I didn’t go missing, David. The FBI knew where I was the entire time.
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2025 on Tumblr: Trends That Defined the Year
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he wasn't even looking at me and he found me

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@missoyashirou
I didn’t go missing, David. The FBI knew where I was the entire time.

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One of the most common complaints about Star Trek I saw growing up was “why don’t they use the holodeck more? If you were living in that time period and you could just make anything you wanted anytime you wanted and live out fantasies forever, why aren’t more people addicted to the holodeck?”
And then generative ai was created.
And now I get it. I get why nobody on Star Trek spends all their free time in the holodeck. I get why all the crew are putting on stage plays, and holding music recitals, and building models, and playing poker. I get why everyone was so skeptical and mean to the Doctor on Voyager. I get why the ONE TIME we see someone obsessed with the holodeck it infringes on people’s likeness rights and permissions.
Because fundamentally at the end of the day we are human beings and we ENJOY working with our hands and making REAL human connections. A person who learns to play an instrument is always going to be viewed as an artist over someone who asks the computer to generate music for them.
Even as recent as Lower Decks they were making fun of the fact that the crew were putting on amateurish plays and holding music recitals. But after living with Ai for so long and seeing how detrimental it’s been to the world… I’d much rather watch my friends put on a stage play than “participate” in a holodeck movie.
What’s most amazing about this is that it was completely unintentional. I do not for one second think that the writers of the time in the 90’s were really thinking about the larger issues that generative ai and chatGTP would cause. How could they? Text to speech back then was still robotic as heck. More likely they wrote that stuff in because it was cheaper to film on sets the owned than try to build, film, or rent out different locations each week.
That’s the down to earth logistical real reason Data is reciting poems about his cat or Riker is in a play put on in ten forward. It’s just cheaper to do that than to build a whole new set or move production to a new location.
Yet at the end of the day, I think that unintentionally speaks to a very human need that ai is making more and more prevalent to us day in and day out.
And that’s the fact nobody wants to deal with generative SLOP.
What I learned not to do in art school
Have and Have Not (2006) Crystal Schenk
some friendship dynamics i doodled that i love a lot because im a certified FRIENDSHIP LOVER from the board of FRIENDIRECTORS on planet PLATONIC

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Jungle Jim's International Market profiled in regional press, late October 2025
So there's this grocery store in Fairfield, Ohio, Jungle Jim's, six and a half acres under one roof, animatronic Elvis at the entrance, fake monorail that doesn't go anywhere, the whole bit, and every couple years it gets rediscovered by someone who treats it as a piece of pure American kitsch, the kind of thing you can write 800 words about without ever mentioning that the actual store is one of the largest international grocery operations in the United States and exists for reasons that go well beyond the Disneyland-on-acid frontage.
Jim Bonaminio opened the original stand in 1971, produce, that's it, the way every one of these places started, and the move from roadside fruit stand to international superstore happened because Cincinnati in the 70s and 80s was absorbing exactly the kind of population that the conventional supermarket supply chain wasn't set up to feed. Appalachian whites coming up the Hillbilly Highway, sure, but also (and this is the part nobody writes about) a substantial Indian population tied to P&G's R&D operation, a Chinese and Vietnamese wave post-1975, an Eastern European bump after the Wall came down, the Bhutanese-Nepali resettlement in the 2000s, Cincinnati for whatever reason became one of the major secondary destinations for refugee placement in the Midwest, which is its own whole infrastructure story (the role of Catholic Charities and Lutheran Social Services as de facto State Department contractors in the resettlement system being one of those things that nobody talks about because the people doing the talking would rather pretend the demographics happened spontaneously), and these populations all needed food, specifically food that Kroger was not stocking in 1985, and Bonaminio figured out before basically anyone in regional grocery that the play, instead of competing with Kroger on price, was to occupy the niche Kroger wouldn't touch because it required actually knowing things, like, ordering "Asian groceries" from Sysco doesn't cut it; somebody on staff has to know the difference between Thai and Vietnamese fish sauce, has to know that different South Asian communities want different specific varieties of rice and won't substitute, has to maintain relationships with importers who themselves maintain relationships with people in Guangzhou and Mumbai and Tirana, and the labor costs of knowing things are the actual moat.
The animatronic Elvis is functioning as camouflage.
And I mean it, the kitsch is camouflage that pays the rent, because the kitsch is what allows the place to be marketable to the white suburban Cincinnatians who come in to buy weird beer and Instagram the Campbell's Soup display, which generates the foot traffic that subsidizes the eight-thousand-SKU international operation that the actual immigrant communities depend on, and without the suburban tourist trade the international section would have to be priced like a specialty store rather than a grocery store, which would price out the populations it was built to serve, so the Elvis is the thing the rest of the store is hanging off of, it's the same trick as a Cracker Barrel where the front-of-house "country store" is subsidizing the restaurant by getting the bus tour to drop another forty bucks on candle holders, in inverted form: at Jungle Jim's the front-of-house tourism is subsidizing the back-of-house grocery operation that is the operative business.
And the regional press cannot see this, will not see this, every single profile of the place is "wow, what a wacky destination, look at the giant fiberglass animals, the founder rides a Harley, the bathrooms look like Porta-Potties as a joke", they cannot write the story where the joke bathrooms exist because they pull the Yelp review traffic that pays for the labor costs of stocking eleven varieties of Filipino vinegar, because to write that story you'd have to write about who actually shops there on a weekday afternoon, a demographic that sits outside the one the regional press writes for or about.
The Fairfield location, incidentally, sits not far from the old Fisher Body Fairfield plant, which closed in the early 90s, same era the international operation was scaling, so you've got the Rust Belt deindustrialization story and the immigration absorption story and the experiential-retail story all colliding in one parking lot, and the way the place gets covered is "haha, monorail."
There's a reading where the whole post-1990 American grocery landscape is just different solutions to the same problem, which is that the population the supermarket chains were built to serve in 1965 is not the population that exists anymore, and the chains can either expand their SKU base (Kroger's halfhearted "international aisle"), let the ethnic groceries eat that lunch (the H-Marts, Patel Brothers, the thousand independent bodegas), or do whatever Bonaminio did, which is build a destination that serves both populations by pretending to one of them that it's a theme park, Anyway. Elvis is animatronic for a reason.
King of Drag s1e2 Perka $exxx as Steve Urkel/Sonic the Hedgehog
real life college losers
No one owes artists anything.
But existence is lonely and sometime you throw hours and hours of effort into a void, on the slim chance it will say something back.
jf i was vladimir nabokov and i was writing lolita i would make her an adult becaude then it would t be dark problematic media and instead a sweet romabce between two adults (woke and pure)

