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No one, *ever*, tried to persuade me to transition.

1. Han seeing Luke’s injured hand after the sail barge battle and thinking that Luke has been a robot the whole time

2. Luke shaking his hand with a super-firm grip and Han just thinking “Wow this kid has gotten…absurdly strong.”

3. Luke just pulls off his hand one day and throws it at Han.

4. Luke picks up a spacechicken carcass and crushes it with his bare hand and Han is intimidated

5. Han says “It’s good to see you’re all right” and then Luke says “well, actually…” and pulls off his hand and Han falls over the back of his chair

6. Han says “It’s good to see you’re all right” and everyone gasps and Leia says “Too soon!” and Han is confused and they all just rag on him

7. Han needs a battery and Luke just opens up his hand and pulls out a battery and gives it to him and Han just stares

8. Luke reappears after a mission with all the synthflesh off and Han says “I thought it was easy but you LOST YOUR HAND?” and Luke just says “Oh, no, I lost this before Endor” and Han is hurt and betrayed.

9. Luke keeps making hand puns and limb puns and raising his right hand to high-five Han and Han just never gets it

but that LITERALLY just looks like a niqabi or someone in a jilbab. Like Look at this pic of me (from a self photoshoot, now w/o the dramatic lighting and dark background)

or this pic of me

or this pic of me

Fortunately for him, it is a very important communication signal, especially given what he's going through right now. It says, "This is, in some way, unsatisfactory." Unfortunately, it's not very specific and he doesn't understand much about how to deploy it.

You have to understand, the stomach ache that he has right now is the worst stomach ache in the universe, because as far as he's concerned, the universe is maybe a month old and there's been a limited number of stomach aches in it. Or, the loneliness and anguish he felt when he couldn't see you was the most terrifying isolation in the universe, akin to being adrift in the Boötes Void, for the very same reason. He does not have guidelines to cope with these things. He has barely accumulated enough of a dataset to start evaluating things like, "Most times, when people I know go away, they will reappear eventually," or, "that particular stomach ache will go away if I eat something." He doesn't even know which particular problems can be cured and which can't. He just knows that "technique: scream like fucking banshee" does have some sort of a success rate.

I think I might have finally processed season four!

Bonus:

what the people want, the people get

you see

my professor’s take is that mary shelley is feminizing victor throughout the novel, as a way of flipping gender roles and putting a male character through female experiences.

evidence as explained:

victor is creating life. he is putting his health at risk (spends two years with little sleep or socialization) to bring life forth into this world

his illness after he is shocked by the creature coming to life is akin to both ‘hysteria’ and postpartum depression

he pretty much swoons, let’s be honest

henry clerval, a man who has been characterized as manly and heroic, has to chase after damsel-in-distress victor and care for him as he convalesces 

afterward, he hides what he did and went through, for fear that others will label him crazy and emotional and not believe him. sound familiar?

Victor in general is more emotional than the other characters and is constantly tempering his reactions to not be seen as irrational 

the book does not otherwise have central female characters 

Also, Shelley’s mother died in childbirth. It’s interesting, then, that Shelley presents the creation of life as something horrific and damaging. She parallels Victor with her mother.

And, not from the book itself but from multiple analyses on this subject, Victor's lab is referred to as an "artificial womb." Mpreg has been real since 1818 /silly