reblog it twice and force it

down everyone’s throats

Women also had vocations and forms of income unrelated to their husband. The nature of these jobs changed over time but many women did things like weaving, embroidery, crafting, beer brewing, chicken tending and laundress work to bring income. Women with skills were seen as better marriage candidates because they’d make money for their husband.

My great-great-great-great grandmother told fortunes and did farm labor, my great-great-great grandmother was a midwife, my great-great grandmother worked in a textile factory for most of her adult life and my great grandmother was a school lunch lady.

What I think needs a little more spelling out as well is the way that historically, what we grammatically speak of as being the man's occupation was often in fact the entire family's occupation, with which parts of the necessary work each person did conventionally divided up along gender lines.

Just some random examples (the gender splits here are pretty typical but I can't say they're true of all cultures; I'm primarily familiar with western European history and especially the British Isles):

men fishing, women preparing the fish for sale and selling them at a market ("fishwives")

wives as salespeople and managers of the financial side of the business was also common for many male-coded artisan crafts; the man who is the 'silversmith' is actually smithing the silver (possibly with the aid of sons, apprentices and/or hired labourers), while his wife is taking care of everything else that is necessary for this to translate into a money-making business

husbands underground mining coal with a focus on speed over purity of product, children transporting it to the surface so he doesn't have to leave, and wives sorting the coal from the worthless rock on the surface. The entire family contributes to the pay check, which is based on the amount of sorted coal delivered.

wives as writers, editors, secretaries and research partners to male academics, scholars and politicians - also frequently doing much of the work associated with the networking that was neccessary for success in these careers. (It was not uncommon in some periods for wives to handle a lot of their husbands' correspondence, and of course a lot more socialising used to involve being hosted at peoples' homes. Wives of the relevant social classes for these careers were unlikely to be handling e.g. the cooking themselves - their job here is more like event manager and line manager of the staff doing the work.)

servants who were married were typically married to servants in the same household (and servant occupations were highly gendered)

"farmer's wife" and "baker's wife" and so on are properly understood as occupations, traditionally taking on parts of the work that a modern baker would need to hire someone for

Forever and always will believe Theo and Boris are soulmates and they got married and lived their life together. (Maybe that's too much. Let me just explain why they have a very deep relationship)

Where do I start? So for one Boris was Theo's first kiss and sexual partner. They had a deep connection, felt safe with one another, and were practically inseparable. It's explained that Boris basically lived with Theo and was hardly ever at his own house. They also looked out for each other, Theo cleaned Boris' wounds after being beaten by his father and Boris comforted Theo on the loss of his mother —Here's a quote from the book; "And I suppose if either of us had lived in an even halfway normal household, with curfews and chores and adult supervision, we wouldn't have become quite so inseparable, so fast, but almost from that day we were together all the time.” (Tartt, chapter 5, section 12)

WHY THEO LIKES BORIS (YOUNGER) Everything is great between Theo and Boris but when Boris meets a girl: Kotku, it all goes to shit. But the way Theo responds to it is very telling. First off, Theo reflects on good moments with Boris after Boris got so wrapped up with Kotku; “I told myself I didn't miss him, but I did. I got stoned alone, watched Adult Access and the Playboy channel, read Grapes of Wrath and The House of the Seven Gables which seemed as if they had to be tied for the most boring book ever written, and what felt like thousands of hours—time enough to learn Danish or play the guitar if I've been trying—fooled around in the street with a fucked-up skateboard Boris and I had found in one of the foreclosed houses down the block. I went to swim-team parties with Hadley—no drinking parties with parents present—and on the weekends, attended parents-away parties of kids I barely knew, Xanax bars and Jagermeister shots, riding home on the hissing CAT bus at two a.m. so fucked up I had to hold the seat in the front of me to keep from falling out in the aisle. After school, if I was bored, it was easy enough to go hang out with one of the big lackadaisical stoner crowds who floated around between Del Taco and the kiddie arcades on the Strip. But I was still lonely. It was Boris I missed, the whole impulsive mess of him: gloomy, reckless, hot-tempered, appallingly thoughtless. Boris pale and pasty, with his shoplifted apples and his Russian language novels, gnawed-down fingernails and shoelaces dragging in the dust. Boris—budding alcoholic, fluent cursor in four languages—who snatched food from my plate when he felt like it and nodded off drunk on the floor, face red like he'd been slapped. Even when he took things without asking, as he all too frequently did—little things are always disappearing, DVDs and school supplies for my locker, more than once I'd caught him going through my pockets for money—his own possessions meant so little to him that somehow it wasn't stealing; whenever he came into cash himself, he split it with me down the middle and anything that belonged to him, he gave me gladly if I asked for it. (and sometimes when I didn't, as when Mr. Pavlovsky’s gold lighter, which I admired in passing, turned up in the outside pocket of my backpack)” (Tartt, chapter 6, section 4)

Theo took note that Boris was very physically touchy and that it made him a little bit nervous; “The funny thing: I’d worried if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paper-backed copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead, he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me.” (Tartt, chapter 6, section 4) Then, Theo has a little gay panic — because of Boris being so affectionate; “It was weird. Was it weird? It was; and it wasnt. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn't explain it without making it sound like more than it was.” (Tartt) Near the end, Theo tries to play it off that what was happening between the two wasnt romantic, If Theo wasnt thinking of Boris in a romantic way why would he even be written to question or worry that they could come off in such a way? The fact Theo is worrying about it so much can only lead me to believe that Theo does think of Boris in a romantic light and is trying to deny it. Theo continues to explain ways Boris was affectionate towards him, further deepening the connection between the two of them; “On nights I woke strangled with fear there he was, catching me when I startled up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other's arms, listening to music from my Ipod.”

