A long time ago, there was a student at the Academy. He got in here, disappeared for four days. [...] He went completely mad. Never right in the head, so they say.

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A long time ago, there was a student at the Academy. He got in here, disappeared for four days. [...] He went completely mad. Never right in the head, so they say.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I always forget that Missy set the Doctor up with Clara. In terms of the master’s plans, I think it’s up there with one of the best. She was really just like “I’m going to set my ex up with this babysitter, and create a relationship so toxic it threatens reality” and that’s exactly what happened. Flawless execution. No notes.
Can we all say thank you to Peter Capaldi for every single fucking thing in Heavent Sent/Hell Bent. That shit fucked me up. I never recovered. I'm still sad about it. Banger after banger with the lines about grief. 10/10, tears streaming down my face. His delivery on those lines haunts me. Crying screaming sobbing
She found herself fantasizing about a life not only without fear but without ambition. She would read, and go to class, and live in an apartment with good light. She would feel curious instead of panicked when people mentioned artists she didn't know, authors she'd never read. She would have a stack of books by her bedside table. She would listen to Morning Becomes Eclectic. She would get the jokes, speak the language; she would become fluent in leisure.
Hell Bent - Leigh Bardugo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Twelve with his guitar
Abusing my low opacity screenshot of the War Games
i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity