Every year a bobcat mama gives birth to a litter of kittens on my roof. I set up a camera this time around.
(Source)
Youth fascination with technology
universal mom noises of get the fuck down from there
Aqua Utopia|海の底で記憶を紡ぐ
Misplaced Lens Cap
TVSTRANGERTHINGS
DEAR READER

pixel skylines

❣ Chile in a Photography ❣
Peter Solarz
I'd rather be in outer space 🛸

Cosmic Funnies
Sweet Seals For You, Always
taylor price
Show & Tell
noise dept.
One Nice Bug Per Day
we're not kids anymore.
macklin celebrini has autism

titsay

Discoholic 🪩

seen from France
seen from United States

seen from Singapore
seen from Australia

seen from Malaysia
seen from Türkiye
seen from Brazil
seen from United Kingdom

seen from United States

seen from China
seen from United States
seen from United States

seen from Germany

seen from Italy

seen from Australia

seen from Canada
seen from United States
seen from Germany
seen from United States
seen from United States
@perverse-idyll
Every year a bobcat mama gives birth to a litter of kittens on my roof. I set up a camera this time around.
(Source)
Youth fascination with technology
universal mom noises of get the fuck down from there

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no fucking wayyy 🤍🤍🤍🤍🤍
{from @japagel_nails on ig.}
I guess the thing that bothers me about the endless debates about the death of the Wen remnants and how culpable any particular character is and how excusable their actions were is it often feels like the goal is either to condemn various characters as monsters who don’t deserve sympathy or to excuse them as just acting as Society expected them to. And either impulse is understandable but still irritating.
Every character in this book who’s survived to the present day is walking around under the immense weight of both victim and perpetrator trauma thanks to this culture of clan extermination and if we’re not engaging with that then what are we even doing with these characters, you know? That’s the meat, that’s the juice! Does it change how the murderer carries the weight of their act if the murdered old woman was your own mother, or your enemy’s mother, or an old sex worker nobody cared about? If you did it for revenge or personal gain or to save your own life or the lives of your family? Does it change how you carry the loss of your loved ones if you understand the reasons they were killed? If it was socially sanctioned? If they were guilty or innocent, soldiers or civilians?
Wen Ning, undead, murderer and murder victim, saving Jin Ling, child of the clan that killed his clan, of the man he murdered, from the murdered corpse of Nie Mingjue’s attempt at bloodline revenge- saving him from the danger that all these other adults put him in and couldn’t protect him from- the cathartic power of that depends on understanding revenge killing as The Problem of MDZS, and not engaging with that means throwing away all that narrative power.
and to be clear I think the text is *very* straightforward in laying out that revenge killing is pretty much always a shitty idea that will only perpetuate the cycle of violence. But understanding that a character made the wrong choice =/= condemning them as Unworthy of sympathy or something. I wonder if maybe there is a discomfort around the idea that people can do deeply evil things for reasons that are not pure sadism, greed, or hunger for domination. And indeed that people who care a lot about morality can still commit immoral acts.
David's Woodturning
In September 2011, an 83-year-old man named Maurice Sendak picked up the phone in his Connecticut home and called Terry Gross at NPR. He had been on her show many times before. As one of the most beloved children’s book authors in history, he had written and illustrated Where the Wild Things Are, In the Night Kitchen, Outside Over There, and dozens of other books that became woven into the childhoods of millions. He had a new book out called Bumble-Ardy. He had created it during the most painful period of his life, while his partner of 50 years, Eugene Glynn, was dying. "I did Bumble-Ardy to save myself," he told Terry. "I did not want to die with him." What followed was one of the most beautiful interviews ever broadcast. For nineteen minutes, Maurice Sendak talked about getting old, about dying, and about the people he had loved. He spoke of the maple trees outside his studio window that were hundreds of years old and how, in the final stretch of his life, he had finally fallen completely in love with the world. He cried. Terry cried. Listeners all over the country, driving in their cars or washing dishes, pulled over and cried with them. He spoke of the tragedy of being 83 and outliving almost everyone he loved most—his parents, his brother Jack, his sister Natalie, his longtime publisher, and most painfully, Eugene. Then he said something that has been quoted ever since: "I’m not unhappy about becoming old. I’m not unhappy about what must be. I cry a lot because I miss people. They die and I can’t stop them. They leave me and I love them more." He talked about how strange it was to find peace so late in life. He had spent most of his years unhappy, raised by Holocaust survivors who carried a grief they passed down to him. He had spent decades in therapy, once saying he believed in the existence of happy people but had never been one of them. But near the end, something changed. He told Terry he was now in love with the world. He could look out his window at those beautiful trees and see them for what they were. He called it a blessing to grow old and have time for the things he loved—the books, the music, the quiet moments. "I have nothing now but praise for my life," he said. At the end of the interview, he shared something with Terry that stayed with everyone who heard it: "You are the only person I have ever dealt with... who brings this out in me. There’s something very unique and special in you, which I so trust." As they both wept, he added: "Almost certainly, I’ll go before you go, so I won’t have to miss you." Then, before hanging up, he gave her three final pieces of advice: "Live your life. Live your life. Live your life." Eight months later, on May 8, 2012, Maurice Sendak passed away peacefully in a hospital in Connecticut at the age of 83. His friend Gregory Maguire, the author of Wicked, was with him in his final days and brought him a gift: a photograph of Lewis Carroll sitting on a windowsill with his feet hanging outside. It was a perfect goodbye. The man who spent his life drawing children stepping into other worlds was now stepping into his own. His books remain in nearly every library, and generations of children still join Max on his wild rumpus, always returning home to find their dinner waiting for them—and still hot. In that final interview, he told Terry he would keep crying for the people he lost all the way to the end. "I’m a happy old man," he said. "But I will cry my way all the way to the grave." He cried because he loved them. That was the whole secret. That was always the whole secret.

