commissions are open! updated the sheet, plus posting it on my art blog
dm for details + my paypal: [email protected]
kofi
2026 update!
PUT YOUR BEARD IN MY MOUTH
Peter Solarz
NASA

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art blog(derogatory)
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Origami Around

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Cosmic Funnies

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he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"

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@thedevilsrain
commissions are open! updated the sheet, plus posting it on my art blog
dm for details + my paypal: [email protected]
kofi
2026 update!

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logan roy - rolling with the LGBT
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
nothing bad is ever going to happen to me ever because I am not real

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#survivalofthefittest
Eould you rather be a british plane crash or a german plane crash
This is a really interesting question! Why are you like this?
Ok taking these comments into consideration
the fbi was going through the craziest shit in the 90s like what the hell do you mean they needed to use an insanely dangerous cannibal for information to catch a serial killer who is murdering innocent families for his becoming of a god that is possessed by a dragon, then having to use him AGAIN to catch another serial killer who is murdering girls (including a senator’s daughter) to wear their skin as a suit while some other girl died under mysterious circumstances while other people are getting abducted by aliens and being terrorized by the paranormal while ALSO across the country, there’s a satanist who is possessing dolls and using a former nurse to kill more families???
ok heres my eroica + major variants. can you guess which one was really easy to make and which one i struggled and just kinda borrowed from the first one

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the boxer
gallery im calling klaudori crumbs
husbants.. :)
what the fuck was up w the way aoike drew him in volume 21-22... its like a refrigerator dreamed he was a man
The violence and the love, this is Brazargcore

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If my father dies, please remember that I begged you for a small donation or to share my post. I will not forgive anyone who sees this post and doesn't support me with a single word or a small donation, and ignores me.
I write these words with tears in my eyes, overwhelmed with fear for my father. He has been suffering excruciating pain and repeated fainting spells for the past week due to his cancer, and he cannot afford all the medications he needs because of their high cost. All I wish is that nothing bad happens to my father again, so I implore you to support me and help me buy his medications, cover his hospital stay, and get him the necessary surgeries as soon as possible. Please, be our support.
Worse still, my father suffers from blocked arteries and heart attacks, and he urgently needs surgery to remove the cancer and have stents implanted in his coronary arteries. Throughout this time, my father has been in constant pain. His surgery is extremely expensive, and I don't have enough money for it. Now he can't sleep because of the excruciating pain, and we can't afford his medications and painkillers to alleviate his suffering because of their high prices. I don't know what to do!
6 years ago I lost my father prematurely. It's horrible.
Help Nader, please. He needs pain medication and surgery and to get those things he needs exorbitant amounts of cash. They don't have much in savings right now, last time Nader reported for living expenses such as rent/etc (extremely high and not fixed) is only a little over $10k, and this is dwindling because of gaps in donations.
That might sound like a lot, but it's absolutely not. If I had $10k, with the price of living so high I could survive about 6 months in my city before running out of money for rent and groceries, I didn't even factor my utilities.
Imagine a city that has been for the most part cut from the outside world. Resources are limited and the money is draining fast. If you're working class with a job, think about how hard it is for you to save money in an economy that may be suffering but isn't being strangled.
It's almost impossible to get ahead. And to get out is hundreds of thousands with his family members and father's medical expenses.
I can't fathom how hopeless he must feel.
Please donate if you can.
Guys, I'm begging you to donate. My father's life is in danger. Please donate, we don't want to lose him. Please, please, anyone who can help, please donate. Our campaign has been verified and is number 4 on Gazavetters. Please donate.
Hey everyone, please donate! We need 1600 euros to reach 10,000. Please don't ignore this post; you could save my father's life. Please don't hesitate to donate.
Please help my friend Nader! He is a young man supporting a large family and trying to afford his father's cancer treatment.
please help nader with anything you can spare!!
Friends, I beg you to donate. We only need 1200 euros left. If each person contributes 10 euros, we will raise it Please try to match your last two donations and donate what you can.
I really dislike how some people will attribute every homophobic or heteronormative writing choice associated with Riyoko Ikeda’s works to Ikeda herself while they only engage with the anime adaptations which were directed by men.
The Rose of Versailles manga handles Oscar’s relationship to gender so unbelievably well that Oscar could be considered an entire different character than to the latter half of the anime. While I absolutely have criticisms of how André is written in the manga, the anime takes many of those flaws and turns them into an argument that Oscar should ultimately accept an essentialized form of womanhood and become a wife, which is the opposite of what the manga is doing with Oscars character and the opposite of what Oscar and André’s relationship was supposed to represent in the narrative.
The same goes for Oniisama e. There are definitely aspects of the manga worth critiquing, but a lot of the most frustrating parts of the ending were adaptation choices made by Osamu Dezaki, not things that came directly from Ikeda. Kaoru and Henmi’s relationship is presented as doomed from the beginning and Nanako’s romantic feelings are directed entirely toward Rei, she never develops romantic interest in any man. The anime places far more emphasis on romanticizing heteronormativity than the source material does. Dezaki literally removed most of the explicitly queer and revolutionary scenes and imagery in both adaptations.