But he did ruin her life. He’s the reason her sister is dead and the reason she had cancer and can’t have children.
It's amazing that you can ascribe total control over the universe to Mulder and not an ounce of self-determination or autonomy to Scully, who could have quit at any time but wanted to be there and chose to continue the work because it fascinated and compelled her as a scientist and spoke deeply to her sense of justice as a military kid and a person of faith. That really speaks to your understanding of and deep care about women. Isn't it just great when someone claims to love and defend a character and in so doing reduces them to just a Little Lady who couldn't possibly be making these decisions on her own?
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The hurt of his answer lands before she has a chance to reason through it, and Scully rises to her feet as Mulder curls back into a ball, giving him the space he seems to need. She can’t think of a single time in their partnership when he wanted physical distance from her. Even during their most fraught conversations, they rarely put more than an arm’s length between them.
She takes a steadying breath, reluctant to tell Diana what he just said. Doing so would be admitting that Diana might be at least partially right about his mysterious illness, and Scully is hesitant to believe a word the woman says.
Breathing through the knot of emotions in her chest, she speaks into the phone. “He said yes.”
“Dammit,” Diana curses, her tone tight with urgency.
Scully studies Mulder, trying to understand what combination of Diana’s influence and whatever unknown toxin is affecting him has convinced him that her presence is hurting him. She trusts Mulder, but she’s starting to suspect Diana may be using his illness to push them further apart.
“Is he in immediate danger?” she finally asks, refocusing herself. When Diana doesn’t immediately answer, Scully’s grip tightens on the phone. “Does he need an ambulance, Diana? Talk to me!”
“I’m not sure—I’m thinking—” Diana stutters with uncharacteristic clumsiness.
“What do you know?” Scully barks. “What were you and Mulder investigating? What could he have been given? Did he ingest a—a toxin of some sort? A street drug?”
She’s making a mental list of potential hallucinogens when a thought suddenly occurs to her. Dropping to her knees, she starts to unbutton Mulder’s shirt. If there’s an injection site anywhere on his skin, it could explain what was done to him.
“I don’t know more without seeing him,” Diana admits, her breathing quickened as if she’s running.
“Then who is Daniel Parsons?” Scully asks as she runs her eyes over Mulder’s bare arms and torso, finding nothing unusual. “Did he have this same condition?”
“Agent Scully, that’s something I can’t tell you—”
“I’m a medical doctor, dammit,” Scully curses as Mulder groans and shoves weakly at her hands. “If you would just tell me what you were investigating, I could start to treat him—”
“I’ll explain when I get there—”
“And how long will that be?” Scully hisses. “Because he’s clearly in a great deal of pain and the longer you keep me in the dark, the longer he suffers. You seem hellbent on guarding your investigation, but if Mulder dies because of your secrets, I will personally wring your neck until your eyes pop out of your head!”
“Calm down, Dana!” Diana shouts, startling Scully. “You’re just making him worse!”
As if on cue, Mulder cries out, rising to his hands and knees right before retching all over the floor. Scully inhales sharply, moving to place a palm on his back and rubbing circles soothingly across his shoulders, even as her eyes continue to scan his body for potential wounds.
“I’m here,” she says into his ear, and he tips his forehead to her knees. “It’s me, I’m here.”
“What’s happening now?” Diana asks, and Scully hears a car door slam shut in the background.
“He’s getting worse.” Mulder rubs his head across her lap, his hands curling into fists. A moment later, he turns to the side and vomits again. “Diana, I swear to God, if you don’t tell me what I need to know to keep him alive and comfortable—”
“You need to leave,” Diana insists, her tone dark. “The best thing you can do for Agent Mulder right now is to get the hell out of his apartment.”
She scoffs. “Over my dead body.”
With care, she extracts Mulder from her lap and darts to the kitchen, ripping a paper towel from the dispenser and filling a glass of water. From the sink, she glances back at him. He’s gone slack against the floor, but worry gnaws at her. She can’t explain what’s happening to him, and she can’t properly treat him. When he starts to curl back into himself, she rushes back to his side, where she cleans his mouth and then holds the cup to his lips. He swallows once then collapses back into her. She presses one hand to his chest, keeping track of the erratic beats of his heart.
