Writer, artist, crafter. Not spoiler free. USA, Millenial Stories/head canons can be found under #my writing Thoughts, musings, and responses are under #hounds speaks
This is just a quick list of the finished fics Iâve posted here and on AO3. Check under the #hounds speaks and #my writing tags for essays, criticisms, meta analysis, and general thoughts. Analyses and criticisms for movies and shows are under the cut.
Mudhorn divider by @thecutestgrotto
Banner and all other dividers courtesy of @saradika-graphics unless otherwise stated
Action figure blog: @ar-pic-ulated
The Mandalorian
âą Geroya: Worldbuilding with the Mandalorian and the children of the Nevarro covert, set pre-show and leading into Season 1.
âą Fate Sometimes Steps In: Fennec Shandâs perspective in the void between life and death.
âą Gaaâtayl: Set pre-show, Paz Vizsla leads the search for three children in danger on Nevarro.
âą Stranded In the Desert: A missing/added scene to the beginning of âThe Passengerâ with Mando and the kid.
âą Nightfall: An alternate take on the childâs escape with Kelleran Beq during Order 66.
âą The Exodus: The third act of âThe Sinâ from the covertâs perspective, retconning the later idea that only Paz Vizsla and the Armorer escaped Nevarro.
âą The Oldest Profession: Pre-show character study of Mando on a hunt, needing to find a room for the night.
âą Temporal Chalice AU: Potential time travel/history rewritten smorgasbord.
âą The Concept of Names: Character study. Mandoâs relationships with others as shown by what he calls them.
âą Mando takes a job with a stranger
âą Toro Calican Lives AU: Toro Calican makes a different choice and sets his life on a different path.
âą Flashpoint AU: What if the Mandalorian never gave the child to the Client?
The Clone Wars
Aayâhan
Original clone trooper story: Captain Manukura
Chapter 1: Remains to Be Seen
Chapter 2: TBA
Rogue One
Soldier, Princess, Farm Boy, Spy
Comparing and contrasting four heroes of the Rebellion in an AU where the Rogue One squad survives Scarif.
Chapter 1: Disparity
Chapter 2: TBA
âą Sins of the Father (TBA)
The Bad Batch
âą Untitled: Riyo Chuchi and Echo one-shot set in the years between TBB and ANH.
âą My Brotherâs Keeper: Clone Force 99 stumbles onto a nexus of the Force and wakes up to find theyâve swapped bodies with one another.
âą Deserters: What if Mayday survived the outpost?
Original Trilogy
âą Bar Talk: Lando and Luke talk shop a short time after Return of the Jedi.
Prequel Trilogy
âą Amidala the Resilient: An AU of Amidala confronting Anakin at the end of Revenge of the Sith.
âą Spooky/angsty Padme Lives AU
âą Redrafting The Phantom Menace
Sequel Trilogy
âą An alternate universe with the same characters in a completely different story (action figure blog, adventure movie pitch)
âą The Last Jedi AU: Paige lives, Poe abides by the letter of the law, Rose and Finn pull a jailbreak, and somebody finds a mysterious crystal
Crossovers, Fusions, and Retellings
The Princess Bride
The Sabersmithâs Son
The Colossus of Kashyyyk
The Man In Black
âą A Prospect/Mandalorian crossover scene
Analyses, Criticisms, and Elevator Pitches
The Mandalorian
âą Theory about Mandoâs parents
âą Mando lets Karga live, âThe Sinâ
âą Peli Mottoâs intuition
âą Character analysis: Toro Calican
âą Theory about Boba Fettâs original connection to Fennec Shand
âą World-building: The covert on Nevarro
âą Script analysis: Gor Koresh, and Mandoâs justified violence
âą Loose story threads: Minor changes to âThe Passengerâ
âą Further details on potential themes âThe Passengerâ episode could have had (In a reblog for Stranded In the Desert)
âą Character analysis of Mando: Protective vs Worrisome
âą Strengthening characters: Cara Dune and Carson Teva, criticism of âThe Siegeâ
âą Analyzing Mandoâs motivations: Criticism of âThe Heiressâ
Reblog with Character Analysis on Bo-Katan
âą Analyzing Mandoâs fighting style and motivations, Mandoâs lack of agency as a character and being sidelined as a protagonist â Criticism of âThe Heiressâ and âThe Rescueâ
âą Inconsistencies and weak world-building regarding where Mandalorians should live, Season 3
