Writer, artist, crafter. Not spoiler free. USA, Millenial Stories/head canons can be found under #my writing Thoughts, musings, and responses are under #hounds speaks
This is just a quick list of the finished fics I’ve posted here and on AO3. Check under the #hounds speaks and #my writing tags for essays, criticisms, meta analysis, and general thoughts. Analyses and criticisms for movies and shows are under the cut.
Mudhorn divider by @thecutestgrotto
Banner and all other dividers courtesy of @saradika-graphics unless otherwise stated
Action figure blog: @ar-pic-ulated
The Mandalorian
• Geroya: Worldbuilding with the Mandalorian and the children of the Nevarro covert, set pre-show and leading into Season 1.
• Fate Sometimes Steps In: Fennec Shand’s perspective in the void between life and death.
• Gaa’tayl: Set pre-show, Paz Vizsla leads the search for three children in danger on Nevarro.
• Stranded In the Desert: A missing/added scene to the beginning of “The Passenger” with Mando and the kid.
• Nightfall: An alternate take on the child’s escape with Kelleran Beq during Order 66.
• The Exodus: The third act of “The Sin” from the covert’s perspective, retconning the later idea that only Paz Vizsla and the Armorer escaped Nevarro.
• The Oldest Profession: Pre-show character study of Mando on a hunt, needing to find a room for the night.
• Temporal Chalice AU: Potential time travel/history rewritten smorgasbord.
• The Concept of Names: Character study. Mando’s relationships with others as shown by what he calls them.
• Mando takes a job with a stranger
• Toro Calican Lives AU: Toro Calican makes a different choice and sets his life on a different path.
• Flashpoint AU: What if the Mandalorian never gave the child to the Client?
The Clone Wars
Aay’han
Original clone trooper story: Captain Manukura
Chapter 1: Remains to Be Seen
Chapter 2: TBA
Rogue One
Soldier, Princess, Farm Boy, Spy
Comparing and contrasting four heroes of the Rebellion in an AU where the Rogue One squad survives Scarif.
Chapter 1: Disparity
Chapter 2: TBA
• Sins of the Father (TBA)
The Bad Batch
• Untitled: Riyo Chuchi and Echo one-shot set in the years between TBB and ANH.
• My Brother’s Keeper: Clone Force 99 stumbles onto a nexus of the Force and wakes up to find they’ve swapped bodies with one another.
• Deserters: What if Mayday survived the outpost?
Original Trilogy
• Bar Talk: Lando and Luke talk shop a short time after Return of the Jedi.
Prequel Trilogy
• Amidala the Resilient: An AU of Amidala confronting Anakin at the end of Revenge of the Sith.
• Spooky/angsty Padme Lives AU
• Redrafting The Phantom Menace
Sequel Trilogy
• An alternate universe with the same characters in a completely different story (action figure blog, adventure movie pitch)
• The Last Jedi AU: Paige lives, Poe abides by the letter of the law, Rose and Finn pull a jailbreak, and somebody finds a mysterious crystal
Crossovers, Fusions, and Retellings
The Princess Bride
The Sabersmith’s Son
The Colossus of Kashyyyk
The Man In Black
• A Prospect/Mandalorian crossover scene
Analyses, Criticisms, and Elevator Pitches
The Mandalorian
• Theory about Mando’s parents
• Mando lets Karga live, “The Sin”
• Peli Motto’s intuition
• Character analysis: Toro Calican
• Theory about Boba Fett’s original connection to Fennec Shand
• World-building: The covert on Nevarro
• Script analysis: Gor Koresh, and Mando’s justified violence
• Loose story threads: Minor changes to “The Passenger”
• Further details on potential themes “The Passenger” episode could have had (In a reblog for Stranded In the Desert)
• Character analysis of Mando: Protective vs Worrisome
• Strengthening characters: Cara Dune and Carson Teva, criticism of “The Siege”
• Peli Motto’s regard of Boba Fett
• Wasted Potential: Jack Black on Plazir 15
• Analyzing Mando’s fighting style — “The Prisoner”
• Analyzing Mando’s motivations: Criticism of “The Heiress”
