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if i look back, i am lost
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izzy's playlists!
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@t-saan
I need this fandom to be alive so badly

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Hexagon Quilt
Here's the original post (on FB, alas)
[ID: Screenshots of a Facebook post of user Zed Potts on April 3rd, 2026 at 8:10 PM reading:
The one thing about Al that most people don't seem to get, the really critical thing, is that this whole thing isn't a "tech miracle" it's just the wal-mart scam. When wal-mart moves into town, the first thign they do is they run a bunch of sales, for years and years.
not because they care. Not because they just really wanna help. But because they really want to drive every single store that sells the same things they sell out of business. And because they don't really want to (and can't really compete) on the quality front, they do this by just leveraging deep pockets to offer really, really, really cheap prices. They do two things with this: First, they close every single other business that sells the things they sell. Second, they manage to get everyone used to shittier versions of the stuff they used to have higher standards on - it may not be as good, but hey, it's cheap, and who can complain these days?
Al art costs a LOT to make, and it costs way way way more to build the machine models that make it, and this money all goes straight to creating a bunch of waste power, heat, and pollution. It's the anti-environmentalist effect your mother told you about. But it's virtually free to you to use right now, even for the paid services. Do you know why?
Because they want you to use it. They're trying to kill off every source of news writing, picture painting, song singing, book writing, movie making, library storing, lesson teaching, code writing, information sharing, community building, thought thinking they can POSSIBLY manage to replace with worse (but cheaper) versions that can run through machines they run
and then they can charge you for it, and get BACK some money for the billions and billions and billions of dollars that they keep pouring into this stuff.
The people who build this stuff aren't your friend. This product isn't cool. It's not "no big deal" when you share an Al thought, or project, or message - it's about you willingly hopping on board with the people who want to kill everything you love so they can run a zombie robot version of it that they can rent to you later when it's all you have left. this isn't a "conspiracy". It's not secret. It's just the fucking plan and it's right out there in the open and these people even say it out loud if you'd start listening.
End ID]
Mostly accurate, but what I'm missing here is that a lot of these AI's don't want to charge YOU for it.
They want to get you hooked in AI as your main search engine and then charge advertisers to determine the results when you ask for the best new smartphone.
They want to get you hooked on putting all your e-mails through AI and then charge companies for your data, your most private thoughts.
And of course they want to get states, military and big coorporations hooked on AI and then charge them a fortune. So your taxes go to an AI that decides which neighborhoods to police, who to accuse of insurance fraud, and who to kill by drone (already all happening now).
Plenty of these services might continue to be free for you because you are the product.
alternate universe where garak and janeway end up in the shitty 70s version of the astrometrics lab
1970s, not 2370s sadly
Have this angsty fic idea that’s so, so self-indulgent because I absolutely love angst and corruption arcs. Unsure if I will ever write it, though, because I’m not sure how to make it work, especially since Julian and Tain would be quite out of character.
Julian Bashir corruption arc. Abducted by Tain (not Section 31, surprisingly). Why? Who even knows. Either way, Julian expects Tain to torture him, interrogate him, something. It would be easier, perhaps, than this. He’s mostly just kept in his cell with nobody to talk to. Nobody but Tain, that is. Tain, who acts polite, kind, even. It’s an obvious attempt at manipulation, at getting Julian to cooperate (but what does he want?). So obvious, that Julian is even more perplexed. If Tain wanted to more effectively manipulate him, it wouldn’t be so obvious. Still, Julian doesn’t respond. Tain might as well be discussing kotra and literature with a wall. He doesn’t stop visiting, though.
Time passes. Julian isn’t sure how long. He can’t keep track of the time in here. For as relatively comfortable as the cell is, there’s no way to pass the time. The entertainment he has is provided by and taken by Tain at seemingly random times. The isolation drags on and on and on and on.