âą Criticism of Bo-Katan being praised/focused on instead of Mando, Season 3
âą Criticism of the writersâ usage of Bo-Katanâs character, end of Season 3
âą Criticism of Mando settling down, end of Season 3
âą Comparing and contrasting Din Djarin to Aragorn and Ăomer of LotR
âą Proposal for a different Season 2 and show outline to fix pacing, character development, and plot
âą Directorâs commentary for the writing process for Nightfall
âą Character analysis concerning the topic of Mandoâs âside questsâ
âą Character analysis: Mando and Ranzar Malkâs crew
âą Character analysis: Mandoâs choices regarding his relationships with others
âą Revising Carson Tevaâs character
âą Criticism of Ahsoka Tanoâs Character and âThe Jediâ episode of Season 2
âą Mandalorian culture regarding the Armorer and the forge
âą Mandâalor the Reluctant (brief analysis of how Din as Mandâalor could have been set up)
âą Minor change to âThe Tragedyâ to make Mandoâs choices stronger (plus bonus wings AU thought)
Reblog with further criticism to pacing and Cara Duneâs scene
âą âJedi healerâ snake-oil salesman
âą âStrong Female Characterâ: Criticism of the showâs writing regarding Bo-Katanâs character and longterm TV show story planning
âą Vizslaâs animosity towards Mando
âą What word describes a parent who loses a child? (AU)
âą General headcanon list for Din Djarin
âą Mandâalor the Reluctant: A challenger for the sword
âą Mandâalor the Reluctant: Getting rid of the sword (at least temporarily)
The Book of Boba Fett
âą De-aged Boba Fett scenario
âą The Marketability of Star Wars Merchandise: Production design and its ties to storytelling
âą Kill Your Darlings: âThe Gathering Stormâ
âą Groguâs regard of Luke
âą âFountain of Agingâ scenario spitballing a de-aged AU post-TBoBF.
âą Criticism of Boba Fett parading Fennec Shand around out in public
âą Criticism of TBoBFâs writing: Lack of character objectives and focus, too many side characters, and âsurpriseâ antagonists with no prior buildup or introduction
âą Criticism of Boba and Dinâs fight scene: Bad character choices
âą Mando and Boba Fett body swap idea
⹠What If⊠Jaina Solo and Boba Fett met sooner? (Legends mashup)
Original Trilogy
âą Spitballing a Bail Organa lives AU
âą Making Princess Leiaâs character arc stronger
Prequel Trilogy
âą Character Revision for Anakin Skywalker
âą Further criticism and character revision for Anakin Skywalker
âą Duel of Fates fight choreography criticism
âą AU where Kenobi runs into Count Dooku on Kamino in AotC
Sequel Trilogy
âą Criticism and revision of Han, Leia, Luke, and Ben Soloâs characters and Kylo Renâs origin
âą Criticism of plot twists and characters and how they could have been used better (The Force Awakens/sequel trilogy AU pitch)
Andor
âą Racial disparity in who gets to live: Criticism of Andor with suggested changes
âą Short character analysis: Davo Sculdun
âą Luthenâs ruthlessness and Cassianâs potential response
The Acolyte
âą Criticisms and Suggested Changes Part 1
âą Oshaâs vision of Mae
The Bad Batch
âą S1E : Rampage criticism/idea pitch
âą Whoâd be the funniest person for the rest of the crew to find out has an ex-wife theyâve never mentioned? (Crack)
âą Rebellion era Echo/Riyo Chuchi pitch
âą Character analysis: Crosshair
âą Character analysis: Crosshair pt 2
âą Wreckerâs defense of Echo against Cidâs antagonism
Original Character Ideas
âą Someone from Fennecâs past shows up on Tatooine
âą Peli Mottoâs ex-husband
âą Koziol and Bobo: an informant and his enforcer
Silliness
âą Kung Fu Panda parallels
Multi
âą Five headcanons (Inc. Mando, Luke, Leia, Solo)
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Nocturneâs least favorite batchmate was a clone named Solaris. The two of them came up with their names independent of one another and were irritated when people jokingly commented on how appropriate they were, considering how night and day their personalities were from each other. Despite being from the same batch of clones, Solaris and Nocturne couldnât have been more different and it was for that reason (among others) neither of them even considered the other to be their brother.
