Melissa Launay (English-Spanish, b. 1979, based London, England) - Paw Prints in the Snow, 2014, Paintings: Gouache on Paper

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Melissa Launay (English-Spanish, b. 1979, based London, England) - Paw Prints in the Snow, 2014, Paintings: Gouache on Paper

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So every year, my aquarium does a captive lobster hatchery project (hence all the loblings). The reason we’re doing it is because in the wild, loblings only have a 1 in 25,000 chance of surviving their larval phase. They’re plankton as babies and everything eats them. Additionally, as the Gulf of Maine warms, they are having even lower survival rates because the blooms of copepods they feed on as babies are happening earlier in the year, and they’re missing it.
Obviously, the goal of this experiment is to grow the lobsters until they’re big enough to settle to the seabed and then release them, because they have a much higher likelihood of surviving to adulthood when they’re able to hide. Ideally, captive lobster hatcheries can boost the wild population and keep things stable, so we don’t have a major crash in a decade or two.
The first year we tried this was pretty bad. We had a lot of eggs, but very few babies. It turned out that the CO2 levels in the building spiked as more guests visited throughout the summer, and that settled into the water and threw off the pH and caused a chemical reaction that prevented a lot of the eggs from hatching. I think we ended up releasing three baby lobsters (which is still better than their wild survival rate but not great).
The second year was a little better. We added a de-gasser to the aquarium and got a ton of larval lobsters, but right as they were settling to the bottom we had a disease outbreak that killed most of them. We ended up releasing four babies at the end of the season.
But this year? Oh boy. We have so many lobsters that we had to release the first round early (usually we wait till September or October so guests can see them). We just released a total of FIVE HUNDRED AND TWENTY FIVE baby lobsters, and we still have over a hundred who haven’t settled to the bottom yet. I genuinely don’t even have words to explain how cool this is. OVER FIVE HUNDRED. We just added hundreds of lobsters to the wild population that wouldn’t have been there otherwise.
Conservation is so fucken sick
heres an edit i made of the dog hair labubu in the backrooms
one fight at a time
A South Dakota mining company has canceled a drilling project in the Black Hills after opposition from Native American tribes and local grou
The backlash was a major lawsuit from 9 tribes alongside other lawsuits from advocacy groups like NDN Collective. You can support NDN Collective by donating to them here.

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annoying when shows set in the medieval period have the women with thier hair just long and unstyled and out . girl go put on your wimple girl 🤦♀️
like there are so many fun medieval hair and headgear options, it's so boring just seeing loose beachy waves meant to appeal to 21st century beauty standards
put that hot prince in a gay little hood with an ostrich feather or so help me god
i do miss captain hastings (<- hasnt read or watched an agatha christie for a long time). like. hes basically what everyone thinks doctor watson is.
THINGS HE KNOWS: cricket. modes of transport. lots pf posh english people and their social codes.
THINGS HE DOESNT KNOW: literally anything else. regularly gets distracted from the case. fully does not know whats going on. him and poirot are like that one things they teach you on buisness school/things they dont teach you in buisness school-> thus, the sum of all human knowledge joke (you know the one).
poirot literallty just seems to keep him around as some kind of trophy husband/pet englishman/rubber duck/like. social lubricant i dont know what youd call it. like hes always just hanging around for no real reason. i love him so much
He is also there to yap about sports/car to confuse and distract people while poirot looks around
He take notes very well, can run, tackle and shoot the killer
Him and japp protect poirot from geting jumped at by the killer too
He is perfect because of all his beautiful flaws.
Poirot is literally like "I keep you around because you were made in a vat to be the world's most stereotypical Englishman so if I ever want to know how the average Englishman would react to a situation I can just ask you!" It's great.
I understand the urge to comment on recent trends in which people seem to want increasingly sanitized media compared to the recent past, but when you say things like "people used to just shrug and move on when there were books and movies that made them uncomfortable" it's like...well. actually people used to convict artists of obscenity in a court of law.
if you're ever wondering what popular media is getting wrong about basically any premodern society, the answer is that there are never enough lawsuits
there's a common idea that in the olden days all disputes were resolved through violence, but even in settings where that was true, people would still sue each other about it.
Like 80% of Icelandic sagas involve lawsuits. Sometimes against ghosts.
This worked to get rid of the ghosts, incidentally.
“I don’t think I can overestimate how important The Piano is for me in hindsight. It sits on my funny old CV like a medal on my chest. It wasn’t my film. It was Jane’s. I wasn’t the star of the film. That was Holly. But there is honour to be found in the second fiddle. Or fourth. No-one notices you much, you don’t get nominated for things. But you served. I was there in an important feminist film. I was there on the front line in an important New Zealand film. Neither of these labels does the film justice. It’s a work of art. And look, that tiny little figure in the fabric – see down there on the right – that’s me. It’s a film that will always have a place in cinema history. And I served in it.”
- Sam Neill (from his memoir “Did I Ever Tell You This?”)

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You gotta read and watch some old books and films that aren’t 100% modern politically correct. I’m not saying you should agree with everything in them but you need to learn where genres came from to understand what those genres are doing today and where media deconstructing old tropes is coming from.
Also, more often than you might think, they’re not actually promoting bigotry so much as “didn’t consider all the implications of something” or just used words that were polite then but considered offensive now.
Kill the censor in your head.
When we choose to avoid history because it's Problematic or Says Bad Things, we are choosing to divorce ourselves from understanding how we came from that time to this one, which makes it even more likely for the cycle to repeat, with no one but a few people with shelves of old books aware that it's happened before.
and this shit's important. Media from the past tells us how people from the past acted and thought and behaved.
Plus, a lot of these media pieces were socially acceptable and/or progressive for their time. For example, The Adventures of Huckleberry Finn, while it contains a lot of words and ideas that are offensive now, was very progressive for its time. The book is a statement piece for how a young man who's grown up in a racist environment, with no words to explain himself other than racist and bigoted ones, decides that the whole system is shit and he's not going to follow those rules any more. So not reading or engaging with it because it uses the n-word a lot really misses the point.
not to be a boomer but I’m tired of scanning QR codes and downloading apps to literally do anything. can we just be human again
deep sea

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Reblog this photo of a käpylehmä to have a käpylehmä in your blog
It's a trick! If you reblog you get TWO käpylehmäs in your blog!
They're traditional Finnish toys, little cows made out of spruce cones, on their way to see the world from one tumblr blog to another
@elodieunderglass not horrible, but things with legs?
I’ll send them on their lovely journey, thank you!
Confusables in English. Commonly Confused English Words.