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Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
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YOU ARE THE REASON

izzy's playlists!

let's talk about Bridgerton tea, my ask is open

Discoholic đŞŠ
he wasn't even looking at me and he found me
we're not kids anymore.
Game of Thrones Daily
Stranger Things

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almost home

Kiana Khansmith
Sweet Seals For You, Always
$LAYYYTER
Monterey Bay Aquarium

â
hello vonnie
I'd rather be in outer space đ¸
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@owllinallover
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you are not a wasteland you just need ibuprofen and a hot bath and a shower and a nutritious meal and some water and some fresh air and to do something productive and to do something creative and to do something that takes physical exertion and to do something social
stretch
overthinkingâŚ..
âŚmeanwhile

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Classic Photographs with Pokemon by AdamDoesArt
oftentimes when you look back on media you enjoyed as a child it's like hello why did they let a 14 year old fight a dragon? but star wars holds up. luke is 19. his reaction to losing his whole family is to say "alright, let's do this. I'm gonna learn to meditate and hire a sexy drug dealer and his friend who's a furry to be my uber across the galaxy so I can blow up a fascist government" that's something only a 19 y/o would do
Concept: a mermaid who collects human artifacts, but, like, exclusively objects that humans have dramatically cast into the sea in moments of high emotion, catharsis, or personal revelation. Each item is carefully mounted above a little index card that outlines the circumstances of its hurling in terse, clinical prose.
How many outdated cellphones does she have from businessmen who realize that Family is more important?
Fewer than youâd think. For a variety of fascinating demographic and cultural reasons, importance-of-family cell phones are considerably more likely to be hurled into lakes than oceans. Sheâs co-authored a paper on the subject thatâs due to be published next month.
I hope itâs been pier reviewed
Ao3 is actually massively culturally important and very very good at being what it is. Iâm so serious when I say that ao3 needs to be protected as the anti censorship, by fans for fans, nonprofit, volunteer run, expertly designed archival site that it is. You donât have to read or like fanfiction to understand that on principle, ao3 is a site that should be defended.

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Dan Hays Colorado Snow Effect 4 (with detail) 2007, oil on canvas
strings
Came back wrong
It puzzles me when people cite LOTR as the standard of âsimpleâ or âpredictableâ or âblack and whiteâ fantasy. Because in my copy, the hero fails. Frodo chooses the Ring, and itâs only Gollumâs own desperation for it that inadvertently saves the day. The fate of the world, this whole blood-soaked war, all the millennia-old machinations of elves and gods, comes down to two addicts squabbling over their Precious, and that is precisely and powerfully Tolkienâs point.Â
And then the hero goes home, and finds home a smoking desolation, his neighbors turned on one another, that secondary villain no one finished off having destroyed Frodoâs last oasis not even out of evil so much as spite, and then that villain dies pointlessly, and then his killer dies pointlessly. The hero is left not with a cathartic homecoming, the story come full circle in another party; he is left to pick up the pieces of what was and what shall never be again.Â
And itâs not enough. The hero cannot heal, and so departs for the fabled western shores in what remains a blunt and bracing metaphor for death (especially given his aged companions). When Sam tells his family, âWell, Iâm backâ at the very end, it is an earned triumph, but the very fact that someone making it back qualifies as a triumph tells you what kind of story this is: one that is too honest to allow its characters to claim a clean victory over entropy, let alone evil.Â
âI canât recall the taste of food, nor the sound of water, nor the touch of grass. Iâm naked in the dark. Thereâs nothingâno veil between me and the wheel of fire. I can see him with my waking eyes.â
So whereâs this silly shallow hippie fever-dream Iâve heard so much about? It sounds like a much lesser story than the one that actually exists.
+1 You know how Frodo leaves Sam with the legacy of the quest - the job of bearing witness to what happened - and the duty to finish and protect his writings? Tolkien lost all but one of his friends in WW1. He was founder member of a literary club at school - the TCBS. There was a larger group and a core of four. They all stayed friends, they kept writing and sharing their work with each other. And they were almost all killed. One of them, Geoffrey Smith, wrote this to Tolkien in 1916. My chief consolation is that if I am scuppered tonight â I am off on duty in a few minutes â there will still be left a member of the great T.C.B.S. to voice what I dreamed and what we all agreed upon.  [âŚ] May God bless you my dear John Ronald and may you say things I have tried to say long after I am not there to say them if such be my lot. And that was his last letter. Thereâs something eerie about the way he seems to have pegged Tolkien as an eventual survivor. Samâs survival (and his emergence as the true hero of the book) are beautiful because theyâre suffused with loss, because theyâre not the grand conquering heroic narrative that on some level was âsupposedâ to happen.
Tolkien possibly only survived because he got trench fever - a particularly nasty disease carried by lice - and got sent home because he was desperately ill. Considering how the rest of his unit fared, it probably saved his life. Unpleasant and unglamorous, but if not for that, we wouldnât have LOTR. Iâm sure survivorâs guilt was a factor - as was a sickening sense of dread when âThe War to End All Warsâ didnât, and his son went off to WWII.
TLOTR has some of the type of valorization of war that you find in the Old Norse and Anglo-Saxon literature that JRRT loved and studied and taught because he loved that style and itâs deeply fitting for cultures like the Rohirrim, but itâs also full of the slog of war, the waste and tragedy, and the irrevocable damage that even victorious survivors carry for the rest of their lives. Frodoâs symbolic âdeathâ is also resonant for survivors of what was called âshell-shockâ then and PTSD now.
I mean, itâs not Game of Thrones. Itâs not gritty in the same way. But the protagonist of LOTR was minor gentry from a backwater nobodyâd heard of, and the REAL hero who saved the world by saving him was his gardener. All the great kings and queens and lords and ladies in the story are background characters compared to the story of the little people. Literally little people, but symbolically too.

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somebody get that girl a large sized beverage before she loses it completely
Please Iâm begging you, itâs EXORCISE a demon the last thing a demon needs is superfluous exercise theyre working hard enough as it is