RIP to Karl Marx, you would've hated all of this
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@socialistmouse
RIP to Karl Marx, you would've hated all of this

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Anyone can be discarded by society
People get made fun of for being scared of aging but it comes from the very real fear of being discarded by society that’s why i always say the goal is not to never become old or disabled the future comes for us all the goal is better social policy
When boomers and suburbanites say shit like "kids don't play outside anymore" what is it they actually expect those kids to be doing? They don't want them skating or playing sports or climbing trees or hanging out at the mall or whatever.
hey everyone! i just came up with a neat new tone tag for when something you say is up to journalistic standards and would hold up to any kind of rigor it's /j for journalism! i hope this helps someone today 🥰

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Today on Hozier liked
Who deserved to live more?
The Romanovs (entire royal family circa 1917 including the kids)
Harambe the gorilla
A polling group that never read accounts of of the children were executed.
oh my god Harambe had kids?
This is so beautiful
Harry du Bois would say this.
One hot and cool writing tip that I wish more people knew is... you don't have to write out people's accents phonetically. You just don't. You are not Dickens. You are (hopefully) not Rowling. There are so many other ways you can make someone's speech feel authentic to their background, or just make it clear that they're speaking in a certain accent, not limited to:
literally just saying 'he spoke with a Welsh accent'; sure, it's a bit blunt, but it gets the job done in a pinch. "He's completely drunk," he said, his southern drawl lingering on the final syllable as if to highlight the extent of the offence. Y'know, something of that ilk, but not as shit.
learning the specific vocabulary and syntax that someone with that accent might use. Sticking with the Welsh theme, because it's objectively the best accent*, there's a bunch of things that differentiate a colloquial South Walean accent, outside of our famed tendency to elongate a vowel to the point of death. The way we use prepositions (where to by is he?), the vocabulary borrowed from Welsh - saying that someone daft is twp, or something small is dwty - can easily signpost our speech as being from that specific area, without needing to type something like "'e's absolutely 'angin', man, pissed as a faaht 'e is!" Something less jarring, such as "He's absolutely hanging, he is." is just as clear. A character who says "Do you want a cuppa?" is coded or located very differently to one who says "You'll have a cup of tea, so you will."
ditto if there are specific ways that someone from a certain area might refer to a well-known concept. Regional words for mother and father, for example, or words that are class-specific; your character who calls his parents 'mater and pater' is likely inhabiting a different socioeconomic strata than your character who calls them 'mam and dad'. See if there's a colloquial way of saying 'yes' and 'no'; a lot can be signposted if your character says 'nah' rather than 'no', or 'aye' rather than 'yes'. A character saying 'couch' is inherently coded differently to one who says 'sofa'.
The reasons that writing accents phonetically is Generally Ill-Advised, In My Opinion are as follows:
quite simply, you're probably not being as clear in conveying the sounds of the accent as you think you are. Taking JK Rowling's work as the best possible example of this, her attempts at writing a Cockney accent phonetically come across like someone is chewing a mouthful of cheese curds and struggling to contain them. There's no consistency, no proper understanding of how to transcribe syllables into writing in a way that coherently conveys the accent she's trying to portray. I mean this so seriously, but what the flying fuck is: 'Well, 'e 'ad these 'ead pains and 'e was def'nitley nervous. Depressed maybe.' It's a crime, is what it is.
it's just plain hard to read. Trying to wade through sentences full of apostrophes and elision, parsing what's actually being said, gets tiresome. It asks the reader to do work that you're actively making harder for them. And that's not always a bad thing! Making readers Put Some Fucking Effort In can be very fruitful! But do you really want them to be struggling to understand every single thing that your Character B is saying for 350 pages?
which leads me onto the last point, and the most important in my mind: writing out accents like this always, always affects accents that are already in some way Othered. They're either racialised or working class, or associated with certain local regions that have negative stereotypes - think the deep South of the US, or the Welsh Valleys. They're never the 'default'. And this raises thorny questions about what the default is, what the standardised accent is, the accents that do and do not merit differentiation from the norm. You're relegating Character B to being hard to read because he's from, idk, Sunderland. You've decided that he isn't speaking 'properly', and therefore the reader needs to understand that other people think he's speaking weirdly. That, to me, is the principle issue. Because returning to JK Rowling (a sentence I hoped never to type), the only characters who speak like this in her work are working class, or they're from other countries. They're never from, you know, Surrey. Wonder why that is. And it's easy to be glib about it, but I do think it reifies class and regional boundaries in a way that's ultimately harmful.
This isn't to say that there's never a place for eye dialect in writing - Trainspotting (edit to respond to some legitimate comments in the reblogs: I bring up Trainspotting because it's written in Scots and Scottish English, not just Scots, but I agree that this isn't the best example as the Scots portions are not part of this conversation in the same way; consider Their Eyes Were Watching God by Zora Neale Hurston as a better example, and apologies for the confusion!) wouldn't be what it is without it, and there's definitely a different conversation to be had when it's your own accent and you're making a deliberate point about identity by differentiating through eye dialect - but I think that the blanket assumption of 'oh shit, my character is from Ireland, I'd better type that out phonetically!' can actually be both damaging to your writing and to your character representation, and I think that instead doing the work to really understand the vocabulary, speech patterns and unique aspects of a language or dialect always makes a work feel more authentic and lived-in.
To wit, less of this shite:
There’s mony a slip, an’ I’m no losin’ sight o’ any o’ my suspectit pairsons, juist yet awhile. (One of the Lord Peter Wimsey novels by the very English Dorothy L. Sayers, if you were wondering, and yes, that's supposed to be a Scottish accent; I'd not be bringing it up if it were a Scottish author writing in Scots)
and more of this:
"Are we straight so?"
"Aye, we're straight," said Jim.
"Straight as a rush, so we are." (Jamie O'Neill, Irish, from At Swim, Two Boys)
*objective determination made via a sample size of one: me, in an elaborate hat.