Nocturne always said there had to be some kind of defect or abnormality in Solarisâs cloning allowing for that level of aggression and hostility: the clones were made to be cooperative for a reason, and Solarisâs deviation from the norm was a constant thorn in Nocturneâs side. One of the other brothers pointed out, however, that Sol only seemed to have a problem with Noc. Solaris was otherwise a model cadet and the whole group operated like the well-oiled cogs in the machine they were. It was in every moment outside of a structured schedule that Sol showed his true colors, at least in regards to Nocturne. Solaris was stealthy about what malice he directed Nocturneâs way, and if the other batchmates even saw the degree to which it got on occasion, they pretended they didnât.
The two boys butted heads on nearly everything, and their conflicts werenât contained to petty snipes and snide remarks; Solaris, knowing Nocturneâs aversion to the open ocean, once shoved him almost over the railing of Tipoca City when they were all outside listening to one of the instructors, and though he kept Nocturne from actually falling into the water, Nocturne immediately retaliated by turning and decking Solaris twice, hard. Nocturne stepped back at the ready as Solaris yelled through a broken nose, blood dripping down his chin, and it enraged Solaris further when the instructors shrugged and told him that should have been something he was prepared for, and Nocturne not continuing to hit Sol while he was down proved he was in control of his temper and actions when by all rights he didnât have to be.
Solaris was an intensely competitive cadet, and with Noc that extended to every area of their training. He made every drill and test a big deal when Nocturne truly couldnât care less, and the fact Solaris could rarely get a rise out of Noc only stoked his irritation and anger higher. He loathed hearing Nocturne receive praise for his proficiency in field medicine and chemistry, and his temper only worsened when Nocturne excelled in physical skills too like close-quarters combat, endurance tests, and marksmanship. Sol wasnât envious of Nocturneâs projected success as a field medic and officerâ It was that he truly believed there was no way Nocturne was good enough to have earned it. His vitriol also couldnât be explained as a case of sibling rivalry, wanting to beat Nocturne at his own game; Solarisâs interests lay in hunting and ranger skills.
Nocturne also said that, even with Solarisâs hostility set aside, it seemed like there was still something wrong with him. When his obsession with persistence hunting continued to build through their developmental years, Noc started keeping an even closer eye on him. Heâd once overheard Solaris say that he thought there must be a thrilling kind of satisfaction in stalking prey for so long it becomes too tired to flee or fight back, that outlasting and overpowering the life of something else through sheer will had to be the most rewarding means of achieving delayed gratification.
Marksmanship challenges. Combatives exercises. Relays turning to races on the obstacle courses. Even knife fights initiated by Solaris with the excuse that it was meant to test their reflexes and keep their squad on their toes. He was, in a word, a bully.
Nocturne was no slouch when it came to physical skills, and even aside from Solarisâs constant covert badgering, Nocâs reflexes were good. He had never backed down from Solâs attempts to provoke him, and Noc proving he wasnât a pushover in any area and could go toe-to-toe with Solaris in close quarters only furthered Solarisâs anger.
âNone of us should have come out vicious,â heâd told Mayday outside the war room tent one night on a battlefield. âI donât know how he slipped through the cracks, but heâs the only clone Iâve ever met who started off bloodthirsty and mean.â
â
Perhaps the most egregious example of Solarisâs unnecessary cruelty (and best summation of his character) was when he found Nocturne studying a caterpillar when they were still cadets. Nocturne had said before that butterflies interested him because of their life cycle and role as pollinators, a small but vital part of so many terrestrial ecosystems. Plants were in short supply on Tipoca City, and Nocturne mused that this particular caterpillar had to have come in on some of the cargo returning soldiers had offloaded into the hangar and docking bay. Solaris was uncharacteristically quiet as Nocturne talked, and that should have been what tipped him off.
In a moment of deliberate antagonism, Solaris squished the caterpillar with his heel, smearing it into the duracrete.
That was the only time Nocturne ever hit first and didnât stop. When he was finally dragged off of Solaris, spitting and yelling, Nocturne knew that heâd never be able to trust him, and that he would never forgive him for anything.