Then, the final nail in the coffin, Theo recalls the nights when he and Boris would partake in closer intimacy; “And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything;” (Tartt) Afterwards, Theo mentions Boris and him never spoke of those nights, and that if people found out they were having sex they would; “think the wrong thing if they knew,”. However, Theo thought about those strange nights a lot and they clouded his mind at times, but, for Boris, it didn't seem like that. Theo notes Boris seemed unbothered by those nights; “But all the same he [Boris] seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about,” (Tartt) Since Theo uses multiple ways to get the ‘it's not a big deal’ point across. Saying it was a laugh, not serious, nothing to get worked up over, and uses all that when he's just going off of how Boris thinks and reacts to those nights. It can make the reader think that Theo, in contrast, does think of those nights in a serious, worked-up way. To further prove my point Theo was urged to discuss those nights with Boris, so he didn't ‘have the wrong idea’; “More than once, I had wondered if I should step up my nerve and say something: draw some sort of line, make things clear, just to make absolutely sure he didn't have the wrong idea.” (Tartt) Theo gets defensive over the thought of those nights, more importantly, the thought that Boris viewed those nights as something more, something romantic. This is even further pushing my earlier statement that a person who sees these moments as not romantic wouldn't be written to be worrying that it is romantic or that the other person sees it as romantic. So the fact Theo is worrying so greatly that these nights could even possibly be interpreted as romantic (especially when Boris isn't doing the same) can only have me further believing that it's because Theos is trying to deny or block out the actual romantic feelings he is having. Theo is so obsessive on this romantic or not topic that it comes off like Theo has a fear of becoming an orientation that he believes he isn't and that bleeds into internalized homophobia. Theo ends off this recall moment by stating; “I hated how much I missed him.” (Tartt)

There's another moment when Theo is thinking about how Boris is constantly around Kotku and hardly ever with Theo anymore. Theo tries to reassure himself; “But who cared what crappy girl Boris liked? Weren’t we still friends? Brothers practically?” (Tartt) Theo says he and Boris have a brother-like companionship, this, out of context is weird to use to prove my point that they are romantic. But considering all the context provided above this can once again be Theo trying to find an excuse to prove to himself that he and Boris aren't romantic. It's also obvious they aren't brotherly because the two are litterally having sex. In addition to this, right after that quote Theo admits; “Then again: there was not exactly a word for Boris and me.” (Tartt)

Finally, when Theo leaves Vegas he is rambling, trying to convince Boris to come with him, when; “I was still babbling when Boris said: “Potter.” Before I could answer him he put both hands on my face and kissed me on the mouth.” Shortly after. Once Theo is in the taxi he thinks to himself and admits to himself; “I'd stop myself from blurting the thing on the edge of my tongue, the thing I’d never said, even though it was something we both knew well enough without me saying it out loud to him in the street—which was, of course, I love you.” (Tartt, chapter 6, section 19)

WHY BORIS LIKES THEO (YOUNGER) All the content that is romantic between Theo and Boris is most of the time, if not always, initiated by Boris. Boris was the one who draped his arm around Theo, Boris was the one who pulled Theo closer when he rolled away, Boris was the one who cuddled Theo, Boris was the one who calmed Theo down from nightmares, Boris is the one who kissed Theo on the mouth while he had a girlfriend. Undoubtedly, all these things are romantic. Especially since these moments are told through Theo's perspective, who is interpreting these things as romantic, which rubs off on the reader.

When Theo is leaving Vegas and getting in the taxi, Boris hums the song "After Hours" by The Velvet Underground which is a band Theo and Boris listened to together. He hums a specific part of the song where the lyrics sing; "But if you close the door, I'd never have to see the day again" My interpretation of those lyrics in the scene’s context is: “But if you close the door” = If Theo doesnt leave Vegas. Correspondingly, those lyrics about closing a door means closing the door is giving privacy and leaving the character alone with someone they love. Another thing to mention, before those lyrics take place these lyrics are in the song; "Oh, someday, I know someone will look into my eyes and say, 'Hello, you're my very special one'" All of this feels very intentional. When songs and SPECIFIC lyrics are mentioned in novels it's always to convey something and those lyrics are just very romantic and are also about whether the character is going to choose to be alone or be with someone. Considering the lyrics are hummed by Boris right when Theo is leaving him is very telling. It's also to convey that Boris is debating whether to leave with Theo or not.

