aaron minyard apologist

Just like you can’t write a Jesus that is unforgiving, or a Judas that doesn’t betray Jesus in the end, you can’t write an Odysseus that’s not cunning and deceitful and full of hubris. Those are the traits that make him Odysseus. You can give him PTSD from the Trojan war, sure; you can explore the complexities of his character and any guilt he might feel about his actions, and still have him feel like Odysseus; I think the novel Circe by Madeline Miller does it fairly well, for instance. But you can’t write an Odysseus who is a good, honest, straightforward man trying to grapple with his war crimes, simply because that is not Odysseus. And in the same vein, if you want to write a take on the Odyssey but you want to forgo all exploration of the original themes and concepts in favour of your own ideas, it would be worth it to look for a different epic poem that might be a better base for your ambitions.

Can’t resist making it a whole thing ahahah

I can see how, from the perspective of a cop who has grown up in Preservation culture, this must be incredibly annoying, and means even setting aside any prejudices over a SecUnit being a deadly weapon, it kind of comes across to Indah as someone who she can't trust to follow basic standards of professional ethics if it thinks it knows better.

[ID: two photos of a passage from Fugitive Telemetry that read:

"Yes, I've had experience with investigating suspicious fatalities in controlled circumstances."

Indah's gaze wasn't exactly skeptical. "What controlled circumstances?"

I said, "Isolated work installations."

Her expression turned even more grim. "Corporate slave labor camps."

I said, "Yes, but if we call them that, Marketing and Branding gets angry and we get a power surge through our brains that fries little pieces of our neural tissue."

Indah winced. Mensah folded her arms, her expression a combo of "are you satisfied now" and "get on with it."

End ID]

Indah absolutely is looking at MB as a snobby Corporate Person, with the way she sneers out 'corporate slave labor camps,' like MB was intentionally sugar-coating the reality of CR slave labor camps, as if it and any other SecUnits were the ones making the decision to enslave the human workers on their contracts. She clearly forgot (or never fully understood before) that MB was a slave from the moment it came online, and one that was routinely tortured for literal thought crimes. A slave with no end of indenture to work towards or any amount of pay to slowly try to save up to buy its freedom, no future except an endless expanse of violence and pain. If MB uses a softer term like 'isolated work installation' it is because it learned the hard way not to tell it like it is, and when called out on that, it throws the true horror of its existence within the CR into Indah's face (much like it did with the memories of governor module punishments when it first met ART and ART also initially treated it like it was some inherently evil corporate actor).

I think you're right that in the intervening weeks (months?) since it arrived at the end of Exit Strategy, Indah had learned from her first mistake of treating MB like Not A Person (the deadly weapon comment early on for which Pin-Lee was going to get her removed from her position of authority). But she still doesn't trust MB, and unless you get that very direct reminder of how horribly the CR actually treats constructs, I think it can be all too easy to see that SecUnits are physically powerful and then mentally equate that to them having any kind of actual power in those slave labor camps they're forced to guard.