Soundview Sojourn

Still in pursuit, we followed the ball toward a small lake in Motor World that had been earmarked for a fleet of tiny bumper boats for children. The area wasn’t open yet, but the empty boats were being tested and floated on the surface. The ball soared over the grass and smashed into several of them, scattering the others with rippling waves from the impact, which launched some of the boats several feet in the air.

Charlie and Ken waded into the water looking for the hatch. After some difficulty, they got it open. Charlie pulled Frank out by grabbing him under his armpits like a baby. Frank crawled up the bank, coughing and sputtering. He splayed across the grass as we all stared at the ball, which bobbed in the water like it was attached to a fishing lure.

We did not ask for the inspector’s report, nor did we ever hear of one being filed. Ken Bailey returned to Canada. The snow-makers cleared away the PVC. Told to dispose of the Bailey Ball, they rolled it into the woods, where it remained for many years."

The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. —Alex Vlahov

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Toilet Baby, found in Paeroa, Aotearoa