Thoughts, musings, and meta posted here, on occasion.
STORIES TELLING: THE BRILLIANT WRITING OF OFMD
One of the things I most admire about Our Flag Means Death is the efficiency of the writing. So much happens so fast, but nothing is dissonant or feels like it comes out from left field. I think part of the reason it works so well is that the subtext does a lot of heavy lifting; setting the foundation for what comes next. There is always more than one thing being conveyed. It isn’t simply storytelling, it’s stories telling.
Ed Teach's Journey from Armor to Authenticity
Ned Lowe and The Death of Poor Representation
Ed's Teach’s Underwater Beastie Stories as Insight Into Self-Perception
THEY EDIT FINE THINGS WELL: MUSIC IN OFMD
Musing on what music conveys in OFMD and playlists for music used in the show.
Complete OFMD Season 2 Playlist
Classical & Insrtumental Needle Drops Search - Season 2
African Pop & American Funk Needle Drops Search - Season 2
How Recurring Music in OFMD Causes Mental Devastation in the Very Best Way
THEY EDIT FINE THINGS WELL: VIDEO COMPARISONS
Simultaneous playing of music and visuals from different episodes to demonstrate the intentionality of so many things in this show.
Kraken Construction (S1E10) and Deconstruction (S2E7)
First Kiss (S1E9) & Pulling Knives Out of Walls & Furniture (S2E3)
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great question water flowing underground is an ofmd fic that is not rpf and is not Not rpf it’s a secret third thing and it’s a foundational text for anyone engaging with rpf at all in my opinion
on the "artsy outsider" thing. i think people get hung up on taking the word artsy very literally here. david jenkins very often talks about piracy itself in the show like it's a metaphor for working in the arts, if only insofar as it's a workplace show and that's the kind of workplace he knows best. so it's like, blackbeard is the biggest rock star in the world but he's so tired of putting out the same album again and again, performing the same songs people want to hear at every show, and he's bored with the whole music industry because nobody ELSE is doing anything interesting either it's all corporate schlock, and then stede is this guy who's just decided to quit his high profile job and start a little garage band without actually knowing how to play music and the resulting debut album is perhaps not what you'd call actually good in any kind of objective sense, it's rough around the edges in a lot of ways, but it's still artistically interesting, it's the first really original thing ed's heard in years and he's immediately obsessed with how brilliant it is, etc. so i think djenks thinks of stede as kind of an outsider artist with respect to piracy and that's what mary's talking about, she's talking about the fellow pirates ed has been attracted to in the past and how they approached piracy.
now i know probably nobody reading this ever thought mary was talking about izzy but i will still point out that this rules out izzy even harder than the usual interpretation. some really dedicated blackhands shipper could and probably has put together an argument that "artsy" refers to izzy knowing how to sing or the fact that he whittled a shark one time or something. but it is undeniable that he is no kind of outsider artist when it comes to piracy, his whole thing is being a narrative representative of conventional by-the-book traditional piracy.
jack's interesting though. the main point of the line's what it says about stede, but from various comments djenks has made it's a safe bet he was thinking about ed's past with jack when he wrote this episode, so there's a decent chance he gave some thought to how it might apply to jack. we do not really know very much about jack's actual approach to piracy. but as much as he does represent a pretty mainstream view of pirate culture he's not like izzy - jack is playful, jack's capable of imagination, jack likes having fun; that's what ed likes about him. so it's entirely possible he brings that kind of attitude to piracy and likes to have fun with his raids, do something weird with it in some kind of way. jack's smarter than he looks and particularly good at social manipulation, so it's plausible he's into fuckeries of some sort, maybe even contributed to ed developing that approach. i'm sure any fuckeries jack's ever done are both bloodier and less elegant than ed's, but i do think they'd have pizzazz and that's what ed really appreciates.
as for anne & mary themselves we know their adventures involve slicing guys' faces off to wear as disguises and whatever you can say about that i would not call it unoriginal. so yeah i think ed's pretty into any pirate he thinks is doing something that's not completely boring out there. just something to think about when you're writing disastercule stuff or really any kind of ed backstory
we know now via statements from both vico and samba that the archie/jim/oluwande/zheng situation was intended to read as a polycule, but for unknown reasons the scenes that would have made it unambiguously clear that they were polyamorous were cut.
in one interview david jenkins mentioned anne bonney and mary read being historically connected to calico jack rackham, and said that he wasn't sure whether, in the world of ofmd, that means ed/jack/anne/mary were a polycule or not - which confirms that he, and probably the entire writer's room, did at least consider the possibility of portraying it that way.
a writing trick that s1 of ofmd really loved was foreshadowing plot beats exactly one episode before they happen. in episode 8 jack mentions being tied to an anchor in a mutiny; one episode later izzy is tied to an anchor in a mutiny. in episode 9 ed mentions making blokes eat their own toes in his younger blackbeard days; one episode later izzy demands that he act like pre-stede-bonnet blackbeard again and ed responds by making him eat his own toe, etc.
in 2x03, hornigold mentions calico jack. the mention is completely unnecessary to the plot and scene it's in, and it's not even explained; if you were a casual viewer who didn't remember jack from season 1 you'd have no idea what he was talking about. it's exactly what you'd expect if it were foreshadowing for jack coming up again in a more substantial way in a future episode.
one episode later, ed meets anne bonney and mary read. bizarrely, at no point in the episode do they mention calico jack, even though this is the episode where he would actually be relevant.
however ed DOES have a conversation in 2x04 with mary read in which mary mentions ed having "a type," i.e. confirming that she is familiar with at least one of ed's previous lovers before stede. the scene cuts off in a slightly abrupt way shortly after this.
the very next scene has anne bonney attempting to kiss stede, whom she realizes is ed's current boyfriend. "they'll be so jealous," she says. it's almost like messing around with ed's boyfriend to tease ed and mary might be something she's done before, perhaps early on after they all met each other, before settling into a negotiated polyamorous arrangement.
