You know that thing would eat you if you died, right? *pointing to the false image of you that others perceive*
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@softergoth
You know that thing would eat you if you died, right? *pointing to the false image of you that others perceive*

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"SecUnit would write fanfic"
"It would only beta read and leave comments"
SecUnit would install itself as a moderator of the Sanctuary Moon fandom wiki page. SecUnit would, for the simple transgression of being annoying - delete your account, IP ban, find your personal email address and send you a citation-laden 5 page explanation about how you're wrong titled "Banned for life (idiot)"
it is like. i am deliberately not posting that much about the nolan odyssey because i don't have much genuine interest and i find the whole like outrage theater people do at adaptations to be exhausting and unproductive and often misguided + i don't really care what celebrities are doing. but zendaya's 3000-year-old iranian earrings are like. such an on-the-nose fuck you. like 1. you can practically feel the stylist going "oh, it's old, it must be on-theme!" without really considering that ancient cultures are not interchangeable. but also 2. there's a very clear and important difference between ancient greece and ancient iran, in that there's a reason zendaya isn't wearing ancient greek artifacts on her ears--ancient greece has a cultural cachet that ancient iran does not, by virtue of its position as the perceived origin point of "western" (white) civilization. they are just interchangeable enough that zendaya can wear the artifacts of one civilization to a premiere of a work based on the mythos of another, but just different enough that she can get away with one but not the other.
and of course there's 3. which is that modifying and wearing a cultural artifact of dubious provenance taken from a country the us is actively bombing (and in doing so presumably destroying plenty of historic buildings/artifacts) asserts a certain lack of respect for and/or sense of ownership over that country's people and culture. and obviously this is what makes it seem like such a specifically heinous move.
Really important to note when it comes to (3) that the elite (and frankly Orientalising) appropriation of ancient Near Eastern artefacts as jewellery has a long colonial history. Cylinder seals are these little cork-shaped cylinders with pictoral or written designs engraved on them, and work the same way as a signet ring in that you could roll them over wet clay to leave an impression of the engraved relief on the clay to dry. They look like this:
(Cylinder seal of First Dynasty of Ur Queen Puabi, found in her tomb, dated circa 2600 BC, with modern impression. Inscription: š ¤š š - Pu3-abi(AD) Nin - Queen Pu-abi. Nicked straight off Wikipedia as it's a fab comparison of seal / relief.)
In the British Museum you can find "Lady Layard's jewellery". Austin Henry Layard is a guy whose academic efforts I'm admittedly very indebted to. He was passionate about Venetian and Roman glass and did a great job re-popularising both styles in the UK, but more importantly he was the assyriologist who excavated Nineveh and the Library of Ashurbanipalāwhere we've found the majority of the Gilgamesh tablets. Pioneer figure in terms of Near Eastern archaeology... but check this out:
This is a necklace Layard had made for his wife. It uses real cylinder seals.
To quote the British Museum's entry on the item: One cylinder seal is Akkadian (about 2200 BC) and four belong to the second millennium BC, but eight are late Assyrian (about 1000-612 BC). Late Babylonian and Achaemenid stamp seals (about 600-350 BC) are used for the pendants and clasp.
Enid later wrote in her diary that, when they dined with Queen Victoria in 1873, it was 'much admired'.
Ancient Near Eastern artefacts, repurposed as jewellery in a set that doesn't give a single fuck about accurately dating them, let alone treating them with the sort of respect you might perhaps expect of items over four thousand years old. Instead they've become a mark of elite colonial status, an Oriental curiosity utterly separated from their historical context. They're 'old'. They're non-descriptly 'other'. Time and place dissolve into an attractive and vague exoticism.
All while the place these seals have been appropriated from is busy being exploited by the very empire this "jewellery" is being shown off to!
So to bring it back to your third point: you're absolutely right!!! And this has precedence dating right back to the start of Western study (and plundering) of the Ancient Near East. It's a carelessness, it's an ignorance of historical context, and it's explicitly colonial.
thank you for the added context!
Gerard du Bois
GƩrard DuBois (French), A Cat's Life - Wonder, 2022, Acrylic on board
To The Painters of Pompeii -Ā Jordan Bolton
My first book āBlue Sky Through the Window of a Moving Carā is now available to pre-order! Get it here -Ā https://smarturl.it/BlueSky

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HATE when u can feel ur intestines writhing. cease your wriggling insolent belly worm
WHEN do you ever feel that
the worms yearn for escape
The worms are telling you to go see a doctor...
@entities-of-posts the corruption/flesh?
After my hysto, I was in *intense* abdominal pain that didn't feel like wound pain from the ablation but something different that I couldn't explain, until the gynecologist told me "yep, that'd be your intestines rearranging themselves into the gap left behind by your uterus."
So there's a mental picture for you. Slither slither. Slither slither.
awwww, they were exploring their new enclosure ššš
oh GOOD tags:
#exact same thing happened to me after my hysterectomy #my single remaining ovary is just wandering around in there now. we call him odysseus #we dont know where he is
late summer / early fall thoughts
Wip. I think the resurrection beasts are cool.
sensory
These are what the gifs are called iām
This makes me feel like such a boomer, but I hate it how all media has been TikTok-ified and algorithm primed. Songs are shorter, designed for short viral clips rather than a full listening experience. TV shows and movies are sloppier, dragging on and on, assuming youāll be on your phone and have it only in the background. Even books have been chewed up and spat back out as easily consumable tropes, with bite-sized chapters and mannequins for characters. This late stage capitalism hellscape weāre in has made art into something you snack on rather than savor.

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersāand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itāher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"āessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesāthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageāa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureācredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionāomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesāreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenāinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
this gif is like... almost biblical. as if hes experiencing a pharaohs curse...
wtf were you gonna say
Please respect my privacy
my deepest apologies
I forgive you
Anyway me when I suck that pharaoh good and hard through his scaramphigousus
pleeeeeease help me find a song I couldn't Shazam because I was in a loud place.
It's like early 2000s boppy romance song by a dude and has lyrics like:
"Her eyes like where blue skies meet the sunrise"
"Her eyes are where I'm going when I go home"
"eyes" is held for a pretty long time, and it could also be "your eyes" I couldn't tell. I know this isn't a niche song, I've heard it before, but the Internet is giving me Nothing. So I'm turning to tumblr. Sort of sounded like a Train song.
āHer Eyesā by Pat Monahan!
A man, his cat-daughter, and her pet dog velociraptor

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every day i am thankful to ancient humans for the domestication of the cat. fucking genius idea. agriculture was a good one too btw but you really outdid yourselves with the cat thing