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I’m currently rereading Heated Rivalry, and in the first lines of the story —-the prologue—- we get Shane’s POV in 2016, six years into their situationship era. We learn three key things about Shane right away:
–He hates losing to Ilya, and it makes him so mad he goes home and drinks a beer.
–He sleeps with women because he thinks if he keeps doing it, he’ll eventually find the right one.
–He doesn't just take Ilya’s chirps. he is actually chirping him right back to the press.
There is also this conversation he has with Ilya that I think is very important to show their dynamic where Shane is an active participant in the teasing and bickering and is not sitting there taking it.
The epilogue also shows us Ilya taking care of Shane through sex because it’s their only language and he can tell that Shane is pretty mad about losing. But there is no power exchange dynamic going on.
I feel like if this scene was actually shown in the series, it could have changed how the fandom interprets Shane as a vulnerable, helpless child. Show!Shane is never shown picking up women, is only shown chirping Ilya once, and is never egotistical about winning against Ilya or mad about losing. Which is a big part of his character. His compHet, his competitiveness, and him in relation to Ilya.
I think this scene is so important. Because it does encapsulate Shane's characterization as you point out, and also because it's the direct bridge between vegas and tuna gate. I also think they should have cut the scene between Carter, Scott and Shane about Russia's gay laws because it gave a lot of fans the wrong impression that Ilya didn't want to talk to Shane at the rink because he was worried about being outed (and that Shane was stupid for not understanding that when there's literally no chance that Russian intelligence is going to interpret 'are you okay' between two work colleagues as a sign of gay sex), instead of that he was worried about how much he wanted to emotionally lean on Shane. Ilya could have brought up the Russian law in the Tampa hotel room, which is when it's emotionally relevant anyway.
The books have very clear cause and effect in their relationship, and I do give Reid credit for being the stronger romance plotter in HR than Tierney.
Sochi: Ilya gets scared of his feelings for Shane and pulls away, ghosting him ->
Vegas: Ilya tries to convince himself that he can have emotionless sex with Shane, fails, but Shane gets the message that this is fuck buddies only and is mad in the elevator at himself that he realizes he wishes it could be more ->
Prologue: Shane is fully in the mindset of fuck and get out, this is the emotional repression sex apartment, no feelings allowed, but Ilya is regretting the emotional distance and trying to flirt a bit without success ->
Tuna Melt: Ilya decides to up the stakes (stay over, eat) because he wants to be friends with benefits, but doesn't want to say the words and the lowkey flirting at hookups isn't working; Shane freaks out that Ilya is changing the parameters of their relationship again without talking clearly ->
Tampa: Shane has accepted what he wants and goes after it; they finally are brave enough to communicate
The show's romance is held up by the amazing actors over the story beats in my opinion. Sochi is turned into Ilya is mad that Shane is carelessly risking outing him, which just makes Shane look bad for no reason. The montage replacing the prologue shows everything's great, which makes Shane's freak out in Boston seem entirely on his internalized homophobia instead of equally Ilya's communication choices throughout their situation. I actually dislike that Shane apologized about Boston and Ilya didn't, when Ilya's actions during their situationship were also contributors, because a lot of people have taken that to mean that Shane was being unreasonable or stupid in freaking out when he wasn't.
the "ilya chose shane over hockey by leaving boston/signing with ottawa" narrative has already been debunked like ten different ways. (it's been pointed out that he was already going to leave boston and sign with a canadian team, that he could have signed with montreal to be teammates with shane earlier but he didn't want to take the pay cut, etc.) but has anybody talked about how the text itself asserts that the centaurs should, on paper, be a great team? in theory, they're not supposed to be a "sacrifice," they're supposed to be good. great, even! in chapter 7 of TLG, ilya himself is confused about why they're losing all the time
i'm no hockey fan, but my reading here as someone who casually follows professional basketball is that the text, filtered through ilya's confusion, actually does provide an explanation for why the centaurs are underperforming: all the pieces are there, they just haven't clicked yet. the team is having chemistry issues, which is pretty important for a team sport! wyatt has to block an insane number of shots per game, which is only necessary because the cens' defense is letting an awfully high amount of shots through (and defense isn't merely a matter of talent and size, it's also about constantly putting in effort and applying pressure and being in the right place at the right time, which requires seemless coordination between teammates). and lastly, ilya is "still scoring plenty of goals," but "he couldn't be a whole team."