Everything I just mentioned was the Vegas era when they were teenagers, I will now discuss when they are adults.

WHY THEO AND BORIS JUST MAKE SENSE (OLDER) Now that Theo has lived and been with more people than Boris I will break down Theo's love interests and explain why they aren't good for Theo and why Boris ends up being the best outcome.

KITSEY: Kitsey is Theo's fiance whom Theo cheating on while Kitsey is also cheating on him. Theo is having affairs and hookups with pretty much random women. Kitsey is having an affair with Tom Cable, an old fake friend of Theo's who was the reason why Theo and his mother were leaving the house the day of the bombing. Once Theo witnesses the two kissing in secret he confronts Kitsey, this ends with Kitsey gaslighting Theo to stay in the relationship for the happiness of Mrs. Barbour rather than themselves. Kitsey also admits their ‘love’ has always been head not heart, that they get along well but neither is in love with the other.

PIPPA: Pippa was another victim in the bombing in lost her uncle, this led to her and Theo crossing paths as young teenagers. Finding comfort within shared traumatic experiences. As they grow older Theo begins to romanticize her. Although it's not love, it's more of an obsession if anything. Theo obsesses and overly plans their meetups making sure they are perfect, Theo shows mild jealousy and irritation to Evveret: Pippa's boyfriend, Theo keeps a shirt of Pippa’s without her knowledge, and as creepily as it is..Theo has a lock of Pippa's hair that he took from a trashcan after Pippa cut her bangs in the bathroom. Theo eventually confesses his love for Pippa in a downtown restaurant after seeing a film. He tries to reason that Welty, Pippa's uncle who she lost in the bombing—put Theo exactly where he needed to be at the right time with WHO he needed to be with (aka Pippa and Hobie). Pippa eases Theo into rejection, however, she admits she has a thing for him as well. She begins to explain reasons why the two of them cannot be together: With their shared trauma..if one of them ‘fell’ the other would go right with them as there is no emotional stability between the two, one cannot be there for the other if they can't even support themselves. They are close enough to star-crossed lovers: lovers who are destined to not be together being pulled from one another by outside forces.

If Theo can't have Pippa and doesnt want Kitsey it's reasonable to conclude that Boris is a valid romantic option for Theo. When the two reunite Theo feels alive again after living a boring tucked-away life. He's laughing and enjoying every second with Boris.

BORIS: After years of separation and keeping a secret from Theo news reports come out about how The Goldfinch painting was not ruined in the bombing and is being used as collateral. Boris is under the impression Theo has already unwrapped The Goldfinch years ago and found out what Boris did. With the rise of these news reports guilt rises in Boris that he took the painting from Theo and ended up losing the painting. Boris has a hint that Theo would not want to see Boris ever again and even wants to act violently against Boris for taking the painting from Theo, however, Boris is aware that he must try to fix what he’s done. So, he goes to New York and goes to Hobie's old shop, seeking Theo. When Theo isn't there to be found Boris is sure he’ll never see Theo again, but they happen to run into each other later in the night outside a bar. They then spend the night till 4am talking and catching up. Theo admits in college he took a conversational Russian class because it made him think of Boris. Boris admits Theo was the only boy he's ever been in bed with—but brushes it off as they were desperate teenagers in need of girls..but that doesnt make sense as Boris has a girlfriend, Kyoto- and he was talking to girls before her too. He wasnt partaking in sex with Theo out of desperation for pleasure by any means. -- Boris then says he thinks that Theo thought their relationship back then was ‘something else’, after saying this Theo gets upset and begins to leave the table. Within this mix, Boris apologizes for what he did to Theo all those years ago and he deeply regrets it, Theo is confused about what he is speaking about and Boris is shocked that after all these years he’s never unwrapped the painting. Leaving Boris to admit what he did with the painting with picture proof. Boris wants to apologize to Theo and attempt to find the painting— for Theo.

In the hunt to regain the painting, Boris interrupts Theo and Kitsey's engagement party to take Theo onto a flight to Amsterdam. After some bickering..Theo agrees and says goodbye to Kisey and packs his bags with a nice suit and lots of money. — Boris arranges a meetup with the holders of the painting, but the sellers seem suspicious as they are missing one of their men and one of the men gets away after Boris and his crew pull guns on the men. — Boris and Theo successfully retrieve the painting, Boris taking note of how Theo has his bird once again — But when returning to the parking garage to leave the two men who were absent earlier and one new man arrive with guns pointed, two of these men are killed by Theo and Boris but one man gets away with the painting — The next few days Theo is sent into a deep depression in his hotel room….however this ends differently varying from book to movie. In the book, Theo is urged to turn himself in to the police for murder … In the movie, Theo goes through with a suicide attempt by overdose but is forced to throw up the drugs later by Boris. Both versions end with Boris interrupting, calming Theo down, and telling the good news that he tracked the painting down in a house holding many more missing paintings and he sent in an anonymous tip to the police on these paintings and their location. Boris splits the reward money between his crew, Theo, and himself.