noise dept.
Product Placement
Misplaced Lens Cap
occasionally subtle
izzy's playlists!
if i look back, i am lost
untitled
KIROKAZE
"I'm Dorothy Gale from Kansas"
oozey mess
@theartofmadeline
macklin celebrini has autism
Sweet Seals For You, Always
tannertan36
taylor price
The Bowery Presents
blake kathryn
đ
official daine visual archive
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
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@winterpinetrees
An Archive of Our Own, a project of the Organization for Transformative Works
A diegetic review of KoTher'ai, written by a sixty-something year old Rungjani theater critic who probably has long and complicated drama with Hal but it's professional drama and they both want the Creed OUT of this town.
If she saw any ghosts she is not telling.
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Ray Bradburyâs short story âThere Will Come Soft Rainsâ that was written in 1950 is set on the day of August 4th, 2026 (tomorrow)!! Nowâs your chance to read it around the time itâs based in!
Audio: A recording of Leonard Nimoy reading it on Internet Archive.
Text: A PDF version.
Graphic Novel: On Internet Archive.
Artfight Review
This was my most enjoyable artfight yet! Over the month, I made 20 attacks, and received 18 defenses, for a final ratio of 52%, my lowest yet. People were really generous with revenges this year, at least to me.
What I really want to note was the distribution of my defenses. 11 out of 12 of my posted ocs were attacked this year, which is about as good as I could ever want! This is the pie chart of it all. Attacks with multiple characters count for both.
Also, 7 out of 18 defenses contained my beloved Esther. Yes, she was the first character listed on the page, but I donât remember ever having an artfight favorite this clear. Iâm glad everybody likes her!
Thank you again to everyone who attacked me, Iâve tagged everyone I could. Itâs your time and energy that made my July so fun. @seraphmolar @chassmfizzm @galahadiant @citrusaias @corsairspade @once-ina-blue-moon @helpimstuckinanotherworlddd
late summer / early fall thoughts
The descent into the devastating and inescapable logic of âWhy We Build the Wallâ throughout the song will never not haunt me.
Why do we build the wall? We build the wall to keep us free. How does the wall keep us free? The wall keeps out the enemy. What do we call the enemy? The enemy is poverty. What do we have that they should want? We have a wall to work upon.
Like the show itself, the logic of the wall is cyclical, so itâs inescapable. The wall is literal. The wall is figurative. We create the wall ourselves when we value profit over life. And at the end of the day, after all that work, and all of that time spent disparaging the âhave nots,â the only thing you have left is the very wall you are building, separating you from your fellow man.
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the costuming in Hadestown is so insane. Orpheus standing out for his red bandana and whiteish shirt, Persephone standing out in her bright green summertime dress in a world that is otherwise so dark and dull. but then you ALSO have Hades's suit and Persephone's mourning dress standing out for how black they are - in a world that's otherwise so worn and faded, the gods wear pure pitch black right off the tailor's table. and don't even get me STARTED on the way red is used to highlight emotion and vulnerability
"warm, shallow seas" is one of the most beautiful phrases in paleontology and it's everywhere... these mollusks lived in warm, shallow seas... scientists think that photosynthetic life evolved in warm, shallow seas... in that era the Earth was covered by warm, shallow seas...
I wish I was resting by an antediluvian warm, shallow sea
concurrent events
how it felt to watch the play
Azhmi the Kaedra
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I spent over an hour on a road trip retelling the Count of Monte Cristo to a friend who knew nothing about the story, and after they were dissatisfied with the 1800s ending of HaydĂŠe's story, we mutually proposed a new one.
HaydĂŠe, also a musician, should meet back up with Eugenie and Louise d'Armilly as they tour across Europe. Is this textually accurate or even feasible? not really, but you can't stop us.
Mainline Superman is joining protests against corrupt politicians, writing scathing articles about their policies, and volunteering at soup kitchens.
Absolute Superman is ripping apart hostile architecture with his bare hands.
Some of my absolute favorite dialogues in tcomc are when the characters are just barely getting to know the Count and they're instantly seduced by his effortless charisma before the Count, unprompted, gets started on a supervillain fucking joker rant about how humanity is inherently cruel and that he thinks torture is awesome and believes he is an angel sent by God to punish sinners, and the rest of the characters get a sudden revelation that this man's wallet is only the tip of the iceberg of whatever the fuck is wrong with him.
"Have you suffered a great deal, Monsieur?" is only five minutes into their conversation and Franz completely slams the Count with this single sentence.
the tendency of making Fernand the main villain in The Count of Monte-Cristo adaptations speaks to the (mostly American) willingness to see bad things as something that individuals bring to life. meanwhile, in the book, Fernand has the least presence compared to Danglars (the evil of capitalism) and especially to Villefort (the evil of state corruption and the penal system). even Cadrousse, the silent bystander, gets more attention in text than Fernand as a person. Dumas' book is not about a personal tragedy, it's about the ease with which a random person can fall victim to the machine of the state. that's why the book is always relevant.
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do the people know that jack kirby created the best characters of all time in 1971 when he created the new gods. do they know about how deeply beautiful his exploration of personal freedom and anti-fascism and nature v nurture and the value of good in the world is. do they know
Tbh, I think everyone getting very attached to Tall Adrianâ˘ď¸ kinda makes them miss the potential of the canon reality that Eridians average at 50cm tall.
Grace is living on a planet of toddler sized rocks with twice his strength. If at ANY point he forgets to look where heâs going he is Going Trip Over An Ambassador. Unstoppable force vs. immovable object except Grace is very much stoppable.
Eridians either get used to talking to his shins, craning on their tippy toes to get a good look at his face, or begin forcing him to sit criss-cross applesauce for literally any important meeting. Picture him joining the Erid equivalent of a UN press conference and having to curl up his awkward water body and hug his knees for the whole thing.
He can conceivably be picked up by an alien the size of a hard helmet against his will. Heâs surrounded by space roombas with perfect memories and attention spans shorter than his San Francisco classroom who canât believe heâs incapable of solving complex math in three seconds. He has step stools around his house for them to climb so he can feel like heâs âlooking them in the eyeâ even though Eridians think thatâs stupid since they lack both eyes and directional perception.
His students are probably all palm sized. Once he starts teaching heâs fighting cuteness aggression all day every day. They could all break his fingers with hands the size of a button. That knowledge does not stop his cuteness aggression. THIS IS GRACEâS REALITY.
