Thinking about lil nas x. Thinking about how literally less than a month ago, I was seeing thinkpieces about potato heads having gender and how my generation is soooo sensitive. Thinking about how often Iâve been told âdonât like it donât lookâ bc âwhhaaaat the sandwiches are goodâ or âthey were just JOKINGâ or âpeople have a right to serve whomever they want, go find another cake shop if it bothers you, oh my god.â
Thinking about how many times Iâve heard the words âmusic used to be ABOUT something.â Thinking about all those gotcha jokes where the set up is âif that was my son, why i wouldâ and the punchline is that theyâd love him, right, because itâs funny we are at risk of being traumatized. Thinking about this quote I read today about disrespect - that thereâs plenty of people who think respect means âaccepting as the absolute authorityâ. Thinking about religious trauma and the âbattle for the soul of the nationâ.
Thinking about how fighting them off shouldnât be his job. Thinking about how preformative this pearl clutching is; how itâs just asinine rhetoric to cover blatant bigotry. Thinking about how I am scared to hold her hand sometimes. Thinking about bravery. Thinking about how the first pride was a riot. Thinking - holy shit. He just saved so many lives, and i hope he knows it.
Itâs about taking the power away from a scary thing. Tell a queer kid theyâre going to Hell now and they can shrug and say, âcool, Iâll be down there taking a turn on the stripper pole.â
The thing that blows my mind about this pearl-clutching backlash is that popular music about having a better time in Hell, away from all the conservative Christian bullshit isnât even new.Â
Irving Berlin released âPack Up Your Sins and Go to the Devilâ in 1922, nearly 100 years ago, and it was a direct âfuck youâ to white Conservative Christians having a tizzy fit about the immorality of Jazz, especially Henry Ford, who had written a whole goddamn treatise the year before saying: âPopular music is a Jewish monopoly. Jazz is a Jewish creation**. The mush, slush, the sly suggestion, the abandoned sensuousness of sliding notes, are of Jewish origin.â OH NO NOT SLIDING NOTES! HEAVENS TO BETSY! OH MY WORD!
The lyrics to âPack Up Your Sinsâ are as follows:Â
Oh, I got a message from below âTwas from a man I used to know About a year or so ago Before he departed He is just as happy as can be Iâll tell you what he said to me He said, âIf ever you get heavy-hearted
Pack up your sins and go to the devil in Hades Youâll meet the finest of gentlemen and the finest of ladies Theyâd rather be down below than up above Hades is full of thousands of Joneses and Browns, O'Hoolihans, Cohens and Bradys Youâll hear a heavenly tune that went to the devil Because the jazz bands They started pickinâ it Then put a trick in it A jazzy kick in it Theyâve got a couple of old reformers in Heaven Making them go to bed at eleven Pack up your sins and go to the devil And youâll never have to go to bed at all
If you care to dwell where the weather is hot H-E-double-L is a wonderful spot If you need a rest and youâre all out of sorts Hades is the best of the winter resorts Paradise doesnât compare All the nice people are there They come there from ev'rywhere Just to revel with Mister Devil Nothing on his mind but a couple of horns Satan is waitinâ with his jazz band And his band came from Alabamâ with a melody hot No one gives a damn if itâs music or not Satanâs melody makes you want to dance forever And you never have to go to bed at all
Do you sense a theme?
Of course, Lil Nas X totally put his own spin on things to make it specifically about eschewing Christian morality in favour of embracing queer liberation, which is fucking fantastic! But itâs batshit insane to see the actual governor of South Dakota practically accusing Lil Nas X of personally ushering in the beginning of Americaâs moral decline, as if heâs some sort of gay pied pier leading all the good children away from God, when actually this is LITERALLY THE SAME BASIC THEME OF A NEARLY 100-YEAR-OLD SONG PENNED BY THE SAME COMPOSER WHO WROTE âWHITE CHRISTMAS,â âEASTER PARADE,â AND âGOD BLESS AMERICA.â
Itâs just completely manufactured outrage about celebrations of otherness that have genuinely been around forever. These people donât actually believe itâs going to threaten their way of life, because if these songs really had that kind of power, they wouldnât still be here bitching about it after all this time. They just canât stand to see anybody else enjoying being anything but them.Â
Anyway, hereâs a 1938 version of âPack Up Your Sinsâ that features a 21-year-old Ella Fitzgerald on vocals absolutely crushing it:Â
**This isnât even true, btw. While there have long been influential Jewish jazz musicians, itâs a record of fact that Jazz was created by Black/Creole musicians in New Orleans, beginning with legendary artists like Buddy Bolden, Jelly Roll Morton, and Joe âKingâ Oliver. Though some popular Jazz musicians were heavily influenced by Yiddish music and Jewish nigunim, most notably Cab Calloway in the 1930s, itâs likely that Ford was just employing age-old antisemitic, racist tropes about all-powerful, sinister Jews using Black people to do their evil bidding in an effort to engage in white genocide. Anyway, Henry Fordâs hatred of Jewish and Black people is well documented, and also the reason why kids in American PE classes have to do square dancing.



