Reblog with Character Analysis on Bo-Katan
• Analyzing Mando’s fighting style and motivations, Mando’s lack of agency as a character and being sidelined as a protagonist — Criticism of “The Heiress” and “The Rescue”
• Inconsistencies and weak world-building regarding where Mandalorians should live, Season 3
• Criticism of Bo-Katan being praised/focused on instead of Mando, Season 3
• Criticism of the writers’ usage of Bo-Katan’s character, end of Season 3
• Criticism of Mando settling down, end of Season 3
• Comparing and contrasting Din Djarin to Aragorn and Éomer of LotR
• Proposal for a different Season 2 and show outline to fix pacing, character development, and plot
• Director’s commentary for the writing process for Nightfall
• Character analysis concerning the topic of Mando’s “side quests”
• Character analysis: Mando and Ranzar Malk’s crew
• Character analysis: Mando’s choices regarding his relationships with others
• Revising Carson Teva’s character
• Criticism of Ahsoka Tano’s Character and “The Jedi” episode of Season 2
• Mandalorian culture regarding the Armorer and the forge
• Mand’alor the Reluctant (brief analysis of how Din as Mand’alor could have been set up)
• Minor change to “The Tragedy” to make Mando’s choices stronger (plus bonus wings AU thought)
Reblog with further criticism to pacing and Cara Dune’s scene
• “Jedi healer” snake-oil salesman
• “Strong Female Character”: Criticism of the show’s writing regarding Bo-Katan’s character and longterm TV show story planning
• Vizsla’s animosity towards Mando
• What word describes a parent who loses a child? (AU)
• General headcanon list for Din Djarin
• Mand’alor the Reluctant: A challenger for the sword
• Mand’alor the Reluctant: Getting rid of the sword (at least temporarily)
The Book of Boba Fett
• De-aged Boba Fett scenario
• The Marketability of Star Wars Merchandise: Production design and its ties to storytelling
• Kill Your Darlings: “The Gathering Storm”
• Grogu’s regard of Luke
• “Fountain of Aging” scenario spitballing a de-aged AU post-TBoBF.
• Criticism of Boba Fett parading Fennec Shand around out in public
• Criticism of TBoBF’s writing: Lack of character objectives and focus, too many side characters, and “surprise” antagonists with no prior buildup or introduction
• Criticism of Boba and Din’s fight scene: Bad character choices
• Mando and Boba Fett body swap idea
• What If… Jaina Solo and Boba Fett met sooner? (Legends mashup)
Original Trilogy
• Spitballing a Bail Organa lives AU
• Making Princess Leia’s character arc stronger
Prequel Trilogy
• Character Revision for Anakin Skywalker
• Further criticism and character revision for Anakin Skywalker
• Duel of Fates fight choreography criticism
• AU where Kenobi runs into Count Dooku on Kamino in AotC
Sequel Trilogy
• Criticism and revision of Han, Leia, Luke, and Ben Solo’s characters and Kylo Ren’s origin
• Criticism of plot twists and characters and how they could have been used better (The Force Awakens/sequel trilogy AU pitch)
Andor
• Racial disparity in who gets to live: Criticism of Andor with suggested changes
• Short character analysis: Davo Sculdun
• Luthen’s ruthlessness and Cassian’s potential response
The Acolyte
• Criticisms and Suggested Changes Part 1
• Osha’s vision of Mae
The Bad Batch
• S1E : Rampage criticism/idea pitch
• Who’d be the funniest person for the rest of the crew to find out has an ex-wife they’ve never mentioned? (Crack)
• Rebellion era Echo/Riyo Chuchi pitch
• Character analysis: Crosshair
• Character analysis: Crosshair pt 2
• Wrecker’s defense of Echo against Cid’s antagonism
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🍁 for the oc friend group asks… 5 and 21 for the Call Sign lot
5. What’s a running joke between the group?
There are several that get brought up from time to time; I know I’ve mentioned The Nautolan Incident at length before but that’s because the whole company heard about Djao’s dating fiasco.
