A backup blog to @florinite because I was just terminated out of the blue and I still want to keep posting. BTW: this is an anti Loki series blog. And anti ragnarok. If I do end up posting anything like that on this blog if I don’t get the other one back, don’t like, just block. Thx. side blog for reblogs: justasideblog2012
Hello! And welcome to the rabbit hole! I am your host, Aurora Nova (you can call me Aurora for short, if you want).
I am a Loki lover, Bucky lover, a MCU fan (most) of the Infinity Saga, Malleus Draconia and Idia Shroud lover, a MalleIdia lover, and a Twisted Wonderland fan in general.
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Basic rules for analysing fiction, an incomprehensive list jotted down in a hurry:
The protagonist isn’t always right
The protagonist isn’t always good
The protagonist isn’t always written to be relatable or likeable
The narrator isn’t always right
The narrator isn’t always good
The narrator isn’t always telling the truth
The narrator isn’t always the author
The protagonist’s moral compass, the narrator’s moral compass and the author’s moral compass are three entirely different things that only occasionally overlap
Pay attention to what characters do and not just what they say
Pay special attention when what the characters do is at odds with what they say
A lot of the time the curtains are blue for a reason. If they aren’t, you should read better books
So many times I have seen people apparently just … forget that it’s possible for fictional characters to be (a) mistaken or (b) lying, and say things like “we know this to be true because [character] said so here” (or, worse, “this fact is canon because [character] said it”).
The antagonist isn’t always telling the truth, the protagonist isn’t always telling the truth, the secondary and minor characters aren’t always telling the truth, the narrator may be telling the truth but if the narrator is also a character in the story then don’t count on it.
Also, sometimes a character whole heartedly is telling the truth but turns out to be wrong. People make mistakes. Expect the characters to learn along the way. Even when it’s a lesson that takes multiple mistakes to finally get. Heck, sometimes a character doesn’t learn the truth; especially if it’s something that took generations to understand as it currently is.
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what's an animal/creature that you wish writers and arts would depict Loki (any of em) as but you know it probably won't happen (unless?)
Hmmm good question 🤔 I feel like he’s been depicted as a lot of the well-known ‘sneaky’ creatures already (fox, snake)
Yk what I don’t care if it’s cliché. I would love to see him as a black cat. I know he’s been a cat before and I’ve had this silly gripe for a while bc I feel like him being a black kitty makes more sense
I still love you stupid car <3
If a writer wanted to show the playful side of Loki, I think Loki playing with some wild animals by turning into one of their own is a cute idea. Or even them hunting and living with animals for a bit to relax or distance themself from their usual life. I feel like it would add a little mythological vibe; Loki is a being that transcends their Asgardian body. They can be anything and still be Loki
It’s also interesting to think about because of that part in AOA about them only being able to shapeshift (without cost) into creatures that match who they are. A fox works but a fly doesn’t. I’d love to hear other opinions about what animals would be easy for them 👀
the right thematic moment for a Black Widow solo movie is right after Winter Soldier. She’s blown all her covers and is counting on time to figure out a new one. She’s not joining Fury to go root out the remains of Hydra, she’s not joining Steve and Sam on their quest to save Bucky, she’s going on a selfish journey of self discovery, right after she loses more than maybe anyone else (except Fury maybe?) in the movie, leaking her whole history to the world
What needs to come next, obviously, is a story where Natasha can square this movie with her future. CA:TWS ends on a very similar note as The Avengers, with them going their separate ways but with the promise that when they’re needed, they’ll be back. How does she get to that, though? “When I joined SHIELD, I thought I was goin’ straight… but I guess I just traded in the KGB for Hydra”
This is where a solo project slots in! Natasha on her own, trying to define who she is apart from these Organizations that have shaped her. Natasha’s past finally public. We needed a nemesis here, someone she’d wronged who could only come after her now because of the file dump, someone to make her question who she is and what she should do next—something like the Edmonson/Noto run would stun here—where the end of the story is, of course, her independence from spycraft and decision to commit to the Avengers full time
Yeah, like, the file dump did nothing to anyone except set up a couple Agents of SHIELD storylines that went unnoticed by majority of fandom—and I might even be misremembering that. The stakes weren't high in CA:TWS just bombastic. "Fury died!" no he didn't. "Her covers are blown!" AoS showed action figures of the six of them in a shop window pre-CA:TWS, what cover? "Hydra wants to shoot everyone as a drone allegory!" that's it? That's Arnim Zola's insidious plan, shoot people from the sky? This technology exists and, what, it just disappears after CA:TWS? Hello?