CONCLUSION: episode 2x04 was originally going to explicitly confirm that ed/jack/anne/mary were a polycule at some point, and this would have served to introduce the concept of polyamory to unfamiliar audiences and foreshadow archie/jim/olu/zheng ending up forming a similar but much less toxic polycule.
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[Image description: a tweet by Jenn (pirate flag, gay pride flag, purple heart, and skull crossbones emoji) @.helloimjennsco that says, "An aspect of #ofmd that I have not seen talked about but that I really, really appreciate is the balanced audio mixing. Can't remember the last show I watched where I didn't have to adjust the volume constantly because the music was super loud and every character was whispering." /end image description]
In the spirit of encouraging people to comment on fanfics while also making it easier to do so, I feel obliged to share a browser extension for ao3 that has quite literally revolutionized the comment game for me.
I present to you: the floating ao3 comment box!
From what I've seen, a big problem for many people is that once you reach the comments at the bottom of a fic, your memory of it miraculously disappears. Anything you wanted to say is stuck ten paragraphs ago, and you barely remember what you thought while reading. This fixes that!
I'll give a little explanation on the features and how it works, but if you want to skip all that, here's the link.
Edit: Yes, this also works on mobile!
The extension is visible as a small blue box in the upper left corner.
(Side note: The green colouring is not from the extension, that's me.)
If you click on it, you open a comment box window at the bottom of your screen but not at the bottom of the fic. I opened my own fic for demonstrative purposes.
The website also gives explanations on how exactly it functions, but I'll summarize regardless.
insert selection -> if you highlight a sentence in the fic it will be added in italics to the comment box
add to comment box -> once you're done writing your comment, you click this button and the entire thing will automatically copied to the ao3 comment box
delete -> self explanatory
on mulitchapter fics, you will be given the option to either add the comment to just the current chapter or the entire fic
The best part? You can simply close the window the same way you opened it and your progress will automatically be saved. So you can open it, comment on a paragraph, and then close it and keep reading without having the box in your face.
Comments are what keep writers going, and as both a writer and a reader, I think it's such an easy way of showing support and enthusiasm.
I would be a lot more convinced by the hivemind's offer if they were actually acting like they were the combined souls of everyone on earth, but they're simply not. the first person to get infected would have just been in a hivemind of one, but her behavior changed immediately. if they were every person on earth and nothing much more, then they'd have teams seeing to every major religious ritual, they'd be speaking endangered languages, they'd be looking after pets, they'd be preserving works and sites of cultural importance, they'd be putting on plays, they'd be singing, they'd be doing things that mattered to people, they'd be doing literally anything for fun for themselves. zosia and the massage shows they still experience and appreciate pleasure, but it doesn't look like any of them do anything like that without the presence of an immune person. by the numbers the hivemind should be about a quarter muslim and a quarter christian, but I doubt any of them will be making pilgrimages to mecca or baptizing newborns. seven billion minds all brought together and somehow none of them want to pet a baby goat? not one? a widdle baby goat? no one in the plurb soup wants to pet a goat? fuck you, I know humans, we go crazy for baby animals.
I think that's because the "we're every human consciousness" is only half the story, and it's repeated because it's what would appeal to Carol and the remaining immune.
All the other human imperatives--to protect animals, to experience pleasure, demonstrate faith, and create--are now subservient to the imperative to spread. I am willing to bet that every person not on-call to interact with the immune is working on that antenna to send a signal out into space. If it's not helping that imperative, it's disregarded, even at the ultimate expense of all life on Earth.
I found it weirdly chilling to see the Georgia O'Keeffe museum sitting empty like that, and hear the hive cheerily telling Manousos about sites of great natural beauty... that we then see not a single person there. Like the hivemind couldn't have stationed a member in every art museum and every scenic spot just to look at the beauty for them?
The hive doesn't care about beauty, or creativity, or spirituality, or baby goats, or any scientific endeavour unconnected to spreading the hive. This isn't utopia, it's space cordyceps.
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Izzy Hands is Kylo Ren: Or, An Informal Exploration of Fandom's Proclivity Towards Minimizing and Sympathizing with White Male Violence
i brought this undertaking upon myself by putting this thought out there (and getting cursed with the knowledge that this take makes izzy/ed reylo) without my full intent to write the post. my being cursed is my own fault, my own cross to bear, my own self made misery. however, i'm going to make this analysis EVERYONE'S problem now because jokes on all of us, i wrote the post.
notes for readers: this meta is just under 6500 words. i have tried to divide it into thematic sections determined by bolded lines. sometimes i will reiterate previous points with expanded discussion because i always have more to say. big thanks to @dragonzair @plotdesigner and @twelvemonkeyswere
so to get the ground work settled: obviously izzy hands is not identical to kylo ren, given that he is not the fallen son of heroes, nor directly a key figure of a fascist empire. however, in the context of our flag means death and its fandom, particularly the portion that favors izzy and takes him at his word without examining the underlying context of his scenes and dynamics with other characters, there is a LOT of similarity between the ways that the two characters enact violence, and in the way the fandom response is geared towards sympathizing with these two characters for said violence while also and minimizing their responsibility for it.
