Ah sorry I had no idea your soldiers are working class, please proceed with ethnically cleansing my village.

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@rappaccini
Ah sorry I had no idea your soldiers are working class, please proceed with ethnically cleansing my village.

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as much as i poke fun at âtumblr prose,â i will acknowledge that sometimes when youâre writing and youâre really in the groove, youâre really feeling yourself, youâre on your capital-a Author shit, and you write a line that makes you go, âoh yeah, this is the Good Shit. this is so Subtle and Says So Much. this is Characterization. this is Themes and Motifs. you could write a whole essay about this one line. the master of the craft strikes again!â and then a month or whatever later when youâre editing you read over it again with post-write clarity and you realize you wrote some real âpeople die when theyâre killedâ bullshit
Iâm not trying to turn your kids trans; thatâs stupid. Iâm trying to turn them into socialists.
#for real tho! their gender is their business but class struggle is everyoneâs business
I'm gonna be honest, I fuck with a movie that's all about the collapse of a society that perpetuates certain morals and laws that itself is not willing to uphold when it comes to interacting with the rest of the world.
The Greeks used the excuse of a woman and the war of gods to wage war with an economic competitor, then showed up on their enemy's shores and broke their own laws of hospitality to win the war and ransacked the city and its people. The story of those actions traveled the world, making everyone afraid of the "people from the sea," even the Greeks who WERE the people from the sea.
The suitors cried about the laws not being upheld for them but were unwilling to uphold them themselves. The same society was terrified of this invisible enemy that would invade because of their lack of morals, unaware that THEY are the ones who broke the laws first. They are their own boogeyman. The fear of foreignors was never about the actions of foreignors but their own actions.
The gods haunt the narrative as an ideal. If they were confirmed real, then this movie becomes a warning against breaking away from "the correct religion." Instead, it is a warning of how mutual care and respect for your fellow man, whether gods exist or not, is the backbone of society, and without it, morality becomes something to twist and fear monger.
The gods couldn't exist in this adaptation, so a lot of the plot points involving the gods had to be changed or left out. "Nobody" only matters if Odysseus doxxes himself for poseidon to punish. (The crew members insisting that they definitely heard the cyclops say posiedon and jumping to the conclusion that he was poseidon's son and they were cursed was a great change in my opinion.) The wind bag can only exist if the gods exist. Athena can only guide Telemechus and Odysseus if the gods exist. ("Athena" potentially only being Odysseus's guilt for the preistess he let die who only shows up in times where his actions in Troy are thematically important was *chef's kiss*.) The Trojan War is only a war sanctioned by the gods if the gods exist. Odysseus being stuck with Calypso for so long needs another reason (the lotus) if it's not by the will of the gods. What would Circe and Calypso be like if they weren't eternal goddesses? Did the crew go to Hades, or did they just perform a spell that raised the dead?
Magic and Monsters can still exist without the gods, and everything else can be explained by superstition, nature, and bad luck. The ideal of the gods haunt the narrative so wonderfully.
I'm not a fan of Nolan's directorial aesthetic, but for the themes he wanted to explore, I think this was a fantastic retelling of the original. Accuracy isn't and shouldn't always be the goal. Sometimes, taking an existing story and making something new in order to speak to a different aspect of humanity is all we can really hope for.
This doesn't mean people HAVE to like it. There are plenty of "good" movies that I do not enjoy watching. However, acting like it's an objective thing to say that this was a failure of an adaptation is very annoying. It's a subjective opinion of art.
how it feels to read 85 pages of a book in one sitting

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Sodom and g'morning
i donât get horror movies, why doesnât the protagonist just act in a way which will prevent a story from being told or piece of entertaining media made
There's a recurring online tendency to aestheticize consensus itself. The imagined future village is full of emotionally compatible people who enjoy communal gardening, conflict resolution circles, acoustic folk music, mutual aid potlucks, and repairing bicycles together at sunset. Which is nice for the people who genuinely enjoy that lifestyle. But plenty of humans are solitary, prickly, obsessive, urban, nocturnal, sensory-seeking, technologically attached, contrarian, novelty-seeking, private, or just plain difficult. Those people do not evaporate after the revolution. They do not get Left Behind while you are Raptured into the Utopia. They become your neighbors.
Especially when certain demographics of people (cough cough black and brown) regardless of their actual traits, likes, dislikes and personalities are automatically labelled as difficult or antisocial or prickly due to The Racism and then promptly excluded from said communities for, as they say, Ruining The Vibe
a very common thing i see posited is the idea that historically, fathers could not both love their daughters and see them as their personal property to dispose of as they saw fit, and i think it comes from this difficulty people have in understanding that a parent can be affectionate and loving in many ways, but also put their own desires before that of their child/have misogynistic views about women's roles in society.
i also think it's very common for modern day commentators to overlook the fact that many men who genuinely loved their wives also pressured their wives to keep having children until they died or were physically disabled by it.

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Mike Flannaganâs Sharp Objects Pitch: A reporter goes back to her hometown to investigate a murder and must stay with her estranged mother. They bond over the tragic death of her sister, which was no oneâs fault because it was a ghost who targets innocent girls. Though initially hesitant, the reporter also builds the foundation of a new relationship with her youngest sister, the curious young Amma. Despite Ammaâs happy childhood, she is now being haunted by the same ghost. The reporter and her mother must band together to save little Amma before itâs too late. In the end their mother sacrifices her own life to save them both and they see a vision of her dressed as Persephone keeping the ghost girls safe even in death, because a motherâs love is eternal
my therapist said once "we get good at what we practice, so be careful what you practice" and tbh she was so right for that but also How Dare You??? open my eyes like that???
men really be like âwell this woman has studied this subject her whole life, and i am a man, so we have equal knowledge on thisâ
itâs ok you could have just said âi hate menâ
okay, i hate men
emily brontĂŤ, wuthering heights

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Lmao I just went to the TV Tropes page for Obsession and I love this bit of trivia
âHey man, your main character isnât sympathetic enough, could you fix that?â
âOkay sure, Iâll make him MORE unsympathetic since you idiots missed the pointâ
this is a moment in the original script that I wish they'd kept in the final version of obsession. the absolute disgusting way that real nikki appearing just becomes routine for bear and he completely ignores her in order to keep her. it's so horrifying the way her torment turns into something he hardly acknowledges