Paseo de la Castellana, Madrid, desde el puente de Juan Bravo.

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Lint Roller? I Barely Know Her
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Paseo de la Castellana, Madrid, desde el puente de Juan Bravo.

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Hand dyed fabrics by Miao/Hmong People.
The Hmong people are an ethnic group in several countries, believed to have come from the Yangtze River basin area in southern China. The Hmong are known in China as the Miao, a designation that embraces several different ethnic groups. There is debate about usage of this term, especially amongst Hmong living in the West, as it is believed by some to be derogatory, although Hmong living in China still call themselves by this name. Chinese scholars have recorded contact with the Miao as early as the 3rd century BCE, and wrote of them that they were a proud and independent people. However, after the Ming Dynasty and Qing Dynasty attempted to impose several new taxation systems and continued expansion of their empire, the Hmong are reported to have rebelled. Many wars were randomly fought, and eventually many Hmong were pushed from China into Burma (Myanmar), Laos, Thailand and Vietnam. The history of the Hmong people is difficult to trace; they have an oral tradition, but there are no written records except where other people have encountered them. Hmong history has been passed down through legends and ritual ceremonies from one generation to another as well as through Hmong textile art or story cloths sewn by the women.
Hmong textile art consists of textile arts traditionally practiced by Hmong people. Closely related to practices of other ethnic minorities in China, the embroidery consists of bold geometric designs often realized in bright, contrasting colors. Different patterns and techniques of production are associated with geographical regions and cultural subdivisions within the global Hmong community. For example, White Hmong are typically associated with reverse appliqué while Green Mong are more associated with batik. Since the mass exodus of Hmong refugees from Laos following the end of the Secret War, major stylistic changes occurred, strongly influenced by the tastes of the Western marketplace. Changes included more subdued colors and the invention of a new form of paj ndau often referred to as "story cloths." These cloths, ranging in size up to several square feet, use figures to represent stories from Hmong history and folklore in a narrative form. Today, the practice of embroidery continues to be passed down through generations of Hmong people and paj ndau remain important markers of Hmong ethnicity.
Traditionally, paj ndau were applied to skirts worn for courtship during New Year festivals, as well as baby-carriers, and men's collars. The core visual elements of "layered bands of appliqué, triangles, squares tilted and superimposed on contrasting, squares, lines and dots, spirals, and crosses." The use of border patterns may show the influence of Chinese embroidery techniques.
Hmong Village
18.841354 N - 98.903164 E
We are back for the 2014 and we would like to wish you all a Happy New Year! May all the happiness come to you in this new time coming!
Hmong new year, Mae Hong Son, Thailand 2013
Indonesia 2012

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Lomography Day Trips: Manila, Philippines
Manila, the capital of the Philippines, is a city with a long and colorful history. It has been the center of commerce, culture, and politics in the country long before the Spanish expedition of Ferdinand Magellan discovered the country in 1521, and before Spanish conquistador Miguel Lopez de Legazpi exercised Spanish rule in the city.
Top botanic gardens:
Nong Nooch – Chonburi Province, Thailand
Lágrimas Negras is a 2003 album by Cuban pianist, bandleader, composer and arranger Bebo Valdés and famous Spanish flamenco singer Diego «El Cigala». Lágrimas Negras is a fusion of Cuban rhythms and flamenco vocals, produced by Spanish book editor, screenwriter, film director and producer Fernando Trueba and released by Calle 54 Records, S.Land BMG Music Spain.
pronunciation | 'tor-pe (torr-peh) note | this torpe is Tagalog slang; it also means something like “clumsy” or “awkward” in Spanish. it can apply vice versa as well: a woman who is desperately in love with a man. or any combination of people thereof.
Al-Hambra and Generalife gardens. Granada, Spain.