Diana is speaking. “I acknowledge that you have been Agent Mulder’s partner for several years, and it may seem counterintuitive to leave him in distress,” she says, her tone clipped and oddly formal, “but I swear to you that it would be best if you left him for now. I’ll be able to handle his symptoms once I’m there. We’ve seen it before in the other victims—”
The word nearly stops her heart. “Victims, Diana? You’re telling me this is fatal?”
“Mulder and I think we have procured an antidote, and I’m retrieving it from my office as we speak,” Diana interrupts, her voice rising over Scully’s. “Agent Mulder will live. But while he’s in this state, he needs space from you. I beg you to give it to him.”
With hands trembling from outrage, Scully stabs the End Call button and returns her attention to Mulder, who is trying to wrestle out of her grip. His eyes crack open and her stomach lurches when she sees a small trickle of blood slide from his tear duct down the bridge of his nose.
“My God,” she whispers in horror, her palm cupping his cheek.
Mulder cringes away from her, rolling tighter into himself and gritting his teeth. “Do what she said,” he grinds out. “Leave, please,” he gasps. “I’ll explain . . . after she brings. . . the medicine . . . .”
She shakes her head resolutely and squeezes his wrist gently even as her heart races. “I’m not leaving you, Mulder, especially not to take an unknown substance without first ensuring it’s safe for you. You’re having some sort of medical emergency that I’ll be able to treat once I know more—”
“’S not medical,” he slurs, and more blood begins to seep from his eyes.
Panic flaring, Scully darts into his bathroom and wets a washcloth, which she uses to clean the blood from his cheeks and mouth. His eyes are shut tight and he’s starting to sweat, moisture pooling in the dip of his breastbone.
Every few minutes, she glances at the clock, wondering if Diana was lying or if she’s truly en route with this supposed antidote. When twenty minutes have passed, she debates calling the ambulance, but a sound at the door stills her fingers on the phone. Scully flies across the room to usher in Diana, something she never anticipated doing with such eagerness.
Diana glares at her darkly, fury in her eyes. “I told you to leave,” she hisses, and Mulder cries out in agony from the floor. The rage in Diana’s face instantly evaporates and she drops to her knees, fumbling in her bag.
“I’m here, Fox,” she says soothingly, but Mulder seems to be declining more rapidly now. Fresh blood drips from his nose and ears, a steady trickle now staining his skin.
“Show me the medicine,” Scully demands, kneeling across from her. “Tell me what’s happening to him!”
Ignoring her, Diana extracts a plastic case from her bag and pops it open to reveal a set of syringes. Automatically, Scully reaches for one, determined to check the medicine and dosage for safety, but Diana smacks her hand away. Indignation flares in her gut.
“Do you even know what you’re about to inject him with? One incorrect calculation could be fatal. He could have a reaction that you haven’t anticipated, an allergy we haven’t noted—”
“He’s dying, Agent Scully, and it’s because you insist on remaining here,” Diana accuses sharply, deftly prepping one of the syringes. She meets Scully’s eye angrily. “You did this to him, and if his reaction is anything less than positive, you have only yourself to blame.”
Scully meets her glare. “If you would take one minute to explain what I’m looking at, I could help. I’m a doctor, and I—”
Mulder moans and his eyes roll back in his head, foam gathering at his mouth. Diana hisses as the seizure begins taking his consciousness, and she pushes Mulder onto his side, yanking down his pants to inject the syringe below his waist.
“Wait!” Scully cries, lunging for the needle. Her eyes fly over the packaging of the mysterious antidote, but the labeling is blank. Horrified, she stares up at Diana. “What did you give him?”
Mulder twitches violently. Dropping the syringe, Scully reaches out to steady him, shocked when he goes still, flopping onto his back. Terror thrumming through her veins, she presses her ear to his chest, assuring herself of the shallow rise and fall of his breathing, her fingers racing across his wrist for a pulse check.
“What is this?” she whispers in disbelief.
“It may take another dose,” Diana murmurs to herself.
Scully shakes her head. “Not until you tell me what’s in that syringe.”
Diana levels her with a coolly superior gaze. “It’s working, isn’t it?”