Julian isn’t an idiot. He can see what Tain is trying to do. He thinks Tain probably knows his captive is aware of the strategy, but he just doesn’t care. He keeps on visiting and Julian, despite himself, can’t help but start responding. His days have begun to blur together, with nothing but Tain to look forward to.
It’s only when Julian snaps at his captor, the mind numbing loneliness getting to him, and Tain puts a comforting hand on his arm that stills him surprisingly fast, that Julian realizes why Tain isn’t hiding his manipulation more effectively. It doesn’t matter if Julian knows it’s all fake. He’ll lean into it anyway, unable to push away his only respite.
And then the corruption arc slowly happens. Here’s your cue for an evil laugh. Like I said, I don’t know if I’ll ever write the fic, but I at least wanted to share the basic concept. Thought it’d be fun. I mostly just enjoy the idea of Julian and Garak becoming even bigger mirrors to each other as Tain’s “protégés”
Oooh, I do love this so much!
I don't know if you have a timeline for this, but I can imagine it fitting over season 3 rather well. Julian could get kidnapped along with Kira in Second Skin, but separated since Tain decides to keep him, being intrigued after The Wire (and possibly by Garak's not-covered-enough efforts to find where they both are) -- and then his rescue could come with Garak and Odo in The Die Is Cast, when he's been working for Tain for a good 7 or so months.
[Reunion in TDIC also would mean Garak seeing Julian *work* for Tain and being unable to do anything about it because he too, ostensibly works for Tain. But of course it's deeply wrong to see Julian so subdued and lifeless, but he has to hide how much he's both pleased Julian's alive and grieved at what's been done to him. And for added angst, Tain -knowing just how to hurt Garak- requests Julian address him by the "traditional Cardassian honorific, father".(which is, of course, bs, but seeing Garak hear Julian call Tain father is just too good a mindful to pass over imagining).]
My thoughts have rather sprawled over to the aftermath, when Odo somehow wrangles Tain, Garak, and Julian back to DS9, but I quite enjoy the idea that Tain has realised Julian is genetically enhanced and can thoroughly hold that over him. After all, there'll have to be a hearing about the awful things Julian has done, even though everyone knows he'll be let off, since it was under duress -- but if Tain is allowed to speak at the hearing and reveals his secret, we'll, an augment turning dark and working as an assassin for a Cardassian is a very different tale from a young Starfleet doctor who was forced into it against his will. So that could be fun to play with 😈
(And Garak figuring out why Julian is so convinced the trial won't work out, and realising that the only way Julian will be safe is if Tain is dead. But Garak cannot kill Tain.
I think Garak might have to go to Kira for help, as the only senior officer certain not to have federation-induced-anti-augment feelings. [Odo might not have these but he doe believe in keeping order and a law's a law])
and on that note, Julian canonically already believes he's a monster - how much more will that increase with all the awful things he's forced to choose to do? Hehe. Feels.
I can imagine at first Tain makes him choose the lesser of two evils. E.g. these are the children of my political rivals, killing one would make the point well enough, but I'd just as rather kill two. But if you killed one, dear doctor, I'd let the other live. It's your choice. And Julian kills the one and Tain hugs and comfort him, congratulating him on shedding his sentiment and choosing the practical option. He'd have thought it would take a Starfleet Officer longer to see the logical side, but Julian must be different. Special.
And he continues to manipulate Julian using his need to save as many lives as possible, but praising him for not relying on emotion but on logic. And so Julian believes that he really has lost his morals and just turned into a Khan-like killing machine who sees people simply as statistics. And once he believes that, he also believes there is no way he could go back to the Federation, and so he might as well go on doing this because he might not be a doctor anymore but he's killing less and more humanely than Tain would. Possibly.
Aghhh there's just so much potential here and I could flounder in it for ages. Thank you for putting this in my head, it has been so much fun to think about! And I probably will continue to for a good while yet!