LMAO in my defense I did intend to follow up with an immediate write up of his character but fell asleep while typing on my phone. I didnât want to lose the ideas as they were coming to me
one of my favorite things to do in limited perspective is write sentences about the things someone doesn't do. he doesn't open his eyes. he doesn't reach out. i LOVE sentences like that. if it's describing the narrator, it's a reflection of their desires, something they're holding themselves back from. there's a tension between urge and action. it makes you ask why they wanted or felt compelled to do that, and also why they ultimately didn't. and if it's describing someone else, it tells you about the narrator's expectations. how they perceive that other person or their relationship. what they thought the other person was going to do, or thought the other person should have done, but failed to. negative action sentences are everything.
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you know youâre fucked when you start to get the âthey would not fucking say thatâ feeling about The Characterâs canon dialogue. no hope at all
Iâve been agonizing over the morse code code in Deserters for weeks trying to figure out what the answer is. Iâm sure some of it has to do with some of the parts in the beginning I donât understand, and this isnât me trying to be pushy asking for an update or anything but I really really really REALLY want to know what the solution is đ„șđ
Crosshairâs answer is âLULAâ
Depending on whoâs using it and for what purpose, there are abbreviations for commands or responses in Morse code called prosigns that shorten the amount of time or messages being sent and received.
âDEâ means â[THIS IS] FROMâ, which precedes the senderâs identification. âKâ here is âOVER,â which is an invitation to transmit after the message ends. âINTâ placed before the main message means âINTERROGATIVE,â meaning âThe following is a question.â
Techâs message says
DE: 02-T (This is from 02-T)
K (Invitation for transmission)
INT: (The following is a question)
CONFIRM SENDER. RELAY CODE WORD 4. RELEVANCE. NICE PLAYING WITH YA. TIME 15.
â02-Tâ is Techâs ID when using this specific code between the 4-5 of them. Last two digits of his CT number, first initial of his name. All of the prosigns are in regular Morse code, but then it switches to an Atbash cipher for the main message.
Heâs asking for Crosshair to confirm that he was the one who sent the message, and to prove it by sending them the code word matching the riddle, the answer being a word four letters long. After that, the riddle is âWhatâs the relevance of the phrase âNice Playing With Yaâ to us?â, followed by the fifteen minute time limit to respond.
Crosshairâs response, though we donât see it typed out in text, is the same kind of ID as Techâs message (â04-Câ), and the answer (LULA). The riddle referred to a time past where they had a run-in with the bounty hunter Sugi (which isnât canon, I just made that up based on a random Wookiepeedia dive looking for in-universe ideas for the riddle), whose ship had nose art of a tooka doll holding a knife with the phrase âNice Playing With Yaâ on it; the summary/implication of the riddle is âHow would a tooka doll be of any relevance to us?â
Thereâs also a hint to the readers about what the answer could be in the line âIt couldnât have been more obvious if itâd hit him in the face.â
I wasnât going to put the answer into the story directly at any point. Thereâs a subtle nod to it in the next chapter when theyâre all back on the Marauder (surprise) and Mayday ends up talking to Omega, whoâs got Lula nearby. The theme of childhood and what it is for different people, who gets to have one, is one of the overarching themes for this fic/AU
i keep using 'blorbo' to refer to my own OCs to the point i forget its supposed to be a fandom term. yeah i know blorbo from my shows. and those shows? only airing inside my own brain and the dms of a few lucky friends, baby.
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This is an informal essay/pitch meeting restructuring and changing The Phantom Menace to better utilize its characters and to make it a more compelling sequence of events.
Word Count: 5k
Art Credit: Doug Chiang
I think The Phantom Menace needs some of the biggest revisions of the prequels to set these characters up to be used better not just in the trilogy but in the film itself because not only is Obi-Wan mostly absent for all of Act II and nothing he does in that time affects the main plot on Tatooine, but Amidalaâs presence doesnât really add anything to it either. She learns a little about the culture on Tatooine and she meets Anakin and Shmi (which will be relevant in the next movie), but nothing she says or does affects the plot. Any of her protests against Qui-Gon donât amount to anything since heâs the adult calling the shots, nothing in Act III is affected by their regard of one another, and she honestly could have just met Anakin on the ship on their return to Coruscant. Qui-Gon ends up being the main character of the movie, which I think was a mistake when Kenobi should have been the lens through which we saw the story unfold.
I donât especially care for the slavery plot point to begin with because it doesnât compel me as much as if Anakin and Shmi were just dirt poor. The slavery scenario feels like a way for the plot to keep Anakin and Shmi apart and for Shmi to remain destitute and it takes any real choice of the matter out of their situation. Of course sheâs going to let Anakin go the second an opportunity like the one Qui-Gonâs offering falls out of the sky, who wouldnât?