this is where the reader connects the centaurs' poor teamwork with where ilya's character arc is currently at. he's lonely, he's not communicating his mental health struggles with his boyfriend, he's cut off his friends in boston whom he's afraid of coming out to because he thinks they might reject him, and he's not as close to his new teammates as he wants to be.
thematically, it makes sense to interpret this excerpt as implying that part of the blame for the centaurs' chemistry issues rests on ilya's shoulders as their star center and captain. ilya is good enough as an individual player to force goals through on his own, so if you check his points total you get the impression he's carrying the team. but when it comes to the parts of the game that need more communication and coordination with his teammates, the less flashy details that transform a collection of talent into a well-oiled machine, such as defensive positioning and playmaking, the team is struggling. ilya is struggling, as their leader and star player.
this doesn't make ilya a bad hockey player by any means, but the description TLG gave here reminds me of plenty of other offensive machines (not naming names) in team sports whose heroball (or, in this case, heropuck?) tendencies can end up hurting rather than benefiting their teams. and ilya isn't noted for having a high hockey IQ either, so this interpretation and his inability to understand why the cens are losing don't contradict his established competence or intelligence. he's a great hockey player and a good captain and like any other athlete he has his flaws. it's just unfortunate for him that in TLG those flaws are exacerbated by his depression.
and to cement the subtext that ilya's leadership earlier in the book had failed to reapond to the moment (if months of losing and arguably being one of the worst teams in the league can be called a singular "moment"), the centaurs' post-emergency landing winning streak starts with ilya giving a locker room pep talk that his own narration admits is rare.
we don't see the game itself, but ilya's newfound openness revitalizing his team's confidence is narratively significant. it's the beginning of their upward swing. he's finally starting to communicate with them and the implication is that this change is reflected in their chemistry on ice too
so where was i going with this? oh right. it's that the "ilya chose shane over hockey" narrative is just patently false. ilya's self-perception that signing with ottawa instead of staying with boston (which he was never going to do in the first place, why did TLG just completely forget this?) and winning cups (which is never a guarantee in a sport, hello???) was a sacrifice he made for shane is incorrect. sacrifice implies he signed with ottawa expecting to lose a lot, and he didn't. sacrifice implies that losing a lot was part of the plan, that it was a trade-off he willingly made, and it wasn't. it just happened because that's how sports are! a team underperforming relative to its talent and roster construction because of chemistry issues—which they later overcome with the power of friendship!—is not making a sacrifice, it's a skill issue.
where it gets confusing to me is that the text shows us that ilya's self-perception is incorrect, it tells us through galina that he shouldn't have to choose between hockey and his boyfriend. but when it comes to shane, the book hammers in over and over again that he does need to choose between hockey and ilya. it tells us that he needs to make career sacrifices for ilya (taking a pay cut, losing the C and his position on the first line) that ilya already refused to make for him (we know this because at the end of HR he straightforwardly rejected that option, and at the end of TLG the idea of giving up anything to make shane's move to the centaurs smoother and less of an optics nightmare doesn't even cross his mind. he doesn't even go hey maybe my extremely overqualified and underpaid husband should at least have the A, and the fact that nobody else does either is so crazy!).
there's just this deeply uncomfortable double standard in the way these two characters are written. it's meant to convey that shane is a selfish partner who needs to repay his perfect sad white boyfriend's alleged sacrifices, and we know this for a fact because rachel herself calls shane selfish (while ilya's supposed greatest flaw is his fear of being hurt ijbol), but that's not what's happening here at all. that narrative falls apart so fast under the gentlest of scrutiny. like if anything, the exact opposite of that narrative is happening?? how do people read this and not go, wow this story is so weird to its protagonist of color
So...
Changing teams was Ilya's own idea.
It wasn't a Sacrifice 😩 for him because he knows Ottawa are a good team, with a good roster, and a good coach, who can afford his salary, and even give him a captaincy over more worthy veterans.