The timeline idea makes a lot of sense (but 7 months is so short a time to really make Julian get deep into the brainwashing. Not that it’s impossible, but more time would be more realistic maybe)! I also enjoyed playing around with Tain as Julian’s father as well! I think a big part of this little AU-idea-thing is what Tain is even training Julian to do. Does he want him to be his right hand like Garak was? In which case, is Julian just acting as the brains of Tain’s operations or is he forced to rough people up? I’d go with a mix of both but I’m also leaning toward the former. Julian being forced to interrogate someone is too good an idea to not consider though
And Julian’s daddy issues would go crazy with Tain as a dad. I think another major problem that comes up when I think about this hypothetical fic is how do you toe the line between Tain being a master manipulator, while also not making him seem too out of character. I don’t doubt Tain could pretend to be sweet and cuddly if he really wanted to, but we only hear about Tain being vaguely like that (and only once really) and never truly witness it. Assuming we get Tain to be paternal with Julian (Mother Gothel meets Silco in my head), I think Julian would probably be more susceptible to his manipulation. He gets to have a father who watches over him and shows a form of love even, and all it costs Julian is his morals and dignity…
Also Tain finding out about Julian’s enhancements and not scorning him (because he sees this as just another asset to having Julian) would be horribly comforting for Julian since at this point, nobody in his life knows and he’s terrified of others’ judgment. I can really see him metaphorically melting in Tain’s arms with that (as he wrestles with what Tain is demanding of him in return for his care). You’re accepted here. But only because this makes you an even better killing machine for me. I think Tain would probably even allow Julian to be sentimental with him (Julian is best controlled through love), so long as he’s clean and efficient and obedient where it counts.
My head is giving me Jinx and Silco vibes, but with more bitterness, manipulation and a lot less genuine love.
The aftermath to all this would be absolutely insane. I adore the idea of Garak seeing Julian with Tain in The Die Is Cast. It would be incredibly unnerving to see him go from lively and passionate to obedient to a fault. I wonder how Julian would feel about it. Do we think he’s angry? How is it that nobody has come to rescue him in all this time? Maybe he’s just kinda resigned to his fate. Maybe he’s starting to truly delude himself into needing Tain. I don’t think Julian would become truly loyal in such a relatively short amount of time, but that manipulation and what we like to call Stockholm syndrome can do some crazy stuff.
Garak seeing Julian and how he’s desperately seeking Tain’s approval, even though he’s also fighting his own sense of morality. Garak seeing himself in Julian. Pairing that realization with the whole point of TDIC being Garak realizing he’s not the same person who can follow Tain and blindly obey anymore… chef’s kiss!!
So many thoughts! So difficult to write into one fic!

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i really love 'in the pale moonlight' because Garak gets to fully embody his general air of danger and menace. he's finally let off the federation leash, and does what he's trained his whole life to do.
we see some of it when he tortures Odo, or when he tries to annihilate the founder's planet, but those instances were both characterized by complete panic. This is cold, it's calculated, it's devious, and most of all, he regrets nothing and he's not sorry.
in an orpheus and eurydice type situation mazikeen WOULD turn around to make sure lucifer was behind her but lucifer wouldnt turn around. and thats because mazikeen loves him enough to turn around and lucifer loves her in a way that he knows she would never do anything but follow him no matter where he went
MEXICO WIN!!! FUCK AI!!!
I feel like it's a really common trope to have a non-biological entity disgusted by squishy bio things like secretions and flesh and stuff but. Wouldn't they utterly lack revulsion to those things? The reason we are repulsed by things like blood and shit and corpses is because they are intimately connected to our bodies, are uncomfortable reminders of our animal mortality, can be vectors of harm, or are a signal of danger. A being made of energy, metal, or plastic does not have the same sympathetic connections to these things that we do, except as a kind of intellectual sympathy for what people they care about fear. Disgust is repulsive, and you can only repel something if it's close to you. I think the things that viscerally repel a non-biological mind are not going to be biological.