If sheâs stuck in the cycle of poverty and had a choice in the matter of sending her extra set of hands away while she stays behind, that gives a little more meat to her character. Have her indebted to the Hutts or something, give her some astronomical loans sheâs struggling to pay off, meaning everything they can spare just gets funneled directly into that debt so they have very little money or means to escape to a better life. What that sets up is Shmi being given the agency and genuine choice of either sending Anakin to be a Jedi because she wants him to have a better life, or keeping him there to help her work off the debt. The control chip wonât be keeping them tethered to that location and it keeps both Amidala and Qui-Gon from being complacent in leaving Shmi to be a slave.
If you wanted for Shmi and Anakin to be slaves, but wanted to solve some of the moral quandaries and give all of the characters more active roles in driving the story (and not just tell the audience âThese are the circumstances, the Jedi canât get involved with local matters, their hands are tiedâ) what you could have done was have Obi-Wan join Qui-Gon and Amidala on their trip instead of Jar Jar. Shmi explains the circumstances keeping them slaves, Obi-Wan can see Qui-Gon leaning towards doing something to help them, but because heâs more inclined towards following the rules than Qui-Gon is, Kenobi tells them honestly that they donât have enough people to fight for the freedom of the slaves, and theyâre already short on funds and already on a mission trying to save people on Naboo.
Kenobiâs also the one to also bring up a logical part of the Jedi Code: instead of saying they canât interfere with local politics, he points out an obvious rule they would have in saying âThe Jedi arenât allowed to buy slaves either,â because yeah obviously the Jedi wouldnât be allowed to do that. Even if thatâs the easiest way to free somebody, the Jedi canât do anything that would compromise other peopleâs faith in them, because yeah maybe you freed that person, but now that person either has to remain on the planet where that practice still exists and they could easily end up there again once you leave, OR you as the Jedi have to take them with you and hmmmmmmm seems pretty suspicious if you ask me, sounds like you just bought yourself your own slave.
Even dropping that person on a safe planet isnât a great option because they would likely have no understanding of or foundation on that planet, and they especially wouldnât have a support network of any kind. How much money, time, and resources do you have to devote to setting them up for success, now that youâve gotten them out of a life of bondage? Completely uprooting yourself and starting from nothing in a completely new country alone is bad enoughâ Imagine an entirely separate planet. The alternative is obviously keeping that person with you and placing them under your own care and protection, but thatâs exactly what makes you look like you bought a person to begin with and now weâre back to square one.
But, Amidala is there, and sheâs a queen. She would likely have oodles of money at her disposal. Ignore the whole âRepublic credits donât spend out hereâ and say SHE offers to buy both Anakin and Shmiâs freedom, extending the offer by saying Anakin could train at the temple and Shmi could become a ladies maid or a consultant to the queen on Outer Rim territories, something Amidala even says sheâs not familiar with. Both of them would be taken care of, Shmi would have a support network and a means of income and the freedom to leave at any time if she wished, nothing wrong with that.
In the end, however it happens, Shmi could be freed from being a slave (since that happens between this movie and Attack of the Clones anyway), but she makes the choice for herself to decline Amidalaâs offer. Tatooine, though a harsh planet, is still her home and all sheâs ever known. Being taken out of that environment and thrust into one of courtly nobility isnât one a lot of people would be able to adapt to. Amidala finds a way to maintain communication so if thereâs ever any trouble, Shmi has a contact who cares about her wellbeing, and she chooses for herself to remain behind and let Anakin go because thatâs what is best for him. The characters are the ones making choices with their own objectives and reasonable enough justification for what they do instead of the circumstances moving them around.
