Hereâs a list of all the fics Iâve written. As of right now, theyâre categorized into Fictober, general prompt answers, based on episodes and various prompt challenges like Christmas.Â
I will try to update this list and add older stories as well. Itâs not a complete list and may never be.Â
Enjoy!
FICTOBER
2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
FICS & PROMPT ANSWERS
Fowl Play: Mulder forgets to pick up Scully at the airport.
     Common Ground: sequel to âFowl Playâ
Bloody Hell: Aprilâs Fools gone wrong
Ten Minutes: Part of the âFive Minutesâ series where the IVF worked!Â
Cherry and Vanilla: Mulder gets an awkward boner
Letâs Bee Together: Mulder gets into apiculture.
In Hallways: Mulder and Scully are already in a relationship when Diana comes back.
Happy Birthday, Baby Girl: The baby is born on Scullyâs birthday.
More Than a Feeling: Mulder senses Scullyâs new, surprising pregnancy.
Paperwork and Chill: Mulder is more interested in Scully than in work.Â
Time in New Hampshire: For "A Map of Us: 50 States of Sexâ
Sweet Surrender: one-word prompt âchurrosâ
In Your Dreams: Scully talks in her sleep on the way home
All In Your Head: a season 11 mind reading fic
Cold Turkey: a Thanksgiving fic
Carefree: Scully has a creative idea to make Mulder feel better.
One Of These Days: Their first fight after their daughterâs birth.Â
Itâs a Tie: Scully gets Mulder a tie.
A Motherâs Love: Maggie Scully is around when baby no. 2 is born.
Cake Run: Mulder almost forgets Scullyâs birthday.
Letâs Share: V-Day ficlet set in season 11:Â âI donât think Iâll ever be able to live without youâ
Sweet Sunday: Pure family fluff! Mulder and Scully have breakfast with their daughter
One Night on the Road: set in season 6, Mulder and Scully have to share a room and a bed.Â
Sick Days: set in season 11: Scully gets sick and refuses to see a doctor.
Itâs Always Been You: season 7 fluff
Soon: revival fic âYou said this time itâd be differentâ
Four Day of Me and You: Mulder and Scully are quarantined and thereâs only one bed.Â
The Cookie Monster Family: family fluff
Itâs Okay: Mulder has a panic attack
April Showers: Mulder and Scully in the rain, season 7
The Waiting Game: Mulder takes drastic measures when he and Scully fight.Â
Cafeteria Mishaps: Scully has a little âaccidentâ but Mulder is there.Â
Itâs a Family Thing: A Bill Scully Jr. fic before the revival
âScully, why is that guy calling you Dana?â
win or lose: Mulder challenges Scully to a fun run, season 1.Â
To Keep You Safe: Hurt/comfort set in season 7
Whatâs The Score? After their successful baseball date, Mulder teaches Scully how to play basketball.Â
Sundress Days: Easter Sunday is the perfect day for Mulder and Scully to run into trouble (challenge fic)
Mulder and Scully undercover at a fundraiser
Bruises:Â âWhere did all those bruises come from?â
First Times: Jackson gives Scully a kiss on the cheek
Twisted:Â âIt just... hurtsâ
Practice Nights: during her second pregnancy, Scully battles indigestion
Pretty Cool: itâs all about that keychain
SEASON 11 POST-EPs
At Long Last:Â âMy Struggle IVâ
You Changed All My Plans:Â âNothing Lasts Foreverâ
A Familiar Feeling:Â âFamiliarâ
Mine, Yours and Ours:Â âRm9sbG93ZXJzâ
Like Baby Cats:Â âKittenâ
Our Son Loves Baseball:Â âGhouliâ
Things That Are Real / Time for Jello:  âTLAOFSâ
Hold Me:Â âPlus Oneâ
BASED ON EPISODES
Coffee Cup Confessions: âThe Unnaturalâ fic
Kissing You: The first few kisses -Â âMillenniumâ fic
Morning Time: A tickle fic for âThe Rain Kingâ
Calendar word prompts (not necessarily Christmas themed!)
Family Morning: The first Christmas with Jackson and Katie
Everything He Could Ever Want: Scully laughs and Mulder falls in love
Stormy Christmas: The baby is afraid of storms and Jackson comforts her
My Kind of Ugly: Mulder convinces Scully to wear an ugly maternity sweater
A Mother: Post-ep for âAmor Fatiâ - Mulderâs mother comes to visit
Like A Date: Scully thinks Mulder has a secret girlfriend, set in season 6
Within Reach: Mulder holds something up too high for Scully, sequel to LIKE A DATE
Get Through: a string of scenes from season one up to âRequiemâ
In Loving Hands: A Jackson fic
Small Christmas Moments: Mulder has an accident
Just You: season two fluff
Unkissed: Mulder, Scully and Skinner at the FBIâs Christmas party
Cookie Love: Mulder, Scully and the annual fundraiser. Scully is jealous.
Be Brave: Mrs. Scully just wants her daughter to be happy
Hiding Place: Mulder cheers up his grumpy son
On Thin Ice: A jealous Mulder tries to impress Scully
What I Remember About You:Â No matter how many years might have passed, she would always recognize him cause no one smiles like Fox Mulder. - The Skiing AU
Never Have I Ever: Trapped in a hotel during a snowstorm, Mulder and Scully decide a harmless game of Never Have I Ever.
