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Ride with me, Sir Knight
-for @novaandmali 's and Dames Prod's artbook 'My Liege: Queer Knights in Love' -

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Drawn for My Liege: Queer Knights in Love, an artbook by Nova & Mali and Dame Productions!
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FRANKENSTEIN (2025) dir. Guillermo del Toro
Werwulf (2026) dir. Robert Eggers
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OBSESSION (2026) dir. Curry Barker

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do you know if there will be any other deleted scenes included in the Frankenstein extended cut?? i wasn't able to purchase the screenplay and i keep seeing you mention scenes that weren't in the theatrical version
you can actually read the screenplay for free right here!! iām not sure how much of it was officially filmed since A LOT tends to get altered between the original script and shooting (budgeting, actor input, crew input, and sometimes something works better on paper than it does in practice) but i can definitely list all the omitted or changed moments that i personally canāt stop thinking about:
young Victor poisoning his father with the flowers that grow around his motherās grave as revenge for either ignorantly allowing Claire to die in childbirth OR intentionally killing her (iām actually okay with this not making it into the final cut. like it certainly fits with the whole Victor/the Creature as Hamlet allegory, cycles of familial violence as well as the telenovela motif of the film itself but i think it goes *too* far with Victorās characterization)
Elizabethās introductory scene at her convent where she kisses the wounds of a Christ statue with a little *too* much passion
after Victor tries to rizz Elizabeth up in the confessional booth they actually spend some time still in the church where she lights a few candles for her mother and father before revealing that sheās an orphan like Victor
the dinner scene between Victor and Elizabeth has a bit more dialogue where Elizabeth goes into more detail about her stay at the convent and Victor admits he canāt dance
when Elizabeth rejects Victor she says that whenever sheās around him the world feels too loud and confusing
during Victorās second vision the dark angel actually screams āI LIVEā before he wakes up
thereās a detail of the Creatureās hair and nails growing faster than normal (maybe due to his self-regeneration??)
while down in the holding cell the Creature finds a flower growing near the window, cries over it, and uses the sewage to water it
instead of the leaf, he gives Elizabeth that same flower
when Elizabeth visits the Creature she kisses his torso and washes his feet with her hair (the Mary Magdalene-isms of it all!!!)
she also sings a song to him called ātravertineā which i could not for the life of me find it so iām pretty sure it was an original piece written for the film
during the scene where Victor finally hits the Creature heās yelling at him to stop hiding from him until the Creature grabs his hand with tears streaming from his eyes
before Victor sets fire to the tower he kisses the Creatureās forehead and tells him it will be quick (to which the Creature quietly repeats āquickā)
Victor actually makes it further down the road while the tower is going up in flames and covers his ears and itās the silence that reminds him of his motherās death rather than the Creature calling out his name
the blind old man plays music and the Creature dances to it while hiding in the mill gears
while staying with the old man the Creature gets too engrossed in reading and bumps his head against the cottage roof but the two laugh about it
the old man also teaches him how to garden and harvest vegetables
the Creature takes one of the mice with him back to the ruined tower and keeps it tucked in his pocket
when the old man dies and the Creature tries carrying him away the hunters tell him to drop him and when the Creature stands up, he bumps his head again which makes him quietly laughābefore heās shot in the throat
as the Creature lays dying he calls the moon his mother and the same mouse crawls into his open hand trying to wake him
William actually helps Victor with his prosthetic leg and acts much less cold towards him (although i think William looking away when Victor puts on his leg is less out of disgust and more that he canāt bring himself to see his brother be vulnerable and show pain)
the Creature gets a chance to speak to Elizabeth as sheās dying and they both sing ātravertineā (she also shows him the flower she kept)
POSSIBLY THE WILDEST OMISSION: THE CREATURE REACHES INTO VICTORāS MOUTH AND RIPS OUT THREE OF HIS BACK MOLARS AND SAYS āWHAT SHOULD YOU LOSE? YOUR BEAUTY?ā
āLike me, you will curse the hour of your birth. Alone and alive you will stand until I destroyāor you unmake meā the hardest thing ever spoken by the Creature
the Creature repeats a poem spoken by Annamarie (the old manās granddaughter) as heās torturing Victor
the final scene actually has the Creature run towards the sunrise āfor the pure pleasure of itā (i've actually thought about this change and i think i prefer the theatrical version. it reads as more "hopeful" in the script whereas it feels more sombre and bittersweet in the film since the creature is still alone with his immortality, he's still different from the rest of humankind, and he might always struggle to find his place in the world, so all he can do is greet the sun everyday and remember that first happy memory of him and Victor)
a couple things: this isnāt an exhaustive list of all the changes between the script and the film there are a lot of smaller differences that i didnāt mention, i donāt know how many deleted scenes were actually filmed, and i donāt know if the extended cut will include deleted scenes that arenāt even found in the original shooting script (another reason why i need the criterion release NEOW)
The Creature and his mouse companions FRANKENSTEIN (2025) dir. Guillermo del Toro
Nikolay Punin, from a diary entry featured in The Diaries of Nikolay Punin: 1904 - 1953
I drink my ārespecting pacific rimā juice dailyĀ
Wanted to draw smth out of my comfort zone and to experiment with techniques more, (struggled a lot due to it) but really I just really liked looking and drawing Isabelle adjani :)

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i hired this thing to stare at you
Surely I dreamt to-day, or did I see Ā Ā Ā Ā Ā Ā Ā Ā The winged Psyche with awakenād eyes? I wander'd in a forest thoughtlessly, Ā Ā Ā Ā Ā Ā Ā Ā And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side Ā Ā Ā Ā Ā Ā Ā Ā In deepest grass, beneath the whispāring roof Ā Ā Ā Ā Ā Ā Ā Ā Of leaves and trembled blossoms...
-John Keats, Ode to Psyche