we're all going to the world's fair (2021) directed by jane schoenbrun
KIROKAZE

if i look back, i am lost
The Bright Sessions
🪼
Today's Document

shark vs the universe
hello vonnie

oozey mess

titsay
almost home

Love Begins

Origami Around
RMH

pixel skylines
★
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
EXPECTATIONS

Product Placement

seen from Australia
seen from United Kingdom
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seen from United Kingdom

seen from Russia
seen from Venezuela

seen from Türkiye

seen from Malaysia
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seen from United Kingdom
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@aquilaofarkham
we're all going to the world's fair (2021) directed by jane schoenbrun

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SUSPIRIA (1977) dir. Dario Argento
Today's study
“This pupper has 0% athletic skills, but he’s still 100% good boy”
(via)

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new top contender
Looks can be deceiving
JACOB ELORDI as THE CREATURE FRANKENSTEIN: THE ANATOMY LESSON (2025)
When Guillermo del Toro said "And we wanted to make him beautiful, because if Victor has been looking forward to creating that, it should look superior to men."
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
DAVID LYNCH's "I Find It Very Difficult to Understand What Is Going on These Days" (2009)

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Cruel lover
how it feels to have a chronic illness how it feels to be disabled how it feels to have body dysphoria how it f
if i was dr frankenstein then i simply would've loved my weird giant son and given him.a hug
My blood flows through your veins.
Frankenstein (2025) + Costumes
Lady Elizabeth Harlander's green & black dress.
// requested by anonymous

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heavens i cant lie
based off Henrqiue Bernardelli's Messalina
Eduardo Risso