Others include Nocturne’s Secret Love Life (they theorize and are convinced he has a lengthy and sordid dating history that must have left many brokenhearted hopefuls in his wake); Veetch being the ‘little’ brother (despite all of them basically being the same age; he just has the funniest reaction to it out of all of them); a separate time where Djao’s curiosity got the better of him and he ended up being hauled around by a giant dianoga for like twenty minutes before everybody else was able to subdue the thing and let him go. He has a scar wrapping around his leg from the tentacle and suckers digging into his skin); and the time Hollis got eaten by two separate creatures in one day and had to blow his way out. Ended up covered in alien goo and was very mad about it. (Hollis is the most put-together and serious of all of them, so any time something happens to make him look silly or undignified or out of sorts, he gets huffy and indignant about it in a way that is unfortunately very funny to watch.)
For some reason something that’s been brought up more than once is the topic of what does and does not constitute as an animal, meaning there have been petty arguments about whose favorite animal is a valid choice and whether or not it’s even an animal to begin with. Barak’s really smart in a lot of different areas, but animals largely don’t interest him as a topic of research so he’ll say something off-handed and funny-out-of-context about one of them and get teased for it. All of it rolls off his back though so he only gets made fun of whenever the conversation comes up and he says something else that makes the rest of them dogpile on him
21. What is the group dynamic like? Are some people closer to others?
There are different overlaps between them based on different things, and those dynamics shift and change if you add or subtract others from it. I think I have a post somewhere that gets into some of them, but I can’t find it. More (hopefully different than last time) under the cut:
Mayday, Nocturne, and Barak are the three strongest leaders and if they’re choosing to do something with their free time they’ll gravitate towards each other. Hollis is an intelligence officer so when he’s in the group it’s more business than fun. Mayday and Nocturne are each other’s closest friend in the squad and consider each other more like brothers than the rest of them
Barak and Veetch are especially good friends. Some of that is shared history, some of that is how many times they’ve saved each other’s life, and some of that is just knowing how each other ticks because they’re remarkably similar in a lot of ways. Barak’s the only one who actually sees Veetch as his little brother, and he’s less likely to keep his head on straight when Veetch is in trouble. (Something that will surely never come up within this story.) Barak is normally a stalwart chain-of-command, “We have our orders” kind of drill sergeant/captain, he is there to back up Mayday 100%, but… If Veetch is in serious danger, he’s more likely to want to act on his emotions/impulses, even if that means acting outside his better judgement, rationale, or the chain of command
Djao and Barak were the ones who were able to get out the most on what little shore leave they got so they have more life experience/street smarts/lived experience/socialization in that area and can relate to each other that way. They’re the most curious and eager to explore everything the galaxy has to offer, so they relate to each other that way. Djao is one of the few there who got to actually see Barak’s almost coin-flip wild side on leave. Barak comes across straight laced and no nonsense, but he was an avid partier in his off-time and was just REALLY good at being able to compartmentalize and keep those two sides of his life separate without letting his indulgences distract from or interfere with his professional life
Interestingly enough, there can end up being friction between these two because Barak thinks Djao could be an master or expert of something if he would just “Focus and use his potential and apply himself” instead of pursuing a number of different interests and hobbies. He’s mildly critical of Djao being a jack of all trades, and Djao finds it irritating because Barak has just as diverse a number of interests and pursuits and skills. “We are the exact same. You’ve just had more access to more professional instruction and I’m self-taught.”
(Barak means well. Being a leader means knowing best how to utilize other people’s skills, and he can see how smart and capable Djao is and wants to set him up to succeed.)
Crash and Nocturne are workout buddies. They and Barak actively enjoy more extensive physical activity so the three of them are the most likely to be found sparring or doing drills just for the heck of it.