i'll start with kylo ren because this won't be an exhaustive analysis of that character, mostly due to 1) i dont really like star wars 2) this isn't about star wars its about how this specific character kinda swept through peoples brains,,, but, kylo ren is a white man with a lot of power who demonstrates little interest in controlling his emotions (makes them the burden of other people), violates the boundaries of other characters, betrays those closest to him while blaming them for that betrayal, and violently lashes out when circumstances and situations don't go his way. he torments Rey, the female lead of the sequel trilogy, both physically through torture and emotionally through continuous attempts at manipulation.
a significant portion of the star wars sequel trilogy fanbase sympathizes with him to an excessive degree, denying his responsibility for his actions, blaming his parents and uncle Luke (despite the fact that he's like thirty) for his choices, minimizing his responsibility for his actions and at times minimizing the extent of his violence, even when its on screen. a tactic often used for this is displacing kylo ren's violence onto the leading man of color, finn, in an effort to make finn look like the real misogynist, the real villain, the real tormenter, all so that kylo can walk away looking better.
this is because pretty much all of western media is geared towards asking the audience to sympathize with white men. with white violence. with (white) emotional expression as violence.
we see this in american cop shows a lot, where we the audience are prompted to sympathize with violent cops violating the law because they just feel so much about the crime, it touches them so emotionally that they can't help but rough up a suspect who's been accused of such a horrible thing (this is essentially the bread and butter of chicago pd but that's another story). it's this idea that violence isn't just violence, violence is sympathetic and an expression of emotion, and it's understandable, and it happens, and critically, of course, all of this is only if the perpetrator is white or acting in service to whiteness.
kylo ren murders his father, and people talk about how sad it is he lost his dad. kylo ren destroys planets, and we talk about how sad it is that his uncle wanted to kill him for seeing he would grow up to destroy planets. kylo ren tortures and torments rey and we get posts about how it symbolizes her womb and their sexual congress (god i wish i was joking).
kylo ren is a dream boy to huge swaths of tumblr and his every flaw and crime is softened under the gaze of understanding, sympathizing, and minimizing.
now, what does this have to do with israel izzy hands, you might be asking?
well, you see, izzy hands is also a violent white man. he also blames other people for his actions (and failures), he makes assumptions about people's motives and their true purpose in life because he believes he innately understands them better than they do themselves (and in doing so, izzy hands works to uphold the colonizer mindset of the british navy, even as blackbeard himself's first mate), he harasses and insults and demeans. he betrays the person he considers himself closest to, and then blames the betrayed for the betrayal. he has delusions of grandeur and overestimates his own skill and importance. and a good portion of the fandom buys into all that he says hook, line, and sinker, all the while minimizing his violence and sympathizing with it.
now this is a good amount of claims, so i'll go through them one by one, and discuss ways that i've seen them brought up in fandom specifically to minimize the negative impact and sympathize with izzy.
firstly: izzy as a violent white man
violence can be a confusing thing, in some people's eyes. to a certain type of person, violence can only be defined in the realm of the physical, in laying hands or weapons on another person with intent to injure. but to many more people, particularly marginalized people (in my experience), violence can also include verbal and emotional attacks, bigoted remarks, and the undercutting of boundaries.
izzy does engage in at least two direct acts of physical violence, first when he grabs fang by the beard and yanks it to punish him for asking a question and then again when he challenges stede to a duel for the explicit purpose of separating him from ed (against ed's wishes!) and then stabs him rather than call it a draw. and note: there's no evidence that izzy WASNT trying to kill stede with that stab. we don't have reason to believe that he knew ed had taught him about being run through, not when the joke of the run me through scene hinged instead on izzy thinking ed and stede were fucking on deck.
but izzy's violence is chiefly of the other varieties. he is verbally and emotionally, homophobically, violent towards lucius, ed, and to an extent, stede himself. i’ll describe these events in detail in the section about him harassing and demeaning others!
izzy blames other people for his actions
on two (maybe three) different occasions, we see izzy displace blame onto other people for his own actions and failures. the first time is when he's explaining how he came to have one hostage instead of two when talking to ed - this one isn't really about violence, just about establishing a bit of personality and character with izzy. ed points out that stede bested izzy in swordplay and izzy displaces the blame for his loss onto stede, saying that it was an ambush, completely unprofessional.
they are pirates, a good 90% of their job is ambushing people
being ambushed isn't a good excuse for losing a fight! especially when it wasn't actually the ambush that lead to izzy's loss. i've seen people dismiss what happens a lot as stede getting by with luck or plot armor or romantic comedy genre shenanigans, but what it ultimately comes down to is that izzy was overconfident in his ability to handle the situation. when ivan took a rock to the face and went down, izzy took his eyes off the man standing in front of him with a knife and because of that ended up with said knife pressed to his face. he took his eyes off the threat before him because he didn't see stede as a threat.
but he's not going to admit that to ed, so he blames stede for being unprofessional and ambushing him.
his second displacement of blame also involves stede, is an attempt to provoke violence - he lies to ed and says that he specifically told him blackbeard desires his company, despite the fact that he did no such thing, and actually avoided (twice!) saying who his boss was. this is clearly because he's hoping ed will get angry and he'll be allowed to take care of/kill/thrash stede around for the embarrassment back when they first met.