Tea and Honey: Scully is sick and Mulder offers to look after her
Miracle On Hegal Place: Mulder and Scully watch "Miracle on 34th Street". Set after âHow The Ghosts Stole Christmasâ.
Family Time: Their first outing as a family, a Bill Scully Jr. dinner.
Feels Like Home: Scully needs a hug.
A Christmas Tale: Mulder and Scully take care of a little girl.Â
Quiet Moments With You:Â Scully is writing Christmas cards when Mulder shows up at her apartment.
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In my post-series XF stories, I like to imagine that Leyla is either still an FBI agent and running the division she originally burst forth from and is married with kids because she grew up, or she took an early retirement enjoy family life with her spouse (or whomever) + their kids, but all of whom in both scenarios listen to her like đđżâ¨â¤ď¸ while she tells them stories about her era in the FBI spent in a certain basement office investigating the paranormal. And of course? Everyone is also discussing how the hell our intrepid heroes made it out of that icy hellscape after seeing what was 100% a UFO đ¸
Yes, I like that! She seemed to really be into the work, so I hope she kept working as an FBI agent. Maybe she had a kid or two. Or maybe she's telling the stories to her nieces and nephews. They all always wonder how Mulder and Scully made it home!
Follow up to the previous message: just now found out about the IWTB's director's cut.
I couldn't have chosen a worst time to put that post out, ugh.
CC, let us have nice things.
Regardless, I hope you have a good day and an even better weekend. Thoughts your way.
Oh, you didn't know? Sorry you had to find out this way đYeah, I'm truly sorry, but I just can't read about him at the moment. I may be overreacting, but what he's done to the Director's Cut and what he's been saying is really not sitting well with me.
I'm taking today and the weekend off for myself to face all the crap life's been throwing at me again on Monday, so it's all good despite what CC is trying to do. It once again brought the fandom together. That's something.
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Dreamland. Scully arrives at Mulderâs place and finds Kershâs dishevelled secretary leaving his apartment. Itâs apparent that she just had a tĂŞte-Ă -tĂŞte of whichever kind with Mulder.
I was always very surprised that Scully wasnât more visibly devastated in that situation. After all, this is right after Triangle, and Mulder had recently told her that he loved her. Although she pretended not to take it seriously, decided to blame it on the drugs, I think she VERY well knew that he meant it. She just couldnât cope with it, being utterly unprepared for it; not in this kind of situation, not so spontaneously â at least thatâs my take on it. So why was she more annoyed than hurt to find that Mulder most likely had just fucked someone else in a completely casual way?
I think that Scully knows an awful lot of things instinctively long before she admits to them. And Iâm convinced she already knew a 100% that there was no way this was her Mulder. As good and necessary as her strict rationalism is for him and his flights of fancy, as much a hindrance it can be to Scully herself. But this deep knowledge of things is also the reason why the blond secretary exiting Mulderâs door does not cause her real suffering. If indeed they just had sexual intercourse in there, at least her Mulder did certainly not participate in it. (Remember that if Scully is good at hiding her feelings, jealousy is the one thing she canât control properly.)
Which brings me to the next question: Did they, fuck? I find the thought quite disturbing, because it would mean that Fletcher exploited Mulder, actually violated his body (hey, it was HIS body); that despite the fact that Mulder hadnât had sex in so-and-so-many years because (I believe) he wanted to do it with Scully and no one else, Fletcher ruined that.
You could argue that a body is just a body, but I would reply that no, it is never ONLY a body, Mulder for Scully certainly is both, mind and matter indivisible, or she could later just have stayed with Mulder-as-Fletcher instead of telling him âIâd kiss you if you werenât so damn uglyâ. Was that a completely superficial thing of her to say, should she have loved his soul no matter what? Not without a huge effort (there is an excellent fanfic out there which explores just that path). The thing is, we might love a soul first, but that soul then starts to extend to the body, manifest in a face, we begin to love the shape of a nose, find ourselves surprised at adoring the curve of a lip weâd never found attractive in anyone else but the beloved person. Mulderâs body for Scully is holy, as loversâ bodies are, and it was for her to have, not some horny secretary, not for horny Fletcher to just use as he pleased.
(I could go on and explain how I think that Dreamland shouldnât be a comedy, that Mulder, as crazy curious as he is, might perhaps have found the experience interesting to a degree, but everyone finding themselves in a body not belonging to them would probably panic, be desperate.) And yes, time is rewinded after Dreamland, but not entirely. The parallel experience left traces and perhaps it would also have left traces on Mulderâs body.
Summa summarum: I headcanon that Fletcher did NOT sleep with Kershâs secretary but that they only fooled around (bad enough) and that Mulderâs body indeed had the pleasure to be used to pleasure Scully later, after so many years.
I would also say its not a good comedy either. It honestly has a man who clearly doesnt value or love his wife or children. He has no desire to go back to them in anyway. Mulder is desperate to get back to Scully even though they aren't even on the xfiles.