Thereâs plenty of other ways the story would change by giving them those more active roles and choices. Obi-Wan and Anakin and Qui-Gon would all obviously have more of a relationship to build off of if theyâre all there together, which will make Qui-Gonâs death more meaningful for the both of them and will introduce history that will carry over into Attack of the Clones whenever Anakin thinks Shmi might be in trouble. Amidala would have a more grounded interest and stronger connection to Shmi herself, and Anakinâs frustration with Obi-Wan concerning the rule about oneâs personal attachments creates more effective interpersonal conflict when Anakin argues that sheâs in danger. âMaster, if you had the chance to prevent Qui-Gonâs deathâ If youâd known ahead of time that it would happenâ Wouldnât you have done whatever you could to stop it?â
If you cut down Act I enough (because you donât really need the entire underwater sequence, Jar Jar was in exile up on land and you could have just had him lead them to the palace, which would have given us the chance to see the invasion affecting the citizens and common folk), Tatooine could have been the majority of Act I with the race being the climax. Make the Separatists more of an enemy force thatâs actually intimidating and isnât just mad about taxation of trade routes. Say theyâve been doing their own thing independent of the Republic for some time and donât care about the legality of what theyâre doing and have the Jedi discover the droid armies and the plot to take over Naboo because itâs a pacifist planet rich in whatever resources the Separatists want to take for themselves.
Cut out the Gungans and the underwater sequence and have whoever Qui-Gon and Obi-Wan meet on land take them to the Theed palace as a navigator directly. I donât care for Jar Jarâs character and he doesnât add anything to the film besides (weak) comic relief and a connection to the Gungan army at the end, which can easily be altered if you give Ahmed Best a better character just as himself, leading the Jedi through the forest to Theed. On the way there we see the recent havoc wreaked by the droid army and the effects the invasion is having on the people of Naboo, making the war feel a lot more real and immediate. Make Bestâs people like the people of Rohan in Lord of the Rings who have survived as independent nomads and mounted woodland riders for centuries, not given as much support by the city-states and the capital but otherwise left to their own devices (setting them up to become the main cavalry/fighters at the end). They donât have to be enemies of Theed, but they're not on great terms. They're the first people we see affected by the war, the destruction a lot more down to earth, showing us the severity of the Separatistâs actions and giving us a legitimate sense of danger and despair.
The three of them make it to Theed and manage to save the queen and her entourage. Amidala is introduced desperately trying to make contact with Palpatine in the Senate, the circumstances conveyed much more urgently than before, and she tells the Jedi that sheâd been trying to contact them before the invasion even started. In the midst of the fighting Amidala makes a pointed effort to save Bestâs character, the two of them making a connection as they move and showing both him and the audience that the queen does care about what happens to people who live beyond the city and palace walls. Qui-Gon convinces Amidala that they need to get her to Coruscant to plead their case on behalf of her people to the Senate. Amidala pleads for Bestâs character to call upon the peoples living in the woods and to tell them that the capital city has been invaded and taken over too but that help is on the way. Amidala may be a pacifist, but this invasion shows her that her ideology wonât save her people because it doesnât matter to the invaders whether youâve done anything to âdeserveâ that oppression or not. Those who donât live by the sword can still die by them.
If the Senate is too far removed from their corner of the galaxy to see that innocent people are being slaughtered and that the Separatists have waged a war that has isolated Naboo by severing their communications network, then sheâs going to plead their case by taking it directly to Coruscant herself. Whoâs to say theirs is the first planet the Separatists have done this to? What other occupations might they be unaware of?
The ship is still damaged upon their escape, forcing them to make an emergency landing on Tatooine. Amidala has some money with her, but her accounts have been frozen by the Separatists and she wonât be able to acquire more unless they manage to save Naboo and sheâs restored as queen. The Jedi also have some money with them, but even together itâs not enough to buy the hyperdrive piece.
Over dinner the group discusses their prospects. Anakin was already planning to race in the Boonta Eve Classic to put the prize money towards finally paying off his motherâs debt. He and Shmi exchange a look, and he decides he wants to help them out of the goodness of his heart or whatever and in exchange for part of the money, Qui-Gon also offers him the chance to become a Jedi because he senses thereâs something different about this kid. Kenobi protests, citing the fact the boyâs too old and they donât have a solid reason to think heâs sensitive to the Force (regardless of what Shmi tells them about the circumstances of his birth). Have him be the skeptic providing the opinion the council would give, giving the conflict that will spur conversation between himself and Qui-Gon in order to provide exposition for the audience and prompt tension between himself and Anakin thatâll evolve as their relationship and reliance on one another in this movie progresses.
Now.
The consequence of Kenobi being present for all of this is that his and Anakinâs and Qui-Gonâs relationships are given focus and development, but it also means the ship is left without a Jedi guard.
