« Medieval depiction of a spherical earth with different seasons at the same time » by Hildegard von Bingen
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« Medieval depiction of a spherical earth with different seasons at the same time » by Hildegard von Bingen

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OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞,渐越)
Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.
Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.
This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.
During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.
The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).
Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.
Split-joint seals (骑缝章qifengzhang)are still widely used on important paper documents in modern China, an anti-tampering technique passed down from ancient times. They are applied across the edge of multi-page contracts, bidding documents and official archives. If any page is removed or replaced, the broken seal pattern can prove the file has been altered.
OMG I got so excited about this because they used a really similar (though far less refined) version of this for contracts in the European medieval period!
First they were called "chirographs", but later the word "indenture" (in its earliest meaning as just a legal document of any kind between two people) came to be used, originating from the practice of a contract being written twice on a single piece of parchment and then cut in half with serrated edges (as in dent, "teeth" -> indents -> indenture) in order for each party to take one half, so they could later piece them together and verify that there had been no forgery -- same as the Chinese silver drafts!
(Charter of the Clerecía de Ledesma, 1252, showing the serrated indents at the top -- presumably they are cutting rather than tearing because they're using parchment, which I expect is much harder to tear than wood-pulp paper like the Chinese were using)
Delights me when human beings find similar ways to solve the same problem at two different ends of the world. <3
an interesting thing about clothing in late medieval and early modern europe is that, while lower class people generally did wear brightly colored clothing instead of muddy brown clothes, there were very distinct differences in the color of clothing people of different classes wore. clothing was done with all natural dyes, of course, but they were either dyed locally with cheap and easily accessible ingredients, or they were dyed in holland, italy, the ottoman empire, or even further afield using a jealously guarded secret combination of difficult-to-access ingredients, including (crucially) better-quality fixatives. this means that not only did expensive imported fabrics maintain a dark, rich tone much longer than a locally dyed one, which would get a washed out look after a couple of years, but there were also certain colors that a working class farmer literally couldn’t afford to wear, and even though the difference between a cheap local lincoln green and an expensive imported popingay green might seem subtle to us people then seem to have been very sensitive to those differences. that’s also why the colors puritans tended to wear seem uncharacteristically bright to our modern eye—black was such a rich and expensive color that it would be inappropriate to wear to anything other than a portrait sitting, but the colors orange and kendall green were deeply humble in their origins
Girls just wanna have fun
replica by alessio carnevali // st. mary magdalene from the santa lucia triptych, painted c1470 by carlo crivelli
Absolutely losing my mind over this

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Isopod
British Library, Harley MS 3244, c. 1236-1250, folio 64r
Fifteenth century medieval camp pavilion
The tent is up!
This is a vevor 16.5 ft bell tent (it's gone up in price since I bought it but it's pretty reasonable value for money) painted with latex exterior house paint, the cheapest stuff they had at menards. I used a folding foam mattress on top of the four storage bins my gear was packed in as a cot--quite comfy and practical; I'm going to cut a sheet of plywood as a bin topper and do that again for sure. The guyline shorteners are just sections of 2x2 furring strips, cut and painted. There's documentation on the process for nearly all of this here already.
Happy Birthday, SCA and Happy New Year, Scadians!
Y'all wanna see some medieval mobility aides in manuscripts?
There are clues in the margins of medieval manuscripts to suggest that disabled people in the past made long pilgrimages, and were helped on