if not for the fact that ed is BORED and looking for something new and different, he might have taken stede's unknowing insult as mockery and we see what happens to people who mock blackbeard. (they get skinned with a snail fork and tossed overboard.)
izzy was hoping ed would give him permission to dish out violence, and he's visibly disappointed when ed is fascinated instead.
this leads us to the third time he displaces blame, and this is not an attempt at violence, this is an act of violence. izzy sells ed out to the fucking british navy, and he can play it off as selling stede fucking bonnet out all he wants, but he was prepared for the chance that ed would be there at the mercy of the british. he was prepared enough that he clearly made a deal to have blackbeard remanded to the custody of "captain hands" if he was found with stede bonnet. he could have gotten the crew of the revenge and ed killed, all because he couldn't accept that ed is capable of making his own choices (he thinks ed is being seduced, that something's been done to his brain. he doesnt allow that ed could have different priorities or different choices, its his way or the high way)
he used his knowledge of ed and his past to plot an intimate betrayal, not just in selling him out to the navy but by summoning up his old buddy calico jack to be the distraction to try and lure him away from the rest, specifically so he can hurt people that izzy doesn't like and ed does (stede and the crew of the revenge). if ed hadn't come back, stede would have had the crew to open fire on those navy ships and its probable that they would have done it. they probably would have been sunk then and there, attacking three navy ships with just the revenge on their side.
and the whole time he’s still trying to convince edward that he’s doing this for edward’s sake, that he’s not really betraying him he’s just getting rid of stede, that this is for the best and it will be painless, and then when ed steps up and makes the choice to sign the act of grace to save stede, izzy comes at him again with “do you really want to lick the king’s boots”, as if ed would be at a position of considering it without izzy’s betrayal limiting choices.
a significant fandom response to all of these events has, for the most part, been to minimize and sympathize. i've seen posts about izzy being a housewife abandoned by his spouse for a new model. i've seen posts discussing how cruel ed is for abandoning izzy for a fresh interest. how izzy was just trying to help ed in all this because the navy would have found them eventually. there are plenty of posts about how izzy is definitely super competent and only lost to stede in the first place because of the genre change, never mind that genre changes don’t explain why izzy lost to stede the first time. izzy literally sells ed out to the british navy for petty spite and because he doesn't respect ed to make his own decisions, and the discussion hinges on devotion.
come now. we must see that this is the same kind of minimization and sympathizing that was done with kylo ren, when he murders his own father and then makes it out that it's han solo's own fault he killed him, that han gave him no choice. izzy is implying that ed left him no choice but to sell him out, even though izzy had every choice. all he had to do was walk away. he already had walked away, thanks to the duel he INSISTED on having.
this leads into the next point:
izzy making assumptions about people's motives and their true purpose in life, and the ways that izzy acts to uphold the colonizer mindset of the british navy.
there have been multiple posts about the possibility of izzy having a background with the british navy due to his behavior - specifically how he handles discipline, and posts exploring the racial (and racist) dynamic to izzy and ed's relationship to each other. here i intend to argue that izzy’s similarity towards the culture of the british navy and the racial dynamic to izzy and ed’s relationship are in fact inherently tied together.
because see, izzy claims that he does this stuff for ed, he claims that he wants his captain back, he claims that lucius is a proper seductress sleeping around behind his partner's back, he claims that ed is washed up and posing and blackbeard is the real man - and all of these elements are about izzy enforcing his world view, derived from toxic masculinity as enforced by the dominant oppressively expanding white culture onto the people around him. the world of OFMD, contrary to some beliefs, is not a muppet world of the romance genre, nor is it a world free of homophobia. it is our world, its just not solely centering the white experience. it doesn't treat racism as a source of voyeuristic trauma porn, and it doesn't treat homophobia that way either.
somewhere along the line, izzy hands clearly became the sort of man who thinks the only real power is violence, the way a man leads is through fear, that power makes a man into a god, and that punishment and humiliation are the way to create fear and from that fear, power. these same mentalities are centralized in the british empire and its navy (as well as the fancy folk on the party boat), where the clearly doesn’t respect people of color and specifically black people, where izzy’s tactics are taken from the navy - that whole show he puts on, fine dining while the crew works? that’s a navy tactic. the no rations for a week also calls to mind military tactics for breaking rebellious recruits.
we see the punching down, the establishment of power through fear and punishment, in the way that izzy talks to the people around him, the way he grabs and yanks fang's beard to stop him from questioning blackbeard even while he himself calls ed half-insane/half-mad (there are things izzy is allowed to do that the other men aren’t), the way he moans oooh daddy, daddy and snaps bitch to try and shame lucius for being the penetrated partner (but notably has nothing to say to pete), the way he labels ed a nonhuman and says he's better off dead and then infantilizes him as a gay man by saying he's pining over his boyfriend as if ed, a middle aged man who's had previous relationships, is a naive child. again, we see it in the way he sets himself up to eat a fine meal while the crew works and sets fang and ivan (two men of color) to be his dining servants, salting his food and standing by for his orders. we see it in the way that only roach, frenchie, and oluwande are actually being put to any hard work, trying to heave up the anchor, while the rest of the crew is on light duties!
izzy claims he was honored to work for blackbeard because he respected his skill as a sailor, essentially, his mind. but he constantly dismisses ed and his creative process and his feelings and his opinions and literally anything ed does that doesn't fit with izzy's own preconceived notions of what it means to be Edward 'Blackbeard' Teach. this simultaneously infantilizes ed - implies that he doesn't know what's best for him, that he can't take care of himself, that the decisions he makes for himself are the wrong choice - and lionizes him, makes him not a myth rather than a man, makes him someone who has to constantly win, who can never enjoy a fine fabric, never admire a library, never cry over an abandonment, never express himself with anything but violence.