The only reason they lose is Ilya's untreated depression and concomitant executive dysfunction / failings as a captain.
He traded for the Canadian passport; not Shane. Because America was bad for Russians. So he was never going to stay in Boston anyway, and Shane could've dropped dead and he would still be playing in Canada.
Despite Shane doing nothing wrong, the book argues that the white man shouldn't be suffering but the POC man should suffer or his love doesn't count?? Is that right??
Wtf.
Nicolas Cage as Ben Reilly/The Spider in Spider-Noir (2026)
Would the Centaurs Actually Like Ilya By The Long Game?
So, TLG has the fans being wild for Ilya and everyone on the team admiring and liking him, but is that actually reasonable?
When Ilya came to the Centaurs, he took a substantial portion of their salary cap (likely 16%-18% of the cap for 4% of the roster), a salary that was 2x+ more than any of the other players, and he wanted the C.
And then he apparently does the minimum as a leading player until the plane crash, refusing to attend team events to build bonds or lead his line.
Wyatt was a great goalie, and was regularly stopping forty shots or more to keep them from losing to badly. Ilya was still scoring plenty of goals, but it wasn't enough. He couldn't be the whole team.
This is a crazy take. If Ilya was a winger, fine, but he's the superstar center. It's his job to lead the offense as a playmaker. That means not only scoring goals himself, but getting his line going. Even in his best season, Ovechkin had 0.79 goals per game. Crosby's highest points per game in a season was 1.68 (Ovi, as a winger, was 1.51 because hockey is a team game, not heroball). Ilya is out here going, 'I'm scoring my 0.8 goals per game' while not setting up assists for his teammates, and you are telling me that his teammates don't care? That they wouldn't view this as him playing for highlights instead of playing for wins?
You are telling me that a Canadian hockey media market isn't pressing him on his tiny goals-to-assist ratio? No, everyone is just so happy this special hockey boy came to their team and then didn't improve it's record for years? And apparently can't work with anyone on the team?
Also, as soon as Ilya decides to start being present in the locker room after the plane crash, the team does a 180 and becomes good enough to knock out the reigning Stanley Cup champions in the playoffs. So, they had the assets for success and were being held back by dysfunctional chemistry. Doesn't that suggest that Ilya was a negative part of the team culture before? Wouldn't his teammates have resented him wanting the C and then not setting the mentality?
There's really no point to all this, and I don't think this reflects on Ilya's character. I think it's just more evidence that the hockey is treated as nonsense in these books.

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entry-level job with a 23k salary asking me to write a minimum 2,500-word essay where i extravagantly praise The Company and express dewy-eyed admiration for their Glorious Mission Statement. i hope king arthur returns and slices every hiring manager to ribbons with his big sword
Vetinari's approach to problem solving in the City Watch series is basically the Gandalf approach where every problem can be solved with a Hobbit (or several) except instead of Hobbits it's Sam Vimes
imagine you are letting your boyfriend suck your dick while you're on the phone with your friend and then he tries to put his fingers in your mouth and when you slap his hand away, he slaps You in the face
Strange racists and homophobes on the internet seem to have access to an alternate way cooler version of TV than me. "every white character on TV is in an interracial relationship" "every show has a gay couple in it" "main characters keep having to secretly be bisexual and nonbinary" "every show has gratuitous full frontal nudity" like damn promise?? What channel???
as a black gay person real like where y'all be finding this stuff pass the name
for real though, those DO NOT WATCH OR YOU'LL CORRUPT YOUR CHILDREN lists put out by conservative christian family groups is where I find all the stellar tv shows. Like, shit I didn't know half of those existed, thanks for finding them for me, gonna go watch 30 hours of gay tv now!
I think I know how this works.
For personal context, before I went to the '98 Burning Man festival, one of the things I'd read from a couple different journalists was that "everybody" runs around naked. Which, fine by me, I'd already spent a lot of time in clothing-optional spaces, I'm not fanatic about it but it's nice.