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every time I read about how we are getting closer to an id locked internet via KOSA or some other similar nonsense, I wonder if we will look back on this period of the internet as like Times Square before Giuliani sanitized it and had all the stripclubs shutdown
related: now is probably a good time to start keeping local copies of things you like.
yes! there's a really fascinating history here that I think parallels the current internet. Le Tigre actually sings about this briefly in their song "My Metrocard."
one manifestation of Giuliani’s quality-of-life crackdown was enforcement of rigid zoning rules that negatively impacted sex shops throughout New York, but particularly in Times Square. Under the premise of protecting children, hundreds of independent businesses were forced to close their doors (or completely revamp their operations), starting in 1995.
Of particular concern to Le Tigre, apart from the puritanism underlying these policies, was the job loss and deskilling that especially impacted women workers at these establishments. As the New York Times reported in 1998:
At least 23 topless bars and strip clubs have closed since Aug. 1, when the police carried out a highly publicized raid on Wiggles in East Flatbush, Brooklyn, making it the first casualty of Mr. Giuliani’s campaign to curtail the sex industry in New York severely. The Mayor, who has called adult establishments a threat to public “health, safety and welfare,” has vowed to shutter two dozen more by the end of the year. On Tuesday, a judge ordered four more closed in Queens. But others say the sex industry jobs are irreplaceable, especially the estimated 3,500 dance jobs that, before the crackdown, provided the kind of income unavailable to many unskilled women. “These jobs are safe and for a lot of women, especially single mothers and those who haven’t had the opportunity to learn other bankable skills, there’s no legal work out there that pays as well,” said Juliette Widoff, director of outreach for Frost’D, (From Our Streets With Dignity) an organization that provides social services to sex industry workers.
Samuel Delany, the sci-fi author, also has a book called "Times Square Red, Times Square Blue" whcih chronicles the gentrification/disneyification of Times Square as it changed from an adult-oriented culture to a much more sanitized, class-segregated tourist hub.
She should be at the club
Baby mouse had earplugs in the sketch and I straight up forgot to ink them pretend they're deep in there
Meanwhile not at the club:
Those little fellas at home are going to have a strange subconscious knowledge of work saftey laws from the era they were born in when they grow up if that's how their dad puts them all to sleep.
i do think oil executives should be considered mass murderers and treated as such. they knew this was going to happen
never felt so vindicated in my entire life
judith beheading holofernes

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honestly i think we kind of lost the plot on "therapy speak" as a bit of media criticism
i swear it used to refer to a story using a very formal, almost workplace safety-type tone of dialogue that's unintentionally jarring in context and feels like the writer is trying to make extra sure the characters come off as healthy and nice to the story's detriment, now it seems to frequently refer to characters having any conversation about their feelings at all or even stories that are about therapy/are deliberately evoking that sort of verbage throughout as a stylistic choice. very odd.
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