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Anti-city people are just plain fascinating to me
Occasionally forget people genuinely think capitalism is thousands of years old
One time I was talking about Robin Hood with some coworkers and one guy was like “he was bad because the people he helped learned to expect handouts” and I wanted to be like… okay can you explain how that flawed capitalist propaganda applies to feudalism
reminder that capitalism was literally invented in the 16th century
That’s an exaggeration. What was invented in the 16th century was mercantilism. Capitalism really dates for the beginning of the nineteenth century, with the rise of industry and cash crops over artisans and merchants. Vulture capitalism, with the notion that companies have no duties other than generating profit, is even younger.
Capitalism is only 200 years old and I have to say, they have not been an impressive 200 years
I think a lot of this comes from the fact that most people don’t know the formal definition of capitalism. We all know the word, we’ve all seen the jokes, but very few people bother to actually define it unless they’re talking about political theory and philosophy, so it’s easy to end up with the impression that Capitalism = Money Can Be Exchanged For Goods And Services.
Capitalism is the economic system where most of the means of production (i.e. everything people need to have to make the stuff that everyone wants) are owned by private individuals or corporations, who then hire people to provide the labor necessary to produce things, with the intent of selling the output at a profit. It’s the difference between “you’re a carpenter and you make a chair and you sell it” and “you’re Richard Q. Richington who owns a chair factory, and you pay people to sell the chairs you paid other people to make and then all the excess money goes back to you.” There have been Richard Q. Richingtons on and off throughout history, but that being the norm for every single industry is a pretty recent development.
An alarming amount of people seem to think capitalism = all trade, and I don’t think that’s a coincidence.
i'm not a lesbian as far as i know and i already have a wife but thanks tumblr
man what did i click on that tumblr thinks im gay
the sign in button?

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the median voter