Fletcher is just a giant asshole who was clearly a shit father and husband with a shitty job. I think Scully knew damn well it wasn't Mulder when they stopped for gas. He didnt ask for sunflower seeds. He isnt constantly in her space. He gave up way to easily. But she also doesnt think hes a bounty hunter either.
Been deep diving though old interviews, and came up with some interesting thoughts from David Duchovny and Gillian Anderson.
Turns out, they were not only very suited for their roles but also in step with the goal of the show.
tl;dr DD and GA fluctuated between advocating for unresolved
sexual tension and becoming bored with the status quo.
IMPORTANT CONTEXT
Everyone (every single person) working on The X-Files believed its appeal was bound up in two factors: ambitious quality and the
sexual tension underpinning its lead characters.
Every article, every interview, every verifiable quote underscores that latter point. Chris Carter may have cast for chemistry but he, the producers, the writers, the actors, and a swath of early fans believed wholeheartedly that the show as it was would change-- perhaps irreparably-- if Mulder and Scully were to kiss.
The "will they, won't they" wasn't just fan baiting: there was legitimate concern drawn from previous shows and various tropes at the time.
August 1994:
Clearly, the primary emphasis in The X-files is plot. In a press conference on January 14, 1994, series creator Chris Carter said, "The show is very plot driven...It's what i fought for from the beginning, which is, I didn't want this to be another Moonlighting. I didn't want...the relationship (between Mulder and Scully) to come before the cases." Ironically, Carter writes the episodes that probably develop and progress the agents` relationship further than the episodes written by the other writers.
January 26, 1997:
"There is a huge amount of sexual tension between Mulder and Scully", she says, "but it's never consummated. I think what's sexy is the respect they have for each other." Gillian doesn't think the pair will end up in bed because, as was proved when the Moonlighting duo became lovers, it would ruin the show. If it does happen, she hopes it will be saved for the final episode. "If it's the end, we're allowed to," she says.
April 19, 2024:
Glen Morgan: Whenever we go back to being at the FOX commissary - or wherever it was that we were thinking about this stuff - we had two rules: if Scully ever saw an alien, or they ever kissed, the show was over. Thatâs what we thought.
DAVID'S AND GILLIAN'S THOUGHTS
Another interesting perspective: both DD and GA signed onto a five-year contract believing The X-Files wouldn't take off; and if it did, not for very long.
Alas, the irony.
May 16, 1996:
Q: Did you think âThe X-Filesâ would make it?
DD: I didnât think so. A show about extraterrestrials â no matter how well-made â how many can you do? I didnât see the show opening up to be about anything thatâs unexplained, which is limitless.
July 13, 1996:
Anderson: "I thought the theatre was the thing, and still do. At first I said no to TV - 'I am an actress'. I was very snobby in that area, but five years ago TV was conceived in a different way. It was taboo for theatre actors to do a series in case you became stereotyped. And the work wasn't necessarily high quality. [...] None of us expected it to be so popular. It was, 'OK, we're doing TV. I hope it lasts a year and then stops so we can move on.' It didn't."
May 2002:
MORGAN Nobody [at Fox] thought The X-Files would last, that it would do 13 episodes and get canceled. They really thought [The Adventures of] Brisco County, Jr. was going to be the big hit.
February 3, 2018:
In other words, she found herself sucked into television when she auditioned for a sci-fi pilot. Would she have signed if she knew how long the role would last? âUmmm,â she says, and pauses so long that I think she is never going to answer. âItâs tricky,â she continues eventually. âWhen I signed up, all I knew was that I could pay the rent. Thereâs part of me that would say, âOf course, itâs an extraordinary character and Iâm extraordinarily lucky.â â But there were times when she felt as though she had signed away the best part of her life. âWe shot 24 episodes over nine and a half months every year, over and over and over and over again. Shooting [each episode] of that kind of series in eight days is insanityâŚâ
Regardless, both were briefed and on board with Chris Carter's vision.
I want to preface these quotes by suggesting one thing.
Yes, there was worry motivating Carter's decision; yet it seems more likely (especially in light of his and Duchovny's and Anderson's comments from 2000 onward) that MSR's limbo was to create and keep the unresolved sexual tension unalterably in tact (as explored here, here, and here.) My suggestion: this decision was not unwelcome (when well written) by his actors.
November 1994:
Walter via e-mail asks if Mulder and Scully should be romantically involved.
GA:Â "A lot of people have commented on that, but the show's not really about that. It's about the cases we are investigating and our professional relationship and it's occurred to the writers that if it was to go into any other direction it would distract from the main theme of the show. If we establish a romantic relationship, it would kind of go downhill."
1995:
Though X-philes love to speculate about it, Mulder won't be bedding down with his partner, Dana Scully (Gillian Anderson), according to Duchovny. "The characters' bond is just as good as sleeping together. If we progress into a [sexual] relationship, that becomes the focus of the show," he says. "And then it becomes like any other show which focuses on a boring relationship between two white people."
1995:
The producers of the show are constantly receiving letters asking if romance is likely between the stars, but the relationship is likely to remain platonic. âThe showâs not about that,â Gillian says.
