The Tiger by Nael, Age 6
ONE OF MY FAVOURITE POEMS
Perfect edit!!!!!

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@runescape-69
The Tiger by Nael, Age 6
ONE OF MY FAVOURITE POEMS
Perfect edit!!!!!

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His hands… his hands…
Loyalty (1869)
— by Briton Rivière
Loyalty (2025)
— by Ilya Rozanov
i know this was like a month ago but jacob on the shift saying what makes connor so perfect for the role is that he was so good at playing “what i wanted out of ilya, which was a slyness. that ilya’s always trying not to laugh, especially at shane. that he doesn’t want shane to realise how much he likes him, and how charmed, how endlessly charmed he is by making shane uncomfortable. it actually lights him up inside, he really loves it.”
literally the mandate of heaven that jacob tierney has 😭😭😭 it lights him up inside i-
something something ilya likes to cause a hurt then soothe it.
these images are the same to me. he likes to push too hard to bruise to needle to sink his teeth in to know he’s making an impact. and then follow it up with a good fucking or to say in so many words i love you. to know he is loved enough for his impact to be felt. it lights him up inside. and god you just KNOW shane bruises up so pretty, and he looks so pretty when he cries 😮💨
and by popular demand. of course shane has built up so many layers of protection in his unimpeachable skill his work ethic his diet his routine he is going through the motions like a little roomba living in a state of desperately hoping no one looks at him long enough to see anything real. he’s constantly at a remove from the world his walls are up so high. and here comes ilya who does look too long who wants to touch and push and prod and provoke, who gets a reaction out of shane every time. those carefully built up walls and he crashes through them so easily. for shane i think it has to hurt a bit to feel real 😵💫
face in the pillow that's how he likes itttt

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thinking of ilya in the privacy of his all stars room door locked carefully typing ‘compatible’ into his phone with the most disgusting feeling of anxiety and disgust at his own needs inside him, thinking about the relief and fear and confusion when reading the result
Actually FUCK IT list of times Shane calls Ilya baby:
- Ilya gets a sunburn during the first cottage summer and neither of them realize it until Ilya is taking his shirt off that night and Shane sees the lobster-red flush across his shoulders. He sucks in a hiss through his teeth and says, "Oh, baby, ouch," and presses the big, broad pads of his fingertips so tenderly to Ilya's shoulder and Ilya has to close his eyes because he feels like he's going to crack apart.
- When he answers the phone and he's alone. "Hi baby," said so softly if it's been a long day. Or a hard one. Or if it's late. "Hey baby," more energetically, usually in the morning, in a way that reminds Ilya of how his teammates answer the phone to their girlfriends and wives. Masculine and jockish and very North American in a way that makes Ilya feel pleased for Shane, in a weird way.
- Glass on the floor in the kitchen. Ilya blindly following the sound of the shatter and not really even thinking about it until he's standing amongst the shards and Shane is gesturing frantically with the broom. "Put on some fucking shoes, baby, please! Fuck, where are your slides--no, don't move, I'll get them--"
- Said gently, as a question, on days when he perhaps stays in bed longer than can be justified by sleepiness.
- "Hey, baby," said some mornings when Ilya comes downstairs dressed for the day and Shane really likes his outfit. Usually an indication that Ilya will not be wearing those clothes for very long.
- In bed less often than you'd think. Really a vanilla sex only thing, because being called baby can sometimes bring Ilya out of it when he's really in the groove. But Shane will lose it a little sometimes, when Ilya says, "Tell me you like it," and Shane says, "Yes baby fuck fuck I like it fuck please don't stop fuck baby please let me cum" and that's. Very good. Obviously.
- Said with a very particular warning lilt and only AFTER Shane has already said, "Ilya." and then, "Rozanov." In the same tone. This is actually one of only two circumstances where the very elusive 'babe' comes into play. If Shane REALLY wants Ilya to stop whatever he's doing or saying, it's a hand around the wrist and the word, "Babe," quiet but firm. And it does shut Ilya up approximately 100% of the time.
- Other instance of 'babe': Any sort of crowd. 'Ilya' is three syllables (Because Shane...pronounces it a bit wrong.) and unique enough that Shane sometimes worries about drawing attention. 'Babe' is one syllable and can be barked above the crowd in the Captain Hollander voice loud enough that Ilya will have no choice but to hear him if he's within the surrounding 500 feet. They have Marco-Polo'd themselves back to each other with 'BABE' and 'SHANE' multiple times in multiple countries.
- One time someone accidently brings several bottles of fortified wine to the barbecue. It's quite high proof for wine and several people get tipsier than normal, including Shane. Halfway through the evening he puts his head on Ilya's shoulder and plays with his fingers and murmurs, "My baby," into the seam of his shirt and Ilya, looking down at him so fondly, says, "Yes. Yours. Drink some water for me, sweetheart."
- "YES BABY." Yelled directly in Ilya's face during goal cellies. Obviously. This is also the first thing Ilya hears when the ringing in his ears stops after he scores the game-winning goal in overtime in game seven of the Stanley Cup finals. Knees on the ice, sobbing, screaming, laughing, and his husband barrels towards him at damn near light speed, tackles him, skids onto his knees and sends them sliding along the ice together, knocks Ilya's helmet off and puts his hands on his face and yells Yes baby! Fuck yes, baby! We did it!
This is definitive, love it
happy pride month to this iconic scene
oh my themmmm

