bi women are women who like men in a gay way. wont elaborate
and bi men are men who like women in a gay way. dont ask questions

blake kathryn
d e v o n
Peter Solarz
Cosimo Galluzzi
Sade Olutola
let's talk about Bridgerton tea, my ask is open

Kaledo Art

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Show & Tell
NASA

â
wallacepolsom

⣠Chile in a Photography âŁ

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Jules of Nature
occasionally subtle
trying on a metaphor
EXPECTATIONS
Noah Kahan

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@genderascendant
bi women are women who like men in a gay way. wont elaborate
and bi men are men who like women in a gay way. dont ask questions

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You Drew Me A Lovely Frame is here!
I had frame 227, decided on a magazine paper collage using as many different textures as I could
Check out the full project including all of the individual frames here!
Edit: since tumblr crunchified the video Iâm also adding some closeups for detail!
"The little truth here is the admission that the love that was distracting him was for Molloy, not for Louis." - Assad Zaman
Sam's laugh is killing me, he is ready for that cape and he would love to ponder the orb
i wanna maybe gather my thoughts about it in a more analytical fashion, but i feel like the point tvl is getting at is that lestat has been stuck in a child's mindset throughout his entire existence. a lot of people who read the books praised lestat's ability to endure, something that lestat said himself in s1e6 as well, but reality in the show is that he's only been enduring because he sees no alternative but to live.
watching iwtv it may seem that louis is a weaker person between them, but now i don't think so. i think louis is actually a stronger person because he constantly seeks the meaning in his life and holds onto what he finds. it's mostly the circumstances, the society and certain awful people that crush him and inhibit him. in comparison to claudia louis is indeed weak and aimless, but reality is, he still persists no matter what ("as long as you walk the earth, i'll never taste the fire"). his biggest weakness is reliance and self-definition through other people.
but looking at lestat and how he describes his own existence, it feels like he only lives because he's afraid to die. it's like in his mind there's no alternative but to live, even when there's no meaning. and sometimes the meaning finds him, but usually he just... exists. and he spends the mindless years of his existence searching for "fun", like a child kicking rocks on a street. and when the reality crushes him, and it happens very often because literally everything crushes him, he hides. sometimes for 100 years at the time.
the way he lashes out and reacts to his ego being hurt can't be described as anything other than "immature". i keep finding myself shocked at the way he talks about louis and calls him names in tvl, but then i remind myself about the chess scene from s1e6. "finish the game!!" and the litany of childish but hurtful insults towards someone who refused to play by his rules. the racist microaggressions to provoke louis in s1e1. the possessiveness. it's the same lestat. his experience before he met louis didn't make him grow up, so why am i surprised that all the experience after hasn't changed him as well?
the way he tells his story, everything happens to him. he's the center of the world, but he doesn't really make decisions, it's always someone older than him saying that he needs to do something and he does it. or sometimes doesn't do it when he feels rebellious. we joked about louis not taking accountability sometimes, but lestat "accountability" is just him saying "yeah i hurt you on purpose, what's you gonna do about it?". arguably admitting you did something bad is very easy in this mindset, where guilt evaporates (but really, hides in the farthest corner of the mind) after new fun activity takes its place. when there's always a new game to play, there's no place to think about your life. when the old toy is broken, discard it for a new one.
and the main reason for him being stuck in a child's mindset is obviously the abuse by his parents. and continuous abuse by his mother who's regrettably still alive (because he kept her alive, like a child would). he refuses to confront what she did and still does to him and it stifles his growth. and especially when she's next to him, she overshadows everything in his life and it makes him even less capable of self-reflecting. and while he's like this, he'll continue to hurt people around him horribly, especially people who relied on him and looked up to him like nicki, louis and claudia. "will my toesies ever touch the ground?" - i have the same damn question...