and frankly, this simultaneous infantilization and lionization pattern is nothing unique or new. this is a classic tool of white supremacy and a classic tool of colonization from european powers.
it's the assumption that non-white people are inherently more ""savage"", more wild, more aggressive, less intelligent, less rational, less capable of strong emotion. izzy is disgusted by ed's softer side, and this is UNIQUE to izzy. fang and ivan, they both approve of ed's softer side, of ed bonding with the crew of the revenge. ivan says he's never seen ed so open and available and he doesn't sound bothered by it.
but izzy is upset. and in the finale, when ed is mourning and grieving his hopes and romantic dreams, izzy is disgusted. he says that ed would be better off dead than what he is now, clearly considering him emasculated and dehumanized if he can't be the peak of masculinity that's expected of him, not just as blackbeard but as blackbeard who is a man of color. izzy cannot tolerate that this person he respected only on the grounds of ed presenting as the man izzy expects him to be, in the identity izzy expects him to have, no deviations, no stops, no breaks, is not just that persona.
this is racist. i will say again, this is racist. this is izzy expecting ed to be beyond human and other because izzy will not respect him as a whole and complete person. this is the white colonizer mentality that expects people of color to be superhuman and always on their a-game and never have a bad day. this is izzy ignoring the new white men under his command barely working as he puts the new black men to the hardest work the ship has.
this is izzy, embodying the toxic, racist culture that the golden age of piracy represents - mass colonization, empire building, the invasion and conquering of native peoples all over the planet.
what is the fandom response to these scenes, these events? well, once again, big on the minimization, huge on the sympathy. posts abound about how izzy isn't ACTUALLY homophobic he just hates femininity, he just hates laziness, he just hates people who cheat on their partners. posts about how izzy isnt racist, the show probably didn't think twice about how they had people working! izzy isn't racist and you're overly sensitive if you think he is! izzy isn't racist, YOU'RE the racist who must hate white people.
the response is to talk about how izzy is on the breaking point, how he’s afraid, how he’s losing his stability, how he’s lashing out to try and get back the man he trusts and loves and doesn’t realize the damage he’s doing to ed because he just doesn’t understand what’s happening.
the classic fandom response, really. it happened with kylo ren too. kylo ren isn't a misogynist, he just respects rey as an opponent. kylo ren isn't racist, the stormtroopers come from all over. its not racist to like kylo ren more than finn, i just think kylo is more sympathetic and nuanced, and besides finn was being the REAL misogynist by holding rey's hand -
people say ed's the real problem too, for not talking to izzy, for liking stede, for hurting the brand. there are posts theorizing about how blackbeard is izzy's creation too so ed can't just give it up. that ed owes his crew (izzy) to be blackbeard even if it makes him miserable. posts about how ed is threatening izzy more than actually expressing suicidal ideation, because why listen to the man of color when you could sympathize with a white man, right?
after all, ed is so erratic and tired and half-insane, he's leaving all the real work to izzy (never mind that ed had a plan, never mind that ed invited izzy into the plan by asking him about the clouds, never mind that izzy rejected this invitation by being disgusted by what he views as a digression because even now he doesn't care about ed's process and that ed’s sigh about izzy lacking imagination shows this isn’t a one-off-)
never mind that izzy says he was excited to work for blackbeard, implying ed was already a legend when izzy began working for him, rather than izzy having a hand in creating the blackbeard legend. never mind that izzy doesn't actually do anything to come up with another plan besides ask how fast the ship can sail when its already too late and ask about the munitions as though they can take on a fully armed spanish navy vessel (and then doesn't have the canons prepped, or follow through on those questions)-
what matters is that izzy SAYS he's trying to keep them all alive and that izzy SAYS he's managing ed.
never mind what the actual text, the show, reveals to us. fandom takes izzy at his word even as ed's own words are dismissed. ed says he feels like he's drowning? ed says he hasn't tried dying yet, maybe he should give it a go? he's threatening izzy with killing himself, not expressing his feelings. he's just talking about wanting to retire. he doesn't mean it. he's making izzy stress by not sharing his plan, never mind that izzy is instantly dismissive the moment he starts to tell him about how he got to the plan.
dismissing the male protagonist of color in favor of the white antagonist - a classic fandom move. classic white supremacy and defense of whiteness too - to believe white people and question people of color.
izzy harasses, insults, and demeans and also just because i can fit it here, izzy has delusions of grandeur
i already talked about this a good amount in the last segment, but i think this is really critical here in discussing how the fandom minimizes the impact of what izzy does and says in the name of sympathizing with him. izzy's actions are aggressive, his words violent, intended to cause harm, intended to HURT, intended to make people feel small and ashamed, because as izzy himself put it - he's first mate hands, or god to you.
that's the high he's riding on. being god as far as he's concerned.
