Psyllium Husk for your Dashboard

support workers who are fighting for a contract for everyone in the company. the most recent strike is over but we have NOT received a contract. things have NOT gotten better despite how the media is trying to spin it. don't buy starbucks in the cafes, don't buy starbucks in grocery stores, don't buy it anywhere, and tell everyone you know as obnoxiously as possible.

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

Disability benefits: "I mean, sure, there are probably some sad sacks who are gaming the system, there always are, but hell, with the amount of taxes we pay, the government can afford a few freeloaders, right? I'd rather pay for a couple people who don't really need it than not have the system at all for if I need it, or my kids do, or whatever. I mean shit happens. What if some asshole drunk driver puts me in the hospital and it takes me a year to get back on my feet? Or Heaven forbid something permanent happens. I'll sure be glad that I can get disability then, won't I?"

UBI: "I dunno, the kind of guy who'll just sit on the couch playing Call of Duty all day if he doesn't have to work, I kinda don't want him on my job site anyway. That type is just taking up a place that you could fill with someone who'll actually get the job done, you know? You end up short-handed even though you technically have enough people because everyone else has to pick up his slack. And it'd mean that if your boss is a dick you can tell him to shove it and not worry your kids are gonna go hungry while you find a better place. We can sure as hell afford it."