funniest moment in moby dick is when they meet another captain who lost a limb to the white whale and ahab goes like “and dost thy blood not boil, aye, and the very marrow of thy bones too, to know that the wretched creature and very devil of the sea that harmed us both still draws breath??” and the ship captain is like no i’m fine, it wasn’t the whale’s fault or anything. i mean imagine actually holding a grudge against a fish lmao that’s actually the funniest thing i’ve ever heard and ahab goes you don’t know what the FUCK you’re talking about. and stamps his foot so hard he breaks his ivory leg
Love it when a tragedy introduces another character who's having basically the same terrible day and making even one (1) less Bad Decision about it. Just looking straight at the audience and saying "also don't you DARE fucking say he was a victim of circumstance. This is what circumstance could have made him if he wasn't Like That."

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Cardassian fashion headcanons
Visible closures (zippers, buttons, ties, etc) are considered unbelievably slutty, especially if there are a lot of then or they're large
Cleavage is not, it's just considered feminine. While Cardassians do not have "boobs" in a mammalian sense, Cardassian women still have bigger chests due to larger pectoral muscles and fat reserves. Cardassian women who look stronger are the beauty standard. So actually, even though Natima is considered too slender, she could probably throw Quark.
However, exposing your chula is a little slutty. Tastefully. More appropriate for evening wear. Wearing a boob window that hides the chula is more modest than having a low neckline that exposes it.
Exposing your neckridges does have some Implications, but not as much as you'd expect. Using makeup on more than a 2-4 scales on the other hand is akin to wearing red lipstick and red nail polish
Higher necklines and long sleeves are preferred for anyone working with "outsiders", which is usually something Cardassian men do. This is for temperature reasons and because letting an outsider see too much of even a living Cardassian body is frowned upon.
Jackets double as a way of covering a person's face after they have died suddenly and if no appropriate length of cloth was available. For a long time, Cardassians wore an outer robe that could fully be used as a shroud for this purpose, but long robes gradually fell out of fashion.
In the Cardassian Union, going shirtless with high-waisted pants, regardless of gender, is more acceptable than wearing low waisted bottoms with a shirt that can't meet them. This is because the stomach is close to the chuva, and some Cardassians essentially tattoo their stomachs* for private titillation. Low waisted clothes in general aren't held in high esteem.
These markings are also done partially for superstitious reasons, not that most Cardassians will admit it when someone who isn't Cardassian could hear it. Such marks are believed to help with fertility issues and "trap" your partners eye.
Most Cardassians wear undershirts, and. exposing these is also slutty. It ranges from "tasteful" (your jacket or tunic being cut so a little of the undershirt peeks out) to "you are getting fined for indecency" (most of the undershirt is visible, its sheer, its decorated so you'll stare, etc). Garak having his jacket open so you can see his shiny moire undershirt in Rocks and Shoals would be considered very inappropriate.
Wearing clothes that are very obviously made of pieced fabric (remnants seamed together when you don't have quite enough fabric) or are color blocked are considered fashionable, as they publicly declare one's frugality and therefore patriotism. However, too much piecing, as seen in quilts, is often considered too showy. It may still show up in clothes for special occasions.
Cardassians dye their nails and skin sometimes, but most prefer to use powders today as they take less time to apply. Nail polish is considered some combination of annoying and unclean. Dyeing the nails is more common than dyeing the skin. Dyeing the lips is also done.
The dyes used are not usually dangerous to ingest (though they don't taste good), and it used to be fashionable for Cardassians to dye their teeth by chewing on them or holding in a mouthful of dye for a few minutes. Purple dye was imported from Bajor pre-Occupation and was used as a sign of status and worldliness. Blue dye was used by courtesans. Black was used to signify masculinity. This petered out as the practice was gradually considered extravagant, wasteful, and too provocative. The mouth, as the site of speech, is considered borderline sacred by Cardassians, which both encouraged and discouraged this practice.
Similarly cosmetic whitening of teeth is considered weird, and arguably more inappropriate than dyeing them.
