Oct 10, 2023
ofmd is like not comedy as in sitcom but comedy as in shakespearean where it’s psychological trauma and conflicts of violence but with dick jokes and the promise of marriage in the end
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ofmd is like not comedy as in sitcom but comedy as in shakespearean where it’s psychological trauma and conflicts of violence but with dick jokes and the promise of marriage in the end
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"killing off izzy after he went through all this growth and finally got to be happy means all that healing was for nothing"
goddamn that is a bleak way to look at life. we all die, man. healing is still worth the effort.
I have so many thoughts but I at least want to address the "for the new unicorn" note. because first of all it's so incredibly gratifying for izzy to finally be accepted into a community. it was shown before that the crew cares for him in some way but it was the first time he really saw that. that he isn't useless and alone, that he still has a place on the ship. even more so the crew WANTS HIM to be on the ship. and also that they want him to embrace his disability which doesn't make them think any less of him.
but also the choice of words. because inherently it rings queer, unicorn as a symbol of queerness. and even if it may have a negative sound when you use it differently here it is extremely positive. izzy is not only accepted to the crew, he's also accepted to the queer community, to the family. the unicorn on the revenge was also the one that was leading the ship, so one can argue that they want him to take that role in their dynamic.
and you can see that he does so immediately. he puts himself together and starts helping the crew. he's still bitchy but no longer violent and cruel. he helps stede and lucius immensely because that is what he does now. he's part of the family. twat.
i just love that ed asked for stede to stop
i love that stede was finally able to tell ed that their first kiss happened too fast and that he panicked. i love that when they kissed again, when ed leaned in for a quick peck but stede got passionate, ed was able to break the kiss and say "hey man, let's take this slow". i love that stede, of course, immediately stopped. i love that it didn't feel weird and they kept playing with each other's fingers and talking about their day
that was the most healthy, natural, realistic kiss i've seen. it wasn't romanticized for tv, it wasn't forced to be something it didn't have to be. it happened under a moon that wasn't full, on the deck of a messy ship, after ed complimented a piece of fine clothing that had lost most of its charm. it was as awkward as it was graceful
people in the ofmd fandom love to judge everything characters-who-are-not-Ed do through the framework of them being pirates who kill people for a living, and everything Ed does through a framework of him being anything but a pirate. so when he does anything violent it gets dissected and taken completely out of context and given very stupid labels.
is it bad to cut off your employee's toes and feed them to him? well, yeah. obviously if I went to work tomorrow and my boss fed me my own toes I'd have some complaints. but I also have not tried to kill my boss' boyfriend multiple times or gotten the entire company arrested. I work in an office.
if you are a pirate captain and your first mate tries to kill your boyfriend multiple times and gets everyone arrested and then has the audacity to be a dick to you about it... well at that point you-the-pirate-captain would be pretty justified in just straight up killing him. anything short of that is weirdly merciful, actually.
and if he specifically requested that you go back to being the type of guy who feeds people their own toes for a laugh, then showing up at his bedside with a comically large pair of scissors is funny as hell.
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thinking about how ofmd took blackbeard, a historical (almost mythical) figure that has pretty much always been depicted in media as a super hypermasculine white cishet man, and turned him into a gay man of color who wears crop tops and silk gowns, paints his nails and pines for his boyfriend
I wanna take a minute to talk about the Looks of the entire cast of OFMD S2.
I think we're all pretty familiar with the male gaze. Lots of skin, tits and ass, that sort of thing.
The female gaze has been debated, but it looks something like a sexy college professor or himbo househusband.
What OFMD S2 absolutely nails is the queer gaze.
Look at this man.
An absolutely beautiful man. Who wears crop tops and leather pants. Long hair up in a messy bun. He's wearing eyeliner. And pearls.
And here.
Drawn on facial hair. Spaulders. Bracers. Fishnet sleeves. A MOTHERFUCKING MULLET.
These badasses.
The teeth and chains. SO MUCH MAKEUP. Big fancy coat with nothing underneath. Glam met goth and fucked out these looks.
And THE SWEDE!
Cropped jacket. Ponytail. Asymmetrical button fly. Decorative chains (again).
All of this screams queer. If I saw any of these people in a bar I'd be like "Yep, one of us." The gender fuckery of it all. The feminine and the masculine all thrown in together in perfect combinations. Decoration for its own sake. Jewelry and flashy adornment and gorgeous peacockery.
And we love it. The fandom is going absolutely feral over these looks, these actors, as we very well should. There is not a single member of this cast who has not had beautiful art lovingly made depicting them.
Fuck the male gaze, fuck the female gaze. Give me the queer gaze. Give me queer creators making queer media for queer audiences and absolutely nailing it. These people are not at all what Hollywood usually thinks sexy looks like, yet we want to devour every one of them. This is what queer beauty looks like. What queer sex appeal looks like. What queer desire looks like.
Fuck yes. It's about time.
Stede's letter initially being read mockingly by the navy guys really does encapsulate how others have viewed Ed and Stede's relationship -
It's something of a joke, not particularly serious; it's diminished to simply being 'hot' for each other, nothing more than that.
Making it all the more significant when Ed steps in, kills those haters dead, and we hear Ed's voice speaking the lines Stede has written.
Though these are Stede's words, it's now abundantly clear that throughout it all, a part of Ed has always shared those same sentiments.
Finally, the opinions of others no longer matter. They can either get with it or get gone. Nothing can change the fact that Ed and Stede know their love could never disappear in an instant.
