This was interesting because - while I donโt claim to be much of an artist - I have a party trick of portraiture, as in capture-a-likeness-to-please people-in-a-pub-knack, which is a whole separate skill. And the face intrigued me.
For portraiture you have the unique challenge of capturing the distinctive features while flattering them. Thereโs a tension of โwhat makes the person look like themselves?โ against what they WANT people to see.
Acknowledging and respecting that, reflecting a View of the Self instead of a simple photograph, has always been an ephemeral and noble challenge of portraiture. Itโs a rare skill, and while Iโm not claiming to be a brilliant practitioner, hereโs how I go about it. You want the person to feel SEEN - on a level and in a way that only a portrait artist could.
If someone in a novel were to spend a paragraph studying the portrait, they ought to be able to say something plot-relevant, like โthe artist had faithfully captured the FAMILY RESEMBLANCE in the notable features and the PLOT POINT in the shape of her eyesโฆ but no photograph could have captured the wistful turn of the mouth. Across a hundred years of distance, her soul was clear, speaking to Protagonist as if she were merely in another roomโฆโ
Thatโs the skill of portraiture, really, and itโs rarer than the ability to do good lineart (which I canโt do either; note that Iโm not claiming to be GOOD.)
The immediate outstanding features of the โfanโ are
Dark, hooded, distinctive eyes - sheโs probably proud of them
Challenging, knowing expression
Long dark hair is a feature sheโs proud of; because itโs well-cultivated
A sweet beauty of youth, but I can see what sheโll look like when sheโs older
Roman nose thatโs unusually short for the bridge type. Doesnโt have the space to be โhookedโ but has the shape.
Natural brow with natural arch - fuzzing in to a shapely tapered form
Rounded face but with an interesting composition of flat slabby cheekbones and a high flat forehead. Iโd love to look at it from other angles but she could model for a LOT of time periods and a LOT of artistic traditions.
Cool olive skin - very tricky!!! Especially with that pink lip. Frankly beyond me to depict fairly tbhโฆ but at least I tried
Dark pigmented undereye and eyelid, which I chose to handle in the sense of โflattering eye makeupโrather than true depiction of her colouring.
Full mouth with NO CUPIDโS BOW - fullness in lower lip
Iโd elide the faint double chin out of gracious recognition of the angle and acknowledgement of the fact that the sitter would PROBABLY prefer it not to be noticed. I ultimately alluded to it, but elided it.
Even without the double chin, her determined yet rounded chin is another charming and forceful contradiction that lends what we call โcharacterโ to the face
Presumably a fan of Instagram anime art is familiar with conventions and is therefore hoping for a portrait with glow brushes and SHEEN and TEXTURE and anime petals and veils barfed all over it - so I did a final version with those things - presuming it would make the โcustomerโ happy
Obviously you can see that Iโm quite humbly and realistically not an ARTIST but I thought it was interesting to contrast what skills are valued in a party trick of portraiture (breaking down and flattering features, playing a delicate game of flattery/pleasure and clear-eyed recognisability) vs a much more skilled and stylish render that is based on replicating anime aesthetics and thus - despite being better which I acknowledge! - didnโt engage so much with the goals of portraiture. Returning to the goals of portraiture - likeness, gesture, expression, picking out features, affection for the subject - is so,so good for the soul. For one thing, it reminds you of your ability to fall in love with facesโฆ
But as you can tell, you donโt have to take my word for it! Draw a person lovingly today!