[+]
Aqua Utopia|海の底で記憶を紡ぐ
Alisa U Zemlji Chuda
taylor price
Sade Olutola

pixel skylines

titsay
ojovivo

Discoholic 🪩

JVL
almost home

祝日 / Permanent Vacation
Show & Tell

#extradirty
occasionally subtle
todays bird

Janaina Medeiros

@theartofmadeline
dirt enthusiast
Stranger Things

seen from Brazil

seen from United States
seen from Malaysia
seen from Canada

seen from Türkiye

seen from United States

seen from Syria

seen from United Kingdom
seen from United States

seen from United States

seen from Algeria

seen from United States
seen from Canada
seen from Taiwan
seen from United States

seen from Malaysia
seen from United States

seen from Mexico

seen from Malaysia
seen from United States
@sasakisniko
[+]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
BUFFY THE VAMPIRE SLAYER | 3.12 "Helpless"
BONUS:
Someone from Leverage: Okay, we need a plan to fuck with this rich/horrible/ruthless person.
Someone else from Leverage: We could embarass/scare/trick them.
The Team: Psychological Warfare it is!
Day 66! I swear I have high quality images of this boy lined up
I think the thing that annoys me most about AI on a personal, day to day, level is what it has done to grammar checkers. If you've never done a lot of editing, or used to 5+ years ago but haven't really in the last couple years, I can't even begin to describe how fucking BAD this shit has gotten. And as an author it is EXHAUSTING.
I just want to catch spelling errors and accidental double spaces and repeated phrases and whenever I use the wrong too/to or affect/effect and shit. But no. They've shoved AI up the ass of every grammar checking software out there and now they all fucking suck and make the most random, obnoxious, nonsensical suggestions.
And yeah, I can ignore all the times it's trying to get me to cut out any semblance of my own voice, or shove things into the wrong tense, or make the most random suggestions on comma usage. But if it's getting all that WRONG, what is it just straight up missing that I SHOULD be correcting? What real spelling and grammar errors are still lurking in there?
"Use Libre Office."
I get why people keep saying this (and other versions of it like "Use Adobe alternatives" and "Use Google product alternatives."). But here's the problem: I do not create in isolation. Even my own 100% personal projects are getting sent to other people whether it's editors or printers or beta readers and unless every single person in that train is using the same products, things can get wonky.
Libre Office and Word handle formatting differently on the back end, which can completely break documents if you move them back and forth between the two. So if I write in Libre Office but my beta readers are still using Word, when I send them a manuscript for review there's a good chance things won't look right and my beta reader will not actually be reviewing what I sent them.
Industry standards are industry standards FOR A REASON. Having everyone on the same workflow can be crucial to getting things done effectively and correctly without creating a lot of extra work. And those things are not going to change overnight, as much as we might want them to.
:| :| :|
Yeah, Word, let me just leave this whole chunk of dialogue without the closing quotation marks. That's the thing to do. How dare I have two punctuation marks in a row. It's not like that's how closing quotation marks fucking work.
I am going to light something on fire.
And you know, for young writers, this has got to be so detrimental just from the perspective of opening your document and seeing a million corrections that, frankly, don't need to be there. If you're a young writer you're likely not going to have the background knowledge to know what is and isn't a good suggestion, you're just going to see a document that makes it look like you made every mistake possible so clearly you must be a terrible, stupid writer and should just give up.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”
— Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
across the great divide
The first of my two contributions to the Reverse Big Bang by @deadbangdetectives is here, featuring this beautiful art by @meips-battteries-are-low! You can read the first scene below, or the whole thing here on AO3.
Relationships: Edwin/Charles; minor Crystal/Niko; past Edwin/Simon
Rating: M
Warnings: major character injury; past unhealthy relationships (not between Payneland); miscommunication
Summary: Three years after the fight that ended their friendship, Charles gets a call that Edwin has been hit by a car and is in the hospital with a badly broken leg and a concussion. With no one else to take care of Edwin during his recovery, Charles has no choice but to step up. In the days that follow, old feelings come bubbling to the surface, and it turns out neither of them are as ready to let go as they thought.