Scully studies Mulder, equal parts relieved and surprised to find that he seems to have settled.
“His condition is more . . . immediate than the other victims we’ve seen,” Diana continues as she begins to prep another dose. Scully considers the facts, weighing Mulder’s marked improvement against all that she knows about Diana.
Diana meets her gaze, the syringe ready. “I care for him too, Dana.” Her voice is quiet, earnest enough to be believable.
Scully swipes her palm across Mulder’s forehead and realizes that the apartment has gone quiet for the first time in an hour. She presses her fingers to the pulse point at his neck, noting that his breathing has started to even out and his heartrate has returned to normal.
“Some improvement,” she notes quietly, mostly to herself.
Diana nods tensely. Scully glances up, eyeing the next dose warily. “So long as you decide to stick around,” Diana says, “he’s going to need this.”
“Explain to me what his condition has to do with my presence,” Scully demands. “If you expect me to take you at your word and abandon Mulder during a medical emergency without any rational explanation, you’re not as clever as I’ve been told you are.”
Diana’s eyes narrow. Without fanfare, she pushes the syringe into Mulder’s hip and Scully sucks in her cheeks, praying that Diana has made the right call.
After a few tense moments, though, it is clear that Mulder really is improving. His skin starts to take on a normal color and the blood dripping from his eyes and nose dries up. When his eyes start to open, Scully can see that his pupils are normal and reactive. His body seems to relax into the floor, no longer wound tight in pain. Without thinking, she reaches out and pushes a few strands of hair off his forehead, then runs her fingers down his sweaty jaw.
His eyes open fully and hold her gaze, but she can’t read his expression. She pulls her hand away and his eyes move to Diana.
“Never thought I’d thank someone for two pokes in the ass,” he croaks quietly, and though the joke isn’t directed at her, Scully is relieved to hear the return of his humor.
Diana flashes a watery smile, relief evident in her gaze, and leans down to press a kiss to his forehead. The possessiveness of the act turns Scully’s stomach. He’s mine, comes the unbidden thought, surprised at how terrible it feels to be the odd one out, the one who doesn’t know what’s going on and who wasn’t able to help him.
She uses the moment to step away for a glass of water, lingering at the sink as Diana helps Mulder sit up, leaning into him conspiratorially. They exchange words, too hushed for Scully to hear, and judging by the way Mulder’s expression sours, things get heated. Every few moments one of them glances her way, like witnesses coordinating a story.
To give her hands something to do, Scully sips at her water, trying to push past her emotions and let the investigator in her do the brutal work of uncovering the truth. She has her theories, of course, but none of them can account for every symptom she observed. The facts she knows are: Mulder was in Maryland and encountered a man named Daniel Parsons. He hailed a cab to return to his apartment, where he immediately exhibited symptoms of acute distress. He refused a hospital several times. He could barely stand to be in her presence, claiming that she made his suffering worse. An unknown medicine almost immediately stopped his symptoms.
None of it makes sense.
She takes a breath, knowing there’s at least one more hard, painful truth she’s managed to uncover.
Mulder begged her to leave him and asked for Diana instead.
It’s becoming clearer to her now that the two of them likely aren’t just sleeping together; they’re becoming partners in every sense of the word, and partners against her.
The pain of that cuts through her like a knife and she digs her nails into her palm, redirecting her grief. Mulder glances up at her, his profiler-sharp eyes pinging from her tight expression to the clench of her hand against the water glass. His color has returned, and only that brings her peace. But there’s still so much unexplained about his illness tonight, and despite his apparent growing connection with Diana, she isn’t going to lie back and pretend like he isn’t the single most important person in her life.
Taking a shaky breath, she sets down her glass and crosses the room.
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An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 9/9
Fandom: The X-Files
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Fox Mulder/Dana Scully
Characters: Fox Mulder, Dana Scully, Holman Hardt, Sheila Fontaine
Additional Tags: MSR, Post-Episode: s06e08 The Rain King, Friends to Lovers, Tornados, Slow Burn
There was a storm in her chest, thunder behind her ribs.
Heartbeat. Heartbeat.
He must be close now, she was only moments from the bottom.