âWe (Scully and Mulder) have a good rapport, a definite admiration for each other. Weâre attracted, but weâre so dedicated to the work that it always comes first.â
March 1995:
PG:Â So far Scully and Mulder's relationship has been strictly platonic. Does the show work better that way?
DD:Â Yes, just because it's so easy to jump into bed. Who needs to see that? That happens on every show. What's so hard about having sex? It's the same thing as nudity...big deal. It's better to have two people who are actually interested in each other beyond that. The easiest thing in the world is to be attracted to somebody. It's harder to actually live with them and work with them. And that's a fact, Jack.
PG:Â Can you see Mulder and Scully get involved romantically?
DD:Â To me, that would be like the final show, when the show is going off the air and everybody was giving up, and they decided to let Mulder and Scully have sex with one another.
PG:Â But they do sometimes glance at each other in a kind of sexual way.
DD:Â Yeah, I think that's more realistic.
January 1997:
FHM: David Duchovny has said he would like to see The X-Files end with Mulder getting laidâŚ
Gillian Anderson: By Scully, hopefully.
FHM: âŚand then dying.
GA: Iâd like it to end with us in bed together and having lost nine minutes of time, like in the pilot episode when thereâs time lost because of a UFO, and then wake up and not quite know whatâs taken place in those nine minutes that weâve lost.
FHM: Surely you canât finally consummate your famously non-shagging relationship?
GA: Yes we can. If itâs the end, we can.
October 1997:
One thing you probably wonât see is Mulder and Scully kissing. (Though all bets are off on the movie.) The sexual tension will likely remain sensed but unplayed.
âAnd that is enough,â Gillian Anderson says. âThe touch of our hands on âThe X-Filesâ is more arousing than a kiss on another show.â
Duchovny attributes whatever sexual tension exists in the show to Mulderâs and Scullyâs mutual respect.
âI think itâs sexy when you see a man and a woman caring about what the other one thinks.â
November 22, 1998:
ET: Romance? Any more romance between Scully and Mulder?
David: I don't think so. The formula seems to work.
June 18, 1998:
Charlie Rose: Does the audience for the television series and the upcoming-- do they want these two people to get together? Do they want 'em in bed?
David Duchovny: They do, and they don't. You know? There-- they really want them to be in love, I think, and they want a natural expression of that or a continuation of that, for them to be physical with one another. But I think there's also this great sense in which people realize that once you have a physical intimacy you can't go backwards.
Charlie Rose:Â Yeah.
David Duchovny: And does it-- I think they love the friendship and the tension so much--
Charlie Rose:Â I think the word ''tension'' IÂ was thinking about.
David Duchovny:Â Yeah.
July 10, 1998:
WILL MULDER AND SCULLY EVER KISS? âI think so,â says Duchovny, who almost smooches with his costar in the movie. âIf you tease the audience too long they get frustrated.â Good luck convincing Anderson. âItâs not appropriate,â she says. âThe series isnât about our relationship. If it happens, we should wait until the very last episode.â
August 21, 1998:
He said: "Romance wouldn't kill The X Files, but it would change it. I don't think our writers are particularly interested in writing relationship stuff. If they wanted that, they'd be working on Ally McBeal.
"If I had a choice, I'd say don't have Mulder and Scully together because it takes the focus away from the quest. There are so many shows about a man and a woman. Ours is the only one about a guy trying to find aliens. That's the show's strength, so let's stay with that."
October 12, 1998:
TS: Nothing more than simple chemistry?
DD: No sex between Mulder and Scully! Only deep friendship. People thinking there's more than that between us amuses me. With Gillian, we've created the illusion of romance.
GA: Even if we never kiss on-screen, the audience feels, through a look or a certain sensuality in the dialogue that there's a romantic link between us. We let imagination do the rest.
DD: Plus, I'm not sure a sexual relationship would add anything to our characters or to the quality of the series.
TS: But you still call each other by your last names instead of your first names, in both the film and the series...
GA: Our characters have to keep a certain distance between them. Calling each other Mulder and Scully just accentuates the seriousness of their professional relationship. But we do, from time to time, in more intimate or dramatic situations, call each other Fox and Dana to show that we have real affection for each other.
November 1998:
The direction of Mulder and Scullyâs relationship is a topic of hot debate. âFrom day one weâve been talking about the fact that it just wouldnât work in the series,â remarks Anderson, âbut Iâm curious as to how, after the movie and the extra zing thatâs in the film and whether it should or shouldnât influence how we are with each other in the series. If it does, how will it influence the work that we do? I donât know.â
Duchovny is equally unsure of whatâs right for the show. âItâs hard to say what would ruin the show, or what would make it good, without actually doing it. But [a relationship] could be interesting. If we had someone come in who wrote beautifully in that direction Iâm sure it would work, but I donât see that happening.â
December 1998:
Gilligan: âI had a good time writing that ["Small Potatoes"] scene at the end where Scully almost kisses Mulder. Of course, itâs not really Mulder, itâs Eddie Van Blundht. Both David and Gillian really enjoyed doing the episode, because it was a change of pace for them, and they have fun doing comedy. But as I recall, Gillian was a little reluctant about the kiss, because she was fearful for the franchise. In other words, she worried that we were taking the show too far.
