trying on a metaphor
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#reviveyourroar #addictdiaries #wordmedicine #writingtoheal #hopeheals See less
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Cats warned a girl about playing with matches. Look what happened. Das Struwwelpeter-album. 1900.
Internet Archive
Now fuck me, brother.

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RenÊ Magritte
Le survivantīŧThe Survivorīŧ
1950
Nine of Wands. Art by Eliza Kingsbury, from The Star String Tarot.

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Cast Iron Necklace
c. 1825-1840
unknown maker
Museum of Applied Arts Vienna
THOR RAGNAROK (2017) dr. Taika Waititi
There's a Terry Pratchett interview where he proudly claims that fantasy is a very serious genre. The last paragraph is very interesting. "Fantasy can carry quite a serious burden, and so can humor. So what you're saying is, if you strip away the trolls and the dwarves and the things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I've got a serious novel. But you don't actually have to do that." He argued that fantasy is an important genre that can say so much more than just "oh look it's two trolls fighting". Fantasy as a metaphor of the real world has always been one of his biggest themes and the thing I appreciate the most about his discworld saga. That's why it strikes me as weird and unpratchetty to have the finale claim that turning a fantasy metaphor into the real world, with very serious people in very serious clothes, is such a perfect solution, the only one that makes sense, the best one possible. You trying to tell me that the man that used fantasy as his main tool/theme/playground to talk about real life, would have wanted to strip one of his books of the fantasy element in order to make the end more serious and poignant? In all his discworld novels there's never been that kind of subtext, the use of fantasy is always loud and proud and very intentional with its meaning. I don't know... Just my two cents. Below is the full interview:

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THOR RAGNAROK (2017) dr. Taika Waititi
A Sunset book--P. [1] of cover
This is the early 1980s book about passive solar homes I have
Some of it is very of-its-time, and some of it does have solar heating stuff that is not the least bit innocuous, but some of it is also, to me, really appealing.
I wonder how many of those houses are still around, and how many of those still have the solar elements. I'm guessing the houses where the main thing is "big windows facing tile floors" probably remain, and possibly the houses with "pane of glass over cinderblock wall with vents" (called a Trombe Wall), but probably not so much "big windows facing translucent plastic tubes holding 1000 gallons of water" or "system that blows/vacuums plastic pellets between panes of glass in windows to block the sun as needed"
I don't have an account with The Internet Archive, so I can't see what's in this book, but, the cover image alone? Spaces like that are just so appealing to me.
Bibliography: p. 109-110
although I do want to know who thought changing the typeface would be enough to keep the title from being read as The Sun-heated Jack Kramer