Kenobi by now has figured out that the disturbance heâs been feeling in the force must have been the dark warrior who tracked their ship and stole the âqueen,â R2âs security footage getting them a good look of Maul. Kenobi and Qui-Gon confer and realize that if this guy is a Sith Lord, they HAVE to get back to Naboo to stop him at any cost. If heâs been the real power behind the Separatists this whole time, then losing Naboo to their control must be part of a larger scheme that will lead the Republic to war.
Now it comes back down to Anakin and Shmi. Either Anakin doesnât want to give them the rest of the money, having wanted to provide for his mom too, and Shmi has to reassure him that sheâll be fine before he agrees to still participate in the race and give them the money, or Anakinâs unaware of the change in circumstances at all and Shmiâs the one to say they can have all of the winnings provided Qui-Gon gives her his word that Anakin will be guaranteed a better life being trained as a Jedi. Either way, Shmiâs the one in control of her decision to let Anakin go while she chooses to remain behind. Despite Amidalaâs offer for Shmi to just come with them as part of her court or entourage, Shmi declines, knowing Anakin needs a clean break in order to dedicate himself to this new life and that her place was still there on Tatooine, and the Skywalkers are able to part ways with Anakin still missing his mom.
During the whole Tatooine sequence Kenobi has his doubts about Anakin, but during the race we see Anakin finally do some incredible feat that defies all logic, bringing down a rockslide to his advantage or controlling a dust storm or standing out on the bow of his speeder holding the now-damaged, motley assembly together with the invisible hold of the Force itself as he crosses the finish line. There needs to be a clear show of something unexplainable for both the audience and the other characters to see (Kenobi especially) that convinces us this kid has an exceptional command over the Force even untrained, not just that heâs a child prodigy when it comes to racing and mechanical ingenuity. Kenobi needs to be convinced that taking the kid is a good idea here because it provides the basis for their relationship moving forward and it gives ample reason for Anakin to be included in all of the further peril without any of the responsible characters logically being worried for his safety. (As it is in the movies, we never actually see Anakin do enough to warrant being considered âthe Chosen Oneâ since nothing he does isnât something other trained experts of that skill could feasibly do. He needs to be visibly, uniquely powerful even for a Force-user.)
After the race they have to scramble to get transportation and head back to Naboo. Keep their communications interrupted so they canât contact the Jedi council back on Coruscant to tell them about the invasion, the handmaiden switch, OR Anakin possibly being the Chosen One.
Have the Theed city battle happen as Act II, show more of the Separatistsâ effect on the people theyâre subjugating, and have Anakin involved on the ground instead of in the gunship. He ends up seeing/being involved in the Duel of the Fates, exhibiting an impressive display of the Force and throwing up a force field that blocks what would have been a fatal hit from Maul against the two Jedi. Anakin uses the Force to fling Darth Maul back, though itâs not enough to get him off his feet. Maulâs distracted for just a moment as his boots gain traction and he skids to a halt, locking eyes with the kid before he uses the Force to throw Anakin into the path of danger as Qui-Gon approaches. Obi-Wan diverts course to save Anakin and gets him out of the way, telling him to stay back as Maul continues to fight Qui-Gon. Anakin ends up separated when Obi-Wan jams the control for the force field corridor, cutting him off from the fight as Kenobi and Qui-Gon back Maul towards the reactor shaft together.
Anakin surveys the hangar and starts to climb up to the access catwalks overhead, trying to get to the Jedi to help, but as he finally reaches a position overlooking the room he realizes heâs too late. Darth Maul hits Qui-Gon and stabs him through the chest as Kenobi screams. This time however, Kenobi isnât fast enough in the aftermath to do anything beyond wounding Maul, and when Maul is nearly hit by Anakin doing the equivalent of throwing a ship at him, he escapes.
Maul makes a break for it to head back to Coruscant, for the moment incapacitated and in no condition to fight Kenobi and Anakin together. Kenobi may be alive, but Maulâs mission to make sure the Separatists took Naboo and that the queen signed the treaty is complete, and he tells Sidious over a holocall that thereâs a child with Kenobi who is strong in the Force and could be a threat to themâŠ. Unless he can be turned to the dark side.