February 10, 1999:
But as for Mulder and Scully getting romantically closer, or, as was the case with the movie, even kissing - albeit in friendship - well, don't hold your breath. "You have them get together would take out all that sexual tension," Anderson says. "It just wouldn't be the same."
January 28, 2000:
DD: I think everything is up in the air because of the movie-franchise aspect. If we truly knew that it was ending this year, next year or whenever, you could actually write toward an ending. I think you could actually disrupt the nature of Mulder and Scullyâs relationship and make it sexualâmake it somethingâand actually deal with it, in that case.
July 26, 2000:
At least, this season, Fox Mulder and Dana Scully got to share a kiss, albeit a chaste "happy new year" brushing of the lips. But many X-Files fans want more. Duchovny, however, remains unconvinced. "I'm really not sure," he says. "Mulder and Scully share a deep bond, but I'm not sure about romance."
"The interesting thing about everybody's interest in the relationship between Mulder and Scully is that they want some kind of resolution to it. But when you look at the show, each week something happens to Mulder and/or Scully that is completely life-changing, yet we come back the next week a if nothing had happened."
"It's unnatural, I know, but in a weekly series you can not have things change the way they would in real life. You can not have the kind of resolution you want in real life. I thing it's best if Mulder and Scully just keep teasing the viewers the way they do.
The Official Guide to The X Files (Vol. 6), 2001:
"David and I knew the kiss was coming," relates Anderson. "I felt the editors of that episode milked it in a very effective way. When we were shooting the scene, the director slowed everything down and changed the camera angles. That scene was made to last a lot longer than it actually was."
April 10, 2005:
JL:Â You and she walked a tightrope for years before you finally fell off it. (DD laughs) You've described it as a chaste love affair and compared it to Cary Grant movies in which verbal sparring was a code for sexual sparring.
DD:Â The intelligence of Chris Carter in keeping it a chaste love affair was you constantly wanted to come back, since it was never consummated, the pressure was never let out of our balloon. You know, we were constantly ... you know, the smallest touch was rife. And that was fun.
THE NUANCE
David and Gillian knew the show's trajectory from day one (and discussed it here, here, here, and here); however, that doesn't mean they weren't creatively tempted to explore more on screen.
<-90s->
DD often chafed against the limits of the show (continually contributing ideas and criticisms behind the scenes, posts here and here), and GA often thrilled at the thought of introducing a little jealousy into the MSR dynamic (post here.)
August 1994:
MILLER: The current level of subdued mutual interest is a neat tension, and if that can be maintained, it certainly has some benefits.
GILLIAN: Yeah. I love it. Thereâs actually an episode coming up (Tooms) where we have a scene in a car together that gets a little-not steamy, in that we donât make any physical contact-it gets pretty tense between us. Thereâs some teasing words passed between us. I hope- I havenât seen the dailies, but i hope the scene turns out as well as it felt when we were shooting it.
1996, Brian Lowry:
Never one to settle for success, Duchovny-- who continues to play an active role in the series's creative direction, working in concert with Carter and co-executive producer Howard Gordon on certain episodes-- is pleased with the third season but looks forward to expanding the shows emotional range even further. Referring to one of the early second-season episodes, he notes, "I think when we did 'Duane Barry' the show became a really great show, and we maintained that level for a while, but we haven't gone beyond it. I'm waiting to go beyond it. We don't go beyond it technically, but we will go beyond it in terms of character, introducing a personal life of some kind. I think it's inevitable. You have to do it."
When it's pointed out that the show's most fervent loyalists, as well as Carter himself, have been especially vocal about not wanting to see Mulder and Scully romantically involved with anyone but each other, Duchovny simply shrugs and says the nuances he refers to don't necessarily have to involve romance. "Give Mulder a friend. Give him a squash partner," he suggests. "It's got to happen. I really don't care what anybody thinks we should or shouldn't do." [...]
"I think it would be an interesting challenge as an actor to see how they react in certain situations-- how they act on a personal level [...] maybe have her go on a date, or someone she's attracted to just so see how it affects her relationship with Mulder," Anderson concurs, while adding that she understands the show's parameters dictate that they "not take it to any great detail, or take it any further. Just that sideline would be interesting. It can't just be about extracurricular relationships," she continues. "The show's not about that. That would ruin it."
August 1997:
Much has been made of the sexual tension that exists between the showâs lead characters, and the question of whether theyâll ever get it together. Duchovny has even been misrepresented as wanting a girlfriend in the series, which in some fans eyes would ideally be Scully. âI kind of bridle at thatâ, he explains, âbecause I think of myself as Frankenstein asking for a bride, you know, like, 'girlfriend, good. Please give Mulder a girlfriend!â Itâs not really that, itâs more like sometimes I want Mulder to have a life outside of the investigation part and outside of the quest for his sister. I know that is the main spine of the character, that is what drives him, but Iâd also like to take him into other areas, and the obvious way would be to either be with Scully romantically, or another woman. Iâd like to see something like that, just because as an actor thatâs interesting to playâ.
