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So what I think is that there's this default belief in patriarchy that men are superior to women and therefore the "masculine" sphere is superior to the "feminine" sphere. And so, as feminists have fought to expand the number of allowable female activities, men (on the aggregate over generations) have retreated from those activities because they're now seen as "feminine", and so partaking in them is incommensurate with their belief in their own superiority. And, unfortunately, as this has progressed, this has resulted in a lot of men sectioning themselves off from, frankly, everything that actually makes being alive worthwhile. It's a misery spiral, and the only way out is to abandon male supremacy.
#men gave up deep friendships and reading and poetry and colourful fashion#all things that used to be considered manly in the 19th century#they're currently giving up on studying law and medecine#it's so stupid and sad
(I mean, the colourful fashion was more of an eighteenth century thing, but yeah)
#more women in higher education meaning fewer men is incredibly depressing to me. funny in a sad way#what happens when women will finally get into trades? will they just stop working
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letās talk about how they made it impossible to function without a phone and digitalised everything and then turned around and went āactually! these phone things arenāt safe for kids but itās magically ok once youāre eighteen. guess youāll have to have your life dictated by your parents now lol cause weāre gonna take the devices away from you. ITāS FOR YOUR OWN GOOD WHY ARE YOU COMPLAININGā
ok my apologies. take away my ability to buy anything too ig because these fuckass stores donāt accept cash anymore. take away my ability to communicate with people outside my house and school because I canāt text and I canāt email and I cant drive to them either and I canāt even fucking get public transport without a phone either. canāt order at a fucking restaurant without being asked to get a membership and install an app and also very sorry but you can only order through our online menu now! have you ever considered that itās not just about instagram?
#Helios was declawed by his former owners so he doesn't just slap things he dislikes like most cats#he really only feels confident in hissing at them#Especially because a lot of the thing he doesn't like are bugs and those are sharp sometimes :(#Selene has figured this out and now when she hears him hiss she sprints over the kill the fuck out of the bug#Helios has learned she will do this so he'll hiss at stuff louder and louder until she hears him#A nervous old man and his emotional support homicidal maniac
tags by @gallusrostromegalus
I couldn't reblog without the tags because the context is hilarious
A Nervous Old Man (right) and his Emotional Support Violence Machine (Left)
Yes, he is more than twice her size.
Yes, he is five times her age.
Yes, he cries like a big baby until she kills Unacceptable Scary Things (earwigs) for him.
I do not agree with veganism as a moral standard. If it is your personal moral stance, that is fine. If you think humans eating meat is inherently immoral, I donāt want to deal with you, youāre hopeless. Vegan ideology behaves more like a sect of evangelical Christianity than a dietary choice.
Veganism is better for the environment, but claiming that it's a morally superior choice ignores cultural and economic factors that make people eat animal products.
It is not inherently better for the environment. That is the thing. When you begin trying to explain that local, sustainably sourced animal protein is better for the environment than imported plant proteins that are farmed 3,500 miles away using slave labor, they start tuning you out. Down is better for the environment than polyester stuffing, leather is better for the environment than pleather. We should work on making animal agricultural practices more sustainable instead of trying to shame everyone into eating plant products that are also farmed unethically and unsustainably.
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the thing about being "good with kids" is all it takes is literally just not trying to control and mould them with every interaction. it's just being a normal person and engaging with them through normal interactions like having conversations and playing games. it's just being genuine and friendly and not perceiving them as lumps of wet clay you are there to shape. "oh you're so good with kids" thanks it's because I think they are people
why you should care about theresa even if you ship hansry: a fever-rant
I've been writing Hansry since April 2018. But my first KCD fic ever was about Theresa.
You know what drives me nuts about this girl?
It's because even though she loves him, cares for him, worries about him, and arguably even (emotionally) needs him alive: Henry isn't what she wants.
The Theresa we come to know in KCD, the one who exists in the aftermath of disaster, cares SO much for this lad. She shows it in her actions more than her words, which can be restrained and remote, emotionally unavailable. But that is a recent development.
Frankly: She lived her entire life in Skalitz with him as an afterthought.
