Every Ed Teach Scene (138a/?)
Monterey Bay Aquarium
sheepfilms

roma★
Claire Keane
trying on a metaphor

Kaledo Art
i don't do bad sauce passes

JVL
art blog(derogatory)
Misplaced Lens Cap

JBB: An Artblog!
almost home
Today's Document
Not today Justin
todays bird
Game of Thrones Daily

oozey mess
I'd rather be in outer space 🛸
dirt enthusiast
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@sasakisniko
Every Ed Teach Scene (138a/?)

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Morning light
Gay Puppy Gay Puppy Gay Puppy
I’m sure this will get buried but for the sake of answering all your FAQs
- they’re Opawz pet specific dyes. Non toxic made specifically for dogs. Once they’re set and rinsed they can groom themselves normally, they pose no danger to her in any way, no fumes, there’s no bleach involved
- my dog is trained with cooperative care skills, the process is not stressful for her, she gets paid heavily for her cooperation and looks forwards to the opportunity to earn extra snacks with the grooming
- she’s a mini American shepherd, her name is Yoshi
Dress made by me, end of 2025, photographed by Casey Kerr and Rory Casey, early 2026. Modelled by Jay Katherine Amusan.
(Thanks Jay (o: )
Ateta Jok by Kenny Germé for Número Magazine March 2026

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Frist Art Museum, Nashville, Tennessee, USA
We better see a parallel to this scene in S5 with Benedict looking adoringly at his wife and child being doted on by his whole family
We're not leaving this gem to languish in the comments:
Equiping an armor tutorial
i'll prob make more bc i love talking ab armors
Two lips meet in the spring. Love blooms 🌷💋🌷
xoxo💕

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Milt Kahl Head Swaggle (Source: Cartoon Brew)
I love it when you can pick up an animator’s quirks.Â
    I’ve read in old interviews with Milt Khal’s fellow animators that he did the swaggle to purposefully show off. Moving the head in 3-d space is an exceptionally hard thing to do but Khal upped the level of difficulty to a place many animators wouldn’t go.     Not only are they all doing the swaggle you’ll notice they are all TALKING while they are doing it. This is back in the days where you had to use a timing sheet to pace your animation and a head swaggle doesn’t work if its too slow or too fast so he had to figure out the right speed so it looked natural while the character finishes what they have to say while not interfering with the distinct mouth shapes.      Not only did Khal do it without any shifting weight problems or timing issues he would often do it while moving the rest of the body. This isn’t his signature move just because he was good at it.This is his signature move because he was one of the only people skilled enough to DO IT AT ALL.
Milt Khal was a MASTER.
God, I can’t express to you how fucking DELIGHTED I become whenever they Milt Khal Head Swaggle Post graces my dash with its presence again.
Sunrise
If you have a UK address there is a gov.uk petition at the moment for an investigation into the effects of Section 28.
Section 28 banned the mention of or "promotion" of being gay within schools and ushered in decades of silence and violence in this country. Its impact is currently unrecorded, but keenly felt. With the UK currently banning the discussion of being transgender in schools, libraries and other public spaces, along with the bathrooms guidance, we run a risk of repetition. We need statistics on what Section 28 did to two generations of queer people.
Please sign if you can, it needs 100,000 signatures to be considered. Non-UK residents please reblog.
We call on the Government to launch a public inquiry into the impact of Section 28 of the Local Government Act (1988) which specified that L

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
you are fifteen thousand generations removed from stone tools
to be clear you are fifteen thousand generations removed from the invention of stone tools. not from the end of stone tools. modern humans are still using stone tools.
Flawless tags, @baddywronglegs
I thought you meant we were descendents -of- stone tools
your father was a handaxe and your mother smelt of microliths
How to Write When You Don't Feel Like Yourself
There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.
They didn't. They're just tired. Here's how to keep writing anyway:
Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.
Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.
Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.
Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.
Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.
You are still a writer, even on the days it feels distant. Especially then.
Reblogging for the writers who need to hear it, but also for the readers who have no idea how much work and courage it takes to write and post the stories they love to read.
All of this. One more that I may humbly add that works for me is retype the chapter.
For me, opening a new doc and placing it side-by-side against what I've written, and then transcribing what's already been done (and editing in the process) helps ground me in the scene/chapter/voice/characters and helps me discover ways to get unstuck (maybe I didn't explore an emotion earlier that needed to be dug into. Maybe they should not have left that room when they did and lingered longer. Maybe the conversation needed to get cut off before the character made the statement that derails everything). Starting from the beginning is like re-tracing your steps and editing at the same time, and most times it really helps get the brain closer to where it needs to be.
And yeah, I've done it multiple times on the same chapter. How many? You'll have to buy me a drink before I tell you that.