Single women who are looking for a partner often wear layers of taffeta skirts or petticoats sewn with bells. While Cardassian hearing is poor, these are still noticeable, and the dampening makes them more socially acceptable, because they are less noticeable.
Married and working women often wear a metal chatelaine at their waist that also makes noise, but fact that it is visible signals they are not interested in being approached romantically. A working woman who is looking for a partner keeps her keys and other supplies in a pocket or petticoat with an access slit. The latter allows the chatelaine to still jangle. Noise making jewelry that can be seen is generally worn by uninterested women, and is understood as a warning.
Working men sometimes also wear chatelaines, but these are made of wood. Noise is not used to signify relationship status by men, partially because wearing metal is considered somewhat feminine among civilians.
Purely decorative waist pendants and beaded aprons are also popular with the upper class.
Perfume is considered gauche, due to how strong the Cardassian sense of smell is and how much information comes from a person's natural scent. Someone who wears perfume is assumed to be hiding something about their scent. In practice this is more of an upper class bias- service class Cardassians, especially those that work jobs where they are exposed to bad smells, often wear perfume in their free time, as well as keeping something perfumed on hand to clear their senses at work. However, Cardassians in general do use perfume to scent their houses, and it is occasionally appropriate to scent jewelry.
Jewelry and ornaments made of flowers used to be popular, as were fake flowers that had been perfumed to seem real. However, like dyeing the mouth and teeth, this is currently considered extravagant and wasteful.
*= it's actually scars with ink rubbed in. Cardassian skin doesn't tattoo well. However, these days the scars are done with a laser scalpel, and indistinguishable from tattoos, as they can easily get clean lines and fine detail.
bbc merlin has a lot of faults but i do think the way they blithely ignored the existence of christianity was very funny of them
"#'old religion' they said. and then simply said nothing of a new religion" yeah Uther Pendragon, noted athiest. Entirely agnostic court. It's crazy that there's no belief system backing anything up. Like, we're going to get by on vague prophecies but also prophecies are magic which is evil. Divine right of kings but no divinity. Mirrors and mirrors but no windows.
tags by @thanatologist
普人au的哥弟。。
okay i know i’m Back On My Bullshit but hear me out: found footage macbeth
so much of the plot of macbeth revolves around… the fact that we don’t get to watch the plot of macbeth. we never get to see macbeth and banquo win a battle; we never get to see macbeth kill the king; we don’t see his coronation; we don’t watch lady macbeth die. so much of macbeth is what’s told through the cracks - we just get the lead-up to and aftermath of events.
so: found footage macbeth. security videos and transcripts from dunsinane and inverness. interviews with castle guards, lady macbeth’s handmaidens, figures like ross and lennox. news articles about the deaths of duncan and macbeth… battle casualty counts… whatever lady m wrote on those papers during her sleepwalking scenes… young siward’s school records… i could go on
“Limit deaths on stage” (up to “no one dies on the stage” for some representations) was a big thing - exit the stage instead of dying there etc. So killing people in Shakespeare is very much off-screenable
Pike telling the audience "I'm Christian by the way" was absolutely unnecessary after he said "They're not hard to understand - They're monsters through and through and we've got to kill as many of them as we can" to Starfleet about an alien species he barely knows anything about. The final frontier indeed. I know the Gorn are The Monster Aliens because I'm watching a television show, but in a universe where aliens are common and usually people-like it's a bit historically sickening to see our Main White Christian Good Guy say with his whole chest "These aliens are not people, they're Things we have to kill and if we don't kill them they'll kill us and destroy our utopian society and impregnate our women. We can't talk to them, there's no alternative solution, we HAVE to kill them all." and have that presented as righteous and correct. Because I'm watching a television show, I know that Pike is correct when he says that in the canon of SNW the Gorn are monsters who can't be reasoned with and aren't people - because they were written by someone to be that way. However, if I'm a higher up in-universe listening to Pike say this I think I'd actually be kinda horrified by this guy and not trust him at all as the captain of a ship whose mission is apparently to seek out strange new worlds. He reads in-universe as