She had both hands out, seizing at tapering branches along the pathway, heedless of the sharp twigs whipping her palms and wrists. Her breath was coming shorter, the lump that had tightened her throat the moment she’d seen Mulder’s feet touch the ground now burning, painful.
Just a little way further, and then—
Hurtling his way up the path like a cannonball, Mulder rounded the corner just ahead of her. Seeing her, a light came into his eyes, lifting the haggardness that fear and panic had etched into his face.
“Scully—” was all he managed.
Then she was on him, her arms tight around him, her face pressed hard against his chest as hot tears sprung from her eyes.
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I last updated this fic in 2024, when I was pregnant with my son. I put everything but my family on pause over the past two years because when he was 4 months old, he got extremely sick and was hospitalized for a long time. We went through hell and back, but he’s fully recovered and is doing so well despite all that he went through.
I’ve recently been inspired to pick up writing again, and after nearly two years away, I’m not even sure that there’s still an appetite for this fic. Regardless, I’ve been feeling the urge to write again, and so here we are.
Anyways, please enjoy (or don't), and do remember, this is NOT ScullyxOther or MulderxDiana!! I always go for peak angst before resolving into lovey-dovey partners-for-life MSR.
Chapter 9, under the cut
As she feared, Mulder’s apartment is dark when Scully enters. She does a thorough inspection of each room, taking note with her investigator’s eye of any oddities that catch her notice. Because it’s Mulder’s apartment, however, there are plenty of strange things that stand out to her, none of which point her towards any obvious conclusion as to his whereabouts.
After this, she calls him again, and again receives his voicemail, which irritates her so badly she considers leaving. But then she sees his poor fish circling the top of their tank, hungry and abandoned, and feels a stirring of pity. Sprinkling a dash of food into the tank, she watches dejectedly as they fight over the crumbs.
A call to the Lone Gunmen proves fruitless, as none of the men have heard from Mulder in weeks. Frohike offers to join her in keeping vigil over Mulder’s apartment, but she politely declines. After hanging up, she thumbs the phone for a few seconds, wondering whether she ought to call Diana for an update. But when she dials the other woman’s number, there is no answer.
And so she waits, collapsing onto Mulder’s familiar leather couch and listlessly flipping through his T.V. channels. After an hour, she digs out a stale sleeve of crackers from his pantry and attempts to eat, but she has no appetite and ends up tossing them in the trash. Another hour sees her pacing the length of his apartment, redialing his cell number every few minutes. When midnight strikes, she settles back onto the couch, jacket and shoes discarded, and eventually falls asleep to the drone of a documentary on the history channel.
**
Scully jolts awake in the darkness, her skin crawling with the certainty that someone is watching her. She’s reaching for her weapon when she spies the door, which is open, spilling hallway light across the floor. A stranger’s silhouette looms in the doorway, straining under the weight of a second person. She turns her gun on the intruder, who yelps.
“Sorry, sorry! I’m just a driver.” The cabbie’s voice is high and quick. “He—he paid me to bring him up, wouldn’t let me call anybody! Please don’t shoot me!”
Mulder. She’d know him before she knew anything else on this earth. His arm is hooked over the cabbie’s neck and his head rises unsteadily to find her eyes. He tries taking a step forward, tugging the driver with him, and Scully lunges forward, gripping his coat right as his knees buckle. Grunting, she struggles to lower him to the floor as the cabbie backs slowly towards the door.
“I swear I don’t know what’s wrong with him,” he says apologetically, raising his hands in surrender, his eyes trained anxiously on her weapon.
“Where did you pick him up?” Scully demands, even as her fingers search for Mulder’s pulse point. “Thready,” she mutters to herself.
“I got him in Maryland, ma’am, I swear I don’t know anything more!”
“Did he say anything to you on the ride here? Was he with anyone?” She moves her hand to Mulder’s eyelids, which have drooped shut, and checks his pupils.
“Nothing, ma’am, nothing but this address. And no one with him.”
Before she can ask anything else, he retreats fully into the hallway and the door clicks shut behind him.
“Dammit, Mulder,” Scully curses, surveying her partner.
