i’m fine with people whose dni criteria includes me reblogging my posts (especially image descriptions), but if i check and then know that it includes me i am going to block you because i feel weird about it.

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if i look back, i am lost
Peter Solarz
cherry valley forever

❣ Chile in a Photography ❣
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Lint Roller? I Barely Know Her
styofa doing anything

#extradirty
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Love Begins

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@thepastisaroadmap
i’m fine with people whose dni criteria includes me reblogging my posts (especially image descriptions), but if i check and then know that it includes me i am going to block you because i feel weird about it.

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[shaking your hand] hey you ever hear about the scorpion and the frog [not letting go] exciting friends and a good adventure
American Kestrel | Raptors of North America
today i just (remembers to maintain privacy online) did something really cool. you have to trust me
Baby fledgling Claudia

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[Image ID: Four Panel Comic of a Man in a blue and white striped shirt at an easel and a woman smoking a cigarette. It is drawn with shaky sketch style pen lines and color pencil.
Panel one the woman asks, “Dad, you lived through something unbelievable. Why don’t you make art about it.”
Panel two is a close up of the man as he says, “You would find it confusing and upsetting. It would frustrate you.”
Panel three is a close up of the woman as the father continues, “I wouldn’t tell the story the way Voyeurs would like, I would only be telling it to myself. So the world would find it indigestible.”
Panel four back to both in the shot. The woman is taking a drag from her cigarette. The man says, “And you would resent me.”
The woman replies with, “All right, Jesus. Sorry I asked.” /.End ID]
As a society, we need to go back to understanding that strangers on the internet are, you know, strangers. I feel lately that I'm seeing a rise in 'An author I love blocked me because they took my comment the wrong way' posts on the ao3 subreddit, and then the comment is them calling the author a fucking bitch or something like that.
Don't do this. Tone doesn't translate well in text, and if you don't have a rapport with that author, they are not going to interpret, 'You're a fucking bitch' as, 'Author I hate you for being so talented and making me feel so keenly.' They're going to interpret it as you being an asshole. You can shit talk with your friends because you have an established relationship with them and can distinguish between playful banter and genuine anger. You do not have this with a stranger, no matter how much you like their fics. You will have a much more pleasant time in fandom and not get cockblocked from interacting with your favorite writers if you remember this.
#I don't often see comments like these when I'm reading a fic but there have been a few that made me raise an eyebrow#I don't know if I would block over someone calling me a bitch on a fic I wrote but I'd probs try to gently tell them it's not right#coz honestly I feel like this is an issue with younger age groups who are new to reading fics and might not understand fandom culture#or at least I hope it's younger people who simply don't know better 😬#otherwise... yikes
This isn't some esoteric niche aspect of fandom culture, strangers at the potluck also do not like being called a fucking bitch.
People in the comments like "you just need to add a /pos tone indicator to your comment!": strangers at the potluck do not like being told "You're a bitch!" with a smile and a thumbs up.
This has been going on for thousands of years! It doesn't change.
—Robert Bly, Keeping Quiet / Half Man (2026)
I got hired to do a stand-up comedy set at the trope villain convention. It was a great gig. Really appreciative crowd. They were absolutely cackling the whole time. It was a little weird at the end though when all of them stood up and started clapping very slowly, before saying, in unison, "Well done, my friend. Well done."
One of them said he really liked how relatable my comedy was. Apparently it made him feel like we're not so different, he and I.
love the word lackluster. well it sucks because it’s not shiny
[ID: A crow with a speech bubble above its head so it looks like it's saying OP's post. End ID.]

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Vorace by Pauline Mauvière & Charles Ouvrard
if your animal is lying on the floor, furniture etc, it’s important to take a picture of them. then, if they move or shift in any way, it’s important to take another picture. with this technique, you can take many pictures of your animal
Crazy thing about #healing #recovery Small Victories is when you'll have some shit going on that's like, saying this would involve admitting how you used to be doing. You know? Like hey guys good news I'm gonna change my bedsheets this year
That's the thing about Doing Really Bad you kinda keep it to yourself. And then you start doing a little better & when you try to tell people this the vibe is like "what do you mean you were living in the sewer this whole time are you good?" while you're standing there like Yeah that's not the important part never mind that. I'm literally out of the sewer
oh a quite serious thematic analysis of the works of david cronenberg we're really in it now
i would like if something horrible and invasive was happening to him and his boundaries were violated and he was uncomfortable and scared

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hi! i stumbled on your Roman sexuality and kink and violence post. i found your analysis very interesting and was wondering if you can recommend any reading on the topic? (no pressure!!) i'm specificly interested on the part about how Romans viewed sex and violence as inherently interconnected, i've never heard about this and would love to read some source material, but anything on the topic is appreciated. thank you :)
hi! Amy Richlin's work is the starting point for any reading on Roman sexual violence; she is very much working in the second-wave feminist tradition but her 1980s/90s work is still essential reading and she writes more incisively than just about anybody else in the field and has been profoundly influential on my own thinking. I would particularly recommend The Garden of Priapus (1983/1992), which is basically the essential treatment of sexual violence in Roman culture, and her article "Reading Ovid's Rapes" in the 1992 volume Pornography and Representation in Greece and Rome.
more recently, Sarah Levin-Richardson has worked extensively on marginalized sexuality, sex work, and sexual violence in ancient Rome; she has an article "Roman and Un-Roman Sex" in the 2020 volume Un-Roman Sex: Gender, Sexuality and Lovemaking in the Roman Provinces and Frontiers that I would recommend which adds further nuance to Richlin's model (along with the entire volume!). Levin-Richardson also has a couple of pieces (one with Deborah Kamen) in which she employs Saidiya Hartman's methodology of critical fabulation to attempt a reconstruction of sexual violence against enslaved people in Roman society; I have a few reservations about the particular way in which Levin-Richardson does so and will admit that I think critical fabulation is a tool that ancient Mediterraneanists should use very cautiously, but it's helpful reading for understanding the state of the field right now. lastly, I also highly recommend Beth Severy-Hoven's article "Master Narratives and the Wall Painting of the House of the Vettii" (available here) as a case study, since Severy-Hoven directly addresses the intersection between sadomasochism, enslavement, and sexual violence using the art on the walls of the House of the Vettii in Pompeii as an example.
one of my favorite ao3 metrics to poke at for specific fics: public bookmarks vs. private bookmarks