***
When the shrill ring of his phone cuts through his flat, Charles is still half-asleep, lazing in bed with his face buried in his pillow. He snuggles deeper under the covers, waiting for the ringing to stop, because he can’t think of a single person who should be calling him right now. Crystal and Niko know not to call him before noon in the mornings after he works late at the pub. He just talked to his mum the other day, and she usually calls at night, well after his dad is in bed. It’s probably someone trying to sell him something or a wrong number, and Charles isn’t getting out of bed for that. The phone stops ringing and Charles enjoys a moment of quiet before the answering machine kicks on.
“Hello,” a woman’s crisp voice says. “My name is Vera and I’m calling from St. Vincent’s Hospital—”
let's all watch widow's bay. it's got everything. it's about a small-town mayor battling failing infrastructure and chronic underfunding to give the islanders a better life, trying to connect with his son and give him a brighter future, and on top of all that godzilla is there the island is haunted. matthew rhys looks like the muppet version of an italian greyhound when scared, which is a solid 70% of the time. patricia is a professional final girl. wyck has more baggage than a luggage reclaim and will be addressing none of it. chris fleming is there. so much of it is genuinely so funny. let's watch it together. take my hand. because it is also quite scary.
i love sibling estrangement as horror. Only one person in the entire world has been through what youve been through and they deny it . Awesome
Niko arrived to the office to find Crystal sitting, knees up, on the floor, leaning against the wall in the hallway, half-blocking the closed door.
“You don’t want to go in there,” Crystal said, not bothering to open her eyes. Crystal was starting to get more open about how much she picked up psychically, hiding it less. Niko was proud of her, and tried not to be nervous about it, because if people like Charles and Edwin could be fine about someone constantly feeling at their emotions then Niko definitely could too.
Crystal picked her head up from where it was thunked back against the wall, to look at Niko. “Edwin’s having a crash-out, Charles is dealing with it.” She looked sideways at the door. “Thank god for all the wards and shit or you’d be hearing a lot of yelling.”
Niko nodded and slid down the wall to sit next to Crystal. Edwin’s “crash-outs” - as Crystal had started calling them, and even though Charles had already had a name for them, Crystal’s word stuck - weren’t all that common, maybe once a month if that, but enough for even Niko, fairly freshly back from Elsewhere, to have a pretty good idea of the shape of it. According to Charles, they were a lot rarer before, well, everything, at least for the last couple decades. But Niko thought it was pretty fair for… everything… to leave you wound up for a while, and for a while to be years, if you were immortal. Or undead.
“What’s it about?”
“He bolted when we were fighting the Greenwitch last night. I think she reminded him of Esther and Hell at the same time and he freaked. I’m fine, and Charles is fine, and we beat her, but, whatever, he’s pissed at himself about it. Last thing I heard before Charles shoved me out the door was him calling himself ‘a fucking coward‘. There was something about why we put our safety in his hands when he’s broken, or something. You know. Bullshit.”
Niko nodded again, sagely. “Crash-outs usually are. But they let you see where the truth is, sometimes.”
Crystal grunted. “For example, Edwin definitely hates himself even more than he hates me. No idea how I didn’t see that a lot earlier.”
Niko reached out and poked Crystal with a lavender-painted nail. “You know he doesn’t hate you.”
“Sure.” A bit of a yell managed to get past the muting built into the office’s wards, which was impressive. Edwin must be putting a bit of magic into it as well as volume. Crystal raised an eyebrow at the closed door. “Thank fuck for Charles’s eardrums being dead. No idea how a guy that tall can get that shrill.”
Niko shrugged. She wriggled her shoulders against the wall to get comfortable; it was pretty clear she and Crystal would be waiting for a while. It’d be fine, though. Edwin always calmed down in the end, and Charles would take care of him when he did. She pulled a deck of cards out of her pocket.
“Gin Rummy?”
“At this point I’ll take anything that’s not Clue,” Crystal said, and held out her hand for the deck.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Deadloch 1.03 (2023)
YOU SEEM PRETTY SAD FOR A GIRL SO IN LOVE Olivia Rodrigo
Happy Pride Month!
THE L WORD (2004 - 2009)
S05, E08: Lay Down the Law — dir. Leslie Libman
ARRESTED DEVELOPMENT ⇢ 5x16 | THE FALLOUT

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Happy Pride to the Jackal and Our Girl!
The Jackal Job (S01E11) LEVERAGE: REDEMPTION (2021—2025)