November 1998:
The direction of Mulder and Scullyâs relationship is a topic of hot debate. âFrom day one weâve been talking about the fact that it just wouldnât work in the series,â remarks Anderson, âbut Iâm curious as to how, after the movie and the extra zing thatâs in the film and whether it should or shouldnât influence how we are with each other in the series. If it does, how will it influence the work that we do? I donât know.â
Duchovny is equally unsure of whatâs right for the show. âItâs hard to say what would ruin the show, or what would make it good, without actually doing it. But [a relationship] could be interesting. If we had someone come in who wrote beautifully in that direction Iâm sure it would work, but I donât see that happening.â
January 30 - February 5, 1999:
"I never felt they should consummate their relationship, but it's important to acknowledge the level of intimacy that occurred in the movie," [Anderson] says. "It's given the writers another path to go down with the show - how to keep us working together without becoming completely involved with each other. They've come up with some very creative episodes that will make everybody happy."
February 1999:
REDBOOK:Â In the X-Files movie Scully and Mulder almost locked lips, then on the show they did, if only briefly. Does that mean that they're finally going to have a real relationship?
GILLIAN:Â From day one we've been talking about the fact that a romance between them just wouldn't work. I don't know if almost kissing in the movie will change that.
February 5, 1999:
Carter has no problem with the ripening sexual tension, but he wants the relationship to remain platonic. âFrom an actorâs standpoint, itâs too bad,â says Duchovny. âI would like to complicate the situation rather than maintain it in this limbo weâre told people like. Weâve been able to go places with the relationship over the years, but we donât build on it. But thatâs the nature of the show â thereâs never any accumulation of experience.â
As an added complication, their investment in Mulder and Scully's "perhaps more" waned with each repetitive question year after year
after year.
July 1995:
Not that - to the disappointment of many - she thinks anything romantic will ever happen between the two leads.
"Everybody and their dog asks me that," she laughs. "But I don't think it's going to happen. [T]he show's not about that, and what we have going right now seems to be working, and to alter that might destroy it."
February 20, 1997:
Q:Â I hear you're tired of always being asked the same questions.
GILLIAN:Â I don't know what question would be more fun to answer. But for the longest time, everybody has asked, "Do you believe in UFOs?'" "Are Mulder and Scully going to get together?" I've heard my same response to all those questions so many times I just can't do it anymore.
October 15, 1997:
Q: PLEASE tell us the one question that you always get tired of hearing as well as having to answer it. -- Melody
DD: There are a few of them -- can I give you a few? "Is it true that the show is moving from Vancouver to Los Angeles?" "Do you believe in aliens?" And, "Are Mulder and Scully going to get together?"
July 27, 1999:
Then the inevitable "relationship question:" romance between Scully and Mulder.
DD: "A certain percentage of our fan base is obsessed with our relationship or lack thereof.
"Sometimes there's a romantic hint in the script. Other times there isn't. That happens over a six-year period when you're writing about two characters who work so closely.
"But you know, I couldn't tell you how uninterested I am in all that. I don't mean to be rude when I say that. It's just not interesting to me in any way, shape or form."
<-2000s->
There was a spark of enthusiasm (and disappointment) kindled towards the latter end of the show--
2002, Kessenich:
The two stars were also reportedly unhappy the relationship between Mulder and Scully was not explored more fully since Duchovny planned to leave the series at the end of the season.
--which was revived, with gusto, while filming the next movie--
May 4, 2008:
THE CAST and crew of the upcoming âThe X-Files: I Want to Believeâ were just a few weeks into filming in Vancouver when Frank Spotnitz, the co-writer and co-producer with creator-director Chris Carter, called star David Duchovny over to a laptop computer to watch a fan-made video on YouTube. It was a montage of scenes from the old âX-Filesâ show set to Sarah McLachlanâs forlorn âWhen She Loved Me.â
âIt was intensely romantic and it almost brought tears to my eyes,â Duchovny recalled. âIt really did. And it reminded me that we have at the core of âThe X-Filesâ this very powerful relationship. We have to honor that and not shy away from the sentimentality of the fans or of the relationship itself. When we were doing the show, Gillian [Anderson] and I had got tired of it. And we wanted to be ourselves outside of it. I remember struggling. But now I think, âGod, what a great love affair.ââ
August 2008:
Anderson:Â You know, it all kind of gets jumbled up in my mind, but just recently, during this shoot, someone pulled David and I aside to this computer and showed us some clips, on YouTube, that fans had put together of us in various scenes. And there was an amazing amount of care and intimacy that I'd forgotten about. I mean, people always say we never kiss on the show - we kissed, like, thousands of times! There are kisses all over the place. There was a level of real intimacy between these two characters, the kind of care that you don't see very much in the real world. I missed that - and when we saw it again that day, we were totally mesmerised by it.
But as in the 90s (and so, too, in the 2010s), neither strongly objected to MSR's trademark distance.
July 21? (published 22nd early A.M.), 2008:
There have been rumors that Mulder and Scully have some passionate physical contact this time around.