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Vu Nhu Hai is a master in the lifelike portrayal of Budhist monks and common Lao people, capturing emotions like no other. He has a distinct realist style, characterized by his use of light and bright colored elements that contrast sharply with the darkened backgrounds.
Vu Nhu Hai lives and works in Luang Prabang. He received his training at the Hanoi University of Fine Art, graduating in 1987. The following years the talented painter made his name in the Vietnamese and international art scenes. His paintings featured in exhibitions and collections in Switzerland, France, USA, Japan, Holland, Canada, Germany, Australia and other countries.
http://laosartgallery.com/vunhuhai
We say goodbye to the summer with Joaquín Sorolla's paintings.
Joaquín Sorolla y Bastida (27 February 1863 – 10 August 1923) was a Valencian Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land.
Before we get to that at the end of this article, let’s put the whole thing a bit more into context first. Let me start by asking you this: Have you ever noticed the words we use when referring to feelings and emotions of gratitude, appreciation, love, passion, and...
Wat Lok Moli
Wat Lok Moli (Thai: วัดโลกโมฬี) is a Buddhist temple in Chiang Mai, northern Thailand. The temple is situated on the north side of the north moat surrounding the old part of the city, about 400 meters west of the Chang Phuak city gate.
It is not known when the temple was built but it is first mentioned in a charter in 1367 CE. The sixth king of the Mengrai dynasty, King Kuena (1355-1385), invited ten Buddhist monks from Burma to spread their teachings on Theravada Buddhism. The monks were housed in this temple.
In 1527, King Ket (also known as Mueangketklao or Phra Kaew Muang) commissioned the chedi and in 1545, he also had the viharn (assembly hall) built.
The ashes of several members of the Mengrai dynasty were placed in this temple . Until the demise of their dynasty, the Mengrai royal family took the responsibility for maintaining the temple.
The brickwork of the large chedi is left mostly bare, this in contrast to the, often recently, stuccoed chedis of other temples in Chiang Mai. Of note are the finely sculptured Nāgas and wooden temple façade. The temple is aligned along a north-south axis - most Buddhist temples are orientated towards the East, towards the rising sun.
submitted by | andrew w. submit words | here

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Part of Madrid’s old city walls stands as monumental gate in traffic circle, December 1951. Photograph by Luis Marden, National Geographic
"Acompaño a mi sombra por la avenida, mis pasos se pierden entre tanta gente, busco una puerta, una salida donde convivan pasado y presente... De pronto me paro, alguien me observa, levanto la vista y me encuentro con ella y ahí está, ahí está, ahí está viendo pasar el tiempo la Puerta de Alcalá. Una mañana fría llegó Carlos III con aire insigne se quitó el sombrero muy lentamente bajó de su caballo con voz profunda le dijo a su lacayo: ahí está la Puerta de Alcalá ahí está, ahí está viendo pasar el tiempo la Puerta de Alcalá Lanceros con casaca, monarcas de otras tierras, fanfarrones que llegan inventando la guerra, milicias que resisten bajo el "no pasarán" y el sueño eterno como viene se va y ahí está, ahí está viendo pasar el tiempo la Puerta de Alcalá. Todos los tiranos se abrazan como hermanos, exhibiendo a las gentes sus calvas indecentes, manadas de mangantes, doscientos estudiantes inician la revuelta son los años sesenta ahí está, ahí está viendo pasar el tiempo la Puerta de Alcalá Un travestí perdido, un guardia pendenciero, pelos colorados, chinchetas en los cueros, rockeros insurgentes, modernos complacientes, poetas y colgados, aires de libertad ahí está, ahí está viendo pasar el tiempo la Puerta de Alcalá La miro de frente y me pierdo en sus ojos, sus arcos me vigilan, su sombra me acompaña, no intento esconderme, nadie la engaña, toda la vida pasa por su mirada Miralá, míralá, miralá, míralá, la Puerta de Alcalá Miralá, míralá, miralá, míralá, la Puerta de Alcalá."
Summer Festival, Spain Photo: Tino Soriano
Young people in oversize papier-mache heads pause in a blooming field on the way to a summer festival in the town of Banyoles. Called capgrossos in Catalan, the big heads are often worn on feast days.