had been treated.
Gebru did not stop. She founded DAIR, the Distributed AI Research Institute, in 2021. The mission is to do AI research outside the control of the companies that have a financial interest in not hearing the answers.
Every prediction in the Stochastic Parrots paper has now been validated by deployment. Hallucinations are an industry-wide problem the largest labs cannot solve. Bias amplification has been documented in hiring, healthcare, lending, and criminal justice. Environmental costs are larger than entire small countries. Training data audits remain impossible. Model collapse is an active research crisis at every major lab.
The question worth sitting with is the one almost no one in the industry will say out loud.
Every researcher with the technical credibility to call out these problems watched what happened to her in December 2020 and made a calculation about their own career. The number of people willing to speak publicly about safety and ethics issues inside the major AI labs collapsed after that firing and has not recovered.
The researcher Google fired for warning about exactly what is now happening was right.
The company that fired her is now the second-largest deployer of the technology she warned about.
And the people inside that company who agree with her are not allowed to say so.