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“Williams’ victory feels especially well deserved because Shane Hollander is not an easy character to portray. As we wrote in our review of the series, Williams delivers “a masterclass in micro-expressions and physical restraint.” Shane spends much of the story fighting against himself, suppressing emotions he barely allows himself to acknowledge, and Williams manages to communicate entire emotional arcs through a glance, a tense jaw, or a slight shift in posture. Every crack in Shane’s carefully constructed armor lands with devastating impact because of the work Williams puts in throughout the series.
Seeing that performance recognized on one of Canada’s biggest stages feels incredibly rewarding. Williams’ win is also historic in its own right. At just 25 years old, he became the youngest performer ever to win Best Lead Performer, Drama, at the Canadian Screen Awards, accomplishing the feat on his very first nomination.”
- Q+ Magazine
The cover art for Jacob’s book, ‘The Making Of Heated Rivalry’ has been revealed via People.
I'll Believe in Anything collects the annotated scripts for the show's first season, and gives readers an up close look into the making of the series, from its casting to its costume design and everything in between.
The book also promises to answer burning fan queries, like how the creators balanced Ilya and Shane's rivalry with Kip and Scott's romance, and how the show aimed to "rewrite the playbook” for romance adaptations and on-screen queer love stories, the book's synopsis states.
ilya rozanov reaction gifs [ 1 ] pt 2
And the Canadian Screen Award goes to ... - Hudson Williams, Best Lead Performer Drama Series -
And the Canadian Screen Award goes to ... - Hudson Williams, Best Lead Performer Drama Series -

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i am convinced that ilya is into doing old people shit with shane, especially after they’re out.
there’s a tulip festival in ottawa that shane has never even heard of despite living there for a major part of his life, and ilya’s like “please let’s go to the tulip festival” and shane’s like ???????? why???? tulips?????? wtf?? but of course he goes and he Doesn’t Get It but ilya’s having fun, he’s full on turning his megawatt super smile on shane and taking a million photos of shane among the many colourful tulips and holding his hand and kissing his cheek and talking to random old ladies who tell them (well, mostly ilya because shane doesn't compute information about flowers) about tulips and stuff, and shane stands next to him and holds his hand while ilya animatedly talks and gestures with their hands linked and shane watches him, so enamoured, so besotted, because this isn’t about tulips, it’s just spending time together somewhere outside of hockey, where they're not shane hollander and ilya rozanov but just two guys among people, and shane is happy to continue standing next to his husband and nearly letting him smack Shane's own hand in his face from waving their joined hands around so much.
now that im seeing this again, im realizing im not done.
they go to an art museum that david recommended because there's a new exhibition and ilya, again, wants to go and shane is looking at him like ??? you know nothing about art, and ilya nods and says, that's why we should go. learn. broaden our horizons, and shane sighs and books them a guided tour.
they get to a painting, you know, one of these things that's just a blob of single colour, and shane thinks he could’ve done that. shane doesn't get it. it's just a blob of colour. and not even a pretty colour, just some weird muddy shade that looks like vomit, maybe. and the guide is talking about it and next to him, ilya is oooooohhh-ing and aaaahhhh-ing and nodding along and saying “of course” and “yes, i thought so” and shane is staring at him as if he's seeing him for the first time, because. what. and they move along and he feels so stupid because nothing of what the guide said about this “painting” made any sense to him.
ilya notices how pinched shane’s expression is and kisses the back of his hand, raising his eyebrows in a silent question. shane chews on the inside of his cheek and finally, whispered, asks how ilya knows all this stuff about this painting, and ilya shrugs and says, i don’t, and, it’s just a fucking a circle with colour that looks like puke, and shane is so relieved. they look at each other and snicker like teenagers about how stupid and pretentious it is and then duck out of the tour to go gossip about terrible art but end up finding pieces that they both actually like and stand side by side admiring and finding new little things to point out to the other.
as they take another turn around the exhibition, they pass a couple looking at and discussing the puke blob very seriously, they look at each other and snort, and then walk away very quickly when they receive glares, laughing the whole way.
Shane is fucking strong, physically and mentally, and Ilya loves that so much about Shane.
Ilya loves how Shane's tighs could crush his skull when Ilya's eating him out. Ilya loves how Shane is his solid rock, his lighthouse, his guardian angel whenever he has to make it through bad days. Ilya loves how easily Shane carries Ilyas bags for him. Ilya loves how admirably Shane faces his problems and his own fears, undeterred and with his head held high. Ilya loves that Shane can shove him around, can push him against a wall, slam him into the boards, can easily leave his marks on Ilya. Ilya loves how strongly Shane wants him, choses Ilya time and time again, how much Shane loves him and how he steadfastly shows this to Ilya and the world. Ilya loves that they can play and roughhouse together without fearing to actually hurt each other. Ilya loves how heavy and solid and comfortable Shane's weight feels against his. Ilya loves that Shane can make a stanley cup winning team out of the Centaurs by pure determination and ambition. lya loves that he can trust Shane's body being able to take him, that he can fuck Shane with reckless abandon, throw him around, crush into him with animal instinct, collaps on top of Shane with his entire weight. Ilya loves how fiercely protective Shane is of him, on and off the ice. Ilya loves that he has to actually fight against a struggling Shane to pin him down. Ilya loves his strong husband, his Shane, who lets himself only surrender to Ilya.