(never mind that this is clearly a delusion of grandeur because the second izzy is actually in charge he's riding high in classic british navy fashion, sitting up and having dinner in front of the crew to establish power, clearly delineating the line between white and non-white, and then punishing them with no food to regain power after they fail to respect him)
and he gets there, like i said, by punching down. he keeps fang and ivan in line with violence, he tries to have the revenge's crew kept down with violence, he tries to work lucius into exhaustion when he catches him in the submissive role of sex and lucius fails to be intimidated by him -
which again, this is motivated by homophobia and the harassment is to the bottom partner, which happens a LOT with homophobia, because homophobes tend to think the person DOING the penetrating is still a man's man while the person submitting is for lack of polite terms, "the woman", "the girl", the "bitch" as izzy puts it. It's not about hating femininity, its about hating femininity in men aka homophobia. And when words alone can't work, Izzy tries to force Lucius into submission by making him scrape the barnacles, even though he actually doesn't have authority over lucius!
and the thing about the barnacles, because THAT comes up a lot too, is that while barnacles can damage a ship's hull and paneling, the chief problem that barnacles cause is that they slow down the ship by increasing friction between the ship and the water surface. this CAN be a problem, but it's not an immediate problem, it's not one that wouldn't be better served being taken care of the next time the ship docks or comes to port and they get other repairs done. it's not the essential, immediate chore that i've seen some imply. it's scrubby busy work that izzy put lucius on as punishment for not being ashamed when izzy decided to humiliate him. izzy says, you think you're cute and lucius says i've decided to carry myself like i am.
one way that we can tell this is nonessential grunt work is the fact that izzy puts lucius, who by all accounts is the least experienced sailor, to work with minimal instruction. as was pointed out to me, in the history of pirate and sailing media, scrubbing the barnacles is generally a grunt work chore to break the newbies in. it’s maintenance, not essential work that the ship depends on.
and this interaction? this has nothing to do with izzy thinking lucius is unfaithful. it happens before then. and he doesn't come at pete for getting his dick wet, just lucius for being the one wetting it and being unashamed about it. its about homophobia, and the fact that in the world of toxic masculinity the worst thing you can do is "submit".
now, there's subtext here about izzy not being straight, about izzy being repressed and gay and lashing out at lucius who is openly and joyously gay and that's definitely likely - but that still makes it homophobia, and its not internalized homophobia either, its externalized homophobia directed at the gay men around him that izzy sees as emasculated and emasculating. personally i have no patience for people who make others miserable to get some scrap of satisfaction for themselves, but i know other people do, have patience and sympathy.
but there's so much faith extended to izzy. so much talk about his redemption, his suffering, his sorrows, the way he hurts, the way ed hurt him, when izzy initiates the violence and disrespect, but izzy is white and whiteness is prioritized. even when the violence is white on white (izzy vs lucius) izzy’s metatexual position as a repressed gay man is placed in priority to lucius’ emotional safety as an out gay man subject to homophobic violence in the workplace he lives in. when lucius refuses to do the pointless punishment task he’s been given because he wasn’t humiliated, he’s given even more busy work for the pure purpose of burdening, exhausting, and breaking him in, and that’s why lucius is framed as the winner when he makes izzy back off with his own threat of humiliation.
because the work was never essential and was always about humiliation and forcing “respect”. and yet there are so many posts about izzy being right about the work needing to be done and how lucius really is just lazy and uses seduction to get out of work. over on the ofmd kink meme there are SO many posts about how they just want the crew to see how cool and competent and valuable and right izzy is and to have him get hurt/comfort after being misjudged by the crew.
how many analyses talk about the class divide in ofmd while failing to mention the racial divide? i know i've read far too many of them.
as with kylo ren and every other violent white man that becomes particularly beloved in fandom, izzy's responsibility for his violence is often diminished and his sympathetic qualities (very limited in the show) are expanded upon. and just to make it clear, this isn't to say every izzy fan interprets him this way but my goodness have i seen a lot of this sentiment. i find izzy pretty fascinating, on a meta and writing level, and scum under my boots on my personal level, and if anyone takes this post as an attack i mean. that's on you. this post is to raise awareness that this is an on-going habit in fandom that has continued for decades and will continue on for decades if people don't stop and consider, at least occasionally, why they think as they do.
izzy is made out as though he's trying so hard, but he doesn't even care that the crew of the revenge are doing work poorly and sloppily (frenchie is literally nailing his sleeve down…) and when he interrupts them having a meal he screams and shouts but doesn't actually make sure they get to work because it wasn’t about them taking a break its about the fact that they aren’t terrified of being boarded and invaded and he never does any of the oh so concerning work himself.
fandom takes it for granted that izzy is a reliable narrator when he says he wants the work done right and he's trying to keep things running but we learn from fang that when he was last kept in charge he metaphorically (and pretty much literally) shat the bed. and this is a story fang is happy to share with people he's known for less than two weeks. izzy does NOT command loyalty or respect, he does not keep a crew running, he does not know how to manage people, and days of being in charge later he's only saved from death because ed comes back and saves his life effortlessly, because ED commands respect and loyalty.
when izzy is in charge of things without ed's backing, he's izzy the spewer shitting the bed at doing the job.
and yet his competencies are lauded! and defended! what we see that izzy is good at is fighting and selling out his boss. what we see he's bad at is pretty much everything else. (pretty similar to kylo ren, again, who is likewise held up as competent and intimidating and powerful.)
at no point does the narrative ever reward izzy. at no point is he on top in any of the jokes or the gags. izzy is another badminton for this narrative, punching down and forcibly maintaining the abusive social dynamic of the time and place, and thus like the badmintons, the narrative is never on his side.
but i guess the narrative doesn't have to be on his side, because a portion of the fandom will be, right?