Nocturne likes hanging out with Crash because even for as impulsive and daredevil as Crash seems at times, Nocturne’s noticed how all of his plans and split-second decisions are right more often than not. Crash isn’t a strategist and isn’t one for thinking ahead very much, but his instincts and reflexes are really good which means his impulse decisions pay off about 90% of the time. Because of that, Nocturne never feels like he has to worry or be ‘on-call’ with Crash. Crash being chill and easy-going means Noc can feel like he can actually relax for once
Hollis likes Crash for much the same reason. Hollis was actually closer with Alco and Chance (the two troopers of the squad who died on the mountain before the story starts), but he became friends with the three of them around the same time, and Crash and Chance worked together quite a bit. After Alco and Chance were gone, Crash is probably one of the ones Hollis considers more of a friend than just a fellow soldier. It’s not often that he stops constantly thinking about things and strategizing in his head, but when he just wants to shut everything off and take off the soldier/officer hat for a while, he and Crash can just exist in the same room and be content. (They also share a passing fondness for cooking, and for the equivalent of trashy reality TV, which gives them things to talk about.)
Hexx and Hollis will likely be found around one another in the story more than the others, but they’re more like work friends than actual close friends. They have similar work styles, they’re both more cerebral, and they both have very similar ways of thinking and seeing the world which is why they work well together.
Nocturne and Mayday are the two the rest of them are more likely to see as their rank/role first, then friend second. Nocturne is reserved by nature, but he’s not a recluse, he likes people and is able to read people well, but because he feels more like the responsible older brother type, the guys are sometimes embarrassed to ask him for help as much as they are to ask him to join them for anything fun.
Mayday is always seen as commander first, friend and brother second. Because of that and because he is frequently the most logical, steadfast, objective, fair, and level-headed, there always feels like there’s still some measure of invisible barrier of rank between him and most of the other men. They don’t do it consciously, but Mayday knows that the mission always comes first, which means the rest of them need to be able to snap to attention the moment it’s needed. It’s a lot easier to listen to your boss giving orders rather than your friend. Authority can be isolating in that way, especially when the others do take pride in being able to measure up to his expectations, and it means they’re less likely to come to him with any personal issues because none of them want to feel like they’re failing in some way.
The key to writing good fanfiction is to harbor a deeply humiliating desire, and the trick there is that even pretty basic and societally-accepted desires like “being held” and “being wanted” CAN and WILL be humiliating if they’re intense enough. Become so estranged from human connection that the idea of someone playing with your hair fills you with yearning so deep you feel like you’re going to throw up and you will write some banger fanfiction. It might have some other consequences too but idrk about that.
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something something extremely sexy when magic users resort to physical violence. yeah i have the power of god and anime on my side but i also have THESE HANDS. i cast Punch You In The Face. i take my magic staff through which i channel the vast energies of the elements and the cosmos and i cast Severe Concussion And Skull Fracture. casting time for xenoglossy too long, chose the quicker route of Stab You In The Throat.
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Ideal job at Lucasfilm is perching in the corner of the writers room eating lo mein while the writers are coming up with their new script and giving scathing criticisms like some kind of creative direction gargoyle the whole time until they fix their story. Only then are they allowed to write a blank check each for Harrison Ford and the ghost of Marcia Lucas (RIP) to review and make edits before they can receive a stamp of approval
Every time a writer makes a decision based on what the audience wants and/or says they don’t have a long term plan I pelt them with the crumpled up pages I’ve torn from the script and they have to start over
Ideal job at Lucasfilm is perching in the corner of the writers room eating lo mein while the writers are coming up with their new script and giving scathing criticisms like some kind of creative direction gargoyle the whole time until they fix their story. Only then are they allowed to write a blank check each for Harrison Ford and the ghost of Marcia Lucas (RIP) to review and make edits before they can receive a stamp of approval
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Is there anything that could convince you to write Reylo 🙏 🥺 I swear I thought you did at one point but I had to have been thinking of someone else but I still feel like your take on it would be so good
You would have to pay me cash money to do so 🫴💵 And since that is technically illegal, you would likely receive a Jens Haaning for your trouble