All this build-up of Nat's character only to make her forced sterilzation her entire backstory in her next outing—how was that not on the records that were dumped? (Ironically, she had this convo with Bruce who already canonically established he can't have sex or he'll hulk out. Was Whedon trying to make a parallel between her infertility and Tony's "conception" of Ultron or??? It went over every head bc it was dumb).
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Looking at a woman, seeing every major bone in her body through her skin as if there was never any muscle to cover it, and cheering her on as she keeps posting zero calorie gum packs and "couldn't hurt to lose a few pounds" notes, because it's "misogynistic" not to "support other women" and "rude" to "comment on a woman's body" is dystopian. Caring more about getting more content, more projects, than about the possibility that a person is actively being exploited by people around them for money, even at the expense of their health and, I am starting to fear, potentially their life, is dystopian.
And I don't even have to drop a name for you to know who I'm talking about, because you know. You see. You have eyes. But you'd rather consume a person like a product you view her as.
the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
I’ve gotten so used to fanfic’s versions of Loki’s magical abilities that I thought I’d look at what his canonical powers are. I love it when people augment his powers in fic, but I also kinda like it when stories limit themselves to his canonical powers, which is probably rarer at this point than not. It’s also cool when stories explain how he got the extra powers they’ve given him. But frankly, the movies are pretty vague about what his powers actually are. So here’s my analysis of what he can and can’t do, that we know of.
NOTE: It’s been a few months since I’ve seen THE AVENGERS and even longer since I’ve seen THOR, so I may forget stuff or get stuff wrong. Feel free to reblog and append corrections.
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I've seen the "Non-ascended Astarion ending is bad for him because you have to persuade him to reject the ritual" opinion...
..implying that he never really wanted not to ascend, it's you the player who selfishly forces him to give up on his goal. To prove their point, they state that you can get a good ending out of all other companion's quests without using Persuasion at all, except for Astarion.
And boy did I want to talk about this...
(In fact, everything I wanted to say has already been told in this amazing meta post, but I still gotta ramble)
First of all, Astarion was going through an intense PTSD. The game gave him a debuff to show how badly going back to the place of his torment was affecting him. Larian couldn't make it more obvious that he wasn't thinking clearly.
Second, there is one thing all abusers have in common: they destroy their victim's feelings of self-worth to the point, the victim no longer wants or knows how to ask for help or have relationships outside their abusive circle.
Who would want you like this? Look at yourself, you think you're better than me? You're nothing. Who would want to waste their time on you? You think somebody else would treat you better?
Since entering the Cazador's palace, Astarion is reliving his worst moments. Initially, he takes it in stride, hiding his discomfort underneath performative and emotional expressiveness. He talks about how he spent time in the bedrooms where he never did any sleeping, about the kennels where he was tortured, about the barracks where he was sent to when he "deserved neither carrot nor stick". Bad memories, but he shares them with Tav because he trusts them with his scars already. They might as well know the rest.
But after descending into the dungeon, Astarion starts spiraling into self-loathing at a break-neck speed. He used to think that all Cazador victims he ever brought to him were long gone, drained, and discarded. A horrible, undeserved death, yet the thought of them not having to suffer for too long was a small consolation, one of the threads holding his sanity together.