when we look at the impact that izzy has on ed, we can see that its the same impact the badmintons have on stede, and here is where i’ll be adding in observations from @ who helped review and critique this analysis in the drafting stage:
The point about the Badmintons is really good because it's about the different expressions of that racist, homophobic masculinity from two different pov. The Badmintons are of course rich and have an emotional distance from Stede and his masculinity/femininity that they turn into bullying and disdain. But Izzy is up close to Ed. Izzy is in the circle and uses many of the same mechanisms the Badmintons use, just in a slightly different way, but they all humiliate, reproach, harass, and disdain the guy they don't approve of. Where the Badmintons wanted to crush Stede to stop him being who he is, Izzy is trying to control Ed to stop him being who he is. Both the Badmintons and Izzy bring up the past as mechanisms of control, they both refuse to listen when they're told No, they both reject other forms of thinking and other expressions of masculinity. The Badmintons want Stede to suffer because he can't live up to their "ideals," but Izzy wants Ed to suffer to "elevate" him to his ideals. And the racial implication of what that ideal constitutes is still there. Especially because even if this is chance, both Badmintons and Izzy are English. If that makes sense.
And if you add the reading that Izzy is gay and repressed (where the Badmintons are probably not), that also explains why Izzy is given a little more depth and screen time. Because whether this is true or not, Izzy is the eponymous crab in the bucket trying to bring down the others with him because he is too bigoted and closed minded to think there's any other way to live outside the bucket
a lot of fans depict izzy's possessiveness as protectiveness from stede bonnet, as defending his relationship with ed from stede, as being afraid that ed will be weakened and left vulnerable by exposure to stede's dangerous softness -
but izzy is the one who hurts ed for being soft
ivan and fang are both "real" pirates who come from ed's crew and they're both in full support of ed and his growth and change. they serve as balances to show that izzy is not, in fact, correct, about the way the world works. these two are hardened, battle-loving pirates who regret not getting to murder and are happy to punch prisoners. but they enjoy the softer life with the revenge and they enjoy watching ed soften up too
(and yes, they stand with izzy for the big "you have to send him to doggy heaven" discussion, but it seems pretty clearly that that's more because of the no pet rules and lingering dog murder trauma than because they disapprove of ed's changing. just him seemingly altering the rules of the arrangement.)
izzy, acting as antagonist, digs his heels in and goes in on ed right as he's climbing to his feet, because he disapproves of ed reaching out and finding community and sharing his softness with other people. he's disgusted that other people have seen the "weakness" that izzy himself dislikes so much.
there has been a lot of pushback against izzy for the way he attacks ed, i would never pretend otherwise. but there's an equally large amount of poeple who diminish what izzy does, the impact he has on ed, and even the nature of his comments. i've seen posts argue that izzy isn't threatening ed when he says "edward better watch his step", as if there could possibly be a non-threatening connotation to the phrase. i'm not going to argue about whether or not edward is afraid. what i am going to say is that its pretty undeniable by any reasonable standard that izzy is threatening ed.
again, posts about how izzy isn’t homophobic, that go about repeating that 'he's not homophobic he just hates when men are feminine' argument, are at best naive and at worst complete obstrucations of the truth because that is BUILT on the inherent misogyny within homophobia. the idea that men who cry, men who wear bright colors, men who enjoy soft clothing are feminine? is homophobia! Because its all about the fear of men being women because gay men especially men who bottom are seen as being emasculated and womanly.
in fact, some fans characterize izzy as emotional and hurt, a housewife, a jilted lover, as being the truly vulnerable one between the two, the one facing losing everything... and never mind that izzy is doing heads and shoulders better than ed, and that izzy CHOSE to leave ed's side when he chose not to respect ed's wishes and instigated a duel that ed told him not to do and asked him to back down from, while ed is the one the narrative shows as having actually been left behind. izzy isn’t left behind. izzy leaves, because things need to be on his terms or no terms. And yet izzy is viewed as the one emotionally transgressed upon, the sad wife dealing with an absentee husband, this all, again, takes me right back to kylo ren.
after all, kylo ren as female-coded, woman-coded, as a feminine character, was a hugely popular take in kylo ren fan spaces. people looked at kylo ren and said that his emotional nature did not make him volatile but in touch with his feelings, feminine coded. his violence was considered self-defense, and he was considered a victim, a real victim, of abandonment, the same way that izzy is even now being considered a victim of abandonment. not going to lie, the way that izzy’s implied masochistic bottom tendencies are taken and blown up by fandom to put him in this space of being more vulnerable than he actually is just reminds me starkly of the way kylo ren fans used his supposed femininity as a defense against critiques of his character.
in conclusion
i cant believe i spent 6000 words talking about this and i guess this is my huge izzy analysis post that covers my general troubles with the way fandom interacts with the character of izzy hands. Izzy is an interesting character because he’s essentially a slightly more fleshed out badminton, he’s an antagonist who serves to kick ed when he’s down and adhere him to the corrupt and toxic mire of masculine society they both inhabit, but too often he’s not allowed to be fully culpable for his behavior.
fandom has a long habit of finding toxic white men and softening their behavior. it’s not even about condoning the behavior, it’s about changing the text to make them more palatable and i believe its to do with our societal predisposition to trust, cater to, and trust whiteness combined with izzy’s queer coding that makes people latch onto him and want to make him something better than he is. after all, if he isn’t homophobic, if he isn’t enforcing racism, if he isn’t violently suppressing the people around him, then its easier to care for him, love him, sympathize with him, empathize with him -
easier to see this white man as a victim instead of the architect of all of his own misery. at every turn izzy can walk away and at every turn izzy chooses to take his shovel and dig himself deeper. at no one’s request, at no one’s entreaty, izzy digs his heels in and drives deeper into the fucked up mire of toxic masculinity because he doesn’t want to leave it and he doesn’t want ed or the crew or anyone else to leave it either. And that’s a fascinating character, a sad character, a hurting character, a fucked up character, and i don’t understand why so much of the engagement with this character wants to run way from that.
izzy hands can find redemption. he can grow and change and become something better. but not if he (and his fanbase) are incapable of acknowledging exactly how deep in the shit he is to begin with. the way for izzy to grow is not for the other characters to change or the other characters to cater to his hurt or make space for him. the way for izzy to change is to recognize that he did this to himself and that his absolution will come from no one else.