DD: âIâm not saying. But I will say itâs always been an old-fashioned romance where intimacy comes through looks, or holding hands or kisses on the forehead. Mulder and Scully are meant for each other but thereâs always an obstacle that threatens their relationship and this movie is very much about that obstacle. Itâs a thriller and kind of a horror movie, but while this horrifying stuff is going on youâve got these two people sort of trying to figure out where theyâre at with each other.â
<-2010s->
The Revival's regression reset the actors to their original positions, i.e. Gillian becoming more intrigued by her character's growth and strength apart from a relationship (echoes from Season 8, post here) and David remaining more keen on building forward from his character's history.
August 3, 2015:
We can tell you that they're not living together, and that Mulder has become convinced that the alien conspiracy might not be precisely what he thought it was. His obsession has taken a toll. "He's wearing bad jeans, so you can just extrapolate from my wardrobe. He's in a dark, dark place," says Duchovny, who holds out hope of a return-to-form makeover. "The classic Mulder is not this. He belongs in a suit."
[...]
Anderson is equally cryptic about the direction Carter has charted.
âI like where we find Mulder and Scully in their relationship,â she says. âI also like the area of zeitgeist that we step into. Itâs on point and raises some very interesting issues. And question marks.â
December 9, 2015:
Q: what did you think when you first found out mulder & scully were broken up in season 10?
GA: I thought âgood call, Chrisâ
January 13, 2016:
Anderson admitted she heard rumblings of the displeasure of the relationship status change. "Even though I knew that they were devoted and passionate, I still get shocked by it sometimes," she said of the fanbase. But the new dynamic was almost necessary for the show to work again.
"Part of what is enticing about the duo is the fact that they are against each other [Laughs.] at the same time they are for each other," she said. "It's just too domestic a scenario to have it being that they live in the same house, and they go home every night to the same house while they're doing The X-Files during the day. It leaves a much more intriguing and interesting dynamic to have us still maybe be in love and have that spark going, that question mark."
While they may be broken up now, all hope should not be lost.
"I think at the end, I think at the very end they absolutely belong together, but it's a long road," Anderson said.
January 23, 2016:
Anderson:Â I think itâs already been discussed, already been printed that weâre not living together.
Duchovny:Â Weâre separated.
Q: The fans wonât like that.
Duchovny:Â You know you canât keep us apart for that long.
December 20, 2017:
Though the two remain apart, fans can take heart: Their romance is actively discussed. âSo much of their relationship is unspoken,â Duchovny says. âWhatâs so vital and strong about the show is the partnership between the two of them, beyond the labels. Whether theyâre physically together or not, they are always together in some sense.â
(More quotes: DD and GA on Mulder/Scully's "Marriage" and Breakup)
And this isn't to say DD was overly invested in the characters' relationship and GA not at all, or vice versa: Gillian preferred to keep matters strictly separate; David advocated new possibilities to enrich the material.
Simply put, neither was particularly eager to rush into romance if other challenging, thought-provoking scripts kept their attention. And when Mulder and Scully did cross that line, they willingly explored the partnership together... and apart, together and apart, and on and on.
In short, their concerns aligned rather well with Chris Carter's, forming the backbone of the steamy yet restrained dynamic which captivates audiences to this day.
CONCLUSION
Extra material if you're so inclined:
DD and GA Didn't Think Mulder or Scully Were Very Sexual
DD: Mulder and Possible Relationships (a Follow-Up)
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Scully was in the kitchen, putting away dishes from dinner, and talking to her mother on the phone.
"Don't forget about brunch this Sunday," Maggie reminded her.
Scully winced. She had definitely forgotten about the plans they made a few weeks ago. Luckily, there was no out-of-town case she was working on, so she wouldn't have to cancel. Scully always felt guilty cancelling plans, especially with her mom.
"And bring Fox with you," Maggie requested.
Scully sighed, "Mom, I don't know if he'd want to come." She wouldn't mind spending time with him outside of work, but Mulder was not the type to sit at Sunday brunch when he could be chasing cryptids in the woods.
"Dana, tell him I insist. He'll come."
She rolled her eyes at her mom's confidence. "Okay, Mother."
Scully hung up with Maggie and immediately phoned Mulder. "My mother requests your presence at brunch this Sunday," she said without introduction.
"Oh, she does?" Mulder answered. "What about Miss Dana Scully? Does she request my presence as well?"
"I suppose I'll tolerate your presence," Scully said exaggeratedly, with a smile that Mulder wasn't able to see.
"Okay, I'll leave my dance card with the butler and hope that you fill one of the boxes. What time should I pick you up?"
"10:30 please, since brunch is at 11."
"It's a date," Mulder confirmed, and ended the call before Scully could argue.
--------
For brunch, Maggie made a spinach and mushroom quiche and had fresh fruit, juice, and coffee laid out on the table. It was quite the spread for three people, but Scully appreciated the effort her mom had put in. Mulder seemed to appreciate it, too, as he complimented Maggie many times throughout the meal. Scully remembered Mulderâs upbringing on Marthaâs Vineyard and how that most likely contributed to his good manners (when he wanted to display them, that is).
 After brunch, Maggie shooed Mulder and Scully into the living room so she could clean up but quickly returned with old photo albums that she clearly wanted to show Mulder.
"Mom, we don't need to look at these," Scully protested. She didnât need Mulder to see her frizzy hair and terrible fashion sense in her younger years.
"Fox, doesn't mind, do you?" Maggie asked Mulder directly.