His eyes open slightly, flitting uneasily between hers, before he pulls his legs into his chest as if he’s in pain. Her hand moves to his forehead, feeling for fever. Finding none, she continues her examination, confusion rising when nothing flags as physiologically alarming.
Sitting back on her heels, she studies him, curled in on himself, radiating misery. Instinctively, she reaches for his hand, noticing that his fingers are trembling.
“What happened?” she asks, squeezing his hand. When he doesn’t reply, she frowns. “Can you talk? If you can talk, Mulder, you need to tell me where you’re hurt.”
Mulder’s eyes are still doing their uneasy dance, and she levels him with a serious look. “Can you sit up?”
He nods unevenly and she watches him warily as he strains to pull himself to sitting, draping his arms across his bent knees and tipping his forehead into his hands.
“My god,” he whispers with uncharacteristic anguish, and she ducks her head closer to him.
“Are you hurt?” she repeats more urgently, a hand settling on his knee.
With great effort, he turns his head towards her and grimaces. “It feels . . . my chest,” he moans. “So much pain.”
Alarmed, Scully forces Mulder’s eyes up with a firm hand to his chin, and a full body shudder ripples through him. Sweat breaks out on his forehead.
“Mulder?” she asks, her palm pressing against his chest. His heart beats erratically and he shoves her hand off him.
“Mulder, you have to tell me where you’re hurt,” she demands, leaning closer. “If you’re injured, we need to get you to a hospital immediately—”
“Nowhere, no hospital,” he grits out, even as his head tips to his chest and his body folds into a protective ball. “My heart.”
Automatically, she reaches for her phone to call an ambulance but seeing her movement, Mulder shakes his head furiously.
His eyes meet hers and there’s so much pain in them that she drops her mobile phone, which skitters across the room. Her heart lurches in her chest and Mulder flinches violently, his face draining of color. Scully grabs for his wrist to feel for his pulse again, cursing when it flutters rapidly against her fingertips.
“I need you to tell me what happened to you,” she commands as calmly as possible, even as her own heartrate picks up. Almost as if in response, Mulder’s pulse ratchets up.
He shakes his head futilely, moaning incoherently.
She bites her lip, weighing her options. Giving Mulder one last look, she rises to standing and grabs his landline, punching 9-1-1. Just as she’s about to put the call through, Mulder raises his head.
“Not the ambulance,” he croaks in what can only be called agony. “I need Diana.”
Outrage, hot and slick, sluices down her spine at the suggestion, but her fury cools the moment Mulder falls to the hardwood with a roar of anguish.
“Mulder!” she gasps, falling to her knees and grabbing his arms.
“Stop it, stop it,” he protests weakly. “Stop being scared,” he gasps, his eyebrows creasing in desperation. “Call Diana! Please! Please.” The last word comes out feebly, as if he’s used all his remaining energy.
His eyes meet hers with a fervor she only knows to trust. Swallowing tightly against her own reservations, she nods. She doesn’t know that she’s ever seen Mulder in this much pain and if he thinks Diana is what he needs, then she’ll get him Diana, despite her own misgivings.
Fumbling in his coat pocket, she pulls out his mobile phone, hopeful that Diana will be responsive if the call comes directly from his cell.
She’s right. Agent Fowley answers on the second ring.
“Fox?” the other woman asks breathlessly.
“It’s me,” Scully interjects, hopefully shattering Diana’s illusions of a frisky reunion with Mulder. “It’s Scully. A cab driver just returned Agent Mulder to his apartment. I’m here with him and he’s asked me to call you.”
“What does he need?”
“Something’s very wrong. He’s afebrile but his pulse is erratic, and he seems as if he’s in an enormous amount of pain.” Scully pauses, glancing at Mulder, who’s rubbing his face with his hands. “His condition suggests to me a possible cardiac event, or some sort of psychotic episode. I’ve also considered the possibility that he’s encountered or ingested a—a substance of some sort. I’d like to get him to a hospital for a tox screen and an EKG. I’ve—I’ve never seen this before—”
Diana’s voice cuts sharply through Scully’s words. “Ask him if he contacted Daniel Parsons.”
Who? she thinks, wracking her brain for that name and coming up empty. Although the request confuses her, Scully relays it to Mulder, who shuts his eyes tightly before nodding once.