The holocall is cut short as we the audience see the handmaidens, the remaining guards, and Ahmed Bestâs character and his people back on Naboo spring the ambush on the Separatists in the palace, and we see the tide change as the people of Naboo fight back together. Valorum tries to keep order but the longer he goes without taking decisive action the worse he starts to look, and Palpatine quickly steps in to propose a vote of no confidence against himâ If Valorum isnât willing to send arms and support to a pacifist planet clearly under military attack right now, whatâs to say heâll ever do it for anybody else there among them? At what point is it considered an act of war against the Republic, if not now? The people of the Senate begin to concur and Republic forces quickly rally support for Naboo, senators from neighboring planets ordering their fleets to converge on Naboo to lend aid and route the fleeing Separatists as an emergency meeting is called to force Chancellor Valorum to step down.
(Palpatine meanwhile is absolutely seething behind his fake shock and horror, and as soon as heâs able to reconvene out of the Senate chamber he comms Darth Maul like âYOU ABSOLUTE #!$%*&@ IDIOT YOU GOT THE WRONG GIRLâ)
Maulâs coming to several conclusions at once with a metric ton of dread flash-fried by anger and they both know they canât do anything to Amidala OR the politicians back home on Naboo while all eyes are turned that way, BUT Maul realizes that this was all Kenobiâs fault andâ probably knowing Palpatine's going to wring his neck if he ever gets his hands on himâ he goes rogue in order to get his revenge against Kenobi and try to preserve his standing with his master. The climax of Act III comes down to a much more publicly visible and hard-hitting fight between Darth Maul and Kenobi before Anakin (whoâs been with Obi-Wan the whole time and was supposed to be in hiding) uses the Force again to shield Obi-Wan right as it looks like Darth Maul is about to strike the killing blow. Maulâs saber bounces off the shield and in shock he turns to see Anakin, who he recognizes as the kid from the Theed palace who thwarted him then too. Obi-Wan shouts âNo!â as Maul charges, and Anakin scrambles away and throws up a shield in front of himself that Maul strikes once, twice, a third time before it shatters, each side of the Force colliding, causing an explosive blast that takes out half of the tower floor with it and renders Anakin unconscious.
Just as Maul rears back to kill Anakin, his saber meets that of Obi-Wanâs, and Obi-Wan pushes him back, determined and revitalized.
The fight ends dramatically on top of one of the skywalks of Coruscant, Jedi and Sith locked in battle as word quickly starts to travel and people start racing up to the tower. Obi-Wan succeeds in cutting Maulâs saber apart before ultimately stabbing him just as Maul had done to Qui-Gon, sending him off the overbridge to his death.
The result of those decisions, as well as the very public fight Kenobi had with Maul, means that the Jedi are now inextricably bound to serve in the war, still unsure of how they couldnât have sensed the Sith to begin with, and it sets up Kenobi to wonder if perhaps the Jedi involvement in the war and their deaths at the end of it are his fault for being too rash and ready to fight. Itâll drive his character to mature and become more of a negotiator, and try to keep Anakin from choosing to act without thinking moving forward. Though both Kenobi and Amidala have saved people in this movie, it was done through actions that forced them to compromise their anti-war ideologies, and those irreversible actions will directly lead people who were once pacifists and protectors into war.
That plotline forces the characters together more organically and still covers the same amount of ground and achieves the same result, but utilizes the characters better and creates more of a sense of urgency than before. The consequence of these changes is that Palpatine will later ascend as Supreme Chancellor with sympathy from a majority of the Senate, meaning the Grand Army of the Republic is formed between this movie and the next, setting up Attack of the Clones to be happening in the midst of the war. Sidious has contingency plans upon contingency plans; he still has Count Dooku in his back pocket, still has the Separatists on his side, and now he has his sights set on the young prodigy from Tatooine who seems verrrrrryy interesting to him. He can misdirect the Jediâs suspicions of Sith towards Dooku and General Grievous, should they end up being discovered, still keeping all eyes off of himself. Palpatine also has a much stronger motivation to assassinate Amidala after this since sheâs proven to be more capable than he realized and isnât just a political pawn he can manipulate. Sheâs unpredictable, and she needs to be eliminated.
The downside to writing a whole AU for a year and a half on your own is that thereâs so much material to build on and branch off of that you start making AUs of that AU that you canât even begin to share because they wouldnât make sense or carry the weight they should BECAUSE PEOPLE HAVENâT READ THE FIRST ONE
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Any time I see a notification from somebody liking one of my sketches out of the blue I feel like a roly poly whose log just got lifted up and is being peered at. Like oh. you saw that.