"Not at all! In fact, I insist you find me a picture of Dana with braces,â he implored.
Scully groaned â she was outnumbered.
She suffered through baby pictures, school portraits, and graduation photos, until Maggie stopped on a picture of Scully and Melissa, at a wedding about ten years earlier.
Maggie put her hand on the photo and got misty eyed. "I have the two most beautiful daughters in the world."
Scully rolled her eyes. "Every mother says that."
"Well, it's true!â Maggie insisted. âFox, don't you agree?"
Scully swung her head to Mulder. She wanted to tell him that he did not have to answer, but he spoke too quickly. "I think Dana is the most beautiful woman in the world,â he said confidently.
"Mulder!" Scully exclaimed, covering her face in embarrassment. What would possess him to say something like that?
Maggie smiled smugly. "See, Dana. I'm right!â
"Can we please stop talking about my appearance?" Scully asked, feeling her face redden even more. Luckily, Mulder and Maggie acquiesced, and they moved on to the rest of the album.
-------
When Mulder and Scully departed, heading towards the car, Scully felt she had to comment on Mulder's proclamation from earlier once they were in the car. "You don't have to humor her, you know. She already likes you."
That latter statement was quite evident, as Maggie had given Mulder leftovers and a hug on their way out.
"Humor her?" Mulder questioned.
"You know, when she was talking about having the most beautiful daughters? I hope you didnât feel like you were put on the spot."
"Scully, I wasn't humoring her because I was telling the truth.â
"Mulder, you cannot possibly think I'm the most beautiful woman in the world. While very flattering, it's a ridiculous statement."
"I don't think so."
"Really? Well, what about Marilyn Monroe?"
"She doesn't do it for me."
"Naomi Campbell?"
"She's pretty, but..." he shrugged and opened the passenger door for Scully to get in.
"Pamela Anderson?"
"Scully, you could list every woman featured in People magazine and itâs not going to change what I think. Why can't you take a compliment?"
Scully paused to buckle her seatbelt, not sure how she wanted to respond. She decided to be honest. "Well, no one's ever said anything like that to me before," she admitted quietly.
"I guess I need to say it more often," Mulder said with a wink, then pulled the car away from the curb.
They were quiet for most of the drive, mostly because Scully was ruminating on Mulder's comment. Could he really believe she was that beautiful? It was really sweet if he did. Mulder had this peculiar habit of driving her absolutely crazy, and then being so kind and gentle the next moment.
When Mulder pulled up to Scully's apartment, he put the car in park and unlocked the doors so she could exit.
Scully leaned over to kiss him on the cheek. "Thanks, Mulder." She quickly unbuckled her seatbelt and got out of the car before he could comment on her out-of-character behavior.
Mulder rolled the window down. "Thanks for the ride?" he asked.
Scully rolled her eyes. "Thanks for being so nice to me. And for the compliment..." she trailed off, still slightly embarrassed by Mulder's earlier pronouncement.
"You're not so bad looking yourself," she said, almost unwillingly. Scully tried to keep her feelings about Mulder (appearance and otherwise) buried deep, but since he made the first move, she thought it would be okay to let him know that the sentiment was reciprocated.
Mulder grinned through the open window. "Most handsome man in the world?"
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There's a reason why Carter hasn't had success outside of XFiles---he didn't do it on his own. He GOT LUCKY with 2 people coming into his project to bring life into his project. Say, for instance, instead of David and Gillian, it would have been David and the actress from Ice. There wasn't anything there between the 2 actors to create the atmosphere and connection between the characters. They were flat. Same goes with the actress who played detective white and even a big name like Mimi Rogers. His writing came to life because of the actors who brought them to life and HOW they did it. Amanda Peet and Mulder on screen weren't appealing. It was a wonderful clash of circumstances at the right place, right time, right project that has yet to be replicated to the xfiles level.
He got lucky and he resents it because Gillian and David (Scully and Mulder) get a big portion of the credit for the xfiles success. He gave them the platform and material to begin with, and they were just able to breathe life into mediocrity. He had an idea that needed finessing.
The fact that he hasn't been able to have another successful project is why he is trying to prove himself with this revision. Perhaps he can't find financing or backers for a film or project, so he just resorts in stripping apart a previous piece of work because he thinks he is clever, talented, and knows better than the fans who helped fund the millions of dollars in his bank. He wants to be the great and powerful Wizard of OZ, but he's just a tiny man behind the curtain only fooling himself.
Yes, he got really lucky with who he cast. His idea for the X-Files in general remains brilliant, too. I just think that he expected the show to go differently. Or rather he had his vision and when people responded to the Mulder and Scully of it all, he felt like his vision was sidelined and he lashed out. That's how it feels to me.
He really didn't have any major commercial success apart from X-Files, did he? To him, characters and emotional development is not of importance. That is his right, but it's simply not what people want to see.
Seriously, David and Gillian should get so much credit for what *they* created. Individually and together on screen. They gave the characters life in spite of CC.
However, he did mention that he shot a movie with his wife and was convinced that X-Files fans will love it. Meanwhile, I am not sure I am even interested because the way he's been treating my favorite show doesn't make me want to watch anything he's creating.