We need to remember what's important in life: friends, waffles, work. Or waffles, friends, work. Doesn't matter, but work is third.
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@thatgeeklover
We need to remember what's important in life: friends, waffles, work. Or waffles, friends, work. Doesn't matter, but work is third.

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I think your fanfic is amazing.
“But Professor, the technical flaws!” “But Professor, the grammatical errors!” “But Professor, you’re not even in my fandom!” “But Professor, you’ve never even read my fanfic!”
I’ll say it again; I think your fanfic is amazing.
settings > wound > my wound > reopen
do not forget this
Let the rolling bird calm you.
“fujoshis are harmful to gay men” not this gay man.
on twitter this got a bunch of responses like “wow even the evil fujoshis? the homophobic yet hypocritically fetishistic ones? what if the fujoshi is racist?” and like well no obviously not in that case.
“shoutout to everybody from new jersey!” “even the new jersey serial killers…?”

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pictured: nerd to nerd friendship
throwback to that time in my existentialism class where the professor asked ‘who thinks hell is other people’ and half the class slowly and meekly put their hand up
then the prof was like ‘…i mean who originally said it’
there are some posts that sound utterly made up for the joke or for the notes, but this one I whole heartedly believe
Sounds right to me…
That quote is amazing to me in that it’s quoted completely accurately and yet in a way that means something completely different from what it meant in context.
(Sartre was claiming that Hell was other people. He was not claiming that other people were hell.)
…I can’t actually tell what distinction you’re drawing there. Can you expand?
The line comes from No Exit, which is set in Hell. Spoilers for No Exit follow
In particular, three people who have been condemned to hell are trapped eternally in a room together. And at first they think they got off easy without any pitchforks or fiery lakes or anything. But over the course of the play they discover that they have been chosen very specifically to have neuroses and character flaws that interact with and torment each other.
Each one needs the approval of a second in an unstable RPS cycle so that any time one of them might be satisfied by a second, the third swoops in and ruins it.
And when they figure this out, one of the characters expresses his understanding, that hell isn’t physical torture. “Hell is just—other people.”
So the point isn’t that other people, generically, are hellish; it’s rather that you can build a hell out of other people.
But when I hear people quote it, it’s usually sort of an introvert-pride thing. “Other people are hell; you should spend time alone.” And that’s not the point at all. It’s a statement about how bad unhealthy relationships can be, not a statement about how all relationships are unhealthy!
See also Sartre’s own comment here:
“hell is other people” has always been misunderstood. It has been thought that what I meant by that was that our relations with other people are always poisoned, that they are invariably hellish relations. But what I really mean is something totally different. I mean that if relations with someone else are twisted, vitiated, then that other person can only be hell.
Reblogging for the original post which was hilarious and also for that explanation which is beautiful
Another big point in No Exit is that the characters find out at the end that the room they’re in is not locked. They could just leave, but they’re each of them incapable of just leaving without winning their arguments. So really, hell is when we stay in dysfunctional relationships that harm us, when we can’t just leave other people be and move on.
Everyone else when they’re undercover during a con: *just standing around* *miming the actions of the job they’re supposed to be doing* “What supervisor, there’s a very valid reason I’m not doing my job, I, uh……”
Eliot freaking Spencer: Guys stop the crime for a minute I have to go deliver these pizzas. I have to plate 300 hors-d'œuvres by 7:00. Get out of my way I have to go build a house with my bare hands.
ilya before and after being exposed to mass levels of seduction (shane folding his clothes)
THE MUMMY 1999, dir. Stephen Sommers

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(Comment from the video Disney's GREATEST Modern Villain: a Turbo/King Candy Analysis)
suburban women on september 15 1967 tuning in to star trek and seeing fuck-or-die mode spock getting in a sweaty man fight with captain kirk in amok time
Got fascinated with the moon playing hide and seek.
I yearn for fictional men every day
inspired by a rant i was going on elsewhere bc someone tweeted something very stupid and uninformed about hamlet and it got my back up as someone who took two single-text-focus english literature courses in college and they were on wuthering heights and hamlet, i now put it to all of you on here:
what's "your" shakespeare play?
hamlet
macbeth
the tempest
merchant of venice
midsummer night's dream
twelfth night
richard iii
othello
julius caesar
king lear
another not listed (specify in tags) (i really just put my own top 10 here nbd)
i have no particular feelings about any shakespeare play/results tag

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THE GOOD PLACE | 1.03