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LET YOUR DAD DIE: IT'S FINE IT'S FINE IT'S WHAT HE DID TO HIS DAD.
Lestat + Claudia: Patricide & The Cycles of Violence - INTERVIEW WITH THE VAMPIRE (2022) - Catherine Lacy, "Cut" (2019) / Anne Rice, "The Vampire Lestat" (1985) / Anne Rice, "Interview with the Vampire" (1976)
"She doesn't have that. No Madeleine. No rest."
HELEN NORVILLE and DALE JENNINGS â THE NEWSREADER (2021-2025)
the photography arc rlly is the rosetta stone for me to louis' whole character. but whatever.
ppl love to be like âlouis is a business major in a world full of theatre kidsâ and its like well. most vampires in this world end up making art (i think bc anne rice likely had a sort of universalizing view that any being that lives long enough will eventually become an artist) and louis has clearly always been passionate about the arts!! Heâs been deeply moved by it since he was a human (see: Iolanthe incident) He has opinions about it (heâs literally a prolific art collector, he gets degraded in a racialized way by Santiago for being âpretentiousâ about art, he reads or sleeps through TdVâs work not bc he hates all theatre but bc he thinks their work is tawdry and bizarre.)
it makes sense that louis tries his hand at being an artist, and that attempt a symbol of profound hope! but he also happened to pick the artform most prohibitive to him as a vampire (photography requires light and patience, whereas heâs always outrunning the sun.) and he takes photos of humans that he cannot get emotionally close to (the photo he takes of armand is notably the only one an art dealer gets a lil frisson off of.) he completely stacks the deck against himself, putting himself in a position to reaffirm his prior belief that vampirism is a curse and a limitation.
when he realizes his art isnât great he quits. but if he had waited for cameras to improve, or taken photos of fellow vampires, (and fwiw i think there was a post floating around about how if louis just ate more, things might be easier lolol) or just been content to suck at it for a while, thereâs no reason why he couldnât have continued (lord knows other vampires are out there being bad and weird at whatever theyâre making, in part bc theyâre v much out of step with the culture theyâre attempting to contribute to. and louis actually seems a great deal more clued in to the zeitgeist based on what he says to claudia about the parisian modern art scene, and even up to 2022 where he knows what essencefest is like my girl still knows whats what more or less.)
i think louis stops not only bc its painful and frustrating to not be able to practice this artform the way he wants to, but bc he cannot deal with the idea that he isnât Creating Value or contributing, he would just be enjoying himself.
And and and the most chilling thing to me has always been the stein-photo-replacement moment and subsequent crashout. (obv that story beat is abt armand being manipulative and undermining louisâ account of events, but) the way louis is so upset and so vehement abt insisting that he was merely adequate as a photographer, how important it is for louis that the readers know that is like Thee character detail of the whole season for me. louis is so ruled by self loathing that it feels central to his personal integrity and the integrity of the story heâs telling that he not say anything too nice about himself or his creative output. and its so fucking racialized bc truly louis still lives in fear of being called arrogant and haughty and uppity and pretentious by white people who do not want him to like himself !! like lets all kill ourselves fr
Yahhh I have to build Rome. Yup itâs due tomorrow.. noo I havenât started yet haha is that bad?

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playing dress up with my vampire barbie đ
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem âintimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.â Crucially, he added that this is ânot a matter of laziness on the part of the studentsâ but of underlying skills they were never given a chance to build.
The Chronicle of Higher Educationâs 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of âmeet your students where they areâ for so long that she has begun to feel âlike a cruise director organizing games of shuffleboard.â
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessmentâs own language, they likely âcannot draw general conclusions based on concepts presented explicitly in a text.â And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austinâs McCombs School of Business showed that the mere presence of a participantâs smartphone â whether that be face down, powered off, untouched, or across the desk out of vision â measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japanâs Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they âkept losing trackâ of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled âYour Brain on ChatGPT.â They divided 54 participants into three groups writing SAT-style essays â one using ChatGPT, the second group using a search engine, the last group using nothing â and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and âconsistently underperformed at neural, linguistic, and behavioral levels.â Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term âcognitive debtâ for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brainâs engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the studentâs mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not âfree students up for higher-order work.â It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their Kâ12 schooling. Whatever the standardsâ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling âevidenceâ from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on âfinding the main ideaâ in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as âsevere or very severe.â
In July 2025, the journalist Mary Harrington argued in The New York Times that âthinking is becoming a luxury good.â The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a âdeep workâ lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a sourceâs claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into âthis is goodâ and âmaybe add more detailsâ the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
Iâm afraid I donât have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? Kâ12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that âstudents will adapt.â They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish studentsâ sentences before theyâve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
â Tyler Jagt, 1 June 2026, "My Students Canât Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
I pull up my slide show. The first slide says âI do not want to financially support the Church of the Latter Day Saints in any wayâ. There are murmurs of agreement and approval from the room
Next slide. âBrandon Sanderson is a member of the LDSâ. The muttering has changed tone
âItâs not a very big amount of money though.â Someone in the audience pipes up. âHis cut is only a small fraction of the cost of the book, and then-â my next slide shows an income breakdown, it is titled âa small fraction of $10,000,000 is still a big numberâ
Iâm sweating. The following slides explain tithing rules. The vibe of the room has shifted. I start to doubt Iâm getting out of here alive

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"I love the silent hour of night, for blissful dreams may then arise."
- Anne Brontë
I AM THE GIRL. I AM THE GOD. I AM THE VOICE. I AM THE SONG. I AM THE NIGHT. AND I CAN ANSWER. I CAN ARRANGE IT. I CAN SAY RISE. I CAN SAY SPEAK. AND I AM HER. AND I AM SHE. AND I, I, I, I, I AM THE ANSWER.