So I've been thinking a lot about this, and mostly what comes up for me is gratitude. Gratitude that, for fucking ONCE, a Russian character is a fully realized human being and not a stereotype or pastiche. I cannot describe to you how often I think about that horrible storyline from The West Wing where Bartlett goes, "Where do you people get the nerve?" and the Russian ambassador says, "A long hard vinter, Mister President."
It's so stupid. It's so offensive. It's so xenophobic. And it's not even trying to UNDERSTAND Russia or Russians. Fucking Sorkin. Anyway.
This is...the opposite of that. This is a show (and I can only speak to the show so far, I haven't read the books) that profoundly cares about its portrayal of everyone, and pays attention to details. For the purposes of this post, I will be writing about its handling of Russians and Russia, but it goes beyond that, obviously.
Anyway.
First of all, they hired an accent/dialect coach for the language (the actor who plays Ilya's father (who is, I believe, Ukrainian)) as well as actual Russian-speaking actors, which I always appreciate (usually, with some notable exceptions, Hollywood will hire Polish actors at most, for some reason). Svetlana, the unnamed Russian minister, Alexei, and even the initial Russian hockey team coach in episode 1 are all Russian-speaking, and it shows. (Svetlana's actress has the LIGHTEST accent, but I bet I might at this point, as well, so I can't fault her for it.)
And Connor Storrie has put in the WORK, man. I've said this before, but where I mostly notice people struggling with Russian is the vowels - they're just different. This is where most languages differ, actually (to my ear, at least). And there are certain Russian vowels that are harder than others ("ы" is notoriously difficult for English speakers to pronounce correctly, it's what gives most of them away, actually) and all the vowels, pretty much, sound just a LITTLE different from their English equivalents. And Connor Storrie is pretty fucking impressive, ngl. There's no, like...pretending with him. (And no eyebrow acting like with Scarlett Johannson in the Avengers. Lord give me strength, they didn't even try.) He really embodies the Russian vowels (and even his "ы" is pretty impressive) and therefore the language itself. He isn't perfect - but he makes a monumental effort, which I appreciate SO fucking much.
Attention to detail is also impressive: in the first episode, you hear the Russian coach call out Ilya and pronounce his last name correctly, which isn't done by any of the English-speaking people in the show (it's "Ro-ZA-nov," if you're curious, not "ROH-za-nov" but such is the way). The Russian cursing is pretty good, too, actually (and there's a whole post to be made about Russian cursing, which is its own language and is SO much more harsh and impactful than English cursing could even hope to be) although there was one instance of it where I am not sure it made sense, but whatever, once is fine. (I'm actually curious if Ilya only cursing in English during sex with Shane is a specific choice they made, because he isn't fully comfortable with Shane yet, and so holds himself at arm's length, including during sex, or if they just wanted to have him say "fuck" instead. I hope it's a deliberate choice on their part.)
Outside of language, all the Russian characters feels just as fleshed out as their Canadian counterparts, which is where a lot of my gratitude comes from. Everyone is different, everyone has their own motivations, and nobody is vilified just for being Russian. His brother's an asshole - yep, that happens. His father is a hard-ass and clearly emotionally unavailable, but he is also losing his grip on reality, and Ilya is shown as both frustrated and hurt by his father, as well as worrying about him, because that's his dad. And Ilya himself contains so much depth, and pain, and hurt, and worry, and it's never played as anything other than a fully-embodied character with his own motivations. It's hard to explain, but I cannot tell you how frequently Russians are dehumanized in Western media. It's been the go-to since the Cold War, and it's not exactly gotten better. I've been in America since 1993, I've seen a LOT of this happen throughout the years.
Anyway, if I had a bone to pick, it's that I'm not sure the show-runners quite understand how Russian names work. I just don't know that Ilya would call his brother "Alexei" instead of "Alyosha", even though he's younger and they're not on the best of terms, because it's very rare you call a peer, especially a family member, by their full first name. It's just weird to me. And now I can't remember if Ilya calls Svetlana "Svetlana" to her face, or if he just refers to her as that to Shane, but in his head and between the two of them, he would absolutely call her "Sveta." His brother DID call him "Ilyushka," which I appreciated because that is exactly what an older brother would call a younger one, but that's once. Oh, and the childhood friend is Sasha, which is exactly right - he would not go by "Alexander" with them. We'll see what happens later, I guess, but that's my one tiny problem.
Other than that, this show is a gift in SO MANY WAYS, but this is the main one for me, personally. The relief of it is incredible. Thank you, Jacob Tierney, I owe you my LIFE
Oh, and PS: when Ilya wins the Cup, he yells "This is for you, mom!" which they didn't translate. Now you know.
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