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"At the troll court" by Ink Yami
Remember when Lil Nas X beautifully explored his sexuality, seduced and killed the devil to the banger of all time, and instead of cheering on this openly gay and proud Black artist for his artistry and fighting back against respectability politics, suddenly said respectability politics was all the Queerest Place on the Internet cared about? Hm. Wonder what happened there.
Anyway I miss him and hope he's doing better with his mental health 🙏🏾
Like say what you want about "bad queer representation", but this was the song that made me openly and happily accept that I was bisexual. To see him up there Black and beautiful, making music that I love, absolutely killing it? Yeah. You couldn't tell me shit. This man made me proud to be out. "This will make them think we're evil for being gay" hey newsflash dawg-
modern media in a nutshell
She didn't sneak into occupied France under cover of darkness. She walked calmly to the front door, rang the bell, and smiled.
"I'm looking for a room to rent," she said in perfect German, her manner gentle and unassuming.
The Wehrmacht commander saw exactly what he expected to see: a harmless middle-aged woman, polite and refined. A widow, perhaps. Someone who posed no threat whatsoever.
He had no idea he'd just welcomed a British spy into his home.
Her name was Lise de Baissac, and she was one of Winston Churchill's secret weapons—a Special Operations Executive agent tasked with setting Europe ablaze from within. Every morning she greeted her landlord with warmth and pleasantries. Every night she slipped into the darkness carrying explosives, meeting with resistance fighters and whispering her golden rule:
"We work quietly, or we do not work at all."
He thought she was his tenant. She was his surveillance. She was sabotage personified, living under his roof, studying his routines, gathering intelligence while he slept one room away.
But this audacious arrangement wasn't where her story began.
September 24, 1942. A British Whitley bomber roared through black skies over occupied France. At thirty-seven years old, Lise de Baissac jumped into the void—alone, armed with nothing but false papers and unshakeable resolve.
Her parachute snapped open over enemy territory. She hit the ground hard, hands frantically burying the silk and British equipment that could mean instant execution. Within minutes, she transformed.
Lise de Baissac vanished. "Madame Irene Brisse" appeared—a cultured widow with a passion for archaeology, sketching Roman ruins and cycling through the French countryside.
Perfectly invisible.
But in her bicycle basket lay coded messages, detonators, and maps of German positions. In the shadows, she built the Artist network—recruiting French resistance fighters who grew from dozens to hundreds to thousands. She established her apartment as a safe house for incoming British agents, briefing them, arming them, teaching them how to survive in a land where one mistake meant torture and death.
Her apartment sat one hundred yards from Gestapo headquarters.
The hunters passed her on the street every single day, never recognizing the ghost they walked beside.
Then came betrayal. June 1943. The Prosper network collapsed. Agents screamed in German cellars. Lise had minutes to live or die. She burned every document, smashed her radio, and sprinted across a moonless field to a waiting Lysander aircraft. As the plane climbed into darkness, searchlights clawed at the sky.
She didn't flinch.
London welcomed her home. Safety. Recognition. Rest.
She refused all three.
Eight months later, she parachuted back into France under a different identity. D-Day was coming, and she had work to do. She cycled hundreds of miles carrying weapons disguised beneath vegetables, smiling politely at German soldiers she passed on the road.
"They think women are invisible," she told fellow resisters. "They should fear what they cannot see."
And when she needed lodging in a heavily garrisoned town? She did the unthinkable—she rented that room from a Wehrmacht commander, living under the same roof as her enemy, gathering intelligence over tea and casual conversation, then vanishing into the night to coordinate sabotage operations.
June 6, 1944. Allied forces stormed Normandy beaches while behind enemy lines, Lise's network went to work. Roads exploded. Bridges collapsed. Trains derailed. Fuel depots erupted in flames.
The feared Das Reich Panzer Division should have reached Normandy in three days. It took seventeen—seventeen crucial days bought by bicycle chains, whispered codes, and carefully placed explosives. Days bought by quiet hands the enemy dismissed as harmless.
For two years, Lise operated deep behind enemy lines. Two parachute jumps. Two networks built from nothing. Torture always one mistake away. Execution always one betrayal near.
She survived.
After the war, she received the MBE, Croix de Guerre, and Légion d'honneur. But the French Resistance fighters who worked alongside her gave her the only title that mattered: "She was one of us."
Lise de Baissac quietly returned to civilian life, planting flowers instead of bombs, watering roses where she once watered courage. She never sought applause or recognition. True heroes rarely do.
She lived to ninety-eight—a graceful woman who broke an empire with patience and steel, who proved that courage isn't loud or showy. It's the archaeology enthusiast on a bicycle. It's the polite tenant who smiles at breakfast. It's the person the enemy never bothered to fear.
Until it was far too late.
Facts that will blow your mind.
Snape ♡

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ty ian mckellen
me (crazy eyes, covered in blood): I NEED to finish writing my fanfic. so I can start writing a different fanfic.
Being obsessed with your own ocs is so so good for you i seriously can't recommend it enough
The only downside is that you have to do Everything around here

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@shesasolarbeing