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Marginalia on my jacket! This was such an impulse project but I’m very pleased with how it turned out!
Details:
omg omg omg omg omg
annoying when shows set in the medieval period have the women with thier hair just long and unstyled and out . girl go put on your wimple girl 🤦♀️
like there are so many fun medieval hair and headgear options, it's so boring just seeing loose beachy waves meant to appeal to 21st century beauty standards
put that hot prince in a gay little hood with an ostrich feather or so help me god
I was curious about the illustrations and it turns out that they’re part of a larger guide on historical hats
The #1 Source For Hats Online — Find Your Perfect Hat From The Premier Internet Hat Store. Shop Over 3,000 Hats, Caps, & Berets From Around
the images had me convinced that they are scans from a book and if I didn’t figure out which one I knew this was going to be living rent free in my mind but no one had called it out in the notes nor did the Hat Shop cite their source
luckily, I was able to just make out enough of the title in some of the addition images to track it down The Mode in Hats and Headdress by Ruth Turner Wilcox
xiv, 332 pages 29 cm
With Winnie-the-Pooh and The Battle of Hastings sharing an anniversary today, did you know that E. H. Shepard once drew this amazing scene for an exclusive book bag?
I love that none of them have weapons. Except Kanga, who has a fucking morningstar.
that is roo
i'm sure you as someone who loves medieval stuff already knows this, but there is a medieval AO3 version😭😭😭😭 i am a big fan
NO I DID NOT KNOW ABOUT THIS????? OMG
oh my fucking gd
HOW DO I GET THSI????
here!
Illuminated parchment Ao3 site skin. Contribute to memorizingthedigitsofpi/medieval-times-AO3-skin development by creating an account on Git
@oldshrewsburyian
Creatures from the Kennicott Bible, an illuminated manuscript copy of the Hebrew Bible, copied in A Coruña, Spain in 1476 by the calligrapher Moses ibn Zabarah and illuminated by Joseph ibn Hayyim 🔮🦇👼🏼🐉🐻🐊🐒🦚🪞
It is regarded as one of the most exquisite illuminated manuscripts in Hebrew and one of the most lavishly illuminated Sephardic manuscript of the 15th century. According to the historian Cecil Roth, one of the most outstanding aspects of this copy is the close collaboration it shows between the calligrapher and the illuminator, rare in this type of work.
In 1476, Isaac, a Jewish silversmith from Coruña, son of Salomón de Braga, commissioned an illuminated Bible from the scribe Moses ibn Zabarah who lived in Coruña with his family on behalf of his patron. He spent ten months to scribe the Bible, writing two folios on a daily basis. Illumination of the manuscript was the responsibility of Joseph ibn Hayyim, who is remembered thanks to this work.
The first documentation of the Jewish presence dates to 1375. Jewish population in A Coruña grew rapidly throughout the Late Middle Ages. It is thought that after the persecution of Jews in Castile, a large number of Jewish people took refuge in Galicia. The Jewish community in Coruña traded with Castile and Aragon, and in 1451 they contributed to the rescue of the Murcian Jews with a large sum of money, which could demonstrate the prosperity of the community.
See the whole thing on the Internet Archive! (With plenty of info and a link to the record at the Bodleian Library, where the Kennicott Bible lives now. You can also download a PDF)

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Medieval garden vase, ready for the kiln!
I found a botanical manuscript and was possessed
Im going to be listing a few pieces from this series for sale on kofi soon, so give me a follow there if you want to be notified!
Good news! It came out amazing!!
Video turnaround and more angles here!
“the mind of a medieval person was foreign and incomprehensible” factoid is false. the average medieval person was pretty normal. the chivalric death cult, whose members were known to literally die if prevented from riding to war, was an outlier and should not have been counted
On hearing of Anjou’s death, a tailor of Orleans named Guillaume le Jupponnier, when “overcome with wine,” burst into a tirade in which can be heard the rarely recorded voice of his class. “What did he go there for, this Duke of Anjou, down there where he went? He has pillaged and robbed and carried off money to Italy in order to conquer another land. He is dead and damned, and the King St. Louis too, like the others. Filth, filth of a King and a King! We have no King but God. Do you think they got honestly what they have? They tax me and re-tax me and it hurts them that they can’t have everything we own. Why should they take from me what I earn with my needle? I would rather the King and all kings were dead than that my son should be hurt in his little finger.”
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I went looking for more information on Guillarme le Jupponier, and found this article, which points to a slew of similar speeches in European and US history-- and, crucially, the fact that Guillarme le Jupponier was released after that speech, not tortured or executed, because it was acknowledged that his sentiments were extremely common.
Studying nearly 1,100 rebellions in France, the Low Countries and Italy stretching back to 1200 the historian Samuel Cohn discovered that instead of hat-in-hand deference, “genuine, heartfelt hatred for a king or queen is easy to find.”
can we pause on that? 1100 rebellions?!?