“He said yes.”
“Dammit,” Diana mutters with such vitriol that Scully briefly moves the phone from her ear. She hears the noise of car keys clanging against a countertop. “Ask him if the pain is worse with you in the room.”
“Ask him what?” Scully asks incredulously.
“Just ask him, Agent Scully.”
Scully glances over at Mulder, considering this possibility. He squints at her through distressed eyes and suddenly, despite everything he’s put her through over the past few weeks, she has an intense longing to go to him and hold him, comfort him.
As she watches him, Mulder’s face briefly seems to relax, his hands uncurling from fists and limbs loosening. His eyes fall closed and Scully kneels beside him to study the sudden change in his demeanor. Although she can’t conjure any known medical condition that would connect his behavior to her proximity, she considers Diana’s words.
Does Mulder truly seem affected by her closeness? For a moment, Scully considers whether Diana is simply trying to stir up trouble by digging into an open wound, exploiting the obvious tension that’s emerged between her and Mulder.
Mulder moans beside her, bringing her back to the present. The open pain on his face reinvigorates her, and she reminds herself that she isn’t a pawn in Diana’s game, but a trained investigator and she’ll approach this problem as such. She shakes her head, ridding herself of any ridiculous notions that her presence alone could be causing him pain. As a medical doctor, she must trust herself and her judgment when it comes to Mulder’s health and safety. If she can put her faith in anything, it’s hard evidence.
And Mulder.
“Mulder,” she says gently but insistently, carding a hand through his hair, which is soaked with sweat. “Agent Fowley wants to know if your pain is worse around me.” She hesitates briefly, her words catching on the absurd suggestion. “Am I causing you pain?”
Mulder’s eyes open, his body going rigid again. His jaw works, and she watches him try to form an answer. He turns pleading eyes up at her, an apology written in his expression. Her stomach drops as she realizes what’s coming. Mulder winces, as if struck.
Vancouver, BC; Laurentian Mtns, QC; Gaithersburg, MD; Washington, DC; Ft. Marlene, MD; Centerville, VA
THE END
An international incident launches an investigation that reveals the talents of a twelve-year-old chess prodigy. Will he be the answer to everything in the X-Files? Or will he be the end to it all?
The End is the final episode in Season 5, the last episode to be filmed in Vancouver (until the Revival Seasons), and the last to be directed by Robert Goodwin. Up through now, Goodwin has directed every finale, in addition to the premiere episodes for seasons 3 - 5. Fittingly, the name of the episode and the tagline are a send-off for the Vancouver cast and crew.
The opening chessmatch was filmed in an arena where locals were invited to fill the stands. The turnout over-exceeded expectations. They not only filled the 17,500 seats but had to turn away more than 5,000 people. In between takes the crowd were entertained by some Q&A with DD and GA and equipment was raffled off.
Ironically, this is the first time a scene has been set in Vancouver, and it unfortunately contains a glaring error. If this incident were to occur on Canadian soil, they would be conducting the investigation on their side of the border. The shooter wouldn't have been at Ft. Marlene. I don't mind giving them their scene, but honestly, CC, after crossing the border all this time, it's a little 51st state of you to take liberties, don't you think?
The End also introduces Special Agent Diana Fowley and young Gibson Praise to the X-Files realm. Fowley, portrayed by Mimi Rogers, previously appeared in the movie The Rapture (1991) with DD. Coincidentally, that's the same year their characters began 'working together' for the FBI.
Mulder is a jerk in this episode. It's true. So much of the bad that happens could be negated if Mulder is just not an ass. Skinner starts it off, though. Telling the FBI's most unwanted where, specifically, he's most unwanted. He bursts in on Spender's big meeting and is all, "I don't have any questions, I just think you're wrong." (after being in the room for, like .02 seconds.)
When it comes to interviewing the shooter, he hints at offers that he has no authority to make (then takes some of that food and drink from the man who has been deprived and treating Spender like an errand boy). Then he thinks he sees Spender talking to CSM and gets fired up, but doesn't listen to anything he says. (Has he ever listened to anything Spender has said?)