To Tess, he wasn't a main character in anyone's story. He wasn't the object of her unflinching desire or her obsession. He was always just stupid old Hal under the castle hill. Martin & Jane's son from up at the smithy. Some passable, foolish, cute-enough dude who was fooling around with her bestie (blech!). As for many young adult women, it was not any boy or crush or marriage prospect, but her friends, especially BIANCA, who were the huge social presence in her life. Not Henry, and probably never Henry... except for what happened.
What drives me so nuts about this is that though Tess and Henry seem confused about their romantic connection, they have one clarity: each anchors the other in the past. But they do so from completely different angles, and to completely different ends.
Tess tries to run from the past, to reject it and to not think about it - to bury her old self with her family and friends.
She's not just brave because it's her nature. She's "not afraid of anything anymore" because she, a person who has lost everything that mattered to her, is no longer afraid to die.
Henry is her complete opposite here. He becomes unrecognizable to his former self because, thanks to nepotism and gender, he's able to start an entirely new lifestyle in a way denied to Theresa... which may at first glance appear to be what Henry wants.
But it's not! Again and again, we see that everything Henry does is about wanting to go back, to cling to home, to try and salvage the scraps of his old self. He wants so badly to be truly unafraid, like Theresa is, but despite everything, he doesn't have the maturity to understand that fearing death isn't cowardice and lack of fear isn't bravery: it is pure tragedy. It means you have nothing left to lose.
It means you are Theresa.
Theresa, who despite being annihilated by the slaughter of her old self and loved ones, WAS NOT HAPPY (!) in that old life. She wasn't happy taking care of men, something she started doing far too young after her mother's death. She never wanted to get married, to be a wife, to raise children (she tells Jane as much; it's not just Feyfar; she wants nothing to do with boys; she's so young and already sick of laundry and cooking and cleaning and caring). She wanted the freedom to be herself, to have her own desires, to chase fun, to dance with her girl friends, to have more than the earliest hour of morning to herself.
Henry merely thought he wasn't happy, and for such a childish reason: he was bored of peace and comfort and being doted on by his family and his sweetheart. He knows now his mistake and that he can't take it back. But his former happiness also cannot be destroyed, even though it is no longer accessible to him, because he was so babied and undeniably loved and spoiled and undeservingly adored.
Not so with Theresa.
Of course she doesn't want to marry Henry.
Of course she laughs at him when he so casually suggests it.
Henry truly loves her, in his way, and she has much tenderness and a sort of sad love for him too. But no matter how damaged he is, he's still got a big piece of that good-natured oaf from Skalitz inside him. And so he thinks she's still the Theresa he knew all these years, partially because it helps him feel closer to a home that doesn't exist. He doesn't understand, no matter how many times or how many ways she tells him, that Theresa of Skalitz is gone or what she's lost.
And, whether or not Tess & Henry's sort-of-romance remains alive or (as KCD1's ending seems to suggest) kindly loosens and lets go, there is a part of Henry -- the old Henry, before the fire -- that Hans Capon, no matter how madly he loves him, can never truly know, understand, or touch. Theresa can. In no small part because that piece of her has been destroyed.
It's just so honest and worthwhile and real.
Such a damn shame Warhorse has so little interest in writing women's stories 90% of the time, because when they do care, they can make these stories feel so authentic without any psuedo-feminist Cool Girlfriend gimmicks or othering or puerile Sorry Boys!ing.
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Foreigners will never understand how someone like Rawhide Kobayashi would immediately become a beloved local fixture in whatever small American town he ended up in.
every single time someone pulls the "How would you AMERICANS like it if someone came to AMERICA and" reversal, the answer is always "we'd fucking love it"
I just Googled the Swedish-Japanese guy in the OP, and according to this interview, his Japanese name was given to him by the master gardener he was apprenticed under:
āThe family name āMurasameā was given to me by my master. The given name āTatsumasaā is a combination of ādragonā (tatsu), the [zodiac] year when I was born, and one character from my masterās name,ā says Murasame."
So I think maybe it's less like naming yourself 'Brandon McFreedom' and more like moving to the states to work under a veteran car mechanic named Bud McLean, and then having him turn to you after a few years on the job, and say "Son, it's time for you to become an American so you can open up your shop. And when that day comes, I think the world should know you by a new name: McLeo GM Corvette."
#you know the moment eowyn learns the circumstances of how faramir got in the houses of healing #would have been a big moment for her little jock heart #eowyn learns faramir rode by choice into certain death for honour *bites fist* āthat nerd is so fckn hottttttā
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