But then it turns out that they weren't dead. They were turned. Locked away deep underground, alone with their new selves, with the hunger and isolation. They did suffer. All these years, they suffered, buried in this tomb - because of him. Cazador may have turned them, but it was Astarion who brought them to him. And they remembered it. They recognized him. The monster who stole them from their home. The monster who ruined their life. Monster. Just like Cazador.
So, as if his PTSD wasn't enough, this revelation was another blow to his grip on himself, his perception of himself. His confident facade was shattering - and in his head, he was starting to think that Tav's idea of him, of who he is, was shattering as well. He tried to warn them before. He said he couldn't be what they saw in him. Whatever person they believed him to be had never existed - and Tav was finally coming to realize that as they walked through the gallery of his sins, looking his victims in the eyes and hearing out what they had to say. Of course, Tav hated him now. They had to. How could they not?
So, at the end, he is scared. Terrified. He bit off more than he could chew by walking into the manor and thinking he had only six fellow spawns to deal with. He saw their lives as a small price to pay because Cazador made sure to erase any solidarity between them. He made them torture each other and compete with each other. He twisted the very meaning of family bonds to his perverted liking, and he knew that by doing so, he would make sure every single one of them would get a whiplash from anyone trying to mention family in a positive connotation. Astarion takes no issue with getting rid of his "brothers" and "sisters" because he is fully aware that had the roles been reversed, they would have sacrificed him without a second thought. And he was certain that Tav would change their mind once they learned more about his brethren.
But the spawns in the dungeon...All the faces he remembered. All the lovers he lured. They did nothing wrong. They never hurt him. They never tortured him. Their only mistake was to trust him.
The revelation horrifies him. His first response is to be shocked, overwhelmed with emotion - and then he has to remind himself that sacrifices must be made. He feigns indifference. He tries to cover his internal conflict with gallows humor. But his flippant mask keeps slipping as he lapses from indifference to anger, to guilt, to begging Tav not to hate him as his greatest crimes glare back at him and claw at him, shouting out threats and seething with hatred.
He can't bear the thought of dealing with all the people whose lives he helped to destroy. He can't do anything for them. Just killing Cazador won't undo what he did to them. He will never be anything but a monster in their eyes. And this is what he deserves to be. He will always be reminded of what he is.
He has no choice but to do the Ritual.
He has no idea what will happen to him after he is done - he isn't a planner. He has never been. But at this point, he doesn't see his soul as something worthy of preserving - and by association, he extends that to other spawns. He knows it all too well because he remembers how it felt. He dissociates, projecting everything he hated about himself onto Cazador's victims, trying to rationalize why he should live and why they must die while he actively avoids the truth.
Completing the ritual is no longer about being free. Or protecting himself and his lover. It's about running away. Even when Astarion has Cazador at his mercy, he still thinks of running away. Getting lost forever. So nobody could ever hurt him.
A part of him even realizes that it means running away from Tav too. But Tav can leave, he naively thinks, not knowing the full consequences of the ritual. Tav will leave to find someone else, someone better, and he will start everything anew, a king of his castle.
So, of course, Tav has to reach out to him through that thick haze of fear, anger, and self-hatred. Persuasion isn't about strongarming someone into doing what you want. It's not subjugation or emotional blackmail. It's reasoning with someone. And that is exactly what Tav does - reasons with Astarion after watching him mentally struggle, after seeing his genuine shock and fear, after understanding that he isn't fully on board with the idea.
It's true, vampire spawns tend to gravitate toward power, especially if nothing is pulling them back. A vampire spawn is a feared and scorned creature - it no longer matters whether they were an unwilling victim, forcefully taken and turned. They are seen not as an individual but as the extension of their master - and the only natural transition for them is to get on the top of the food chain. The only way to make a name and become treated as something more.
Astarion saw power as the mean to safety and freedom, first and foremost. Ironically, he never planned beyond securing these two priorities. He never saw himself after accomplishing his goals, and it's kinda amazing how people can make conclusions about his hedonism because he misses petty vanities, wants to drink blood from a goblet, and sleep on silken sheets. The man who was held and tortured in the kennels, fed rats, and had to stitch and fix his only set of clothes over and over to keep it presentable, the man who has never felt happy for most of his conscious non-life is called hedonistic for wanting nice things. For still wanting to take care of himself for once.