He makes the decision to gamble 'it all' on the shooter's testimony, the sum total of which so far has been nothing. (After the decision is made, the shooter comes out with, "The kid is the missing link.") I give partial blame to Skinner here. The consequences of this decision apply to both partners. Scully should be in the room for this convo at a minimum. She probably will want to hear the shooter's testimony as well, considering the risk. Instead, word gets out, the shooter is killed, and it all goes to shit. So, Mulder assaults Spender in the hallway of FBI headquarters.
The focus of this episode, though, is Scully. And it's all based on the fact that there are things about Diana Fowley that Mulder is keeping from her and has been for the entire time she's known him. The fact that he behaves differently when Diana is around with zero explanation. I think when Scully tries to talk to Diana about their history, both women are surprised that Mulder hasn't already told her these things (at least about the work side).
So Scully goes to her only other reliable source, the Gunmen. (They're adorable in their bedtime routines.) I think they are also surprised Scully doesn't already know anything about Diana. Obviously, they tell her.
In the script (during this scene): "That she's threatened by Diana makes her angry at herself, but she's trying her best not to show it."
And as she's leaving: "Her jaw set and determined. Processing her emotions right into work mode." (This is the most Scully line in existence.)
Scully goes back to the psych hospital with the absolute worst timing. (To his credit, Mulder is not receptive to Diana and is defending Scully during this scene. It is an innocent moment. But Scully's already shaken.) When she gets back to her car: "She's a confusion of emotions, both personal and professional. She sits pained for a moment, trying to calm herself. Trying to be mature about what she's understandably experiencing."
Nevertheless, she calls Mulder and leaves: "Feeling a little ridiculous, and dishonest."
GA does a spectacular job with these moments. As usual, her expressions convey so much without the need for dialogue.
This is a CC script, penned with an interest in creating tension leading up to the events of the summer blockbuster. It seems like an opportune time to introduce Diana, someone who makes Scully doubt her role (both personal and professional) in Mulder's life, especially once the X-Files are taken from them. CC can say what he will about the MSR. Just remember, he's the one writing it.
MSR: I love the long camera pan around Scully when she's on the phone with Skinner in Mulder's apartment. They are cloistered together, waiting to learn their fate. So they arrive together in the aftermath of the fire. Both shell-shocked, back where it all began. Mulder is standing there in utter defeat. Scully, "Putting her arms around him, holding on to keep him from breaking."
Fanfic: I struggled with this one because my Scully-angst is so high, and I hold Mulder responsible for it.
"Flames" by donnah - avoids the angst, addresses the fire
"Insomnia" by greekowl87 - Scully owns and stands in her angst
"A Simple Office Accessory" by ScullytoyourMulder - Scully does some digging
"Quantifiable" by Spooky66 - an AU, Scully reacts differently at the psych hospital
The best fic I read, though, is longer than my usual recs, but is still only 3 chapters. The premise is exactly what I needed.
"Unobserved" by cecily_sass - just read it
Bid a fond farewell to Vancouver. We're off to the bright lights of Hollywood with Fight the Future. Before I wrap up S5, though, I'll get a recap posted. I also have a bit of housekeeping I'd like to take care of before I dive into more fic. Because there is A LOT of FTF fic (and you know I can't be normal about how much of it I read). If you have recs, please let me know!! I know there are gems out there, and I want to read them all. Thanks again to all of you for reading!
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I'm watching The X-Files for the first time and holy shit. Holy shit, guys. I was of course aware that Scully/Mulder are one of THE ships of all time, but nothing could have prepared me for the insane levels of shippable tension between these two. Scully is out here barging into Mulder's hotel room - which is a LOADED location - to drop her robe so he can reassure her that she hasn't been abducted by aliens, she's just a mosquito magnet. Then she's defending him from bureaucratic bullies one moment and saving his life at gunpoint the next. Meanwhile, Mulder has the most wet, pathetic puppy-dog eyes for her at ALL times, truly whipped, casually fixing her necklace while talking about how she appreciates the "journey" they go on, immediately after she calls him out for being territorial around another guy. He's losing his mind when she's in danger. He's casually dropping the most insane compliments I've ever heard. He's known her, like, a month.
I thought I was prepared for them. I'm on episode three. I'm being fucking humbled for my shipping hubris.
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