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I spent way too much time on this ✌

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We Raise Our Cups really fucks with me. It’s brutally hopeful. It’s a farewell to Orpheus. Sure. everyone knows that. but. its also a call to action.
Hadestown is not subtle in how it shows the power of revolutionaries, of love and hope and human compassion over that of the capitalist cycle of abuse. WRoC is talking about Orpheus. But it is also talking about every person with that revolutionary spirit.
Orpheus is all of us, and every person who stands against exploitation, is Orpheus. The theme is there, but it’s especially strong in Is It True, where he stands against the Fates themselves to challenge the world, only bolstered by the normal people that stood up and heard his words and showed him the power of words.
When Persephone asks where Orpheus is now, it is not entirely that she wonders where the man himself is, but also that she is pouring a drop to every person who holds his legacy and fights for the cause.
Then they praise the birds who sing in the night and the flowers that bloom in snow. A metaphor for those people who fight to make beauty in inhospitable places, who strive for good in darkness.
“To Orpheus, and all of us”
To Orpheus, to those who hold his spirit, to those who lead revolutions, and to those who follow him. The cycle of Orpheus and Eurydice is a love song. It is a tragedy. And yet we all know that one day. one time. they will make it out together. It is on that day, when an Orpheus finally manages to bring their Eurydice back, that the revolution succeeds, and the Shades get to follow their path out of Hades. And the mortals get to live free from the poverty and despair of their oppression.
We sing the song even though it is sad, because we know that spring will come and the world will go back in tune once they make it out together. And Hades can take the seasons, the food from our mouths, the fire from our stoves, every ounce of gold from the rivers, but what he cannot take, nor any other like him, is our songs and the cries of an impassioned heart. And may those songs inspire a thousand Orpheus’ to journey to defeat Hades. Because eventually one will win. It only takes one.
So let the song reach the next Orpheus, wherever they are wandering. Alone on this Earth. And let the song comfort them as they start the cycle again.
Acknowledging that “critical thinking” means “thinking about things in a thorough way from different perspectives” and not “finding every flaw in a thing and fixating on it until all the joy is gone” is so liberating.
It’s supposed to be about intellectual curiosity, not about finding ways to devalue things that aren’t perfect or that we personally dislike.
what they don't tell you about hadestown is that orpheus and eurydice are not the main characters. neither are persephone and hades. or hermes. or the fates. the main character is whoever in the band is playing the trombone because holy fuck
idk man not to sound like a cartoon hippie but if your entirrrrre blog and dash is about how the world sucks and everyones bigoted i think you are going to give yorself brain worms
"ah but all of this is important and true and if i dont reblog all of this important stuff waga baga THE WORMS! THATS WORMS! THE BRAIN WORMS!
i do not think you are doing activism chief i think what you are doing is sitting in your room flagellating yourself expecting something to happen

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I saw the Hadestown pro-shoot the other day and, maybe bc the arc 1 finale of cr4 is still fresh in my brain, I can't stop thinking about failed rebellions.
Obviously major spoilers for both Hadestown and cr4 below...
Ok, so critical role first. Hal's play tells the story of a failed rebellion against Azgrah. Centuries before the events of campaign 4, some tried to overthrow the oppression and tyranny of their god. They failed and were all killed. But after centuries, and I'm sure many many more failed attempts, some finally succeeded. And now, 70 years after the successful rebellion, they are still telling the story of a failed rebellion from centuries before-- and it resonates so deeply with the community as they face new oppression from the sundered houses. The story of Araman, the story being crafted by Critical Role, directly says that the failed rebellion from before lit the way for eventual success, and indirectly says that we can still learn important things from a failed rebellion centuries ago that help us with the oppression we're facing now. Both inside and outside the story, they tell us that stories of failed rebellion are important.
In Hadestown, Hades has oppressed the dead with exhausting work and propaganda-- "keep your head down if you want to keep your head" and the entirety of "Why We Build the Wall". This is a telling of Orpheus/Eurydice crafted during our modern times and the metaphor of the underworld being a factory floor of workers laboring through their death to build a wall to keep out nebulous "enemies" who are jealous of what we have/want to come steal from us should absolutely not be ignored. There are also lyrics explicitly tying Orpheus's presence and songs to inciting "rebellion" among the workers, including during Hades's deliberation of how to handle Orpheus's request bc saying no outright would turn Orpheus into a martyr and simply increase the rebellion (*cough* like the sundered houses executing Thjazi), but saying yes outright would make Hades look soft and he'd "never get [the workers] back under control". The chorus of the dead urge Orpheus to take Eurydice home because "if you can do it, she can do it. If she can do it, we can too", they ask him to "show us the way" out of oppression. And Orpheus fails. He doesn't manage it. He turns and looks back and Eurydice is sent straight back to the underworld.
And yet, we still tell the story. Even within this specific telling, Hadestown insists at both the beginning and the end that they will tell this story of Orpheus's failed rebellion again and again and again-- and maybe this time it'll turn out better. Because stories of failed rebellion tell us that success is eventually possible. Orpheus failed, and his story is a tragedy, and we'll never magically change the ending. But somebody, someday will succeed. So we keep telling the story. We keep trying. Maybe this time "they'll" (we'll) get out.
Twenty-one tons of potatoes are up for grabs at Potato Palooza on Monday.
The nonprofit’s set to receive a donation of 21 tons of tubers this weekend from suppliers in the Midwest. Hoping to get the starchy vegetables to people in need, the nonprofit will host a “Potato Palooza” event on Monday in Park Hill. “Anyone is welcome to come. They can bring tote bags, wagons, you could back up your pickup truck if you wanted to,” Hissong said. The event is 9 a.m. to noon at the Park Hill Food Recovery Hub, 6090 East 39th Avenue, on July 27.
This is the dream
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People near Denver, Colorado.
Potato alert. Potato alert.
Free food. Unlimited free potatoes.
Potato alert.
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This concludes this broadcast of the emergency potato system.
The heaviest burden of all.
'The Everlasting' by Alix E. Harrow asks a terrifying question: what if you emotionally distant mom was time-travelling Margaret Thatcher?
if you can do it, so can she. if she can do it so can we.
finally got around to making some obc hadestown art who cheered!

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Songbird vs Rattlesnake…
Prints / Apparel
Way down under the ground
Damn, the confirmation from Mara that the plan always had been for Thjazi to escape. Mara was meant to be in the Tenebral Reaches and Thjazi was meant to escape, and it was only because she wasn't that Thjazi realised he had to let the execution take place and let himself be killed.
He said, "Not you, anyone but you" when he saw Azune was the Arcane Marshal assigned to scan him, so he realised what position this would put him in. He knew Azune would immediately be arrested if he escaped. But - he only realised he had to actually die when he saw Mara. So there were a few minutes in there - standing on that stage, joking around with his brother over their lunch plans - that he was fully prepared to snap the glyph and put Azune in the noose instead.
So don't worry, Azune! Thjazi didn't let himself be killed just to save you! He was ready for you to die in his place from the moment he realised it was going to be you doing the scan!
If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
Bumble sharks 🐝🦈

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still fuckin hate that “bee-free honey” that’s made from……… apples. bitch who you think sexed up those apples
A farmer, by hand and with love and care
wild bees still sexin em up when he’s not looking
old mccuckhold had a farm it seems
watching an old disney movie
inspired by the comments in this video making me aware of the siamese cat scene in aristocats