Sasha Sienna

What if the children go to schools unafraid of tear gas and bullets?

What if the birds come back, and the bees are healed, and every species moves from endangered, to threatened, to thriving?

What if the rainforest ADVANCES?

What if every parking lot had solar panels? What if every structure had solar panels? What if we built climbing gyms and terraced gardens in the skeletons of old coal power plants?

What if you baked your neighbor bread, and they shared their home-grown blackberries?

What if every person who needed a home, had one? What if every person who needed healing was healed?

What if every body was treasured for what it was, not what it should be?

What if every trans child's parents attended their graduation, their wedding, their new-name-day?

What if every warehouse became a closed-circle repair station? Goods flowing out, and back, and out again? What if landfills started to SHRINK?

What if the water and air were clean? What if there was enough public transit that the cars dwindled, leaving the streets safe for kids on bikes, evening deer, midnight cats and foxes?

What if we win?

The condors are back. The whales are saved. The sea turtles are no longer endangered. The cranes are back. The bees are recovering. The air in LA and Tokyo and London is clean again. The aquifers in the LA Basin are refilling.

Children are kinder than previous generations. Parents are stopping the abuse cycle. Being trans and queer is more acceptable than ever on a ground level.

It's hard to see if you're young, if you don't know how to step back from social media and the news. But remember--bad news sells, and the algorithm knows despair keeps you scrolling. It's a skewed lens.

We are fighting and we are winning against this adminstration's bullying. We are coming together against the bullies and they are running away scared because they don't understand that we will do that.

People are working hard every day to find ways to make sure fewer animals get hit by cars and planes and rockets.

Maker spaces are more common than ever. Solar and wind are more common than ever. Coal plants are shutting down every day.

Unprecedented numbers of acres are being bought back or given back to their rightful stewards, and the world heals because of it. People are working hard every day to learn how to help a forest recover faster.

We are not at zero. We are at decades of effort to heal the world. We've come SO far.

In 1982 there were only 22 California Condors left in the world. In 1992, when the U.S. Fish and Wildlife Service (USFWS), with its public and private partners, began reintroducing captive-bred condors to the wild. In 2001 the first wild nesting occurred in Grand Canyon National Park since re-introduction. In 2002 there were only 8 pairs of wild nesting birds population-wide. In 2008, for the first time since the program began, more California condors were flying free in the wild than in captivity. Today there are nearly 500 – more than half of them flying free in Arizona, Utah, California, and Baja Mexico.

When I was born, there were no condors in the wild. I'm 37 now, and there are over 250 condors flying free.

When my mom was born in 1955, there were days when she wasn't allowed to go outside to play, because of the air pollution. When I was born, that never happened anymore.

When I was born, humpback whales were critically endangered, and people thought they were going to go extinct. Today, they've recovered to exceed their recorded numbers. Other whales too!

We fixed it.

Since 1990 extreme poverty has decreased worldwide by over HALF.

Interestingly, it wasn't a matter of inspiration, but of triangulation. We wanted to set our mysteries in a place that could comparatively easily be moved to the two most popular junctions for cosmic horror roleplaying: 1920s-30s America (thanks to all the Cthulhu Mythos games) and the modern day.

Location wise, North America was obvious as its the location of most Lovecraft-era games, and it works fine for almost anywhere in the modern day as the US has exported so much of their culture that it can be moved countries with comparative ease on the modern day. We also wanted somewhere that got real seasons and weather (sorry California) and had a lot of history to it, which placed us in New England. Putting our fictional cosmic horror city in Maine felt just a fraction too on-the-nose, so we moved it to Massachusetts. I was also considering doing some witchy stuff in it at one point and so the proximity to Salem would have had some resonance, but we dropped thst pretty early.

Picking the year was all about technology. If we had to write adventures that could be sent back to the 1920s or pulled forward to the 2020s, then we needed to make sure that we weren't forgetting or erasing modern technology, but we also weren't making it the cornerstone of any adventures. After some back-and-forth, we landed on 1998: the internet and mobile phones both existed and were widely used, but they weren't so essential to every aspect of life that you couldn't live without them. Plus, the whole "end of history"/end of the millennium thing really locked in with the vibe we were going for.

To see what’s been achieved so far, take a look here!

Loads of things, but I (Sasha) want to talk about my favourite thing about The Bad Year, which is all the different ways you can play it.

So, The Bad Year is a collection of 53 system-neutral, one-page horror investigation adventures that look like this:

All the clues and the links between them are on one side of the page, with a more detailed breakdown on the other. The idea is you can open it to any double page spread and be able to run that adventure with everything you need right in front of you.

But wait! There's more!

There's also a small section at the bottom of the clue map called "Links" which lists every recurring storyline, NPC and location that features in the mystery, along with the page numbers of every other mystery they appear in. So you can easily find all the entries in one of 7 (seven!) recurring plots and run them as mini-campaigns (or just pick one recurring NPC and follow them through the course of their own really bad year, if you want).

One of those plots - THE GRAND OCCULTATION - is basically the A-plot of the whole book. It's told over 13 adventures, so you can easily run it as monthly sessions over a year, and it explains why exactly this year is so very bad.

BUT WAIT! There's even more!

You can, of course, run each one of the 53 adventures, one after the other, to get the full, year-long, interconnected detailed campaign. And, if you start it and end it in Halloween week, every single adventure will be themed to the actual week of the calendar year that you play it in.

The planning that's gone into this book is wild and there are some intense spreadsheets behind it. Both the clue map format and the one-shots-but-also-interconnected-campaign were @jonnywaistcoat's idea and I am endlessly impressed with them. I think everyone else should be impressed with them too. Maybe check out our Kickstarter if you think it sounds as cool as I do.

like sorry but in an apocalyptic alternate-universe earth, the phrase "train of thought" is plausible even in a world without locomotives, because the word "train" comes from the 14th century, and it meant "to drag"

that's why we call dress trains "trains". because they drag. the word wasn't invented for locomotives.

It will be, yes. Whether it's available in your local game shop depends on the whims of retailer distribution, but at the very least you'll be able to buy a copy from the MacGuffin & Co. webstore

So, me and Sash have been working on a little TTRPG project for a while - a collection of 52 (well, techincally 53) one-page Horror investigation adventures that go one-a-week for a whole year!

And the Kickstarter for it is now live!

It's legitmately really really cool and you can play it with any horror investigation TTRPG (including one that may rhyme with Conte Mook's Agnus Marchives RPG), so please do go check it out!