The motivation behind It's All Connected lies in Avengers: Endgame.
I was so annoyed with the way events on Vormir turned out I started to rethink the scene. Then I started to rethink other scenes. Then I started to think about how they originally said the whole MCU would be connected, even the TV shows. And then about how that proved to be untrue. But what if...it was all connected? All of it...what changes would you need to make?
It became too much to hold in my head so I decided to type it out. Then I started thinking about missed opportunities like integrating the earlier X-Men movies and having Cap team up with the Invaders. Now I have (somewhat) refined all my ramblings and present them to you. The MCU IAC (rolls easily off the tongue, no?).
Some general notes:
Probably for MCU geeks only.
This is total fantasy, so there is no limit on time, budget or casting. CGI will always look great (monsters, deaging etc).
I genuinely enjoyed all the movies, even the ones people generally don't like. So most of the things that I've changed are for connectedness, missed opportunities or fairly minor gripes. For the most part.
Where I have consciously taken inspiration from outside the MCU I have tried to label or link to that.
Happy to add links to anything I might have missed. Suggestions welcome for blank spaces in casting, continuity errors etc.
And obviously...MASSIVE SPOILERS...right the way through.
I hope you enjoy.
INDEX:
Phase I: Gods and Monsters
(Pre/during/post Viking times) Tales of Asgard
Casting
Season 1 Episode 1 "Ginnungagap"
Season 1 Episode 2 "Glorious Purpose"
Season 1 Episode 3 "Sigrun"
Season 1 Episode 4 "Warriors Three"
Season 1 Episode 5 "Sword of Surtur"
Season 1 Episode 6 "If He Be Worthy"
Season 2 Episode 1 "Langobards"
Season 2 Episode 2 "Utgardaloki"
Season 2 Episode 3 "The World Serpent"
Season 2 Episode 4 "Balder the Brave part I"
Season 2 Episode 5 "Balder the Brave part II"
Season 2 Episode 6 "The Death of Balder"
(1571) Talokan series?
(1845) Wolverine vol I
Phase II: The War Journals
(1914) Freedom's Five (Limited series)
(1918) Wolverine vol II
(1920) Atlantis?
(1930) Namor: The Submariner?
(1941) The Human Torch
(1941) Namor the Submariner vs The Human Torch
(1942) Captain America: The First Avenger
(1944) Captain America: The Invaders
(1945) Captain America: Super-Axis
(1945) Wolverine vol III
(1945) Agent Carter and the Howling Commandos
(1946) Agent Carter series 1
(1947) Agent Carter series 2
(1948) Agents of S.H.I.E.L.D. series 1
Phase III: The Rise of the Mutants
(1955) Namor: The Battle of Wakanda & Namor: The Battle for Talokan
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FLY is a story about a boy who gets a second chance. Help his story take flight June 9th 11am EST on Kickstarter. Thank you for being the wind beneath my wings I hope this story lifts the world to a brighter place.
A coming of age story about Black kids who finally have power to fight back against systems designed against them.
If I had a dollar for every year the universe has existed, I would have approximately 13.8 billion dollars. Which is a lot, but it’s still only 1/56 of the money Elon Musk has
Update: If I had a dollar for every year the universe has existed, I would have approximately 13.8 billion dollars. Which is a lot, but it's still only 1/94 of the money Elon Musk has
a lot of people dont care about insect biomass collapse bc when they hear we are losing 2.5% of the insect biomass per year they just imagine the cockroach and housefly population decreasing by that much. they dont realize those are among the only ones that will remain unbothered
Also, in many ways, it's the commonly seen species that are most vulnerable to shifting baseline syndrome. People think, "well, I see X all the time, so surely they're fine!" But aren't noticing that even though they're seeing it all the time, that population has decreased by half in their lifetime
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He's told me before that it's like a knee-jerk for him. Something he doesn't consciously control. He sees two men behaving romantically, and his body reacts with mild discomfort.
In the 1960s, when he was in high school, most of the boys in his form thought he was gay on the simple fact that he wasn't homophobic. He wouldn't participate in insulting queer people, he didn't care if someone was gay, he wouldn't have a problem hanging out with gay people. So people thought he was gay. That's how prevalent homophobia was in his formative years.
When I was 10, my dad told me very seriously that Holmes and Watson were gay. That it was obvious from the literature and the time period that they were meant to be a gay couple. When I was 14 and I came out to my parents as bi, when my mum was upset my dad ripped into her for it. Told her that she was being stupid, that it was my life to live how I wanted to and that she needed to get over herself.
My dad formed my views on censorship: that being that it was completely ridiculous and thoroughly evil. He didn't believe in censorship of any kind. If I asked him a question about sex, he answered it honestly. When I was 12 and I asked him about homosexuality, still young and uncertain, he told me that there was nothing wrong with it. That it was just how some people were. That there was likely an evolutionary reason for it. And that for some people it was uncomfortable on an instinctual level.
He taught me that just because you're uncomfortable with something, doesn't make it wrong. He also taught me that most people don't understand this.
I see a lot of this on the internet as of the last few years. The anti shipping movement, the terf movement, the anti ace movement. It all stems from discomfort that people have crossed wires into believing means wrong. Really every -ism and -phobia out there stems from this same fundamental aspect of humanity.
The next time you see something and you automatically think it's disgusting, or wrong, or immoral, I invite you to ask yourself: is this actually wrong or does this just make me uncomfortable?
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Finally, an open hardware printer you can actually understand, repair, and upgrade
Open Printer is an open-source, repairable inkjet printer designed for makers, artists, and anyone tired of throwaway hardware. Built with standard mechanical components and modular parts, it’s easy to assemble, modify, and repair. You can print on standard sheets or paper rolls and choose between black or color cartridges, refillable at your convenience.
This project aims to reclaim our everyday tools. As such, it features no proprietary drivers, no cartridge DRM that locks you to a single vendor and is designed to never become obsolete. The Open Printer is built for longevity and customizability, ensuring that it remains fully under your control.