evil. It is an evil thing to do. On any other trek show the guy who, in 'aliens and science rules!' world where everyone you know is some manner of alien, says "We should just kill these guys, they're monsters so it literally doesn't even matter" would be treated as being in the wrong - either ignorant/fearful, having a hidden agenda, or being plain evil. Because in this world aliens are people? Some are enemies of the Federation, some are 'The Bad Guys' but they're mostly all portrayed as being people who it would be bad for the Good Guys to want to kill indiscriminately. "The Federation teaches that if we can find a way to empathize with an enemy then they can one day become our friends. They're wrong." ^ This is how the Gorn are introduced to the audience by La'An in season 1 and it's a sentiment Pike mirrors in season 3. It's never proven wrong. SNW tells us that this is a correct attitude to take. The Gorn are said to be "the boogeyman" in season 1 - they're mostly the thing of rumors. We see they're capable of complex thinking. They're intelligent enough to hide their presence, set up traps, develop coded language so others can't understand them, build and fly ships, but they're ALSO just monsters who can't be reasoned with and only want to kill. Interesting how a species of monstruous killing machines have ships. Having advanced ships implies to me...idk...that they built them? That they have some knowledge of science, engineering, astrometrics, etc.? I know, because I'm watching a tv show, that the Gorn are intelligent because it's scarier for them to be and they have ships because they have to be an ongoing threat. But again, if I'm a person in-universe it would read as suspicious to me, worthy of question, if I'm being told this is the one species we're all just gonna be okay with killing remorselessly. It would seem contradictory to me that this species is both extremely intelligent and completely unreasonable. That they're both pure monster and capable of enormous scientific achievement. "Earlier today, we were reminded of the cost of exploration. What it means to chart the stars, to push the boundaries of what is known and what is possible. When we seek out the unknown, we will find things that challenge us. That frighten us. But we do not back down. We do not give in to fear. And I believe today will not be our last mission, but our finest hour." This is also from season 1, it's Pike, and he's talking about escaping from the Gorn not killing them but wow does this ring hollow as hell when his heel turn towards absolutely just killing them is treated as equally heroic if not more so. I half expect him to start talking about manifest destiny next season.
I've seen enough! No more pansy little attempts at understanding, says the Star Trek Captain. Now? It's time to kill. For our women, our children, our society, it's time to kill.

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Reblog to save a duck
Quack quack
It’s getting to be that time of year where more people are going outside to parks and stuff so i thought it would a good idea to reblog this again
Frozen peas are awesome for ducks and a lot cheaper to buy!!
Its obvious to me when people who post about canaries in mines have never met a canary. Like yeah the miners had a special device to revive the canary because canaries are one of the most adorable creatures on the planet and they make adorable little chirping sounds and honestly probably loved the sounds of machinery and people talking so it was probably loud and friendly with the workers. Whatever though maybe meet a canary sometime and youd understand
If you see this animal every day at work, and it sings to you during your hardest bouts of labor, you will be distraught if it dies. Even if you know this creature is meant to die in lieu of you, you still hear it when the labor is at its hardest and your muscles are struggling against the weight of your work. It is so small, smaller than your soot-stained hands and louder than the death that follows you. You dont want it to die. The same as a woman does not want her candle to run out ; she knows that is the point, its flame is meant to burn the wick and melt the wax ; but she is not indifferent to its wasting away. She may even save her favorite candle as not to burn it too quickly. Now imagine you are that woman, and there is a way to rebuild your favorite candle that you love the smell of and the way it flickers. Would she rather throw her candle out? Or would she rebuild it? That is a canary to these miners. Would you allow an animal to just die when it has been singing for you? It reminds you that it is alive, and you are too. Its stop of song signifies the lethal danger you are in. Why abandon it? Is the miners' love for a little bird really that surprising?
Why does this read as though written by a coal miner of the era in which a canary was needed.
Because time is an illusion and love is infinite