English American. Posts abt America are tagged "usa"
Autistic (diagnosed)
Land Back, from the river to the sea
Letterboxd Pinterest
Do not ask for my agab.
I've run away from an abusive home and am trying to survive on my own. Cashapp
I will block transphobes, militarists, exclusionists, radfems, tankies, imperialists, and people who have "tme" or "tma" in their bio
Doctor Who posts are tagged "1-> 14" for other people's posts and "first doctor -> fifteenth doctor" for my own posts, to distinguish them
Ncuti Gatwa is the fourteenth doctor to me.
Sometimes I post art. Don't worry about it.
My DW fanfiction: Leviticus 18:23, Can't Help Myself, but if I know you, I know what you'll do, SchrΓΆdinger's Cat, Tussan's cat, the spin doctor
If I did not reblog your post it might be because: I have followers with ocd and I'm not subjecting them to bait, I do not post righteous venting, you were rude therefore fuck you, and/or I nodded and went on with my day
Minors DNI please. There's no way I can enforce this and I don't really care, but this is here so you don't say I didn't warn you. Blogger discretion advised, I'm not your father, etc.
Celebrate my week with me: snake sunday, moth monday, fish friday, and spider saturday
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straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allieβs roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. βThis night is for the straights,β Swindellβs character says to Allie, before saying that queer people have worked around straight laws for centuries.Β
This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). Itβs also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, thatβs not even thirty years ago.Β
By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They arenβt the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond βrepealβ signs in various windows and some creative graffiti (...)
(...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. Thatβs just warmed-over conservatism running around in sheepβs clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
The worstbest part of what became of the old triumvirate in the end is that Rassilon was the only one left standing. Little is left of what Omega once was, the Other destroyed its old self to fuck off happily ever after, and Rassilon alone is the only element of the three who still exists in any recognizable form because he has forever woven himself into his creation. Omega and the Other played equally important parts in the creation of Time Lord society, but Rassilon is Gallifrey. Gallifrey never dies or fluxes or withers or changes, so neither can Rassilon
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Slow train journeys in rural England sure are an experience. You're going ten miles and it takes a day and a half because it stops at every lamp-post and the announcement says "The next station stop is Ferretley" or something and you think "I didn't know that was a place" and you get there and it isn't
Someone asked me a while ago if I still had a photo of the worst sink I had ever seen while apartment hunting in Los Angeles. I assumed I deleted it so I didn't answer the ask and now it's gone, but as it turns out, yes, I do still have a photo of it.
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Modern who watchers don't relase how fucking great some of the classic who concepts are. There are so many posts about the shit ones that are funny out of context, but shoutout to fucking brilliant classic who.
For instance some of my personal favourites:
An exploration of science and religion. Evil in many religions often involves horned creatures because of alien creatures called the Daemons who arrived on Earth 10,000 years ago and have intervened and altered the course of human history at various points throughout time. They are not evil but amoral, and view the earth as a science experiment (and in this case have been sumoned by the master) which makes them dangerous.
An epic race on interstellar sailing ships crewed by immortal eternals, where the winner revieves enlightenment- to know everything there is to know. Enlightenment turns out to not be a piece of information, but rather a choice to be made about whether you'd want to know or not.
The supply of a medicine that is relied upon by many is controlled by a corrupt corporation attempting to profit from war. In the middle of the conflict the Doctor and companion become infected with a serious disease that will kill them both if they're unable to reach the antidote in time. In the end they do find the antidote but only enough for one, and the Doctor sacrifices himself to save his companion.
A rogue alien whose people died and whose body was splintered across time after a tragic explosion 400 million years ago develops technology to prevent said explosion, stealing the mona lisa and forcing Leonardo davinci to produce 6 other copies of it which he can sell to fund his work. The Doctor concludes that the explosion was the catalyst for the beginning of human life on earth and so prevents the alien from proceeding with his plan, destroying the Mona Lisa's in the process. Only one of the copies remains, and this opens up a debate about art and how it is worthless if defined solely buy it's monetary value.
The Doctor claims the Presidency of Gallifrey while appearing to be working with an alien force behind everyone's back to invade the planet, meanwhile working as a double agent against them and setting up Leela to overthrow the plot. Even the audience is kept in the dark about what he's planning
A thousand year war in which both sides have been fighting for so long they've somehow managed to progress backwards in technology, going from laser guns to bullets as energy ran out and reverting from execution by firing squad to hanging to save ammunition.
An ancient alien obsessed with cataloging things begins a catalogue of everything on Earth, accompanied by a survey servant who grows and changes and a control agent who stays the same. He goes to sleep for thousands of years only to wake up and find that everything had changed: he declares war on evolution itself.
The TARDIS can just possess people and make them attack each other as an error alarm.
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My first issue with a lot of the Doctor Who in-universe manuals/guides is that they often go with the gimmick of being written from the point of view of the Doctor. As if that dork would have the patience to sit down and write a manual or field guide about anything that would be even passingly cohesive to the average reader.
My second issue is that they're often just....... wrong.