So I got there early and set up a public shade structure on one of Black Rock City's main roads and spent most of each afternoon just watching the crowds go by. I don't remember seeing more than one actually naked person the whole week. I think a topless woman passed by my intersection maybe every half an hour, sometimes once an hour. So why in the hell were people, normally pretty smart and observant writers, coming away with the impression that everybody was naked?
Then I remembered an unrelated passage from Joel Garreau's great book about the history of the outer-ring suburbs, Edge City. Mall developers told him flat-out that they tried to keep the crowds in their malls less than 5% black. Not because they themselves were racist, but because they had determined, experimentally, that if more than 5% of the people in the mall are black, the median white shopper will wrongly describe the mall as at least half black, as mostly black. And not a few of them would describe it, at 6% black, as a mall where "only black people go." Why?
Because, emotionally, they were still upset over the last one when the next one came into view.
Same as the journalists describing Black Rock City as all naked. Same as the right-wing religious culture warriors describing television as entirely mixed-race and gender non-conforming. Not because it's even vaguely true, we know that, but because they haven't gotten over their discomfort over the last one by the time the next one comes along. The anger, not the stimulus, is the part that's continuous, so their mind lies to them that it's "all" the thing they can't get over.
Similar effect for the presence/proportion of women in things, by the way: https://health.howstuffworks.com/mental-health/human-nature/perception/how-17-equals-496-the-amazing-multiplying-women.htm
Because, emotionally, they were still upset over the last one when the next one came into view.
this has rewired some neural pathways for me
shout out to suzanne collins for, in the middle of Everything Else she was doing in sotr, dropping a paragraph that’s just “btw fuck ai”
She really said, "Even Capitol, the most evil of all evils who have made entertainment of watching children kill each other though AI was going too far. What is wrong with you?!🫵"

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Every time I see a gifset of the stairwell kiss I'm like oh surely this has been slowed down. It hasn't! He is genuinely lingering like that. Do you do that with all your hookups Ilya. Jesus fucking Christ genuinely are you okay. Is the We Meet Up We Fuck Is Simple in the FUCKING ROOM WITH US. what are you DOING man.
I think one of the many strengths of stucky as a ship is the fact that they're not just lovers. They're best friends. And it's something I've seen people in the fandom argue over a lot, between the non-shippers complaining because "oh but they can't be in love, they're childhood friends, why can't they just stay friends?" and the shippers arguing that "they're definitely more than friends, there is absolutely nothing platonic happening between these two whatsoever".
I'll be disregarding the first argument, as it very obviously comes from a place of blatant homophobia, but the second one never sat right with me either, and I never really understood why until I very recently made this realization:
Bucky and Steve work so well as lovers because they're not just lovers. Their love comes from decades of growing up together and knowing each other inside and out the way childhood best friends do. Their chemistry is so powerful because they were best friends before they became lovers, and because they remained best friends decades after still being in love with one another.
And I think this reading of their relationship might be due to my own experiences with friendship and love. As an aromantic person who has never had a crush on anyone, doesn't know what romantic love is like, but is in a queerplatonic relationship and values their friendships as much as I would've valued my romantic partner(s) if I'd ever had any, seeing a queer fanon ship share such an intimate friendship in canon must've spoken to me without realizing it. I mean, come on, they literally DIED for each other. In some cases, almost more than once. Who wouldn't trust their best friend with their own life??
All this to say: yes, Steve and Bucky are a great pair because they're super gay for each other. But part of the reason why they're that gay is also because they're such great friends in canon.
(Also, I could probably add a paragraph or two on how romantic relationships can sometimes be an extension of close friendships, how many people tend to forget that if you're not friends with your partner in the first place then the relationship might not last long, or even on how the fact that Steve and Bucky are such close friends is the reason why you could read their relationship as demi-romantic/aspec in general, but it's 2am and my brain is fried rn. Anyone else feel free to expand on that conversation however you please, I'd be more than happy to read your thoughts.)
No words 🔥 🥵 💀
op disabled reblogs but I found this from this post. you should check out the reblogs they’re funny ash
Hi so that’s not a pun, that’s the turning point of the story. Hope this helps!

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goodmorning this is your assigned shane of the day