He wasn't harboring any grand plans, conquests, or schemes. Even his idea of taking control of the Absolute was abstract and shapeless because he didn't care about getting control over the most influential people as much as he was afraid of breaking whatever protected him from Cazador's domination. He never really knew what to do with power aside from keeping Cazador and the likes of him at bay.
The way Astarion behaves in a relationship also speaks tons of how controlling he really is...or how he isn't controlling at all. When his romance with Tav transforms into something real, and he enters a new territory, Astarion is empowered to make decisions and think about what he wants instead of pleasuring others. It's clear that he and Tav don't have sex after they come clear about their feelings. Tav respects his comfort and boundaries, gives him all the time he needs, and lets him take the lead. Whether they will have sex again or not is entirely up to Astarion. Whatever he decides, it won't change Tav's feelings for him. He doesn't have to do anything he doesn't want to do.
Astarion enjoys this new autonomy. He is playful, affectionate, outspoken...and afraid of messing everything up. If Tav mentions breaking up, Astarion thinks he is the problem. If there is another potential love interest showing they have eyes for Tav, Astarion encourages Tav to be with them because he believes they can give Tav everything he can't. When Tav says "I choose you," Astarion is taken aback, needing a moment to hide his genuine confusion at Tav actually wanting to be with him rather than Gale, Karlach, or Halsin.
For all his talks of control and dominating others, once Astarion finds himself with a lover who values his autonomy more than getting power at the cost of his dignity, who makes it safe for him to be honest, and who listens to him, he almost stops mentioning control. He merely lives in the moment, happy not to know, not to pretend, not to manipulate. Just to be.
What Astarion truly craves - not wants on a superficial level, not conditioned to want - is not to be a vampire lord. He wants the freedom to be anything. Anything he wants. Little does he know that true vampires rarely get to be anything they want, even if they gain the ability to walk in the sun -- we see it in his Ascended path as, instead of acting up on his supposed freedom to be anything, Astarion repeats Cazador's rules step by step. Just like Cazador did. Just like Verlioth did. He isn't anything he wants. He is the replica of his former master.
Astarion never had the luxury to explore who he wanted to be outside what Cazador made him. He only makes his first steps once he is free. We see glimpses of that deep-seated aspiration to be seen as a person. Treated like a person. Loved like a person. To be reflected in someone's eyes. He wants to know if there is someone beneath his usual mask, something his, not tainted by Cazador. Someone real. And at the same time, he dreads to know the answer. Because that part of him knows regret. Knows shame. Knows guilt. Confronting it posed the risk of realizing he didn't deserve love, kindness, or a future. What if real him truly doesn't amount to anything? What else for him to do?
So, he tells himself that he has no choice, and he expects Tav to affirm it -- not because he wants them to, but because he believes that Tav has seen enough to make the same conclusion. However, Tav objects, trying to be louder than all the inner demons hissing into his ears. Tav speaks to the Astarion, who asked them what they saw when they looked at him. The Astarion, who thanked them for standing by his side when he said "No" to Araj. The Astarion one who stood frozen in their hug before returning it tentatively. The Astarion who diligently, dedicatedly, caringly kept pulling himself together instead of letting himself unravel completely.
Tav reminds him that this Astarion, right here, right now, is worth fighting for. That he didn't survive all these years of torture, pain, humiliation, and dehumanization to give himself up now. He already has the power to avenge himself, avenge all Cazador's victims. He can end everything right here, right now - and this is the only power to free him. He has the power (and responsibility) of having a choice.
Tav empathizes with other spawns as victims not because they're more "innocent" than Astarion, but because associating with them doesn't brand Astarion as weak or broken. These spawns aren't horrible wretches, and neither is he. They don't deserve this, and neither did he.
The only one who deserves to die today is Cazador - the vampire, the monster, the pathetic piece of shit.